Tim Whitmarsh – författare

Nonnus of Panopolis's Dionysiaca is the longest and most ambitious epic poem to survive from Greco-Roman antiquity. Written by an Egyptian Christian in the fifth century CE, this stunning mythological adventure explores the birth, upbringing, exploits, and ultimate apotheosis of the god Dionysus, including his establishment of mystery cults, discovery of the vine, conquest of India, and troubling relationships with mortal women. Its 48 books offer a portrait, viewed through a Dionysiac lens, of pagan polytheism in its entirety, a multifaceted mythical system that, despite the Christianization of the Roman Empire, retained its grip on the imagination in Nonnus's day.This new translation renders Nonnus's extraordinary poetic achievement into elegant but accessible English. It includes a substantial introduction and an extensive glossary of names and places. The last great pagan epic of classical antiquity, the Dionysiaca contains unparalleled insights into late antique attitudes to religion, the Greek literary tradition, sexuality, race, and the body. It tells the richest story possible of the transition between the pagan epic tradition and late antique Christianity.

Some of the world''s earliest large-form fictional narratives--what would today be called novels-are found in ancient Greece. Dating back to the first century CE, these narratives contain many of the elements common to the novelistic genre, for instance, the joining, separation, and reunion of two lovers. These ancient works have often been heralded as the ancestors of the modern novel; but what can we say of the origins of the Greek novel itself?This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to the founding fathers within the tradition, the novel reveled in cultural hybridity. The earliest Greek novelistic literature combined Greek and non-Greek traditions. More than this, however, it also often self-consciously explored its own hybridity by focusing on stories of cultural hybridization, or what we would now call "mixed-race" relations. This book is thus not a conventional account of the origins of the Greek novel: it is not an attempt to pinpoint the moment of invention, and to trace its subsequent development in a straight line. Rather, it makes a virtue of the murkiness, or "dirtiness," of the origins of the novel: there is no single point of creation, no pure tradition, only transgression and transformation. The novel thus emerges as an outlier within the Greek literary corpus: a form of literature written in Greek, but not always committing to Greek cultural identity. Dirty Love focuses particularly on the relationship between Persian, Egyptian, Jewish and Greek literature, and explores such texts as Ctesias'' Persica, Joseph and Aseneth, the Alexander Romance, and the tale of Ninus and Semiramis. It will appeal not only to those interested in Greek literary history, but also to readers of near eastern and biblical literature.

Heliodorus'' Aethiopica (Ethiopian Story) is the latest, longest, and greatest of the ancient Greek romances. It was hugely admired in Byzantium, and caused a sensation when it was rediscovered and translated into French in the 16th century: its impact on later European literature (including Shakespeare and Sidney) and art is incalculable. As with all post-classical Greek literature, its popularity dived in the 19th century, thanks to the influence of romanticism. Since the 1980s, however, new generations of readers have rediscovered this extraordinary late-antique tale of adventure, travel, and love. Recent scholars have demonstrated not just the complexity and sophistication of the text''s formal aspects, but its daring experiments with the themes of race, gender, and religion. This volume brings together fifteen established experts in the ancient romance from across the world: each explores a passage or section of the text in depth, teasing out its subtleties and illustrating the rewards reaped thanks to slow, patient readings of what was arguably classical antiquity''s last classic.

Heliodorus'' Aethiopica (Ethiopian Story) is the latest, longest, and greatest of the ancient Greek romances. It was hugely admired in Byzantium, and caused a sensation when it was rediscovered and translated into French in the 16th century: its impact on later European literature (including Shakespeare and Sidney) and art is incalculable. As with all post-classical Greek literature, its popularity dived in the 19th century, thanks to the influence of romanticism. Since the 1980s, however, new generations of readers have rediscovered this extraordinary late-antique tale of adventure, travel, and love. Recent scholars have demonstrated not just the complexity and sophistication of the text''s formal aspects, but its daring experiments with the themes of race, gender, and religion. This volume brings together fifteen established experts in the ancient romance from across the world: each explores a passage or section of the text in depth, teasing out its subtleties and illustrating the rewards reaped thanks to slow, patient readings of what was arguably classical antiquity''s last classic.

What is classical culture for? Thinking with Classical Matter brings together leading experts from across the humanities, and as a whole celebrates the career of Simon Goldhill, in order to consider the place of the Ancient Greco-Roman world in the formation and formulation of different orders of knowledge. Since at least the eighteenth century, the study of Greece and Rome has played a pivotal role in both the institutional and intellectual partition of disciplines from philology to theology, aesthetics to anthropology. Such regimes of knowing, however, are also materially embedded. The knowing subject is at the same time a gendered body and the objects of knowledge are also their subject. Thinking with Classical Matter explores these questions from a wide range of theoretically informed perspectives and shows how the ancient world continues to prompt some of the most pressing questions in the humanities today.

Achilles Tatius' Leucippe and Clitophon (composed in the second century AD) is the most bizarre and risque of the four 'Greek novels' of idealized love between boy and girl that survive from the period of the Roman empire. Stretching the capacity of the genre to the limits, Achilles Tatius' narrative covers adultery, violence, evisceration, pederasty, virginity-testing, and, of course, an improbable happy ending. Ingenious and sophisticated in conception, Leucippe and Clitophon is, in execution, at once subtle, stylish, moving, brash, tasteless, and obscene. This new translation aims to capture the exuberant variety of Achilles Tatius' writing. Detailed notes explain obscurities to the non-specialist and address more complex problems for the benefit of the student and the scholar. A witty and erudite introduction sets Achilles Tatius in his historical and literary contexts.

Heliodorus' Aethiopica (Ethiopian Story) is the latest, longest, and greatest of the ancient Greek romances. It was hugely admired in Byzantium, and caused a sensation when it was rediscovered and translated into French in the 16th century: its impact on later European literature (including Shakespeare and Sidney) and art is incalculable. As with all post-classical Greek literature, its popularity dived in the 19th century, thanks to the influence of romanticism. Since the 1980s, however, new generations of readers have rediscovered this extraordinary late-antique tale of adventure, travel, and love. Recent scholars have demonstrated not just the complexity and sophistication of the text's formal aspects, but its daring experiments with the themes of race, gender, and religion. This volume brings together fifteen established experts in the ancient romance from across the world: each explores a passage or section of the text in depth, teasing out its subtleties and illustrating the rewards reaped thanks to slow, patient readings of what was arguably classical antiquity's last classic.

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to make a major and original contribution to the appreciation of Greek literature written under the Roman Empire during the second century CE (the so-called 'Second Sophistic'). This literature should not be dismissed as unoriginal and mediocre. Rather, its central preoccupations, especially mimesis and paideia, provide significant insights into the definition of Greek identity during the period. Focusing upon a series of key texts by important authors (including Dio Chrysostom, Plutarch, Philostratus, Lucian, Favorinus, and the novelists), Whitmarsh argues that narratives telling of educated Greeks' philosophical advice to empowered Romans (including emperors) offer a crucial point of entry into the complex and often ambivalent relationships between Roman conquerors and Greek subjects. Their authors' rich and complex engagement with the literary past articulates an ingenious and sophisticated response to their present socio-political circumstances.

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to make a major and original contribution to the appreciation of Greek literature written under the Roman Empire during the second century CE (the so-called 'Second Sophistic'). This literature should not be dismissed as unoriginal and mediocre. Rather, its central preoccupations, especially mimesis and paideia, provide significant insights into the definition of Greek identity during the period. Focusing upon a series of key texts by important authors (including Dio Chrysostom, Plutarch, Philostratus, Lucian, Favorinus, and the novelists), Whitmarsh argues that narratives telling of educated Greeks' philosophical advice to empowered Romans (including emperors) offer a crucial point of entry into the complex and often ambivalent relationships between Roman conquerors and Greek subjects. Their authors' rich and complex engagement with the literary past articulates an ingenious and sophisticated response to their present socio-political circumstances.

Where does the Greek novel come from? This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to founding fathers within the tradition, the novel revelled in cultural hybridity. The earliest Greek novelistic literature combined Greek and non-Greek traditions (or at least affected to combine them: it is often hard to tell how 'authentic' the non-Greek material is). More than this, however, it also often self-consciously explored its own hybridity by focusing on stories of cultural hybridisation, or what we would now call 'mixed-race' relations. This book is thus not a conventional account of the origins of the Greek novel: it is not an attempt to pinpoint the moment of invention, and to trace its subsequent development in a straight line. Rather, it makes a virtue of the murkiness, or 'dirtiness', of the origins of the novel: there is no single point of creation, no pure tradition, only transgression, transformation and mess. The novel thus emerges as an outlier within the Greek literary corpus: a form of literature written in Greek, but not always committing to Greek cultural identity. Dirty Love focuses particularly on the relationship between Persian, Egyptian, Jewish and Greek literature, and covers such texts as Ctesias' Persica, Joseph and Aseneth, the Alexander Romance and the tale of Ninus and Semiramis. It will appeal to those interested not only in Greek literary history, but also in near-eastern and biblical literature.

Some of the world''s earliest large-form fictional narratives--what would today be called novels-are found in ancient Greece. Dating back to the first century CE, these narratives contain many of the elements common to the novelistic genre, for instance, the joining, separation, and reunion of two lovers. These ancient works have often been heralded as the ancestors of the modern novel; but what can we say of the origins of the Greek novel itself?This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to the founding fathers within the tradition, the novel reveled in cultural hybridity. The earliest Greek novelistic literature combined Greek and non-Greek traditions. More than this, however, it also often self-consciously explored its own hybridity by focusing on stories of cultural hybridization, or what we would now call "mixed-race" relations. This book is thus not a conventional account of the origins of the Greek novel: it is not an attempt to pinpoint the moment of invention, and to trace its subsequent development in a straight line. Rather, it makes a virtue of the murkiness, or "dirtiness," of the origins of the novel: there is no single point of creation, no pure tradition, only transgression and transformation. The novel thus emerges as an outlier within the Greek literary corpus: a form of literature written in Greek, but not always committing to Greek cultural identity. Dirty Love focuses particularly on the relationship between Persian, Egyptian, Jewish and Greek literature, and explores such texts as Ctesias'' Persica, Joseph and Aseneth, the Alexander Romance, and the tale of Ninus and Semiramis. It will appeal not only to those interested in Greek literary history, but also to readers of near eastern and biblical literature.

The "Second Sophistic" traditionally refers to a period at the height of the Roman Empire's power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.

Nonnus of Panopolis's Dionysiaca is the longest and most ambitious epic poem to survive from Greco-Roman antiquity. Written by an Egyptian Christian in the fifth century CE, this stunning mythological adventure explores the birth, upbringing, exploits, and ultimate apotheosis of the god Dionysus, including his establishment of mystery cults, discovery of the vine, conquest of India, and troubling relationships with mortal women. Its 48 books offer a portrait, viewed through a Dionysiac lens, of pagan polytheism in its entirety, a multifaceted mythical system that, despite the Christianization of the Roman Empire, retained its grip on the imagination in Nonnus's day.This new translation renders Nonnus's extraordinary poetic achievement into elegant but accessible English. It includes a substantial introduction and an extensive glossary of names and places. The last great pagan epic of classical antiquity, the Dionysiaca contains unparalleled insights into late antique attitudes to religion, the Greek literary tradition, sexuality, race, and the body. It tells the richest story possible of the transition between the pagan epic tradition and late antique Christianity.

The “Second Sophistic” traditionally refers to a period at the height of the Roman Empire’s power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic, and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.

Nonnus of Panopoliss Dionysiaca is the longest and most ambitious epic poem to survive from Greco-Roman antiquity. Written by an Egyptian Christian in the fifth century CE, this stunning mythological adventure explores the birth, upbringing, exploits, and ultimate apotheosis of the god Dionysus, including his establishment of mystery cults, discovery of the vine, conquest of India, and troubling relationships with mortal women. Its 48 books offer a portrait, viewed through a Dionysiac lens, of pagan polytheism in its entirety, a multifaceted mythical system that, despite the Christianization of the Roman Empire, retained its grip on the imagination in Nonnuss day. This new translation renders Nonnuss extraordinary poetic achievement into elegant but accessible English. It includes a substantial introduction and an extensive glossary of names and places. The last great pagan epic of classical antiquity, the Dionysiaca contains unparalleled insights into late antique attitudes to religion, the Greek literary tradition, sexuality, race, and the body. It tells the richest story possible of the transition between the pagan epic tradition and late antique Christianity.

The "Second Sophistic" traditionally refers to a period at the height of the Roman Empire’s power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic, and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.

The Romans commanded the largest and most complex empire the world had ever seen, or would see until modern times. The challenges, however, were not just political, economic and military: Rome was also the hub of a vast information network, drawing in worldwide expertise and refashioning it for its own purposes. This fascinating collection of essays considers the dialogue between technical literature and imperial society, drawing on, developing and critiquing a range of modern cultural theories (including those of Michel Foucault and Edward Said). How was knowledge shaped into textual forms, and how did those forms encode relationships between emperor and subjects, theory and practice, Roman and Greek, centre and periphery? Ordering Knowledge in the Roman Empire will be required reading for those concerned with the intellectual and cultural history of the Roman Empire, and its lasting legacy in the medieval world and beyond.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

This 2010 volume explores the proposition that the absorption of the Greek world into the Roman empire created a new emphasis upon local identities, much as globalisation in the modern world has done. Localism became the focal point for complex debates: in some cases, it was complementary with imperial objectives, but in others tension can be discerned. The volume as a whole seeks to add texture and nuance to the existing literature on Greek identity, which has tended in recent years to emphasise the umbrella category of the Greek, to the detriment of specific polis and regional identities. It also contributes to the growing literature on the Romanisation of provinces, by emphasising the dialogue between a region's self-identification as a distinct space and its self-awareness as a component of the centrally-governed empire.

Galen is the most important medical writer in Graeco-Roman antiquity, and also extremely valuable for understanding Graeco-Roman thought and society in the second century AD. This volume of essays locates him firmly in the intellectual life of his period, and thus aims to make better sense of the medical and philosophical 'world of knowledge' that he tries to create. How did Galen present himself as a reader and an author in comparison with other intellectuals of his day? Above all, how did he fashion himself as a medical practitioner, and how does that self-fashioning relate to the performance culture of second-century Rome? Did he see medicine as taking over some of the traditional roles of philosophy? These and other questions are freshly addressed by leading international experts on Galen and the intellectual life of the period, in a stimulating collection that combines learning with accessibility.

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory. This title is also available as open access on Cambridge Core.

The Romans commanded the largest and most complex empire the world had ever seen, or would see until modern times. The challenges, however, were not just political, economic and military: Rome was also the hub of a vast information network, drawing in worldwide expertise and refashioning it for its own purposes. This fascinating collection of essays considers the dialogue between technical literature and imperial society, drawing on, developing and critiquing a range of modern cultural theories (including those of Michel Foucault and Edward Said). How was knowledge shaped into textual forms, and how did those forms encode relationships between emperor and subjects, theory and practice, Roman and Greek, centre and periphery? Ordering Knowledge in the Roman Empire will be required reading for those concerned with the intellectual and cultural history of the Roman Empire, and its lasting legacy in the medieval world and beyond.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

How new is atheism?Long before the Enlightenment sowed seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, so the lively free-thinking voices of antiquity were mostly suppressed. Tim Whitmarsh brings to life the origins of the secular values at the heart of the modern state, and reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.

How new is atheism?In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean to recover the stories of those who first refused the divinities.Long before the Enlightenment sowed the seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, and the Age of Faith mostly suppressed the lively free-thinking voices of antiquity.Tim Whitmarsh brings to life the fascinating ideas of Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; and Epicurus and his followers. He shows how the early Christians came to define themselves against atheism, and so suppress the philosophy of disbelief.Battling the Gods is the first book on the origins of the secular values at the heart of the modern state. Authoritative and bold, provocative and humane, it reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.

In this book, Tim Whitmarsh offers an innovative new introduction to ancient Greek literature. The volume integrates cutting-edge cultural theory with the latest research in classical scholarship, providing a comprehensive, sophisticated and accessible account of literature from Homer to late antiquity. Whitmarsh offers new readings of some of the best-known and most influential authors of Greek antiquity, including Sophocles, Euripides, Herodotus, Aristophanes and Plato, as well as introducing many lesser-known figures. Unlike conventional narrative histories, this volume focuses on the profound effects of literature within Greek society. Whitmarsh shows that literature, distributed via a range of social institutions, such as festivals, theatres, symposia and book production, played an important role in the legitimization – and challenging – of ideologies of gender, class and cultural identity. The volume also addresses the legacy of Greek literature: how the Victorian cult of Hellenism and its successors have structured the reception of ancient texts, and how and why the modern West has adopted the Greeks as its ancestors. This book will be important reading for undergraduates, in their first year and above, of ancient Greek literature and culture. All texts in the volume are translated, and no knowledge of ancient Greek literature is assumed.

The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like ''intertextuality'', places the emphasis on the creative agency of the later ''receiver'' rather than the unilateral influence of the ''transmitter''. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.