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20 produkter
20 produkter
The Oxford History of the Novel in English
Volume 11: The Novel in Africa and the Caribbean since 1950
Inbunden, Engelska, 2016
2 259 kr
Skickas inom 5-8 vardagar
Why did the novel take such a long time to emerge in the colonial world? And, what cultural work did it come to perform in societies where subjects were not free and modes of social organization diverged from the European cultural centers where the novel gained its form and audience? Answering these questions and more, Volume 11, The Novel in Africa and the Caribbean since 1950 explores the institutions of cultural production that exerted influence in late colonialism, from missionary schools and metropolitan publishers to universities and small presses. How these structures provoke and respond to the literary trends and social peculiarities of Africa and the Caribbean impacts not only the writing and reading of novels in those regions, but also has a transformative effect on the novel as a global phenomenon.Together, the volume's 32 contributing experts tell a story about the close relationship between the novel and the project of decolonization, and explore the multiple ways in which novels enable readers to imagine communities beyond their own and thus made this form of literature a compelling catalyst for cultural transformation. The authors show that, even as the novel grows in Africa and the Caribbean as a mark of the elites' mastery of European form, it becomes the essential instrument for critiquing colonialism and for articulating the new horizons of cultural nationalism. Within this historical context, the volume examines works by authors such as Chinua Achebe, Nadine Gordimer, George Lamming, Jamaica Kincaid, V.S. Naipaul, Zoe Wicomb, J. M. Coetzee, and many others.
2 551 kr
Skickas inom 3-6 vardagar
Gikandi explores the politics of identity to analyze how the colonial experience inspired narrative forms that changed the nature of the English identity by surveying the British imperial tradition since the nineteenth century. He provides detailed readings of the works of Trollope, Carlyle, and others; through the narratives of imperial women travelers such as Mary Kingsley and Mary Seacole; and through Africanist texts by Joseph Conrad, Graham Greene and postcolonialists such as Salman Rushdie and Joan Riley.
715 kr
Skickas inom 3-6 vardagar
Gikandi explores the politics of identity to analyze how the colonial experience inspired narrative forms that changed the nature of the English identity by surveying the British imperial tradition since the nineteenth century. He provides detailed readings of the works of Trollope, Carlyle, and others; through the narratives of imperial women travelers such as Mary Kingsley and Mary Seacole; and through Africanist texts by Joseph Conrad, Graham Greene and postcolonialists such as Salman Rushdie and Joan Riley.
4 473 kr
Skickas inom 10-15 vardagar
The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers the literature back to the earliest eras of story-telling and oral transmission, making this a unique and valuable resource for those studying social sciences as well as humanities. This work includes cross-references, suggestions for further reading, and a comprehensive index.
948 kr
Skickas inom 10-15 vardagar
The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers the literature back to the earliest eras of story-telling and oral transmission, making this a unique and valuable resource for those studying social sciences as well as humanities. This work includes cross-references, suggestions for further reading, and a comprehensive index.
Del 8 - Cambridge Studies in African and Caribbean Literature
Ngugi wa Thiong'o
Häftad, Engelska, 2009
701 kr
Skickas inom 7-10 vardagar
Kenyan dramatist and novelist Ngugi wa Thiong'o is a hugely influential African writer respected not only for his creative work but also for his criticism of wider cultural issues - issues such as nation and narration, power and performance, language and identity, empire and postcoloniality. Simon Gikandi's study, first published in 2000, offers a comprehensive analysis of all Ngugi's published work and explores the development of the major novels and plays against a background of colonialism and decolonisation in Kenya. Gikandi places the works in a context that examines the way they engage with the changing history of Africa. Tracing Ngugi's career from the 1960s through to his role in shaping a radical culture in East Africa in the 1970s and his imprisonment and exile in the 1980s, this book provides fresh insight into the author's life and the historic events that produced his work.
Del 8 - Cambridge Studies in African and Caribbean Literature
Ngugi wa Thiong'o
Inbunden, Engelska, 2000
1 589 kr
Skickas inom 7-10 vardagar
Kenyan dramatist and novelist Ngugi wa Thiong'o is a hugely influential African writer respected not only for his creative work but also for his criticism of wider cultural issues - issues such as nation and narration, power and performance, language and identity, empire and postcoloniality. Simon Gikandi's study, first published in 2000, offers a comprehensive analysis of all Ngugi's published work and explores the development of the major novels and plays against a background of colonialism and decolonisation in Kenya. Gikandi places the works in a context that examines the way they engage with the changing history of Africa. Tracing Ngugi's career from the 1960s through to his role in shaping a radical culture in East Africa in the 1970s and his imprisonment and exile in the 1980s, this book provides fresh insight into the author's life and the historic events that produced his work.
366 kr
Skickas inom 5-8 vardagar
It would be easy to assume that, in the eighteenth century, slavery and the culture of taste - the world of politeness, manners, and aesthetics - existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery's impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European - mainly British - life, leading to a transformation of bourgeois ideas regarding freedom and selfhood.He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century's many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.
779 kr
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In Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.
364 kr
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Simon Gikandi has written an insightful book for students of literature by examining the work of some major African writers.A most sensitive, perceptive, intelligent and mature piece of literary criticism such as one rarely finds. I don't think I have read anything, for example, as good on Beti as Gikandi's section on Mission to Kala; in this chapter he displays very well indeed the successful accomplishment of his aim to examine the relationship between form and content, and provides us, through his approach, with (I dare say it) the most illuminating examination of Beti's novel so far had... The approach is one that as Gikandi says, most critics avoid, preferring to concentrate on themes; but in a good writer the form is not only the vehicle but also often, part of the content; Gikandi does usall a service by facing the difficulties of the task and pulling it off so well. How well, and clearly, he discusses irony!... The presentation is clear, accessible and impressive in its authority of tone. This latter is to someextent strengthened by his knowledge of, and effective use of references to, contemporary critical theorists.' - Clive Wake, Emeritus Professor of Modern French and African Literature, University of Kent at CanterburyNorth America: Heinemann; Kenya: EAEP
364 kr
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Analysis of the writings of Chinua Achebe aimed at students of literature.Simon Gikandi has set out to reveal '...the very nature of [Achebe's] creativity, its prodigious complexity and richness...its paradoxes and ambiguities. This is scholarship of real stature and supersedes all other studies of Achebe's writing. It comes at a good time. Achebe's literary reputation is equal to that of any living author and a substantial critical canon has been established. - G.D. Killam, Professor of English, University of GuelphKenya: EAEP
- Nyhet
512 kr
Skickas inom 7-10 vardagar
In African Literature in the World, Simon Gikandi asks: Why do debates on language continue to inform and haunt African writing? What happened when writing replaced orality as the primary form of creative expression? When, how, and why did the novel come to occupy such a dominant role in African literary history? This is a comprehensive study of the histories and theories of African literature in the twentieth century and shows how African writers adopted and transformed the English language and its traditions to account for African identities and experiences. Concerned with writing and reading as forms of mediation, Gikandi provides examples of how imaginative works shaped the public sphere in Africa in relation to decolonization and the politics of language. He explores how the emergence of a modern tradition of African writing has generated new forms of criticism in relation to the form of the novel, modernity, and modernism.
2 437 kr
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Dynamics of Deep Time and Deep Place comprises one volume in an unprecedented three-volume set, collectively subtitled Decolonial Reconstellations. Together with Volume Two (Dissolving Master Narratives) and Volume Three (Reconceiving Identities in Political Economy), it gathers thinkers from across world regions and disciplines who reconfigure critical global thought.Collaboratively conceived, the volumes are founded on the observation that we cannot fully uproot the epistemological-material violence of coercive systems, nor fully (re)imagine more ethical visions of planetary community, without shared attention to the deeper histories of place and peoples that shape the present. Accordingly, the volumes gather social scientists and humanists, Indigenous and non-Indigenous scholars, and intersectional and materialist thinkers who reconceptualize longue-durée history and its afterlives. They engage in the dual project to dismantle eurocentric, colonial, androcentric frameworks and to make visible the legacies of care and creative world-making that have sustained human communities. Uncovering pasts that are as complex and dynamic as the present, the contributors brilliantly transform notions of temporality, relationality, polity, conjuncture, resistance and experimentation within histories of struggle and alliance. They richly decolonize political imaginaries. The co-editors’ introductions articulate fresh frameworks of “deep place” and “deep time” freed from eurocentric modernity paradigms, indicating pathways toward decolonial collaboration and institutional change.Decolonial Reconstellations offers invaluable resources for researchers and teachers in decolonial, postcolonial, anti-colonial, and Indigenous studies and will also strongly appeal to feminist, anti-racist, Marxist, and critical theory scholars across disciplines.
2 437 kr
Skickas inom 10-15 vardagar
Dissolving Master Narratives comprises one volume in an unprecedented three-volume set, collectively subtitled Decolonial Reconstellations. Together with Volume One (Dynamics of Deep Time and Deep Place) and Volume Three (Reconceiving Identities in Political Economy), it gathers thinkers from across world regions and disciplines who reconfigure critical global thought.Collaboratively conceived, the volumes are founded on the observation that we cannot fully uproot the epistemological-material violence of coercive systems, nor fully (re)imagine more ethical visions of planetary community, without shared attention to the deeper histories of place and peoples that shape the present. Accordingly, the volumes gather social scientists and humanists, Indigenous and non-Indigenous scholars, and intersectional and materialist thinkers who reconceptualize longue-durée history and its afterlives. They engage in the dual project to dismantle eurocentric, colonial, androcentric frameworks and to make visible the legacies of care and creative world-making that have sustained human communities. Uncovering pasts that are as complex and dynamic as the present, the contributors brilliantly transform notions of temporality, relationality, polity, conjuncture, resistance, and experimentation within histories of struggle and alliance. They richly decolonize political imaginaries. The co-editors’ introductions articulate fresh frameworks of “deep place” and “deep time” freed from eurocentric modernity paradigms, indicating pathways toward decolonial collaboration and institutional change.Decolonial Reconstellations offers invaluable resources for researchers and teachers in decolonial, postcolonial, anti-colonial, and Indigenous studies, and will also strongly appeal to feminist, anti-racist, Marxist, and critical theory scholars across disciplines.
Reconceiving Identities in Political Economy
Decolonial Reconstellations, Volume Three
Inbunden, Engelska, 2025
2 437 kr
Skickas inom 10-15 vardagar
Reconceiving Identities in Political Economy comprises one volume in an unprecedented three-volume set, collectively subtitled Decolonial Reconstellations. Together with Volume One (Dynamics of Deep Time and Deep Place) and Volume Two (Dissolving Master Narratives), it gathers thinkers from across world regions and disciplines who reconfigure critical global thought.Collaboratively conceived, the volumes are founded on the observation that we cannot fully uproot the epistemological-material violence of coercive systems nor fully (re)imagine more ethical visions of planetary community, without shared attention to the deeper histories of place and peoples that shape the present. Accordingly, the volumes gather social scientists and humanists, Indigenous and non-Indigenous scholars, and intersectional and materialist thinkers who reconceptualize longue-durée history and its afterlives. They engage in the dual project to dismantle eurocentric, colonial, androcentric frameworks and to make visible the legacies of care and creative world-making that have sustained human communities. Uncovering pasts that are as complex and dynamic as the present, the contributors brilliantly transform notions of temporality, relationality, polity, conjuncture, resistance and experimentation within histories of struggle and alliance. They richly decolonize political imaginaries. The co-editors’ introductions articulate fresh frameworks of “deep place” and “deep time” freed from eurocentric modernity paradigms, indicating pathways toward decolonial collaboration and institutional change.Decolonial Reconstellations offers invaluable resources for researchers and teachers in decolonial, postcolonial, anti-colonial, and Indigenous studies, and will also strongly appeal to feminist, anti-racist, Marxist, and critical theory scholars across disciplines.
Global Theatre Anthologies: Ancient, Indigenous and Modern Plays from Africa and the Diaspora
Häftad, Engelska, 2023
540 kr
Skickas inom 5-8 vardagar
The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country’s first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.
Global Theatre Anthologies: Ancient, Indigenous and Modern Plays from Africa and the Diaspora
Inbunden, Engelska, 2023
1 858 kr
Skickas inom 10-15 vardagar
The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country’s first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.
301 kr
Skickas inom 10-15 vardagar
In Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.
Foundational African Writers
Peter Abrahams, Noni Jabavu, Sibusiso Nyembezi and Es'kia Mphahlele
Häftad, Engelska, 2022
418 kr
Skickas inom 5-8 vardagar
This collection explores the complexities of black existence, and intellectual and cultural life in the work and legacies of centenarian writers, Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es'kia Mphahlele
392 kr
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First-hand accounts of how Ngugi wa Thiong'o's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century.This collection of essays reflects on the life and work of Ngugi wa Thiong'o, who celebrated his 80th birthday in 2018. Drawing from a wide range of contributors, including writers, critics, publishers and activists, the volume traces the emergence of Ngugi as a novelist in the early 1960s, his contribution to the African culture of letters at its moment of inception, and his global artistic life in the twenty-first century. Here we have both personal andcritical reflections on the different phases of the writer's life: there are poems from friends and admirers, commentaries from his co-workers in public theatre in Kenya in the 1970s and 1980s, and from his political associates in the fight for democracy, and contributions on his role as an intellectual of decolonization, as well as his experiences in the global art world. Included also are essays on Ngugi's role outside the academy, in the world of education, community theatre, and activism. In addition to tributes from other authors who were influenced by Ngugi, the collection contains hitherto unknown materials that are appearing in English for the first time. Both a celebration of the writer, and a rethinking of his legacy, this book brings together three generations of Ngugi readers. We have memories and recollections from the people he worked with closely in the 1960s, the students that he taught atthe University of Nairobi in the 1970s, his political associates during his exile in the 1980s, and the people who worked with him as he embarked on a new life and career in the United States in the 1990s. First-hand accounts reveal how Ngugi's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century.Simon Gikandi is Robert Schirmer Professor of English, Princeton University. He is President of the MLA and was editor of its journal PMLA, from 2011-2016.Ndirangu Wachanga is Professor of Media Studies and Information Science at the University of Wisconsin. He is also the authorized documentary biographer of Professors Ali A. Mazrui, Ngugi wa Thiong'o and Micere Mugo.