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A contemporary and accessible foundation of color theory and advanced techniques for the oil painter at every skill level"In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history." - James Gurney, artist and author “This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept.” - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter’s Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to “master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color.” A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter’s Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons—each clearly explained and richly illustrated with both historic and contemporary paintings—so that the reader can learn progressively and layer more complex ideas as each skill is achieved. Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.

Complete with an Introduction by James Gurney, the author of Dinotopia, this guide introduces not only the techniques of oil painting but also the underlying principles of figure drawing. A series of images by the Old Masters includes 32 pages in full color, featuring paintings from the Italian, Dutch, Spanish, French, and British schools. "A masterly exposition." — Liverpool Daily Post.

Stimulating, informative guide by noted teacher covers painting technique, painting from life, materials — paints, varnishes, oils and mediums, grounds, etc. — a painter's training, more. Speed also provides expert analysis of works by Velasquez, Reynolds, Gainsborough, Hals, Rembrandt, and others. 64 photos. 5 line drawings.

This beautiful book shows the artist how to develop their own unique way of seeing and interpreting light and colour in oils, using plein air painting as the foundation (painting outdoors direct from life). It serves as a catalyst for exploration, both out in the field, and back in the studio. Packed with finished examples and step-by-step sequences, it guides you through the beguiling challenge of painting the light, demonstrating how to say ‘just enough’ in your own work.

Reknowned for her techniques for painting light on water, Jenny Aitken delivers perfect guidance to the intermediate artist on how to paint light in plein air and much more.Learn how to successfully paint scenes that that capture magical effects of light from behind the subject. Good contre-jour – painting into the light – artworks cause the viewer to squint, with light seeming to glow from the canvas. They can look like a kind of magic, with their hazy light and colour singing out. This book demystifies lighting in oils, and provides a practical guide to the process, showing exactly how to create the illusion.Inside, you'll find a wealth of information on simplification, tonal control, capturing accurate colour, working both indoors and outdoors, painting landscapes and still life, creating atmospheric depth, and even mastering the illusion of space. Through detailed step-by-step demonstrations and beautifully illustrated techniques, Jenny Aitken reveals how to infuse every painting with vibrant, lifelike light. A section on troubleshooting tricky paintings will show the reader every painting is salvageable, but with an understanding of light and colour, it’s much more likely that they’ll find success the first time round.

Oil paint is such a responsive and versatile medium that no two painters need use it in exactly the same way, and since its invention in Renaissance times it has never lost its popularity with artists.Amateurs also find it appealing, not only because it is enjoyable to use but also because mistakes can be easily rectified, yet in many cases mistakes would not occur if the individual had a sound knowledge of technique.In the A-Z section of the book, Jeremy Galton, a practising painter, explains how to build up a painting, how and when to work "wet into wet", and how to make your brushwork describe forms and textures. He also provides a wealth of stimulating ideas such as combining oil paints with other media, mixing paint with sand and sawdust and applying it with knives, rags or the fingers.In the second part of the book, Themes, you can see the techniques in context. Illustrated with a gallery of paintings by well-known artists as well as informative step-by-step demonstrations, it shows how each person applies his or her knowledge of oil painting techniques to the interpretation of a subject, whether landscape, portrait or still life.

Stop following the rules and start writing your own.Packed with 50 rule-breaking practical techniques, tricks and approaches to unlock your creativity, this is the ultimate guide to creating truly innovative art.‘Don’t use black.’ ‘You mustn’t lead the eye out of the painting.’‘Never put your subject slap-bang in the middle!’Maybe you’ve heard one, two or all of these ‘golden rules’… But why? As Picasso put it, you should: ‘learn the rules like a pro so that you can break them like an artist.’ Paint outside the box: 50 fun, rule-breaking exercises, each with an inspiring finished painting, practical techniques and handy tips.Lose the fear of getting it wrong: Learn to reconnect with your creativity, develop an eye for innovation, and never feel afraid of a blank canvas again.Perfect for artists of all abilities: Discover inspiration for your next project – dip in and out if you find a rule you want to challenge, or work through them in order.Reinvigorate your painting practice: the practical exercises are worked in oils, but the principles apply across different artistic mediums. This book, from best-selling and award-winning author Haidee-Jo Summers, is the perfect gift for artists of all abilities. It contains 50 fresh, lively ideas for challenging conventional artistic wisdom – showing that you can create something really, really right, even when you do everything wrong!

Create nine lustrous and captivating little works of art with this unique introduction to oil painting.Acclaimed artist Estelle Day demonstrates all you need to know to embark on your oil painting journey from what paints and supplies you’ll need to essential oil painting techniques. Beginners will build confidence by working on small-scale, still life painting projects designed for canvases measuring no more than 10cm (4in). Also included are outlines for you to trace so you can get started right away!Easy Oil Painting is the perfect beginner’s guide to working with oils and mastering this luminous and exciting medium.

This is a glorious 25th anniversary reissue of this classic book. Illuminating & fascinating, it covers the classic art techniques perfected by 16th and 17th century masters. These include Caravaggio, Rembrandt, Titian & Reuben, all enhanced with full-colour demonstrations.This illuminating and fascinating book, reissued for the 25th anniversary of its publication, covers the techniques perfected by 16th and 17th century masters, studying protraits by Titian, Caravaggio, Reubens and Rembrandt and many more. In this unique book, Joseph Sheppard, a leading contemporary painter, shows you in detailed, full-colour demonstrations the variety of oil painting techniques perfected by the old masters. The techniques Sheppard describes cover the full spectrum from the direct painting (alla prima) of Rubens and Hals to the elaborate underpainting and glazing methods of Rembrandt and Titian. Each chapter is devoted to a different master covering his background, style and techniques.

One of the most unexpectedly useful things we can do when we’re feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us.This is a collection of 100 of the world’s most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friendsWe’re invited to look at art with unusual depth and then find our way towards new hope and courage.This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.

Water-mixable oil paints offer all the qualities of traditional oils – rich pigments, buttery consistency, long drying times – but with one remarkable difference, there is no need for solvents!This book will encourage and inspire beginners and provide them with all the skills and knowledge they need to produce successful oil paintings. It starts with an introduction to the medium, and explains what water-mixable oils are. This introduction is followed by several sections on materials, preparation (how to care for your brushes, storing your paints, and so on), colour (selecting your basic, or capsule, palette), mixing the paints and preparing your surfaces. The first project explains how to explore colour in order to paint in the style of Vincent van Gogh.There are then five longer projects that touch upon the themes of abstraction, still life, landscapes, buildings, and working from a photograph, all of which capitalize on the rich qualities of the paints. Each project is accompanied by a clear list of materials needed as well as top tips and skills practised; Sarah also interjects with useful anecdotes and words of wisdom garnered from her experience working in this vibrant and exciting medium.At the end of the book, the reader discovers how best to store and transport finished paintings, especially if the paint is still tacky to the touch, and how to frame a painting for impact.

The complete guide to painting the portrait in oils.From Steve Forster, award-winning portrait artist and co-director of the Long Island Academy of Fine Art, Painting Luminous Portraits for Artists presents essential lessons on how to paint a radiant likeness in oils in ten comprehensive chapters, each with skill-building exercises and QR codes to instructional videos:Discover fundamental materials, techniques, and basic anatomy and feature development for creating an underdrawing.Explore color theory and color palette structures.Learn painting techniques, including different shape and lighting approaches.Consider creative strategies for portraits.See how digital painting techniques can be used to support and enhance traditional painting techniques.Perfect for artists at all skill levels who want to explore capturing form and light through realistic painting techniques, Painting Luminous Portraits for Artists shows you how to capture the human portrait from a diverse range of perspectives, flesh tones, and light effects.  The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.Also available from the series: Drawing the Head for Artists, Essential Human Anatomy for Artists, Figure Drawing for Artists, Life Drawing for Artists, Drawing and Painting Botanicals for Artists, Dynamic Still Life for Artists, Facial Expressions for Artists, Landscape Painter’s Workbook, Plein Air Techniques for Artists, and Sketching Techniques for Artists.

The first biography of Venice’s greatest artist since 1877 – a towering work which captures the genius of Titian – and the extraordinary times in which he lived – the apogee of Venice’s power and influence.Born in the mountains above Venice in the late fifteenth-century, Tiziano Vecellio – or Titian – was the greatest painter of the Italian High Renaissance, an artist whose poetic vision and mastery of oil pigments made him into an international celebrity and continues to inspire working painters to this day. He lived in a Venice that was the most populous, celebrated, and visited city in Europe, painting everything from frescos, grand altarpieces, mythological stories, and portraits that were described by his contemporaries as “mirrors of nature”.Sheila Hale’s rich and monumental biography of Titian is the first since 1877 to examine all contemporary accounts of Titian’s life and work, and to take into account recent art historical research and scholarship. Her book charts the extraordinary transformation of Titian’s style from the radiant minutely realised masterpieces of his youth, to the more freely painted work of his middle years, to the dark, tragic, sometimes terrifying visions of his old age. Since no one person can do justice to an artist as great, protean and complex as Titian, many different voices – both contemporary and later – have been allowed free reign to explore, praise and sometimes doubt his genius.When Titian died in Venice in 1576 he was in his late eighties, and had spent the whole of his working life there, travelling as little as possible despite the clamour for his presence at the great courts of Europe.Sheila Hale’s masterly biography presents Titian through the story of the turbulent century in which he lived, and gives a vivid portrait of how this innovative 16th-century master conveyed in his paintings a kind of truth that few other artists have been able to communicate and which has fascinated Titian’s admirers and followers for centuries.

Learn to Paint Coastal Landscapes is a new title in the best-selling Collins Learn to Paint series. It features many step-by-step exercises and demonstration paintings of seascapes in watercolour, oils and pastels.This is a new title in Collins' recently relaunched 'Learn to Paint series'. It features many step-by-step exercises and demonstration paintings of seascapes in watercolour, gouache, oils and pastels.Ray Balkwill is a popular artist and well-respected teacher, whose speciality is painting seascapes, estuaries, boats and harbours. In this book he demonstrates all the necessary techniques for painting successful coastal landscapes in watercolour, gouache, oils and pastels.Contents include:• Painting water and reflections• Working from photographs• Capturing movement• Perspective and measuring• Composition• Tonal values• Colour mixingThere are many practical exercises and step-by-step demonstration paintings of a variety of different seascapes, featuring cliffs and headlands, estuaries, and creeks, and boats and harbours. In addition there are useful sections on painting skies and the weather.

Landscapes are one of the most popular painting subjects among amateur artists and oils is the traditional painting medium.Melanie Cambridge’s paintings are attractive and accessible and in this book she demonstrates all the basic techniques for painting successful landscapes in oils.There are many practical exercises and step-by-step demonstration paintings of a variety of different landscapes and seascapes, featuring mountains, lakes, meadows, buildings and water. In addition, there are useful sections on oil techniques, colour mixing, composition, creating recession and painting skies and trees, and how to add buildings and figures to your landscape paintings.

Relaunched in paperback, this book assumes no prior experience and is the essential guide to painting in oils for the absolute beginner.Full of easy-to-follow exercises and step-by-step demonstrations,’You Can Paint Oils’ will give even the most hesitant of beginners the enthusiasm and confidence to start painting in oils.Linda Birch takes the absolute beginner by the hand, explaining the basic oil painting materials and mark-making techniques. All the demonstrations are broken down into easy-to-follow step-by-step exercises, allowing the reader to build up their oil painting expertise gradually.Covering a broad range of subjects, from flowers and trees to landscapes and buildings, it won’t be long before you can produce oil paintings to be proud of.

Read this book and the world''s most famous image will never look the same again. For the world''s greatest cultural icon still has secrets to reveal - not the silly secrets that the ''Leonardo loonies'' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a ''universal picture'' that became the prime vehicle for Leonardo''s prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa''s family. We discover Lisa''s life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo''s immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with its widespread poverty. We find out about the career and possessions of his father, a notable lawyer in Florence. The meaning of the portrait that resulted from these human circumstances is vividly illuminated though Renaissance love poetry and verses specifically dedicated to Leonardo. We come to understand how Leonardo''s sciences of optics, psychology, anatomy and geology are embraced in his poetic science of art. Recent scientific examinations of the painting disclose how it evolved to assume its present appearance in Leonardo''s experimental hands. Above all, we cut through the suppositions and the myths to show that the portrait is a product of real people in a real place at a real time. This is the book that brings back a sense of reality into the creation of the portrait of Lisa del Giocondo. And the actual Mona Lisa, it turns out, is even more astonishing and transcendent than the Mona Lisa of legend.

Read this book and the world''s most famous image will never look the same again. For the world''s greatest cultural icon still has secrets to reveal - not the silly secrets that the ''Leonardo loonies'' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a ''universal picture'' that became the prime vehicle for Leonardo''s prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa''s family. We discover Lisa''s life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo''s immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with its widespread poverty. We find out about the career and possessions of his father, a notable lawyer in Florence. The meaning of the portrait that resulted from these human circumstances is vividly illuminated though Renaissance love poetry and verses specifically dedicated to Leonardo. We come to understand how Leonardo''s sciences of optics, psychology, anatomy and geology are embraced in his poetic science of art. Recent scientific examinations of the painting disclose how it evolved to assume its present appearance in Leonardo''s experimental hands. Above all, we cut through the suppositions and the myths to show that the portrait is a product of real people in a real place at a real time. This is the book that brings back a sense of reality into the creation of the portrait of Lisa del Giocondo. And the actual Mona Lisa, it turns out, is even more astonishing and transcendent than the Mona Lisa of legend.

A new history of the techniques, materials, and aesthetic ambitions that gave rise to the radiant verisimilitude of Jan van Eyck’s oil paintings on panel.  Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.  For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.  The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

A new history of the techniques, materials, and aesthetic ambitions that gave rise to the radiant verisimilitude of Jan van Eyck’s oil paintings on panel.   Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.   For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.   The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

How might we see ourselves more clearly? Consult Rembrandt.Who can encourage us to see more intimately? Tracey Emin is the expert.What about helping us see through pain? Look no further than Frida Kahlo.Too often we move through life on autopilot, blind to the life-affirming beauty of our strangeworld. But it doesn’t have to be this way.In this masterclass on how an appreciation of art can help us lead fuller lives, Will Gompertz takes us into the minds and work of thirty-one astounding artists. Each has their own unique way of seeing: with their help, we learn how to expand our own vision of life and its endless possibilities – how to look, feel and think more clearly.‘Offers a tide lesson in not just getting more from art, but more from life itself’ The Times‘Art can amaze us into changing our minds. This remarkable book teaches us how’ Es Devlin‘Highly engaging and thought-provoking’ Philip Hook, author of Breakfast at Sotheby’s‘Will Gompertz is the best teacher you never had’ Guardian

How might we see ourselves more clearly? Consult Rembrandt.Who can encourage us to see more intimately? Tracey Emin is the expert.What about helping us see through pain? Look no further than Frida Kahlo.Too often we move through life on autopilot, blind to the life-affirming beauty of our strangeworld. But it doesn’t have to be this way.In this masterclass on how an appreciation of art can help us lead fuller lives, Will Gompertz takes us into the minds and work of thirty-one astounding artists. Each has their own unique way of seeing: with their help, we learn how to expand our own vision of life and its endless possibilities – how to look, feel and think more clearly.‘Offers a tide lesson in not just getting more from art, but more from life itself’ The Times‘Art can amaze us into changing our minds. This remarkable book teaches us how’ Es Devlin‘Highly engaging and thought-provoking’ Philip Hook, author of Breakfast at Sotheby’s‘Will Gompertz is the best teacher you never had’ Guardian

A milestone in Nordic art history, the forthcoming Catalogue Raisonné of Nikolai Astrup’s oil paintings presents the first comprehensive, critically annotated account of the artist’s oeuvreThe result of fifteen years of research undertaken in collaboration with an international team of scholars, this catalogue raisonné by Dr. Tove Haugsbø presentsthe entire body of paintings made by the Norwegian artist Nikolai Astrup (1880–1928).Tracing Astrup’s visionary engagement with his rural home village, the garden and mystical folklore, the volume interweaves rigorous provenance, exhibition history and archival sources with indepth visual analysis. It documents 329 paintings, most reproduced in colour and accompanied by complete provenance, exhibition history,and bibliography. Revealing previously overlooked works and refining attributions, the catalogue repositions Astrup as a pivotal figure in early twentieth-century art. Essential for collectors, historians and curators alike, it transforms our understanding of one of Scandinavia’s most original painters.Distributed for the Kode Bergen Art Museum

Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859–1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America’s great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.