Robert Graves – författare

'Still an acknowledged masterpiece and a model for historical fiction ... sympathetic and intensely involving: a great feat of imagination' Hilary Mantel Bringing to life the intrigue of ancient Rome, Robert Graves's I, Claudius is one of the most celebrated, gripping historical novels ever writtenDespised for his weakness and regarded by his family as little more than a stammering fool, the nobleman Claudius quietly survives the bloody purges and mounting cruelty of the imperial Roman dynasties. In I, Claudius he watches from the sidelines to record the reigns of its emperors: from the wise Augustus and his villainous wife Livia to the sadistic Tiberius and the insane excesses of Caligula. Written in the form of Claudius' autobiography, this is the first part of Robert Graves's brilliant account of the madness and debauchery of ancient Rome.With an introduction by Barry Unsworth'An imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic' Daily Telegraph

An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves's Goodbye to All That is a matchless evocation of the Great War's haunting legacy, published in Penguin Modern Classics.In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.If you enjoyed Goodbye to All That, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics.'His wonderful autobiography'Jeremy Paxman, Daily Mail

'Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tempted creatures, whose great moral task is to hold in balance the angel and the monster within' GORE VIDALAs private secretary to the Emperor Hadrian, the scholar Suetonius had access to the imperial archives and used them (along with eyewitness accounts) to produce one of the most colourful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus to the decline into depravity under Nero and the recovery that came with his successors. This masterpiece of observation, immortalized in Robert Graves's classic translation, presents us with a gallery of vividly drawn - and all too human - individuals.Translated by ROBERT GRAVESRevised with an Introduction and notes by JAMES B. RIVES

Robert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior officer form the heart of this compelling autobiography. Beginning with an ironic overview of his Edwardian childhood, he proceeds to a tongue-in-cheek account of a young poet's life at public school (not helpful to be half-German, but handy to take up boxing), progressing to caricatures of military stereotypes he encounters in training, and the devastating farce of the War itself, the blundering and mismanagement, and the appalling human consequences. Graves's handling of the horrors of war is always deadpan, honest and unadorned. It is wholly in line with his sense of the absurd that his commanding officer should write to inform his parents that he had died of wounds during the battle of the Somme. He soon found that patriotism was meaningless to the men in the trenches; loyalty to comrades alive and dead drove him back to active service though still suffering from shell-shock.Goodbye to All That takes Graves through his convalescence in England, his efforts to protect the poet Siegfried Sassoon, a friend and fellow officer, from the consequences of his public denunciation of the war; marriage to artist and feminist Nancy Nicholson, postwar undergraduate years at Oxford and a decade as a struggling writer with four young children, beset with money problems and neurasthenia. It is written in a spirit of defiance as he prepared to put 'all that' behind him and begin a new life in Majorca with the American poet Laura Riding.

Robert Graves's classic retelling of the Greek Myths is definitive, comprehensive and unparalleled - and available now in the Penguin Classics Deluxe series, featuring a new introduction from Rick Riordan (bestselling author of the Percy Jackson and Olympian series).Including many of the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - Robert Graves's superb and comprehensive retelling of the Greek myths for a modern audience has been regarded for over fifty years as the definitive version. With a novelist's skill and a poet's eye, Graves draws on the entire canon of ancient literature, bringing together all the elements of every myth into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single, continuous narrative, while full commentaries, with cross-references, interpretations, variants and explanations, as well as a comprehensive index of names, make it equally valuable as a work of scholarly reference for anyone seeking an authoritative and detailed account of the gods, heroes and extraordinary events that provide the bedrock of Western literature.The result is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.Robert Graves (1895-1985) was a novelist, poet, historian, critic and translator, author of some 140 books, and one of the greatest figures of 20th century British literature. Alongside The Greek Myths, his most famous works include the historical novels I, Claudius and Claudius the God and his First World War memoir Goodbye to All That.

Continuing the saga begun in I, Claudius, Robert Graves's Claudius the God is a compelling fictional autobiography of the Roman emperor, published with an introduction by Barry Unsworth in Penguin Modern Classics.Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. Here he recounts his surprisingly successful reign: how he cultivates the loyalty of the army and the common people to repair the damage caused by Caligula; his relations with the Jewish King Herod Agrippa; and his invasion of Britain. But the growing paranoia of absolute power and the infidelity of his promiscuous young wife Messalina mean that his good fortune will not last forever. In this second part of Robert Graves's fictionalized autobiography, Claudius - wry, rueful, always inquisitive - brings to life some of the most scandalous and violent times in history.If you enjoyed Claudius the God, you might like Marguerite Yourcenar's Memoirs of Hadrian, also available in Penguin Modern Classics.'I, Claudius and Claudius the God are an imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic'Daily Telegraph'One of the really remarkable books of our day, a novel of learning and imagination, fortunately conceived and brilliantly executed' The New York Times'Graves made Roman history funny and familiar'Guardian

The sixth century was not a peaceful time for the Roman empire. Invaders threatened on all fronties, but they grew to respect and fear the name of Belisarius, the Emperor Justinian's greatest general. With this book Robert Graves again demonstrates his command of a vast historical subject, creating a startling and vivid picture of a decadent era.

War is raging between the Greeks and the Trojans. Achilles, the great warrior champion of the Greek army, is angrily sulking in his tent and refusing to fight, after a row with his leader Agamemnon. But when the Trojan king Hector kills Achilles’ beloved friend, he plunges back into the battle to seek his bloody revenge – even though he knows it will bring about his own doom. Robert Graves’s gripping, vigorous retelling of The Iliad portrays quarrelling kings and tarnished heroes, who leave suffering women behind them and are watched over by capricious gods and goddesses. It takes a revered classic back to its roots as popular entertainment.

Graves described poetry as his ruling passion, and for him love was 'the main theme and origin of true poems'. He created a rich mythology where love, fear, fantasy and the supernatural play an essential role. Intimate yet universal, passionate yet precise, their brilliant alchemy of realism and magic made Graves's poems some of the finest of the last century. In this edition the poems appear without critical apparatus or commentary. The volume represents in its purest form the achievement of Graves's seventy productive years.

The ever-popular novelist and story-teller Robert Graves wrote fascinating and durable stories, here collected together in a single volume for the first time by the poet's daughter Lucia Graves.

Marie Powell is sixteen when her father marries her to the poet John Milton in payment of a debt. They move to a pretty garden-house in London, but she struggles to adjust to her new life. Her husband is high-minded and unyielding, and only makes Marie long for the man she really loves. As Civil War sweeps across England and the King is killed, a battle starts to rage between husband and wife - one that only the powerful can win. Told through the fictional journals of Milton's wife, Robert Graves's sympathetic and sensitive reconstruction of her tragic life is also a convincing, linguistically rich portrait of seventeenth-century England as it is ravaged by war.

Robert Graves's controversial historical novel is a bold reworking of the story of Christ. Here Jesus is not the son of God, but the result of a secret marriage - the descendant of Herod and true King of the Jews. Written from the perspective of a lowly official at the end of the first century AD, King Jesus recounts Jesus's birth, youth, life as a charismatic 'wonder worker' and the unorthodox, bitter nature of his death and resurrection. Portraying Jesus not as divine but as a flawed human bent upon his own doom, this retelling of the gospels is a compelling blend of research, imagination and narrative power.

Edward Venn-Thomas lives in the twentieth century but has been mysteriously transported to the future, and the apparently idyllic society of New Create, where there is no hunger, no war and no dissatisfaction. However Venn-Thomas is starting to find life among the New Cretans rather dull. He comes to realize that their perfect existence, inspired by the poets and magicians of their strange occultic religion, lacks one fundamental thing - evil. So Venn-Thomas sees it as nothing less than his duty to introduce them to the darker side of life. First published in 1949 and also known as Watch the North Wind Rise, Graves's novel is a thrilling blend of utopian fantasy, science fiction and mythology.

Terence achieved in his brief twenty-six years a standard of stylistic perfection and artistic restraint that ranked him, along with Plautus, as the greatest of the Roman comic playwrights. He was, at the very least, a gifted translator and adaptor, having used Greek New Comedies as the basis for all six of his extant plays. How far his own contribution exceeded that of simple translation is difficult to say, but we know that the Latin, undeniably his, was so faultlessly styled that his work served as a textbook for scholars and grammarians for hundreds of years.Terence had a considerable impact on the Revival of Letters; his comedies were studied and were frequently adapted into new works by such men as Steele, Chapman, and, most famously, Moliire. Indeed, had there been no Terence, it is doubtful that the Comedy of Manners could have arisen when it did, and all comic writing for the stage, from Moilire through the Restoration drama to the present day, would be diminished for lack of him. Appropriately, the language of this translation is from the Restoration. Graves has based his version on the one made in 1689 by Laurence Echard; he has corrected inaccuracies, eliminated defects and obscurities, but retained the period tone.Including in this book are the major comedies: The Fair Andrian, The Mother-In-Law, The Self-Tormentor, The Eunuch, The Tricks of Phormio and The Brothers. A close reading of Terence is a fine corrective to any idea that may still be current, about the glory that was Greece and grandeur that was Rome during the Hellenistic period. It is an assurance that in some respects at least, this age is not depraved at all.

The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths'Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below...'These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature.The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.

This labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves's vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.This new edition has been prepared by Grevel Lindop, who has written an illuminating introduction. The text of the book incorporates all Graves's final revisions, as well as his replies to two of the original reviewers, and a long essay in which he describes the months of inspiration in which The White Goddess was written.

An essential selection from the range and bulk of Robert Graves's poetry, edited by Ulster poet Michael Longley. This edition restores Graves to view as a major twentieth century poet, and demonstrates his manifold achievement as war poet, as love poet, and as - in the round - a secular visionary whose poems are 'inimitable, eccentric marvels - some of which are extraordinary, many are masterly, all are like nothing else ever written' (Randall Jarrell).This edition of Robert Graves's poems is scrupulously selected from across the full range of his lifetime's verse. It opens with an illuminating introduction in which Longley makes a persuasive case for the importance of this remarkable poet.

Though he lived most of his life in the remote village of Deya on the island of Mallorca, Robert Graves (1895--1985) was conversant with the most important issues of this century and was acquainted with many of the most powerful people. Jorge Luis Borges called him ""a soul above."" Graves wrote almost restlessly on subjects of great diversity: myths of the Greeks, Romans, Hebrews, and Celts; modern science and economics; contemporary society and culture as well as of ancient Greece and Rome, of Celtic Wales and Ireland, of the time of Milton, and of the American Revolution.He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars.Throughout his long and productive life, whether he was talking with Virginia Woolf, Peter Quenell, Jorge Luis Borges, Alan Sillitoe, Edwin Newman, or Gina Lollobrigida, the voice of Graves remained clear and distinct--attracting and repelling a variety of interviewers with its surety. His Books-Goodbye to All That; The White Goddess; I, Claudius; and King Jesus-preserve his literary art. The conversations in this collection keep alive his presence and passion.