Thomas More – författare

Five hundred years since its first publication, Thomas More's Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering.But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease?In this quincentenary edition, published in conjunction with Somerset House, More's text is introduced by multi-award-winning author China Miéville and accompanied by four essays from Ursula K. Le Guin, today's most distinguished utopian writer and thinker.

'To find citizens ruled by good and wholesome laws, that is an exceeding rare, and hard thing.'Thomas More's Utopia presents an account of an idealised fictional society that has fascinated readers since its first publication in Latin in 1516. It is a scathing critique of More's contemporaries and a hopeful portrait of a better world; a ridiculous satire of the rich and powerful, and a personal exploration of what constitutes a good life.This edition is based on the first English translation of Utopia, produced in the mid-sixteenth century, allowing readers to understand how More was read on publication and the effects of the translator's changes upon the book's legacy. The introduction by Joanne Paul provides insights into More's context and intentions, exploring why this work has been so influential in modern utopian literature and in political theory through the ages.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'It remains astonishingly radical ... one of Utopia's most striking aspects is its contemporaniety' Terry EagletonIn Utopia, Thomas More gives us a traveller's account of a newly-discovered island where the inhabitants enjoy a social order based on natural reason and justice, and human fulfilment is open to all. As the traveller describes the island, a bitter contrast is drawn between this rational society and the practices of Europe. How can the philosopher reform his society? In his discussion, More takes up a question first raised by Plato and which is still a challenge in the contemporary world. In the history of political thought few works have been more influential than Utopia, and few more misunderstood.Translated and introduced by Dominic Baker-Smith

In Utopia Thomas More painted a fantastical picture of a distant island where society is perfected and people live in harmony, yet its title means 'no place', and More's hugely influential work was ultimately an attack on his own corrupt, dangerous times, and on the failings of humanity. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Thomas More: Utopia/ Francis Bacon: New Atlantis/Henry Neville: The Isle of Pines With the publication of Utopia (1516), Thomas More introduced into the English language not only a new word, but a new way of thinking about the gulf between what ought to be and what is. His Utopia is at once a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia. Utopia was only one of many early modern treatments of other worlds. This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Together these texts illustrate the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In Utopia, Thomas More gives us a traveller's account of a newly discovered island where the inhabitants enjoy a social order based on natural reason and justice, and human fulfilment is open to all. As the traveller, Raphael, describes the island to More, a bitter contrast is drawn between this rational society and the custom-driven practices of Europe. So how can the philosopher try to reform his society? In his fictional discussion, More takes up a question first raised by Plato and which is still a challenge in the contemporary world. In the history of political thought few works have been more influential than Utopia, and few more misunderstood.

The History of King Richard the Third is Thomas More's English masterpiece. With the help of Shakespeare, whose Richard the Third took More's work as its principal model, the History determined the historical reputation of an English king and spawned a seemingly endless controversy about the justness of that reputation. George M. Logan has produced a scholarly yet accessible edition of the History, designed to make More's exhilarating work fully accessible to 21st-century readers. More's text is presented here with modern English spelling and punctuation, and with full annotation of linguistic difficulties and the historical background. The text is preceded by a general introduction, a chronology, and suggestions for further reading. An appendix reprints passages from key sources and analogues, enabling the reader to see how More worked with his English sources and classical models, and finally how Shakespeare worked with More.

This volume is the third to appear in the modernized series of Selected Works of St. Thomas More, a series designed to make available to the general reader works which have already appeared or are about to appear in the Yale Edition of the Complete Works.The History of King Richard III is preceded by a brief introduction which offers a succinct estimate of More’s achievement and indicates the important part that his work played in shaping the popular portrait of the last Yorkist king. The conventional view of Richard III in English history is essentially More’s; it was his narrative that provided Shakespeare with both plot and inspiration for his Tradgedy of Richard III. In addition, More’s History is a landmark in the development of sixteenth-century prose and a remarkable witness to what the new humanist history could accomplish.This volume is rounded out by a fine selection of More’s English and Latin poems. More’s early English poems – "A Mery Gest," "Pageant Verses," "A Rueful Lamentation," "Lewis the Lost Lover," and "Davey the Dicer" – are presented in their original spelling; the selections from the Latin epigrams, about fifty poems in all, are given in English translation. Full annotations and an extensive bibliography are provided for both the History and the English and Latin poems.

“This translation offers a fresh and vital encounter with Thomas More’s Utopia for a twenty-first century audience.”—Elizabeth McCutcheon, Utopian Studies  Saint Thomas More’s Utopia is one of the most important works of European humanism and serves as a key text in survey courses on Western intellectual history, the Renaissance, political theory, and many other subjects. In Utopia, More introduces the mysterious traveler Raphael Hythloday, who tells of an island nation that he considers the most perfectly organized and harmonious in the world. Preeminent More scholar Clarence H. Miller does justice to the full range of More’s rhetoric in this masterful translation. In an Afterword to this edition, Jerry Harp contextualizes More’s life and Utopia within the wider frames of European humanism and the Renaissance.

The first comprehensive one-volume collection of St. Thomas More’s writing  “[A] tremendous scholarly undertaking. . . . Accessible and transparent to both scholars and the general audience.”—Renaissance and Reformation  In this book, Gerard B. Wegemer and Stephen W. Smith assemble, for the first time in a single volume, the most important English and Latin works of Thomas More (1478–1535). This collection reveals the breadth of More’s writing—key works on theology, political philosophy, and law, as well as his poetry and prose—and includes a rich selection of illustrations and artwork. The book provides the most complete picture of More’s work available, serving as a major resource for early modern scholars, teachers, students, and the general reader.

Based on Thomas More’s penetrating analysis of the folly and tragedy of the politics of his time and all times, Utopia (1516) is a seedbed of alternative political institutions and a perennially challenging exploration of the possibilities and limitations of political action.This Norton Critical Edition is built on the translation that Robert M. Adams created for it in 1975. For the Third Edition, George M. Logan has carefully revised the translation, improving its accuracy while preserving the grace and verve that have made it the most highly regarded modern rendering of More’s Renaissance Latin work.“Backgrounds” includes a wide-ranging selection of the major secular and religious texts—from Plato to Amerigo Vespucci—that informed More’s thinking, as well as a selection of the responses to his book by members of his own humanist circle and an account by G. R. Elton of the condition of England at the time More wrote.“Criticism” now offers a more comprehensive survey of modern scholarship, adding excerpts from seminal books by Frederic Seebohm, Karl Kautsky, and Russell Ames, as well as selections from stimulating and influential recent readings by Dominic Baker-Smith and Eric Nelson. In the final section, on “Utopia’s Modern Progeny,” the opening chapter of Aldous Huxley’s Brave New World is now complemented by excerpts from another great work in the complex tradition of utopian and dystopian fiction, Ursula K. Le Guin’s The Left Hand of Darkness. Throughout the Third Edition, the editorial apparatus has been thoroughly revised and updated.An updated Selected Bibliography is also included.

First published in Latin in 1516, Thomas More's Utopia is one of the most influential books in the Western philosophical and literary tradition and one of the supreme achievements of Renaissance humanism. This is the first edition of Utopia since 1965 (the Yale edition) to combine More's Latin text with an English translation, and also the first edition to provide a Latin text that is both accurate and readable. The text is based on the early editions (with the Froben edition of March 1518 as copy-text), but spelling and punctuation have been regularized in accordance with modern practices. The translation is a revised version of the acclaimed lively and readable Adams translation, which also appears in Cambridge Texts in the History of Political Thought. This edition, which incorporates the results of recent Utopian scholarship, also includes an introduction, textual apparatus, a full commentary and a guide to the voluminous scholarly and critical literature on Utopia.

First published in Latin in 1516, Thomas More's Utopia is one of the most influential books in the Western philosophical and literary tradition and one of the supreme achievements of Renaissance humanism. This is the first edition of Utopia since 1965 (the Yale edition) to combine More's Latin text with an English translation, and also the first edition to provide a Latin text that is both accurate and readable. The text is based on the early editions (with the Froben edition of March 1518 as copy-text), but spelling and punctuation have been regularized in accordance with modern practices. The translation is a revised version of the acclaimed lively and readable Adams translation, which also appears in Cambridge Texts in the History of Political Thought. This edition, which incorporates the results of recent Utopian scholarship, also includes an introduction, textual apparatus, a full commentary and a guide to the voluminous scholarly and critical literature on Utopia.

Wootton's translation brings out the liveliness of More's work and offers an accurate and reliable version of a masterpiece of social theory. His edition is further distinguished by the inclusion of a translation of Erasmus's 'The Sileni of Alcibiades,' a work very close in sentiment to Utopia, and one immensely influential in the sixteenth century. This attractive combination suits the edition especially well for use in Renaissance and Reformation courses as well as as for Western Civilization survey courses. Wootton’s Introduction simultaneously provides a remarkably useful guide to anyone’s first reading of More’s mysterious work and advances an original argument on the origins and purposes of Utopia which no one interested in sixteenth-century social theory will want to miss.

Wootton's translation brings out the liveliness of More's work and offers an accurate and reliable version of a masterpiece of social theory. His edition is further distinguished by the inclusion of a translation of Erasmus's 'The Sileni of Alcibiades,' a work very close in sentiment to Utopia, and one immensely influential in the sixteenth century. This attractive combination suits the edition especially well for use in Renaissance and Reformation courses as well as as for Western Civilization survey courses. Wootton’s Introduction simultaneously provides a remarkably useful guide to anyone’s first reading of More’s mysterious work and advances an original argument on the origins and purposes of Utopia which no one interested in sixteenth-century social theory will want to miss.