Southern Illinois University Press – förlag

The Villagers is a story of the ruthless exploitation and extermination of an Indian village of Ecuador by its greedy landlord. First published in 1934, it is here available for the first time in an authorized English translation.A realistic tale in the best tradition of the novels of social protest of Zola, Dosto­evsky, José Eustasio Rivera, and the Mexican novels of the Revolution, The Villagers (Huasipungo) shocked and horrified its readers, and brought its author mingled censure and acclaim, when it was first published in 1934.Deeply moving in the dramatic intensity of its relentless evolution and stark human suffering, Icaza’ s novel has been translated into eleven foreign languages, including Russian and Chinese, and has gone through numerous editions in Spanish, including a revised and enlarged edition in 1953, on which this translation is based, but it has never before been authorized for translation into English. His first novel, but not his first published work, The Villagers is still considered by most critics as Icaza’ s best, and it is widely acclaimed as one of the most significant works in contemporary Latin American literature.Thirty years after its original publication in Ecuador, The Villagers still carries a powerful message for the contemporary world and an urgent warning. The conditions here portrayed prevail in these areas, even today. The Villagers is an indictment of the latifundista system and a caustic picture of the native worker who, with little expectation from life, finds himself a victim of an antiquated feudal system aided and abetted by a grasping clergy and an indifferent govern­ment.

In 1925 the geological connection between Flint Ridge and Mammoth Cave was proved when dye placed in a Flint Ridge spring showed up in Echo River at Mammoth Cave. That tantalizing swirl of dye confirmed specula­tions that were to tempt more than 650 cavers over half a century with the thrill of being the first to make human passage of the cave connection. Roger Brucker and Richard Watson tell not only of their own twenty-year effort to complete the link but the stories of many others who worked their way through mud-choked crawlways less than a foot high only to find impenetrable blockages. Floyd Collins died a grisly death in nearby Sand Cave in 1925, after being trapped there for 15 days. The wide press coverage of the rescue efforts stirred the imagination of the public and his body was on macabre display in a glass-topped coffin in Crystal Cave into the 1940s. Agents of a rival cave owner once even stole his corpse, which was re­covered and still is in a coffin in the cave. Modern cavers still have a word with Floyd as they start their downward treks. Brucker and Watson joined the parade of cavers who propelled themselves by wiggling kneecaps, elbows, and toes through quarter-mile long crawlways, clinging by fingertips and boot toes across mud-slick walls, over bottomless pits, into gur­gling streams beneath stone ceilings that descend to water level, down crumbling crevices and up mountainous rockfalls, into wondrous domed halls, and straight ahead into a blackness inten­sified rather than dispelled by the carbide lamps on their helmets. Over two decades they explored the passages with others who sought the final connection as vigorously as themselves. Pat Crowther, a young mother of two, joined them and because of her thinness became the member of the crew to go first into places no human had ever gone before. In that role, in July 1972, she wiggled her way through the Tight Spot and found the route that would link the Flint Ridge and Mammoth Cave systems into one cave extending 144.4 miles through the Kentucky limestone. In a new afterword to this edition the authors summarize the subsequent explorations that have more than doubled the established length of the cave system. Based upon geological evidence, the authors predict that new discoveries will add an­other 200 miles to the length of the world’ s longest cave, making it over 500 miles long.

Louise M. Rosenblatt’s award-winning work continues increasingly to be read in a wide range of academic fields―literary criticism, reading theory, aesthetics, composition, rhetoric, speech communication, and education. Her view of the reading transaction as a unique event involving reader and text at a particular time under particular circumstances rules out the dualistic emphasis of other theories on either the reader or the text as separate and static entities. The transactional concept accounts for the importance of factors such as gender, ethnicity, culture, and socioeconomic context. Essential reading for the specialist, this book is also well suited for courses in criticism, critical theory, rhetoric, and aesthetics.Starting from the same non-foundationalist premises, Rosenblatt avoids the extreme relativism of postmodern theories derived mainly from Continental sources. A deep understanding of the pragmatism of Dewey, James, and Peirce and of key issues in the social sciences is the basis for a view of language and the reading process that recognizes the potentialities for alternative interpretations and at the same time provides a rationale for the responsible reading of texts.The book has been praised for its lucid explanation of the multidimensional character of the reading process―evoking, interpreting, and evaluating the work. The nonliterary (efferent) and the literary (aesthetic) are shown not to be opposites but to represent a continuum of reading behaviors. The author amply illustrates her theoretical points with interpretations of varied texts. The epilogue carries further her critique of rival contemporary theories.

Extending the feminist rhetorical project to define and model rhetorical listening. Long-ignored within rhetoric and composition studies, listening has returned to the disciplinary radar. ""Rhetorical Listening: Identification, Gender, Whiteness"" argues that rhetorical listening facilitates conscious identifications needed for cross-cultural communication. Krista Ratcliffe establishes eavesdropping, listening metonymically, and listening pedagogically as approaches to rhetorical listening. She defines and models rhetorical listening, addressing identifications with gender and whiteness within public debates, scholarship, and pedagogy. Offering an approach grounded in classical rhetorical theory, Heideggerian theory, feminist theory, and critical race theory, Ratcliffe presents rhetorical listening as an invention tactic that engages spoken and written texts and supplements reading, writing, speaking, and silence as a rhetorical art. Theorizing intersections of gender and whiteness, ""Rhetorical Listening"" examines how whiteness functions as an ""invisible"" racial category and provides disciplinary and cultural reasons for the displacement of listening and for the use of rhetorical listening as a code of cross-cultural conduct. Ratcliffe presents rhetorical listening in terms of cultural logics, stances, and dominant interpretive tropes. She high-lights the modern identification theory of Kenneth Burke and the postmodern identification and disidentification theory of Diana Fuss and presents nonidentification as a more productive site for rhetorical listening.

Sherman: A Soldier's Passion for Order is the premier biography of William Tecumseh Sherman, the Civil War commander known for his ""destructive war"" policy against Confederates and as a consummate soldier. This updated edition of John F. Marszalek's award-winning book presents the general as a complicated man who, fearing anarchy, searched for the order that he hoped would make his life a success. Sherman was profoundly influenced by the death of his father and his subsequent relationship with the powerful Whig politician Thomas Ewing and his family. Although the Ewings treated Sherman as one of their own, the young Sherman was determined to make it on his own. He graduated from West Point and moved on to service at military posts throughout the South. This volume traces Sherman's involvement in the Mexican War in the late 1840s, his years battling prospectors and deserting soldiers in gold-rush California, and his 1850 marriage to his foster sister, Ellen. Later he moved to Louisiana, and, after the state seceded, Sherman returned to the North to fight for the Union. Sherman covers the general's early Civil War assignments in Kentucky and Missouri and his battles against former Southern friends there, the battle at Shiloh, and his rise to become second only to Grant among the Union leadership. Sherman's famed use of destructive war, controversial then and now, is examined in detail. The destruction of property, he believed, would convince the Confederates that surrender was their best option, and Sherman's successful strategy became the stuff of legend. This definitive biography, which includes forty-six illustrations, effectively refutes misconceptions surrounding the controversial Union general and presents Sherman the man, not the myth.

The essential reference about a surprisingly well-organized medical department  Despite the many obstacles it had to overcome-including a naval blockade, lack of a strong industrial base, and personnel unaccustomed to military life-the Richmond-based Confederate Army Medical Department developed into a robust organization that nimbly adapted to changing circumstances. In the first book to address the topic, Guy R. Hasegawa describes the organization and management of the Confederate army's medical department. At its head was Surgeon General Samuel Preston Moore, a talented multitasker with the organizational know-how to put in place qualified medical personnel to care for sick and wounded Confederate soldiers.  Hasegawa investigates how political considerations, personalities, and, as the war progressed, the diminishing availability of human and material resources influenced decision-making in the medical department. Amazingly, the surgeon general's office managed not only to provide care but also to offer educational opportunities to its personnel and collect medical and surgical data for future use, regardless of constant and growing difficulties.  During and after the war, the medical department of the Confederate army was consistently praised as being admirably organized and efficient. Although the department was unable to match its Union counterpart in manpower and supplies, Moore's intelligent management enabled it to help maintain the fighting strength of the Confederate army.

From charts, texts, and graphs to illustrations, icons, and screens, we live in an information age saturated with visual language. Yet the underlying principles that provide structure for visual language have long eluded scholars of rhetoric, design, and engineering. To function as a language that reliably conveys meaning, visual language must embody codes that normalize its practices among both the designers who employ it and the readers who interpret it.In this wide-ranging analysis, Charles Kostelnick and Michael Hassett demonstrate how visual language in professional communication—text design, data displays, illustrations—is shaped by conventional practices that are invented, codified, and modified by users in visual discourse communities. Drawing on rhetorical theory, design studies, and a broad array of historical and contemporary examples, Shaping Information: The Rhetoric of Visual Conventions explores the processes by which conventions evolve and proliferate and shows how conventions serve as the medium that designers use to shape, stabilize, and streamline visual information.Kostelnick and Hassett extend contemporary theories that define rhetoric as a social act, arguing that visual conventions also thrive within discourse communities and are fragile forms that vary widely in their longevity and scope. Shaping Information: The Rhetoric of Visual Conventions is a thorough guide for scholars, teachers and practitioners of rhetoric and business and technical communication and for professionals in engineering, science, design, and business.

Concerted government efforts to assist in the rehabilitation of wounded veterans started with the Civil War era artificial-limbs programs. This book is the first to examine the evolution of these programs for military amputees during and after the Civil War. Author Guy Hasegawa looks at how both the Union and the Confederacy handled the supply of artificial limbs to maimed Civil War soldiers and sailors, demonstrating the vast differences in industrial and economic conditions between the two regions. The story also illustrates the inventiveness and intense business competition of the era.

An authoritative guide to modelmaking for theaterThis third edition of noted scenographer Darwin Reid Payne’s landmark text builds upon Payne’s theories and exercises to provide a modern exploration of the practice of theatrical modelmaking. With chapters on traditional and contemporary materials, tools, and techniques, the book serves as a foundational guide to understanding the historical, theoretical, and practical aspects of scenographic modelmaking, making it essential for the beginner, generalist, and professional design practitioner.The volume begins with a brief history of the scenographic model and explores how modelmaking has adapted to changes in materials, technology, and commercial influences over time. It details setting up a safe, productive model-building studio before introducing the types and purposes of various scenographic models. It then instructs the reader in constructing common model elements and accessories. Later chapters explore how the models reveal stage space and create mood and atmosphere through tonal shading and lighting; discuss the use of found objects, collage techniques, and projection models in scenic design; and delve into 3D printing and computer routering. The final chapter provides information on various aspects of photography and image sharing related to design and production communication.This comprehensive text provides information not just from theater but also from other modeling disciplines and sources, including architecture, film, dioramas, dollhouse modeling, and model railroading. A useful resource for high school, community college, university, and community theater enthusiasts, it is an excellent reference book for theater designers throughout the country.

In this affecting poetry debut, Charif Shanahan explores what it means to be fully human in our wounded and divided world. In poised yet unrelenting lyric poems, Shanahan--queer and mixed-race--confronts the challenges of a complex cultural inheritance, informed by colonialism and his mother's immigration to the United States from Morocco, navigating racial constructs, sexuality, family, and the globe in search of "who we are to each other . . . who we are to ourselves."With poems that weave from Marrakesh to Zürich to London, through history to the present day, this book is, on its surface, an uncompromising exploration of identity in personal and collective terms. Yet the collection is, most deeply, about intimacy and love, the inevitability of human separation and the challenge of human connection. Urging us to reexamine our own place in the broader human tapestry, Into Each Room We Enter without Knowing announces the arrival of a powerful and necessary new voice.

Spanning the crucial years of Dewey’s move from the University of Chicago to Columbia University, Volume 3 col­lects thirty-six essays and reviews pub­lished at the very time Dewey deter­mined that his professional future would lie in the field of philosophy. After resigning from Chicago, Dewey seriously considered a career in univer­sity administration before finally decid­ing to accept a professorship in the Department of Philosophy at Columbia, where he was to remain the rest of his professional life.