Den som vill förstå dagens mediesamhälle har mycket att hämta genom att återvända till tidigare analyser, teorier och idéer – till medie­vetenskapens idétraditioner. Den här antologin både inventerar och förmedlar ett förråd av olika traditioner och texter som har haft stor betydelse för ämnet. Den är fylld av verktyg som behövs för att navigera i det samtida medielandskapet. Varje kapitel behandlar en klassisk medievetenskaplig text, placerar den i sitt historiska och vetenskapliga sammanhang, presenterar en närläsning av dess centrala innehåll och diskuterar dess relevans idag. Bokens kapitel är tänkta att erbjuda ett stöd till egen läsning av original­texterna, inte att ersätta sådan läsning. Denna andra upplaga är reviderad efter de senaste forskningsrönen och utökad med fyra nya kapitel.Boken riktar sig främst till studenter och lärare i medie- och kommunikations­vetenskap med närliggande ämnen, men också till andra som intresserar sig för medievetenskapens idétraditioner.

Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption. The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life. The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways. Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes. Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today. As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption. The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life. The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways. Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes. Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today. As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

Den som vill förstå dagens mediesamhälle har mycket att hämta genom att återvända till tidigare analyser, teorier och idéer – till medie­vetenskapens idétraditioner. Den här antologin både inventerar och förmedlar ett förråd av olika traditioner och texter som har haft stor betydelse för ämnet. Den är fylld av verktyg som behövs för att navigera i det samtida medielandskapet. Varje kapitel behandlar en klassisk medievetenskaplig text, placerar den i sitt historiska och vetenskapliga sammanhang, presenterar en närläsning av dess centrala innehåll och diskuterar dess relevans idag. Bokens kapitel är tänkta att erbjuda ett stöd till egen läsning av original­texterna, inte att ersätta sådan läsning. Denna andra upplaga är reviderad efter de senaste forskningsrönen och utökad med fyra nya kapitel.Boken riktar sig främst till studenter och lärare i medie- och kommunikations­vetenskap med närliggande ämnen, men också till andra som intresserar sig för medievetenskapens idétraditioner.

Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption. The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life. The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways. Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes. Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today. As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption. The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life. The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways. Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes. Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today. As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.