Michael Conway – författare

Historically and culturally, Sufism and Zen may not seem to have anything in common. However, in the West, their spiritual messages are often perceived as strikingly similar. In this book, scholars analyse the ways in which Sufism and Zen were introduced to and developed in the West. The collection shows that the popularity of these religions arose not because of the substantive shared elements within the two traditions, but because their promoters in the West employed similar strategies to respond to the interests of a modern, Western audience. The first book to make a close comparison of Sufism and Zen, this study is an important contribution to understanding Western religious life and processes of ‘easternisation’. It sheds new light on how Sufism and Zen came to represent a spirituality that is both countercultural and in touch with modern sensitivities.

This collection of seventeen essays situates modern Shin Buddhist thinker Kiyozawa Manshi (1863–1903) and his new form of spirituality, Seishinshugi, in the broader context of Buddhism and religious thought in modern Japan. The work highlights several factors that led to the development of Kiyozawa’s ideas and demonstrates the broad influence that he and his disciples had, putting in relief both the events that led Kiyozawa to set forth his unique formulation of a modern Shin Buddhist religiosity in Seishinshugi and the ways in which those ideas became a force that shaped a large part of Japan’s religious landscape well past the middle of the twentieth century.The book is made up of historical studies that explore the significance of Seishinshugi from a variety of perspectives and chapters that attempt to introduce some of the original ideas of Seishinshugi thinkers and other modern Shin proponents such as Sasaki Gesshō (1875–1926) and Yasuda Rijin (1900–1982). The inclusion of several translations of recent Japanese scholarship on Kiyozawa and Seishinshugi provides a snapshot of the state of the field for Kiyozawa studies today in Japan.Several early chapters present issues that Kiyozawa addressed in his formulations of Seishinshugi. His relationship with Inoue Enryō (1858–1919) is discussed in depth, as is his understanding of the Tannishō and new research indicating that Seishinshugi might more closely represent the thought of Kiyozawa’s disciples than his own. This portion ends with a consideration of the reinvention of Kiyozawa’s historical image by his followers after his death. Later chapters bring together research into the specific ways in which Kiyozawa’s legacy shaped the Japanese religious and philosophical environment in the last century, including contributions on female spirituality as expressed in the Seishinshugi movement and the influence of Kiyozawa and Soga Ryōjin (1875–1971) on the Kyoto School and its implications. Other essays highlight approaches to finding meaning in Shin doctrines by Sasaki, Soga, and Yasuda, and how D. T. Suzuki, an Ōtani University colleague, fits into the movement as a whole.

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Historically and culturally, Sufism and Zen may not seem to have anything in common. However, in the West, their spiritual messages are often perceived as strikingly similar. In this book, scholars analyse the ways in which Sufism and Zen were introduced to and developed in the West. The collection shows that the popularity of these religions arose not because of the substantive shared elements within the two traditions, but because their promoters in the West employed similar strategies to respond to the interests of a modern, Western audience. The first book to make a close comparison of Sufism and Zen, this study is an important contribution to understanding Western religious life and processes of ‘easternisation’. It sheds new light on how Sufism and Zen came to represent a spirituality that is both countercultural and in touch with modern sensitivities.

Historically and culturally, Sufism and Zen may not seem to have anything in common. However, in the West, their spiritual messages are often perceived as strikingly similar. In this book, scholars analyse the ways in which Sufism and Zen were introduced to and developed in the West. The collection shows that the popularity of these religions arose not because of the substantive shared elements within the two traditions, but because their promoters in the West employed similar strategies to respond to the interests of a modern, Western audience. The first book to make a close comparison of Sufism and Zen, this study is an important contribution to understanding Western religious life and processes of 'easternisation'. It sheds new light on how Sufism and Zen came to represent a spirituality that is both countercultural and in touch with modern sensitivities.