Teresa Berger – författare

The Spirit in Worship-Worship in the Spirit represents an essential contribution, from the field of liturgical studies, to the vibrant retrieval of the doctrine of the Holy Spirit in contemporary theology. The fifteen authors of this volume are scholars and practitioners from a wide range of traditions, including Pentecostal and charismatic communities as well as voices from outside the modern West. Together they articulate a richly diverse understanding of the presence of the Holy Spirit, grounded both in the practice of worship and in the scholarly reflection that attends to this practice of faith.

Teresa Berger is professor of liturgical studies at Yale's Institute of Sacred Music and at Yale Divinity School. She holds doctorates in both dogmatic theology and liturgical studies. Her recent books include Women's Ways of Worship (1999), andFragments of Real Presence (2005). She is also coproducer, of the interactive CD-ROM Ocean Psalms.

Bryan D. Spinks, DD (Dunelm, UK), is Goddard Professor of Liturgical Studies and Pastoral Theology at Yale Divinity School. He is the author of numerous books and articles, and is coeditor of the Scottish Journal of Theology. Spinks is a former consultant to the Church of England Liturgical Commission, president emeritus of the Church Service Society of the Church of Scotland, and a fellow of the Royal Historical Society.  

Liturgy migrates. That is, liturgical practices, forms, and materials have migrated and continue to migrate across geographic, ethnic, ecclesial, and chronological boundaries. Liturgy in Migration offers the contributions of scholars who took part in the Yale Institute of Sacred Music's 2011 international liturgy conference on this topic.

Presenters explored the nature of liturgical migrations and flows, their patterns, directions, and characteristics. Such migrations are always wrapped in their social and cultural contexts. With this in mind, these essays recalibrate, for the twenty-first century, older work on liturgical inculturation. They allow readers to better understand contemporary liturgical flows in the light of important and fascinating migrations of the past.

2020 Catholic Press Association honorable mention award for faith and science This collection of essays explores the rich and diverse intersections between the world of liturgy and the worlds of creation and the cosmos. The intersections highlighted here include biblical, historical, visual, and musical materials as well as contemporary theological and pastoral challenges for worship today. The essays gathered in this volume were first presented at the 2018 Yale Institute of Sacred Music Liturgy Conference and are here made available to a wider audience. These essays are responses to the unprecedented attention to ecological and cosmological concerns, which call for sustained engagement by scholars and practitioners of liturgy.

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices.

Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices.

@ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices.

Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices.

@ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.