Rebecca West - Böcker

'Impossible to put down' Observer'One of the great books of the century' Times Literary SupplementRebecca West's epic masterpiece not only provides deep insight into the former country of Yugoslavia; it is a portrait of Europe on the brink of war. A heady cocktail of personal travelogue and historical insight, this product of an implacably inquisitive intelligence remains essential for anyone attempting to understand the history of the Balkan states, and the wider ongoing implications for a fractured Europe.

'Spellbinding . . . Probably her best fiction' - Sunday TimesThe soldier returns from the front to the three women who love him. His wife, Kitty, with her cold, moonlight beauty, and his devoted cousin Jenny wait in their exquisite home on the crest of the Harrow-weald. Margaret Allington, his first and long-forgotten love, is nearby in the dreary suburb of Wealdstone. But the soldier is shell-shocked and can only remember the Margaret he loved fifteen years before, when he was a young man and she an inn-keeper's daughter. His cousin he remembers only as a childhood playmate; his wife he remembers not at all. The women have a choice - to leave him where he wishes to be, or to 'cure' him. It is Margaret who reveals a love so great that she can make the final sacrifice.Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

The politics and writings of Rebecca West have always ellicited strong reactions. This collection of her letters includes correspondence with such luminaries as George Bernard Shaw, Virginia Woolf, and her famous lover H.G. Wells, and offers pronouncements on misogyny, fascism and communism.

Rebecca West’s never-before-published Survivors in Mexico brings to readers a daring and provocative work by a major twentieth-century author. An exhilarating exploration of Mexican history, religion, art, and culture, it explores the inner lives of figures ranging from Cortés and Montezuma to Diego Rivera, Frida Kahlo, and Leon Trotsky.“Witty and entertaining, substantive and reflective, insightful and well documented, in splendid and uncommon prose, Rebecca West’s travelogue . . . is a model of British sophistication and knack for seeing the other.”—Jorge G. Castañeda, New York Times Book Review “An enthrallingly readable book . . . full of sharp impressions and stimulating insights.”—Merle Rubin, Los Angeles Times Book Review“Luscious reading. . . . The book succeeds beautifully as a travelogue thanks to West’s intellect and experience, with Mexico serving as the vehicle for it all.”—Sam Quinones, Washington Post Book World

Returning to his stately English home from the chaos of World War I, a shell-shocked officer finds that he has left much of his memory in the front's muddy trenches. The three women who love him best anxiously await his arrival: the thoughtful and intuitive cousin who narrates the story, the lovely wife he cannot recognize, and the woman with whom he shared a summer romance 15 years ago.Rebecca West's novel depicts neither battles nor battlefields. This remarkable tale takes a searching look at the far-reaching effects of the first modern war on a sheltered society. The Return of the Soldier effectively and memorably captures the spirit of England in the throes of unwelcome change. It is a penetrating view of the nation's shifting class structures and offers a sensitive portrayal of individuals torn between nostalgia for their irretrievable past and acceptance of their conflicted present.Reprint of the Century Co., New York, 1918 edition.

In 1916, when Rebecca West was not yet twenty-five years old, George Bernard Shaw wrote: 'Rebecca can handle a pen as brilliantly as ever I could and much more savagely.' These early writings, collected ehre for the first time, established Rebecca West's reputation as a brilliant journalist and a dedicated yet undogmatic feminist and socialist. From the age of nineteen, writing articles for The Freewoman, and later the Clarion, she displayed her characteristic fierce intelligence, her passion and her biting wit in articles on women's suffrage, imperialism, the Labour Party, and trade unionism as well as literature, religion, domesticity, men and crime. Whether reviewing the latest novel by H.G. Wells ('the sex obsession that lay clotted on Ann Veronica... like cold white sauce'), describing police brutality against suffragettes ('An Orgy of Disorder and Cruelty'), or arguing for better conditions for working women ('Women ought to understand that in submitting themselves to this swindle of underpayment, they are not only insulting themselves, but doing a deadly injury to the community'), she demonstrated again and again a characteristic fearlessness and a formidable grasp of events.Including a short story, 'Indissoluble Matrimony', which appeared in the historic first issue of Blast, and a biographical essay of great psychological penetration on the suffragette Emmeline Pankhurst, this exhilerating collection introduces the early work of one of the most distinguished writers of our time and provides a portrait of a fascinating and turbulent period of British political and literary history.

Isabelle is beautiful, immensely rich and a widow at the age of twenty-six. In 1928 she leaves America for Cannes and Paris in search of high society - and love. For though outwardly she has everything women dream of, inside she craves the peace of a lasting marriage. To find the kind of love she needs Isabelle must choose between three men: her violent, fascinating lover, the aristocrat Andre de Verviers; a reserved plantation owner from the Deep South, Laurence Vernon; and the eccentric millionaire Marc Sellafranque...First published in 1936, this is Rebecca West's most popular work of fiction: at once a masterful portrayal of the brilliance and decadence of high society in the 1920s, and a poignant and compassionate portrait of one woman's life and loves.

'The Strange Necessity',one of the twelve essays collected here and first published in 1928, anchors West's quest to understand why art matters and how aesthetics of every caliber can not only inspire but reveal the author's inner world. Whether juxtaposing Ulysses's prose with Pavlov's research, or comparing Sinclair Lewis with actress and pianist Yvonne Printemps, West finds that a satisfying emotion overrides an artistic work's form. Her intricately crafted essays reveal her experience in the literary circles of the twenties and thirties and the important role this question played in her own writing. West's keenly observed criticism offers invaluable insight not only into her work but into her impressions of early twentieth century literature.

Acknowledged as Rebecca West's fictional masterpiece, The Fountain Overflows introduces the crisis-ridden Aubrey family. This Real Night continues their remarkable story.It is the early 1900s. With the disappearance of Piers, her feckless and gambling husband, and the sale of some valuable paintings, Clare Aubrey has a firmer grip on the purse strings. Rose and Mary are at music college, struggling for artistic perfection, while the self-assured Cordelia has fallen into the role of art dealer's assistant. Richard Quin, beloved younger brother, is contemplating Oxford. The children's coming of age, with its gradual acceptance of love and loss, becomes all the more poignant as the events of the First World War gather pace...

Cousin Rosamund unfolds the final chapters of the saga that began with The Fountain Overflows, Rebecca West's acknowleged masterpiece, and continued with This Real Night.As the glitter of the 1920s gives way to the Depression, Rose and Mary find themselves feted and successful pianists. But their happiness is diminished by their cousin's unfathomable marriage to a man they perceive as grotesque. Lacking her cousin Rosamund's intuitive understanding, Rose looks to the surrogate wisdom of Mr Morpurgo, while quiet days with Aunt Lily and the Darcys at their pub on the Thames offer respite from the tensions of foreign concert tours. With approaching middle age Rose gains in perspective. Yet the most exciting development still awaits her: the discovery of and delight in her own sexuality...

Like most all of Rebecca West's reportage, A Train of Powder approaches great literature. Written between 1946 and 1954, these accounts of four controversial trials explore the nature of crime and punishment, innocence and guilt, retribution and forgiveness. The centerpiece of the book is "Greenhouse with Cyclamens," a three-part essay on the Nuremberg trials written with precision, clarity, and daring insight. She also reports on two particularly brutal murder trials — one for a lynching in North Carolina, the other for a "torso murder" in England — and the espionage trial of a British telegrapher. Throughout, the question of guilt inspires Ms. West to feats of psychological detection wherein unerring craftsmanship and a powerful narrative sense combine to a high purpose — the pursuit of truth. "An astonishing book.... As compelling as Court TV but without the frisson of voyeurism (and with the compensatory satisfactions of West's breathtakingly lucid prose style), these elegant narratives remind us of the preciousness and fragility of our right to trial by jury."—Francine Prose. "It is her unique magic to combine impressionism and precision, as if Monet and Ingres could somehow be fused. Time and again a passage begins as a sort of iridescent cloud, and culminates in a diamond point."—Telford Taylor, Saturday Review. "Rebecca West...has raised journalism to a high art, breathing into it a depth, a poetry, a subtlety, and an understanding and compassion for human beings and their endless follies and tragedies that give it a legitimate place in contemporary literature."—William L. Shirer.