Andrew McConnell Stott is Dean of Undergraduate Education and Professor of English at the Dana and David Dornsife College of Letters, Arts and Sciences, University of Southern California, USA. A writer on British popular culture from the sixteenth to nineteenth centuries, his publications include Comedy (2005, 2014); The Pantomime Life of Joseph Grimaldi: Laughter, Madness, and the Story of Britain's Greatest Comedian (2009); and The Poet and the Vampyre: The Curse of Byron and the Birth of Literature’s Greatest Monsters (2014).Eric Weitz is the School Director for Undergraduate Teaching and Learning, Trinity College Dublin, Ireland. His publications include The Cambridge Introduction to Comedy (2009), Theatre and Laughter (2015), For the Sake of Sanity: Doing Things with Humour in Irish Performance (2014), and The Power of Laughter: Comedy and Contemporary Irish Theatre (2004).

• Volume 1: A Cultural History of Comedy in AntiquityEdited by Michael Ewans, University of Newcastle, AustraliaList of IllustrationsNotes on ContributorsSeries PrefaceComedy Title AbbreviationsOther AbbreviationsIntroduction, Michael Ewans (University of Newcastle, Australia)1. Form, Gesine Manuwald (University College London, UK)2. Theory, Caleb M. X. Dance (Washington and Lee University, USA)3. Praxis, Michael Ewans (University of Newcastle, Australia)4. Identities, Natalia Tsoumpra (University of Glasgow, UK)5. The Body, Louise Peacock (De Montfort University, UK)6. Politics and Power, Isabel Ruffell (University of Glasgow, UK)7. Laughter, Marcel Lysgaard Lech (University of Southern Denmark, Denmark)8. Ethics— Ethics in Greek Comedy, Valeria Cinaglia (University of Exeter, UK)— Ethics in Roman Comedy, Serena S. Witzke (Wesleyan University, USA)NotesReferencesIndexVolume 2: A Cultural History of Comedy in the Middle AgesEdited by Martha Bayless, University of Oregon, USAList of IllustrationsNotes on ContributorsSeries PrefaceEditor’s AcknowledgmentsIntroduction: Comedy in the Middle Ages: Answers and Questions, Martha Bayless (University of Oregon, USA)1. Form: Its Expressions and Manifestations, Olle Ferm (Stockholm University, Sweden)2. Theory: Comedy Humbled and Exalted, Johan Verberckmoes (KU Leuven, Belgium)3. Praxis: The Location and Performance of Comedy, Katherine A. Brown (University of Notre Dame, USA)4. Identity, John DuVal (University of Arkansas, USA)5. The Body: Unstable, Gendered, Theorized, Susan Signe Morrison (Texas State University, USA)6. Politics: Comic Power, Foolish Men, and Holy Women, Max Harris (University of Wisconsin-Madison, USA)7. Laughter: A Comedic Approach, Sebastian Coxon (University College London, UK)8. Ethics: Ethical Dimensions of Medieval Comedy, Nicolino Applauso (Loyola University Maryland, USA and Morgan State University, USA)NotesReferencesIndexVolume 3: A Cultural History of Comedy in the Early Modern AgeEdited by Andrew McConnell Stott, University of Southern California, USAList of IllustrationsNotes on ContributorsSeries PrefaceNote on TextsIntroduction, Andrew McConnell Stott (University of Southern California, USA)1. Form, Megan Herrold (University of Southern California, USA)2. Theory, James Loxley (University of Edinburgh, UK)3. Praxis, Lucy Munro (Kings College London, UK)4. Identities, Maya Mathur (University of Mary Washington, USA)5. The Body, Will Stockton (Clemson University, USA)6. Politics and Power, Douglas Bruster (University of Texas at Austin, USA)7. Laughter, Indira Ghose (University of Fribourg, Switzerland)8. Ethics, Stephen Wisker (Middle Georgia State University, USA)NotesReferencesIndex Volume 4: A Cultural History of Comedy in the Age of EnlightenmentEdited by Elizabeth Kraft, University of Georgia, USAList of IllustrationsNotes on ContributorsEditor’s AcknowledgmentsSeries PrefaceIntroduction, Elizabeth Kraft (University of Georgia, USA)1. Form, Brian Corman (University of Toronto, Canada)2. Theory, Jean I. Marsden (University of Connecticut, USA)3. Praxis: The Practice of Comedy in the Restoration and Eighteenth Century, Laura J. Rosenthal (University of Maryland, USA)4. Identities: Deception, Discovery, and the Paradox of the Dark Lantern, Heather Ladd (Kwantlen Polytechnic University, Canada)5. The Body: Performing Comic Eighteenth-Century Embodiment, Misty G. Anderson (University of Tennessee, Knoxville, USA)6. Politics and Power, Aparna Gollapudi (Colorado State University, USA)7. Laughter: Enlightenment Philosophies of Laughter, from Superiority Theory to Incongruity Theory, Andrew Benjamin Bricker (Ghent University, Belgium)8. Ethics, Melvyn New (University of Florida, USA)NotesReferencesIndexVolume 5: A Cultural History of Comedy in the Age of EmpireEdited by Matthew Kaiser, University of California, Merced, USAList of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: Comic Frames in the Age of Empire, Matthew Kaiser (University of California, Merced, USA)1. Form: An Empire of Jokes in the Age of American Expansion, Todd Nathan Thompson (Indiana University of Pennsylvania, USA)2. Theory: Deadpan and Comedy Theory, Sarah Balkin (University of Melbourne, Australia)3. Praxis: A Comedy Revolution, Milena Kozic (Independent scholar, Serbia)4. Identity: Popular Performance from Peoria to Paris, Will Visconti (University of Sydney, Australia)5. The Body: From Grimaldi to Chaplin, Sara Lodge (University of St Andrews, UK)6. Politics and Power: Nineteenth-Century American Humor, Gregg Camfield (University of California, Merced, USA)7. Laughter: The Ugly History, Matthew Kaiser (University of California, Merced, USA)8. Ethics: Dickensian Satire and Mealtime Shame, Rob Jacklosky (College of Mount Saint Vincent, USA) and Matthew Kaiser (University of California, Merced, USA)NotesReferencesIndexVolume 6: A Cultural History of Comedy in the Modern AgeEdited by Louise Peacock, De Montfort University, UKList of IllustrationsNotes on ContributorsSeries PrefaceIntroduction, Louise Peacock (De Montfort University, UK)1. Form, Brett Mills (University of East Anglia, UK)2. Theory, Peter Buse (University of Liverpool, UK)3. Praxis: ‘If You Laugh at Something, Then I’ll Potentially Keep It’: The Praxis of Live Comedy, Oliver Double (University of Kent, UK)4. Identity: Laughs Last—Gender, Power, and Comic Identity, Joanne Gilbert (Alma College, USA)5. The Body, Louise Peacock (De Montfort University, UK)6. Politics and Power, Chris Vognar (Independent scholar, USA)7. Laughter, Eric Weitz (Trinity College Dublin, Ireland)8. Ethics, Michael Pickering (Loughborough University, UK)NotesReferencesIndex

Andrew McConnell Stott is Dean of Undergraduate Education and Professor of English at the Dana and David Dornsife College of Letters, Arts and Sciences, University of Southern California, USA. A writer on British popular culture from the sixteenth to nineteenth centuries, his publications include Comedy (2005, 2014); The Pantomime Life of Joseph Grimaldi: Laughter, Madness, and the Story of Britain's Greatest Comedian (2009); and The Poet and the Vampyre: The Curse of Byron and the Birth of Literature’s Greatest Monsters (2014).Eric Weitz is the School Director for Undergraduate Teaching and Learning, Trinity College Dublin, Ireland. His publications include The Cambridge Introduction to Comedy (2009), Theatre and Laughter (2015), For the Sake of Sanity: Doing Things with Humour in Irish Performance (2014), and The Power of Laughter: Comedy and Contemporary Irish Theatre (2004).

• Volume 1: A Cultural History of Comedy in AntiquityEdited by Michael Ewans, University of Newcastle, AustraliaList of IllustrationsNotes on ContributorsSeries PrefaceComedy Title AbbreviationsOther AbbreviationsIntroduction, Michael Ewans (University of Newcastle, Australia)1. Form, Gesine Manuwald (University College London, UK)2. Theory, Caleb M. X. Dance (Washington and Lee University, USA)3. Praxis, Michael Ewans (University of Newcastle, Australia)4. Identities, Natalia Tsoumpra (University of Glasgow, UK)5. The Body, Louise Peacock (De Montfort University, UK)6. Politics and Power, Isabel Ruffell (University of Glasgow, UK)7. Laughter, Marcel Lysgaard Lech (University of Southern Denmark, Denmark)8. Ethics— Ethics in Greek Comedy, Valeria Cinaglia (University of Exeter, UK)— Ethics in Roman Comedy, Serena S. Witzke (Wesleyan University, USA)NotesReferencesIndexVolume 2: A Cultural History of Comedy in the Middle AgesEdited by Martha Bayless, University of Oregon, USAList of IllustrationsNotes on ContributorsSeries PrefaceEditor’s AcknowledgmentsIntroduction: Comedy in the Middle Ages: Answers and Questions, Martha Bayless (University of Oregon, USA)1. Form: Its Expressions and Manifestations, Olle Ferm (Stockholm University, Sweden)2. Theory: Comedy Humbled and Exalted, Johan Verberckmoes (KU Leuven, Belgium)3. Praxis: The Location and Performance of Comedy, Katherine A. Brown (University of Notre Dame, USA)4. Identity, John DuVal (University of Arkansas, USA)5. The Body: Unstable, Gendered, Theorized, Susan Signe Morrison (Texas State University, USA)6. Politics: Comic Power, Foolish Men, and Holy Women, Max Harris (University of Wisconsin-Madison, USA)7. Laughter: A Comedic Approach, Sebastian Coxon (University College London, UK)8. Ethics: Ethical Dimensions of Medieval Comedy, Nicolino Applauso (Loyola University Maryland, USA and Morgan State University, USA)NotesReferencesIndexVolume 3: A Cultural History of Comedy in the Early Modern AgeEdited by Andrew McConnell Stott, University of Southern California, USAList of IllustrationsNotes on ContributorsSeries PrefaceNote on TextsIntroduction, Andrew McConnell Stott (University of Southern California, USA)1. Form, Megan Herrold (University of Southern California, USA)2. Theory, James Loxley (University of Edinburgh, UK)3. Praxis, Lucy Munro (Kings College London, UK)4. Identities, Maya Mathur (University of Mary Washington, USA)5. The Body, Will Stockton (Clemson University, USA)6. Politics and Power, Douglas Bruster (University of Texas at Austin, USA)7. Laughter, Indira Ghose (University of Fribourg, Switzerland)8. Ethics, Stephen Wisker (Middle Georgia State University, USA)NotesReferencesIndex Volume 4: A Cultural History of Comedy in the Age of EnlightenmentEdited by Elizabeth Kraft, University of Georgia, USAList of IllustrationsNotes on ContributorsEditor’s AcknowledgmentsSeries PrefaceIntroduction, Elizabeth Kraft (University of Georgia, USA)1. Form, Brian Corman (University of Toronto, Canada)2. Theory, Jean I. Marsden (University of Connecticut, USA)3. Praxis: The Practice of Comedy in the Restoration and Eighteenth Century, Laura J. Rosenthal (University of Maryland, USA)4. Identities: Deception, Discovery, and the Paradox of the Dark Lantern, Heather Ladd (Kwantlen Polytechnic University, Canada)5. The Body: Performing Comic Eighteenth-Century Embodiment, Misty G. Anderson (University of Tennessee, Knoxville, USA)6. Politics and Power, Aparna Gollapudi (Colorado State University, USA)7. Laughter: Enlightenment Philosophies of Laughter, from Superiority Theory to Incongruity Theory, Andrew Benjamin Bricker (Ghent University, Belgium)8. Ethics, Melvyn New (University of Florida, USA)NotesReferencesIndexVolume 5: A Cultural History of Comedy in the Age of EmpireEdited by Matthew Kaiser, University of California, Merced, USAList of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: Comic Frames in the Age of Empire, Matthew Kaiser (University of California, Merced, USA)1. Form: An Empire of Jokes in the Age of American Expansion, Todd Nathan Thompson (Indiana University of Pennsylvania, USA)2. Theory: Deadpan and Comedy Theory, Sarah Balkin (University of Melbourne, Australia)3. Praxis: A Comedy Revolution, Milena Kozic (Independent scholar, Serbia)4. Identity: Popular Performance from Peoria to Paris, Will Visconti (University of Sydney, Australia)5. The Body: From Grimaldi to Chaplin, Sara Lodge (University of St Andrews, UK)6. Politics and Power: Nineteenth-Century American Humor, Gregg Camfield (University of California, Merced, USA)7. Laughter: The Ugly History, Matthew Kaiser (University of California, Merced, USA)8. Ethics: Dickensian Satire and Mealtime Shame, Rob Jacklosky (College of Mount Saint Vincent, USA) and Matthew Kaiser (University of California, Merced, USA)NotesReferencesIndexVolume 6: A Cultural History of Comedy in the Modern AgeEdited by Louise Peacock, De Montfort University, UKList of IllustrationsNotes on ContributorsSeries PrefaceIntroduction, Louise Peacock (De Montfort University, UK)1. Form, Brett Mills (University of East Anglia, UK)2. Theory, Peter Buse (University of Liverpool, UK)3. Praxis: ‘If You Laugh at Something, Then I’ll Potentially Keep It’: The Praxis of Live Comedy, Oliver Double (University of Kent, UK)4. Identity: Laughs Last—Gender, Power, and Comic Identity, Joanne Gilbert (Alma College, USA)5. The Body, Louise Peacock (De Montfort University, UK)6. Politics and Power, Chris Vognar (Independent scholar, USA)7. Laughter, Eric Weitz (Trinity College Dublin, Ireland)8. Ethics, Michael Pickering (Loughborough University, UK)NotesReferencesIndex

Andrew McConnell Stott is Dean of Undergraduate Education and Professor of English at the Dana and David Dornsife College of Letters, Arts and Sciences, University of Southern California, USA. A writer on British popular culture from the sixteenth to nineteenth centuries, his publications include Comedy (2005, 2014); The Pantomime Life of Joseph Grimaldi: Laughter, Madness, and the Story of Britain's Greatest Comedian (2009); and The Poet and the Vampyre: The Curse of Byron and the Birth of Literature’s Greatest Monsters (2014).Eric Weitz is the School Director for Undergraduate Teaching and Learning, Trinity College Dublin, Ireland. His publications include The Cambridge Introduction to Comedy (2009), Theatre and Laughter (2015), For the Sake of Sanity: Doing Things with Humour in Irish Performance (2014), and The Power of Laughter: Comedy and Contemporary Irish Theatre (2004).

• Volume 1: A Cultural History of Comedy in AntiquityEdited by Michael Ewans, University of Newcastle, AustraliaList of IllustrationsNotes on ContributorsSeries PrefaceComedy Title AbbreviationsOther AbbreviationsIntroduction, Michael Ewans (University of Newcastle, Australia)1. Form, Gesine Manuwald (University College London, UK)2. Theory, Caleb M. X. Dance (Washington and Lee University, USA)3. Praxis, Michael Ewans (University of Newcastle, Australia)4. Identities, Natalia Tsoumpra (University of Glasgow, UK)5. The Body, Louise Peacock (De Montfort University, UK)6. Politics and Power, Isabel Ruffell (University of Glasgow, UK)7. Laughter, Marcel Lysgaard Lech (University of Southern Denmark, Denmark)8. Ethics— Ethics in Greek Comedy, Valeria Cinaglia (University of Exeter, UK)— Ethics in Roman Comedy, Serena S. Witzke (Wesleyan University, USA)NotesReferencesIndexVolume 2: A Cultural History of Comedy in the Middle AgesEdited by Martha Bayless, University of Oregon, USAList of IllustrationsNotes on ContributorsSeries PrefaceEditor’s AcknowledgmentsIntroduction: Comedy in the Middle Ages: Answers and Questions, Martha Bayless (University of Oregon, USA)1. Form: Its Expressions and Manifestations, Olle Ferm (Stockholm University, Sweden)2. Theory: Comedy Humbled and Exalted, Johan Verberckmoes (KU Leuven, Belgium)3. Praxis: The Location and Performance of Comedy, Katherine A. Brown (University of Notre Dame, USA)4. Identity, John DuVal (University of Arkansas, USA)5. The Body: Unstable, Gendered, Theorized, Susan Signe Morrison (Texas State University, USA)6. Politics: Comic Power, Foolish Men, and Holy Women, Max Harris (University of Wisconsin-Madison, USA)7. Laughter: A Comedic Approach, Sebastian Coxon (University College London, UK)8. Ethics: Ethical Dimensions of Medieval Comedy, Nicolino Applauso (Loyola University Maryland, USA and Morgan State University, USA)NotesReferencesIndexVolume 3: A Cultural History of Comedy in the Early Modern AgeEdited by Andrew McConnell Stott, University of Southern California, USAList of IllustrationsNotes on ContributorsSeries PrefaceNote on TextsIntroduction, Andrew McConnell Stott (University of Southern California, USA)1. Form, Megan Herrold (University of Southern California, USA)2. Theory, James Loxley (University of Edinburgh, UK)3. Praxis, Lucy Munro (Kings College London, UK)4. Identities, Maya Mathur (University of Mary Washington, USA)5. The Body, Will Stockton (Clemson University, USA)6. Politics and Power, Douglas Bruster (University of Texas at Austin, USA)7. Laughter, Indira Ghose (University of Fribourg, Switzerland)8. Ethics, Stephen Wisker (Middle Georgia State University, USA)NotesReferencesIndex Volume 4: A Cultural History of Comedy in the Age of EnlightenmentEdited by Elizabeth Kraft, University of Georgia, USAList of IllustrationsNotes on ContributorsEditor’s AcknowledgmentsSeries PrefaceIntroduction, Elizabeth Kraft (University of Georgia, USA)1. Form, Brian Corman (University of Toronto, Canada)2. Theory, Jean I. Marsden (University of Connecticut, USA)3. Praxis: The Practice of Comedy in the Restoration and Eighteenth Century, Laura J. Rosenthal (University of Maryland, USA)4. Identities: Deception, Discovery, and the Paradox of the Dark Lantern, Heather Ladd (Kwantlen Polytechnic University, Canada)5. The Body: Performing Comic Eighteenth-Century Embodiment, Misty G. Anderson (University of Tennessee, Knoxville, USA)6. Politics and Power, Aparna Gollapudi (Colorado State University, USA)7. Laughter: Enlightenment Philosophies of Laughter, from Superiority Theory to Incongruity Theory, Andrew Benjamin Bricker (Ghent University, Belgium)8. Ethics, Melvyn New (University of Florida, USA)NotesReferencesIndexVolume 5: A Cultural History of Comedy in the Age of EmpireEdited by Matthew Kaiser, University of California, Merced, USAList of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: Comic Frames in the Age of Empire, Matthew Kaiser (University of California, Merced, USA)1. Form: An Empire of Jokes in the Age of American Expansion, Todd Nathan Thompson (Indiana University of Pennsylvania, USA)2. Theory: Deadpan and Comedy Theory, Sarah Balkin (University of Melbourne, Australia)3. Praxis: A Comedy Revolution, Milena Kozic (Independent scholar, Serbia)4. Identity: Popular Performance from Peoria to Paris, Will Visconti (University of Sydney, Australia)5. The Body: From Grimaldi to Chaplin, Sara Lodge (University of St Andrews, UK)6. Politics and Power: Nineteenth-Century American Humor, Gregg Camfield (University of California, Merced, USA)7. Laughter: The Ugly History, Matthew Kaiser (University of California, Merced, USA)8. Ethics: Dickensian Satire and Mealtime Shame, Rob Jacklosky (College of Mount Saint Vincent, USA) and Matthew Kaiser (University of California, Merced, USA)NotesReferencesIndexVolume 6: A Cultural History of Comedy in the Modern AgeEdited by Louise Peacock, De Montfort University, UKList of IllustrationsNotes on ContributorsSeries PrefaceIntroduction, Louise Peacock (De Montfort University, UK)1. Form, Brett Mills (University of East Anglia, UK)2. Theory, Peter Buse (University of Liverpool, UK)3. Praxis: ‘If You Laugh at Something, Then I’ll Potentially Keep It’: The Praxis of Live Comedy, Oliver Double (University of Kent, UK)4. Identity: Laughs Last—Gender, Power, and Comic Identity, Joanne Gilbert (Alma College, USA)5. The Body, Louise Peacock (De Montfort University, UK)6. Politics and Power, Chris Vognar (Independent scholar, USA)7. Laughter, Eric Weitz (Trinity College Dublin, Ireland)8. Ethics, Michael Pickering (Loughborough University, UK)NotesReferencesIndex