Thomas Albrecht – författare

The Ethical Vision of George Eliot is one of the first monographs devoted entirely to the ethical thought of George Eliot, a profoundly significant, influential figure not only in nineteenth-century English and European literature, nineteenth-century women’s writing, the history of the novel, and Victorian intellectual culture, but also in the field of literary ethics. Ethics are a predominant theme in Eliot’s fictional and non-fictional writings. Her ethical insights and ideas are a defining element of her greatness as an artist and novelist.Through meticulous close readings of Eliot’s fiction, essays, and letters, The Ethical Vision of George Eliot presents an original, complex definition of her ethical vision as she developed it over the course of her career. It examines major novels like Adam Bede, Middlemarch, and Daniel Deronda; many of Eliot’s most significant essays; and devotes two entire chapters to Eliot’s final book Impressions of Theophrastus Such, an idiosyncratic collection of character sketches that Eliot scholars have heretofore generally overlooked or ignored.The Ethical Vision of George Eliot demonstrates that Eliot defined her ethical vision alternately in terms of revealing and strengthening a fundamental human communion that links us to other persons, however different and remote from ourselves; and in terms of recognizing and respecting the otherness of other persons, and of the universe more generally, from ourselves. Over the course of her career, Eliot increasingly transitions from the former towards the latter imperative, but she also considerably complicates her conception of otherness, and of what it means to be ethically responsible to it.

Sarah Kofman (1934-1994), Professor of Philosophy at the Sorbonne in Paris and the author of over twenty books, was one of the most significant postwar thinkers in France. Kofman's scholarship was wide-ranging and included work on Freud and psychoanalysis, Nietzsche, feminism and the role of women in Western philosophy, visual art, and literature. The child of Polish Jewish immigrants who lost her father in the Holocaust, she also was interested in Judaism and anti-Semitism, especially as reflected in works of literature and philosophy. This book is an anthology of some of Kofman's most significant writings on these and other topics. Its purpose is to provide a general introduction to Kofman's thought, which has been highly influential in both Europe and America. Although some of the selections have been published previously, the majority of the books contents appear in English translation for the first time.

Sarah Kofman (1934-1994), Professor of Philosophy at the Sorbonne in Paris and the author of over twenty books, was one of the most significant postwar thinkers in France. Kofman's scholarship was wide-ranging and included work on Freud and psychoanalysis, Nietzsche, feminism and the role of women in Western philosophy, visual art, and literature. The child of Polish Jewish immigrants who lost her father in the Holocaust, she also was interested in Judaism and anti-Semitism, especially as reflected in works of literature and philosophy. This book is an anthology of some of Kofman's most significant writings on these and other topics. Its purpose is to provide a general introduction to Kofman's thought, which has been highly influential in both Europe and America. Although some of the selections have been published previously, the majority of the books contents appear in English translation for the first time.

The Ethical Vision of George Eliot is one of the first monographs devoted entirely to the ethical thought of George Eliot, a profoundly significant, influential figure not only in nineteenth-century English and European literature, nineteenth-century women’s writing, the history of the novel, and Victorian intellectual culture, but also in the field of literary ethics. Ethics are a predominant theme in Eliot’s fictional and non-fictional writings. Her ethical insights and ideas are a defining element of her greatness as an artist and novelist.Through meticulous close readings of Eliot’s fiction, essays, and letters, The Ethical Vision of George Eliot presents an original, complex definition of her ethical vision as she developed it over the course of her career. It examines major novels like Adam Bede, Middlemarch, and Daniel Deronda; many of Eliot’s most significant essays; and devotes two entire chapters to Eliot’s final book Impressions of Theophrastus Such, an idiosyncratic collection of character sketches that Eliot scholars have heretofore generally overlooked or ignored.The Ethical Vision of George Eliot demonstrates that Eliot defined her ethical vision alternately in terms of revealing and strengthening a fundamental human communion that links us to other persons, however different and remote from ourselves; and in terms of recognizing and respecting the otherness of other persons, and of the universe more generally, from ourselves. Over the course of her career, Eliot increasingly transitions from the former towards the latter imperative, but she also considerably complicates her conception of otherness, and of what it means to be ethically responsible to it.

Examines images of horror in Victorian fiction, criticism, and philosophy.Focusing on the recurring metaphor of Medusa's head, The Medusa Effect examines images of horror in texts by Sigmund Freud, Friedrich Nietzsche, and a series of Victorian artists and critics writing about aesthetics. Through nuanced and innovative readings of canonical works by Freud, Nietzsche, Dante Gabriel Rossetti, Walter Pater, A. C. Swinburne, and George Eliot, Thomas Albrecht demonstrates the twofold nature of these writers' images of horror. On the one hand, the analysis illuminates how the representation of something seen as horrifying-for instance, a disturbing work of art, an existential insight, or a recognition of the fundamental inaccessibility of another person's consciousness-can serve a protective purpose, to defend the writer in some way against the horror he or she encounters. On the other hand, the representations themselves can be a potential threat-epistemologically unreliable, for instance, or illusory, deceptive, fundamentally unstable, and potentially dangerous to the writers. Through a psychoanalytically informed literary analysis, The Medusa Effect explores crucial ethical and epistemological questions of Victorian aesthetics, as well as underexamined complexities of the mechanisms of Victorian literary representation.

Examines images of horror in Victorian fiction, criticism, and philosophy.Focusing on the recurring metaphor of Medusa's head, The Medusa Effect examines images of horror in texts by Sigmund Freud, Friedrich Nietzsche, and a series of Victorian artists and critics writing about aesthetics. Through nuanced and innovative readings of canonical works by Freud, Nietzsche, Dante Gabriel Rossetti, Walter Pater, A. C. Swinburne, and George Eliot, Thomas Albrecht demonstrates the twofold nature of these writers' images of horror. On the one hand, the analysis illuminates how the representation of something seen as horrifying-for instance, a disturbing work of art, an existential insight, or a recognition of the fundamental inaccessibility of another person's consciousness-can serve a protective purpose, to defend the writer in some way against the horror he or she encounters. On the other hand, the representations themselves can be a potential threat-epistemologically unreliable, for instance, or illusory, deceptive, fundamentally unstable, and potentially dangerous to the writers. Through a psychoanalytically informed literary analysis, The Medusa Effect explores crucial ethical and epistemological questions of Victorian aesthetics, as well as underexamined complexities of the mechanisms of Victorian literary representation.

Dx-Direct is a series of eleven Thieme books covering the main subspecialties in radiology. It includes all the cases you are most likely to see in your typical working day as a radiologist. For each condition or disease you will find the information you need -- with just the right level of detail.Dx-Direct gets to the point: - Definitions, Epidemiology, Etiology, and Imaging Signs - Typical Presentation, Treatment Options, Course and Prognosis - Differential Diagnosis, Tips and Pitfalls, and Key References...all combined with high-quality diagnostic images.Whether you are a resident or a trainee, preparing for board examinations or just looking for a superbly organized reference: Dx-Direct is the high-yield choice for you!The series covers the full spectrum of radiology subspecialties including: Brain Gastrointestinal Cardiac Breast Urogenital Spinal Head and Neck Musculoskeletal Pediatric Thoracic Vascular

Automated Guided Vehicle Systems (AGV Systems) are floor-based systems that are used internally inside and/or outside of buildings. Another focus is the practical planning of such intralogistics systems based on the VDI guidelines, including hints and tips for successful project management when introducing an AGV System.

Automated Guided Vehicle Systems (AGV Systems) are floor-based systems that are used internally inside and/or outside of buildings. Another focus is the practical planning of such intralogistics systems based on the VDI guidelines, including hints and tips for successful project management when introducing an AGV System.

Dieses Fachbuch gibt einen Überblick über die Mobile Robotik in der Intralogistik. Dazu gehören die Fahrerlosen Transportsysteme (FTS/FTF/AGV) und die Autonomen Mobilen Roboter (AMR). Die Fibel stellt die geschichtliche Entwicklung dieser flurgebundenen Systeme in Epochen dar, erläutert die technischen Grundlagen der Fahrzeuge und zeigt anhand zahlreicher Praxisbeispiele vielfältige Anwendungen in der Industrie sowie in der Krankenhauslogistik. Ein weiterer Schwerpunkt ist die ganzheitliche Planung solcher Systeme.Die 5. Auflage trägt den gewaltigen Veränderungen in den internationalen Märkten Rechnung, indem zu den bisher bekannten FTS-Epochen eine neue 5. Epoche ab dem Jahr 2024 eingeführt und erläutert wird. Außerdem wird aufgezeigt, welche grundlegenden Ideen der mobilen Robotik seit Anbeginn bis heute unverändert Gültigkeit haben, und es wird ein Ausblick auf die Zukunft mit notwendigen Innovationen gewagt.