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NEW YORK TIMES BESTSELLER

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in a West that betrays its fundamental values

"[A] bracing memoir and manifesto." The New York Times

I can t think of a more important piece of writing to read right now. I found hope here, and help, to face what the world is now, all that it isn t anymore. Please read this. I promise you won t regret it. Tommy Orange, bestselling author of Wandering Stars and There There

On October 25, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: One day, when it s safe, when there s no personal downside to calling a thing what it is, when it s too late to hold anyone accountable, everyone will have always been against this. This tweet has been viewed more than 10 million times.

As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. One Day, Everyone Will Have Always Been Against This is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage.

This is El Akkad s nonfiction debut, his most raw and vulnerable work to date, a heartsick breakup letter with the West. It is a brilliant articulation of the same breakup we are watching all over the United States, in family rooms, on college campuses, on city streets; the consequences of this rupture are just beginning. This book is for all the people who want something better than what the West has served up. This is the book for our time.

#1 NEW YORK TIMES BESTSELLER - From the co-author of Mad Honey comes an "inspiring" (Elle) novel about two women, centuries apart-one of whom is the real author of Shakespeare's plays-who are both forced to hide behind another name.

"You'll fall in love with Emilia Bassano, the unforgettable heroine based on a real woman that Picoult brings vividly to life in her brilliantly researched new novel."-Kristin Hannah, author of The Women

Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn't level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym.

In 1581, young Emilia Bassano is a ward of English aristocrats. Her lessons on languages, history, and writing have endowed her with a sharp wit and a gift for storytelling, but like most women of her day, she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees all theatre productions in England, Emilia sees firsthand how the words of playwrights can move an audience. She begins to form a plan to secretly bring a play of her own to the stage-by paying an actor named William Shakespeare to front her work.

Told in intertwining timelines, By Any Other Name, a sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. Should a writer do whatever it takes to see her story live on . . . no matter the cost? This remarkable novel, rooted in primary historical sources, ensures the name Emilia Bassano will no longer be forgotten.

New York Times bestselling author Caroline Kepnes, whose acclaimed YOU series inspired the hit show on Netflix, follows "addictively charming antihero" (The Washington Post) Joe Goldberg to the hallowed halls of Harvard, where he leaves crimson in his wake.

"Twisted . . . delightfully creepy."-Rolling Stone

Joe Goldberg is ready for a change. Instead of selling books, he's writing them. And he's off to a good start. Glenn Shoddy, an acclaimed literary author, recognizes Joe's genius and invites him to join a tight-knit writing fellowship at Harvard. Finally, Joe will be in a place where talent matters more than pedigree . . . where intellect is the great equalizer and anything is possible. Even happy endings. Or so he thinks, until he meets his already-published, already-distinguished peers, who all seem to be cut from the same elitist cloth.

Thankfully, Wonder Parish enters the picture. They have so much in common. No college degrees, no pretensions, no stories from prep school or grad school. Just a love for literature. If only Wonder could commit herself to the writing life, they could be those rare literary soulmates who never fall prey to their demons. Wonder has a tendency to love, to covet, but Joe is a believer in the rule of fiction: If you want to write a book, you have to kill your darlings.

With her trademark satirical, biting wit, Caroline Kepnes explores why vulnerable people bring out the worst in others as Joe sets out to make this small, exclusive world a fairer place. And if a little crimson runs in the streets of Cambridge . . . who can blame him? Love doesn't conquer all. Often, it needs a little push.

Two-time Pulitzer Prize winning Colson Whitehead continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.

It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight-and-narrow for him - until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire.  But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated - and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney's endearingly violent partner in crime.  It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem.  He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook - to their regret.

1976.  Harlem is burning, block by block, while the whole county is gearing up for Bicentennial celebrations.  Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes.  When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family.  Colson Whitehead's kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

From "one of the most acute and lasting writers of her generation" (The New York Times)-a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things-seen and unseen.

"Is it an allegory? Is it real? It doesn't matter. Exploring sibling love, death, and longing, it's a novel with big questions, no answers, and it's absolutely brilliant." -Lit Hub

Lorrie Moore's first novel since A Gate at the Stairs-a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart

A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all...

With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true.

I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

Alive with the intoxicating magic of summer in New England, former editor of the New York Times Book Review Charles McGrath's evocative memoir looks back at that sun-soaked season, at family, youth, and a singular bond made at a time when he thought he was beyond making friends.  

"To read Chip McGrath's gentle, elegant memoir  is to lose yourself in your own past summers, especially the ones of your youth, when you imagined there'd be an infinite number of them, and also friends to share those summers with. That both turn out to be numbered makes this book positively ache with beauty and loss." -Richard Russo

It was early evening and a new acquaintance had come to retrieve his daughter from a play date. Instead of driving up in a minivan, he arrived by water, tacking his sailboat smartly across a squiggly channel in the marsh, throwing a rope overboard, and zipping back home, his gleeful daughter riding in the wake. Who knew you could do such a thing? And how could you resist befriending a man such as that?

Over the course of this rich memoir, McGrath recalls with a gimlet eye the pleasures of summers past: amateur lobstering, 9-hole golf, family costume charades, bridge-jumping, and a friendship forged between two men from different backgrounds who came together late in life.

Recounting the vagaries of summer with such precision and warmth-- peeling long strips of sunburnt skin from your shoulder as if "shuffling off your own cocoon," the outdoor shower curtain blowing open in the breeze, an M80 firework in the mailbox--The Summer Friend is simultaneously a potent evocation of the rhythms and rituals of summer and a stirring remembrance of a friend found and then lost.