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Reknowned for her techniques for painting light on water, Jenny Aitken delivers perfect guidance to the intermediate artist on how to paint light in plein air and much more.Learn how to successfully paint scenes that that capture magical effects of light from behind the subject. Good contre-jour – painting into the light – artworks cause the viewer to squint, with light seeming to glow from the canvas. They can look like a kind of magic, with their hazy light and colour singing out. This book demystifies lighting in oils, and provides a practical guide to the process, showing exactly how to create the illusion.Inside, you'll find a wealth of information on simplification, tonal control, capturing accurate colour, working both indoors and outdoors, painting landscapes and still life, creating atmospheric depth, and even mastering the illusion of space. Through detailed step-by-step demonstrations and beautifully illustrated techniques, Jenny Aitken reveals how to infuse every painting with vibrant, lifelike light. A section on troubleshooting tricky paintings will show the reader every painting is salvageable, but with an understanding of light and colour, it’s much more likely that they’ll find success the first time round.

A contemporary and accessible foundation of color theory and advanced techniques for the oil painter at every skill level"In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history." - James Gurney, artist and author “This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept.” - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter’s Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to “master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color.” A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter’s Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons—each clearly explained and richly illustrated with both historic and contemporary paintings—so that the reader can learn progressively and layer more complex ideas as each skill is achieved. Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.

One of the most unexpectedly useful things we can do when we’re feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us.This is a collection of 100 of the world’s most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friendsWe’re invited to look at art with unusual depth and then find our way towards new hope and courage.This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.

Stimulating, informative guide by noted teacher covers painting technique, painting from life, materials — paints, varnishes, oils and mediums, grounds, etc. — a painter's training, more. Speed also provides expert analysis of works by Velasquez, Reynolds, Gainsborough, Hals, Rembrandt, and others. 64 photos. 5 line drawings.

Water-mixable oil paints offer all the qualities of traditional oils – rich pigments, buttery consistency, long drying times – but with one remarkable difference, there is no need for solvents!This book will encourage and inspire beginners and provide them with all the skills and knowledge they need to produce successful oil paintings. It starts with an introduction to the medium, and explains what water-mixable oils are. This introduction is followed by several sections on materials, preparation (how to care for your brushes, storing your paints, and so on), colour (selecting your basic, or capsule, palette), mixing the paints and preparing your surfaces. The first project explains how to explore colour in order to paint in the style of Vincent van Gogh.There are then five longer projects that touch upon the themes of abstraction, still life, landscapes, buildings, and working from a photograph, all of which capitalize on the rich qualities of the paints. Each project is accompanied by a clear list of materials needed as well as top tips and skills practised; Sarah also interjects with useful anecdotes and words of wisdom garnered from her experience working in this vibrant and exciting medium.At the end of the book, the reader discovers how best to store and transport finished paintings, especially if the paint is still tacky to the touch, and how to frame a painting for impact.

This beautiful book shows the artist how to develop their own unique way of seeing and interpreting light and colour in oils, using plein air painting as the foundation (painting outdoors direct from life). It serves as a catalyst for exploration, both out in the field, and back in the studio. Packed with finished examples and step-by-step sequences, it guides you through the beguiling challenge of painting the light, demonstrating how to say ‘just enough’ in your own work.

Oil paint is such a responsive and versatile medium that no two painters need use it in exactly the same way, and since its invention in Renaissance times it has never lost its popularity with artists.Amateurs also find it appealing, not only because it is enjoyable to use but also because mistakes can be easily rectified, yet in many cases mistakes would not occur if the individual had a sound knowledge of technique.In the A-Z section of the book, Jeremy Galton, a practising painter, explains how to build up a painting, how and when to work "wet into wet", and how to make your brushwork describe forms and textures. He also provides a wealth of stimulating ideas such as combining oil paints with other media, mixing paint with sand and sawdust and applying it with knives, rags or the fingers.In the second part of the book, Themes, you can see the techniques in context. Illustrated with a gallery of paintings by well-known artists as well as informative step-by-step demonstrations, it shows how each person applies his or her knowledge of oil painting techniques to the interpretation of a subject, whether landscape, portrait or still life.

The complete guide to painting the portrait in oils.From Steve Forster, award-winning portrait artist and co-director of the Long Island Academy of Fine Art, Painting Luminous Portraits for Artists presents essential lessons on how to paint a radiant likeness in oils in ten comprehensive chapters, each with skill-building exercises and QR codes to instructional videos:Discover fundamental materials, techniques, and basic anatomy and feature development for creating an underdrawing.Explore color theory and color palette structures.Learn painting techniques, including different shape and lighting approaches.Consider creative strategies for portraits.See how digital painting techniques can be used to support and enhance traditional painting techniques.Perfect for artists at all skill levels who want to explore capturing form and light through realistic painting techniques, Painting Luminous Portraits for Artists shows you how to capture the human portrait from a diverse range of perspectives, flesh tones, and light effects.  The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.Also available from the series: Drawing the Head for Artists, Essential Human Anatomy for Artists, Figure Drawing for Artists, Life Drawing for Artists, Drawing and Painting Botanicals for Artists, Dynamic Still Life for Artists, Facial Expressions for Artists, Landscape Painter’s Workbook, Plein Air Techniques for Artists, and Sketching Techniques for Artists.

A new history of the techniques, materials, and aesthetic ambitions that gave rise to the radiant verisimilitude of Jan van Eyck’s oil paintings on panel.  Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.  For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.  The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

How might we see ourselves more clearly? Consult Rembrandt.Who can encourage us to see more intimately? Tracey Emin is the expert.What about helping us see through pain? Look no further than Frida Kahlo.Too often we move through life on autopilot, blind to the life-affirming beauty of our strangeworld. But it doesn’t have to be this way.In this masterclass on how an appreciation of art can help us lead fuller lives, Will Gompertz takes us into the minds and work of thirty-one astounding artists. Each has their own unique way of seeing: with their help, we learn how to expand our own vision of life and its endless possibilities – how to look, feel and think more clearly.‘Offers a tide lesson in not just getting more from art, but more from life itself’ The Times‘Art can amaze us into changing our minds. This remarkable book teaches us how’ Es Devlin‘Highly engaging and thought-provoking’ Philip Hook, author of Breakfast at Sotheby’s‘Will Gompertz is the best teacher you never had’ Guardian

Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859–1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America’s great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.

Nobody ever said that oil painting was easy. But it gets much easier and a lot more fun when you follow a step-by-step approach that starts you off on the right foot, helps you build your skills one at a time, and gives you plenty of exercises to develop your craft. That’s what you’ll find in Oil Painting For Dummies. Completely free of arty jargon, this full-color guide has all the hands-on instruction you need to master the basics. You’ll see how to plan a painting, build an image in layers, mix colors, and create stunning compositions. You’ll also find everything you need to know about oil paints, solvents, and pigments; brushes, palettes, and painting surfaces; and how to keep costs down at the art supply store. Discover how to: Choose the right suppliesSet up your studio and care for your equipmentHandle your materials safelyDevelop your design and composition skillsMake practice sketches and studiesUse broken stroke, dry brush, glazing, scraffito and other brush strokesTry out different compositionsMix any color you wantSimplify tricky still-life subjectsPaint landscapes and common objects out doorsPaint portraits and the human formComplete with handy color chart, basic materials list, and a very useful viewing square, Oil Painting For Dummies is the fun and easy way to discover your inner artist!

This new edition of a long-revered guide on the technical aspects of painting marks the 40th anniversary of its original publication. Fully revised by Faragasso, it features improved imagery, materials, and edits, including a new chapter on working in natural sunlight. The revisions are guided by extensive notes by the author, an expert in the Frank J. Reilly method of understanding how color works in various realistic lighting conditions.

Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437–1444. Originally standing some six yards high, double-sided, with a splendid gilt frame over the main altar of the local Franciscan church, it was the Rolls Royce of early Renaissance painting. But its myriad figures and scenes tempted the collectors of the nineteenth and twentieth centuries, and today its disassembled panels can be found in twelve museums throughout Europe and the United States. To produce this landmark volume, experts in art and general history, painting technique and conservation, woodworking, architecture, and liturgy have joined forces across the boundaries of eight different nations. A model of collaboration, it opens new windows onto the creative process of the artist as he confronted a late-medieval church at a crossroad of cultures, the miracle-working body of a holy man, and a community of Franciscan friars breathing the exhilarating air of reform. To confront such challenges, Sassetta raised the most spiritual school of early Italian art, the Sienese, to a higher level of understanding, grace, and splendor.

How Art Is Made looks at renowned works of art from across the centuries and around the globe and asks the intriguingly simple question – how were these works actually made?  Divided into two sections – materials and methods – each chapter showcases a single work of art which demonstrates the mastery and innovative use of a single material or method, from oil paint, pastel and pencil, to woodcut, litho and impasto. Each work is presented as the centerpiece of a capsule history, while comparative works are also included to help amplify our understanding.How, for example, did Michelangelo paint the Sistine Chapel fresco, or Turner become such a master of watercolour? How did Warhol turn so effectively to screen printing, and how does Yayoi Kusama create such beguiling 'infinity rooms'?The book enhances the experience of looking at great works of art and guides us to a deeper understanding of how they were created and why we regard them as so important.

Atmospheric Landscapes with Oils and Cold Wax is an inspiring and practical guide for artists eager to explore the rich textures, luminous layers and intuitive mark-making that define this versatile medium. By layering, scraping and working with transparent and opaque colours, it shows you how to create your own compelling landscapes that evoke mystery and atmosphere and resonate with energy and emotion. Through guided exercises and inspiring examples, it emphasises experimentation, intuition and personal artistic growth, offering practical techniques and creative insights for both beginners and seasoned painters.

LEARN A DYNAMIC APPROACH TO PORTRAITURE THAT BRINGS DEPTH AND ENERGY TO YOUR PAINTINGSPortrait Painting explains how to portray people in oils and acrylics by looking beyond likeness to light, shadow, colour and form. Instead of copying, you’ll learn to see abstract shapes, experiment with colour and create portraits that feel alive, expressive and meaningful.

This beautiful book is a masterclass in classical oil painting. It is structured to teach individual components as separate subjects, allowing students to understand each part without being overwhelmed by the whole. Richly illustrated, it provides a comprehensive guide to methods that yield consistent results and, most importantly, helps you learn and practise new skills to fully equip you on your artistic journey. Classical Oil Painting is a comprehensive guide to painting with oils. With illustrated references to masterpieces throughout, the author places today's students in a long line of artists who have gone before. Examples demonstrate how Manet utilises directional brushwork, how Pissarro arranges a still life, and how Rembrandt masters a hierarchy of darks, mid-tones and lights. This book focuses on the craft of painting so that, in time, artistry will naturally develop. It follows the principles of atelier training and is structured using the six fundamental components of form, values, edges, colour, paint handling and composition. With a strong emphasis on learning by doing, it supports the theory with demonstrations, examples and exercises, providing a complete account of this compelling medium.

PAINT BY NUMBER KIT – The Liberty Glastonbury 9x12 Paint by Number Kit from Galison includes everything you need to create a beautiful art painting of one of Liberty's most iconic prints. This kit makes the perfect gift for fashion enthusiasts and art lovers, ideal for holidays, birthdays, or any occasion. Includes 12 acrylic paints, a paint brush, and a beautiful canvas to paint on.BRIGHT AND BOLD ARTWORK – This artwork captures the enchanting details of Glastonbury, a beloved Liberty London print. The scene, a floral design that features stylized fruits, flowers, and foliage, evokes a sense of timeless elegance.PERFECT FOR GIFTING – With easy-to-follow instructions and numbered sections, this kit is suitable for both beginners and experienced artists, offering a relaxing and rewarding creative process. The finished painting will be a stunning holiday masterpiece, perfect for gifting or adding a personal touch to your home decor.HIGH QUALITY – Printed on a high-quality, durable canvas, the design captures the iconic luxurious Liberty print with intricate details and vibrant colors. The kit includes non-toxic, acrylic paints that are perfectly coordinated to ensure a smooth, enjoyable painting experience. With easy-to-follow instructions and numbered sections, this kit is suitable for both beginners and experienced artists, offering a relaxing and rewarding creative process.GALISON – Since 1979, our vision at Galison has been to inspire people by bringing art into daily life with home office supplies, home décor, stationery, puzzles, and games.