21st-Century Oxford Authors – serie

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and critical notes.Ruskin has been called 'the most powerful and original thinker of the nineteenth century' and yet, like his two fellow Victorian Sages, Thomas Carlyle and Matthew Arnold, his work remains obscure to modern readers. This anthology hopes to remedy this situation by presenting the immense range of Ruskin's interests, from art to politics, museology to ornithology, architecture to geology, and morals to economics—all of which interests were indivisible in his view. Here are rapturous accounts of Turner, the Alps, Renaissance painters, and Gothic architecture; but here, too, are urgently dystopian analyses of the modern culture that we continue to inhabit: vacuousness in communication, callousness in labour relations, amoral sophistication in art, and rationalism in all its various delusory forms in politics, society, and the economy. There are special stresses on cultural preservation and the illusions that it both fosters and depends upon; the status of women in society, which Ruskin reflected on constantly; nature, wilderness, and eco-catastrophism; and the role of artists like the Pre-Raphaelites in a society mostly given over to Philistinism. In short, the nineteenth century continues to cast an interrogatory shadow over the twenty-first, and Ruskin is its most vital and critical antagonist in the English language, inspiring intellectuals as diverse as Tolstoy, Proust, and Gandhi during his lifetime and afterwards. He was, this collection suggests, nothing like a 'sage', but something much more important and much more like those impossible things, a Victorian Renaissance man, an English Rousseau, and a post-religious Jeremiah.Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Ruskin, and a Chronology.

This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled.Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography—Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)—as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848).The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of William Blake (1757-1827). Accompanied by full scholarly apparatus, this authoritative edition enables students to explore Blake's poetry, illuminated poetry, and prose alongside selections from his letters, manuscripts, notebook, advertising pamphlets, marginalia, and works he printed in conventional letterpress. The edition arranges Blake's works in chronological order, according to the date when they were first printed or, in the case of unpublished works, the years in which they were composed. With the help of editorial headnotes and annotations, this arrangement brings to the foreground Blake's material and intellectual labours as a poet, painter, prophet, and non-academic philosopher; the networks of acquaintances, friends, patrons, and enemies who helped support or provoke this work; and the tumultuous historical events he responded to, which included the beginning of modern feminism, the agricultural and industrial revolutions, the American and French Revolutions, William Pitt's so-called 'Reign of Terror' in Britain, an attempted revolution in Ireland (1798), a successful slave rebellion in Haiti (1791-1804), and the French revolutionary and Napoleonic wars. Some editions attempt to sanitize Blake, by hiding from view the most startling elements of his thought; but in this edition Blake's sexual, political, religious, and poetic heterodoxy comes into full view.At the same time, this edition foregrounds the dynamics of Blake's composite art, with equal weight given to its verbal and visual dimensions; makes visible the chief lines of force that structure his oeuvre; and highlights his developing thought on sapphism, sodomy, the body, relations between the sexes, the roots of violence, and the politics of imagination. This is a Blake whose dialogue with his own time anticipates much later developments, including modern depth psychologies; analyses of the social and psychological dynamics of war and peace; interest in the body, sexuality, and gender; and experiments in the relation between actual and virtual realities—a Blake who is provocative, unsettling, exhilarating, and somehow our contemporary.Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Blake, and a Chronology.

This newly selected edition of William Morris's works brings together poetry and prose, lectures, articles, and letters from his life, ordered chronologically, with an introduction highlighting his pressing and prescient writing on matters of the natural and built environment, human and non-human relations, internationalism, migration, and social justice, as well as the wide range of his literary and artistic concerns. Expert textual notes draw attention to the interconnectedness of Morris's writing and its rich literary, historical, and political contexts and sources: this is work that reaches back to tales of personal, dynastic, and political passion in medieval Europe or the craftsmanship of ancient Persia as deftly as it lambasts Victorian work practices and living conditions in Britain or sets out to correct misconceptions about the nature of social revolution; it creates visions of a just, equal, and beautiful future from re-told or imagined pasts. This selection includes lyric, epic, and narrative poetry and a range of prose writings that tell stories, conjure worlds, rouse their readers to action, and urge them to care for the earth, its inhabitants, its beauty, and its histories. It demonstrates the continuing power of Morris's writings to speak to the present with as lively, particular, and provocative a voice as it spoke to its own time.

Emily Brontë is one of the few modern writers in English whose distinction as a novelist is matched by her distinction as a poet. She lived and died more or less completely out of the public eye and only towards the end of the nineteenth century was her writing widely recognized. Wuthering Heights (1847) and the small but vital corpus of poetry have subsequently become some of the most celebrated writing in nineteenth-century literature. This new edition in the 21st-Century Oxford Authors series presents Emily Brontë's work as it was first known to the reading public, together with what manuscript evidence survives of what she had originally intended. It also reproduces the slender amount of personal writing that Emily Brontë left behind and both early criticism and early poems about her. Emily Brontë's sister Charlotte was significant in the initial reception of Emily's work, and this edition allows the reader to see Charlotte Brontë's interventions into her sister's texts and to evaluate them. Centrally, though, this edition is about how Emily Brontë, a remarkably original voice in literature, was first read. Here, primarily, is the Emily Brontë in and of her own lifetime.

This newly selected edition of William Morris's works brings together poetry and prose, lectures, articles, and letters from his life, ordered chronologically, with an introduction highlighting his pressing and prescient writing on matters of the natural and built environment, human and non-human relations, internationalism, migration, and social justice, as well as the wide range of his literary and artistic concerns. Expert textual notes draw attention to the interconnectedness of Morris's writing and its rich literary, historical, and political contexts and sources: this is work that reaches back to tales of personal, dynastic, and political passion in medieval Europe or the craftsmanship of ancient Persia as deftly as it lambasts Victorian work practices and living conditions in Britain or sets out to correct misconceptions about the nature of social revolution; it creates visions of a just, equal, and beautiful future from re-told or imagined pasts. This selection includes lyric, epic, and narrative poetry and a range of prose writings that tell stories, conjure worlds, rouse their readers to action, and urge them to care for the earth, its inhabitants, its beauty, and its histories. It demonstrates the continuing power of Morris's writings to speak to the present with as lively, particular, and provocative a voice as it spoke to its own time.

This volume in the 21st Century Oxford Authors series offers readers a generous selection of the poetry upon which Byron's fame depended and his reputation now rests. It presents the poems in the chronological order in which they were published, working in almost every case from their first appearances in print.The Selected Writings include the entirety of Byron's two best-known works, Childe Harold's Pilgrimage and Don Juan , but the decision to work book-by-book means that they are presented not as unified works but as evolving serial publications, interspersed with other works published between installments or sequels. Alongside these two major works, wider representation is given to Byron's lyric poetry than has been typical in modern editions. Furthermore, in keeping with the 21st Century Oxford Authors series, the works are reproduced in something close to their original printed forms. Prioritizing the event of publication over that of composition, this volume offers a version of Byron close to how he would have been known to his original public. With extensive annotations, it emphasizes the social processes by which literary works come to exist in the world, particularly their publication and reception histories. The result is a fresh view of Byron's literary achievement and an impetus to further reading in the works of this extraordinary creative figure.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas Hardy--the first for nearly thirty years. The edition presents the poetry in a new way by giving the texts of Hardy's original volumes, as they first appeared, instead of the revised text he later produced for his Collected Poems. It reveals the range and variety of his output--qualities he later tended to disguise. His most famous sequence, the 'Poems of 1912-13' appears in a radically different form.Selections from his epic drama, The Dynasts, are given within the chronological sequence of his poetry, illustrating the power of this neglected work. Notebook and journal entries, where Hardy puts forward his understanding of poetry and the role of the poet, are also included. Uniquely generous in the number of poems it contains, this edition also provides extensive annotation, locating Hardy's work in its cultural context and reading it in the light of the critical reception. The notes direct attention towards Hardy's regional heritage, and they show his response to the issues and debates of his day--to discussions surrounding war, patriotism, the treatment of animals, marriage, and religion, among others. The annotation locates, in addition, how Hardy's work has continued to speak to present-day readers, by addressing present-day concerns--in particular, gender, including the gender(s) of the poetic voice, the global and (or versus) the local, and, thirdly, humanity's place within the natural world.The edition also includes an Introduction to the life and works of Hardy, and a Chronology.

This volume in the 21st Century Oxford Authors series offers readers a generous selection of the poetry upon which Byron's fame depended and his reputation now rests. It presents the poems in the chronological order in which they were published, working in almost every case from their first appearances in print. The Selected Writings include the entirety of Byron's two best-known works, Childe Harold's Pilgrimage and Don Juan, but the decision to work book-by-book means that they are presented not as unified works but as evolving serial publications, interspersed with other works published between installments or sequels. Alongside these two major works, wider representation is given to Byron's lyric poetry than has been typical in modern editions. Furthermore, in keeping with the 21st Century Oxford Authors series, the works are reproduced in something close to their original printed forms. Prioritizing the event of publication over that of composition, this volume offers a version of Byron close to how he would have been known to his original public. With extensive annotations, it emphasizes the social processes by which literary works come to exist in the world, particularly their publication and reception histories. The result is a fresh view of Byron's literary achievement and an impetus to further reading in the works of this extraordinary creative figure.

This volume in the 21st-Century Oxford Authors series offers students and readers a comprehensive selection of the work of Robert Browning (1812-1889). Accompanied by full scholarly apparatus, this is the first one-volume fully annotated edition of Browning's poetry. It presents work written across the breadth of his career, from the very first poem he published, Pauline, to Asolando, the volume that was published on the day that he died. The text chosen is, wherever possible, the text of the poem as it was first published by Browning himself, and as a consequence the volume also constitutes a kind of biography that enables students to understand Browning's development over the course of his life. The edition reveals a poet who began as a bold experimentalist, and who continued to experiment throughout a writing career of more than fifty years. Browning is best known for his dramatic monologues, and the dramatic monologues are fully represented in this volume, but he was also a narrative poet, a poet of philosophical reflection, and a poet who fashioned an extraordinary variety of lyric measures. This volume reveals Browning as a far more versatile poet than he is often taken to be. There are two important prose items, an essay on Shelley and a letter to Ruskin which clarify Browning's intellectual stance. The Notes include brief headnotes to each poem followed by detailed annotation, and they assist the reader in developing a full understanding of these masterful poems.Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browning, and a Chronology.

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of the poet Elizabeth Barrett Browning (1806-1861). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Barrett Browning's work within the rich context of her life and writing career. The revaluation of Elizabeth Barrett Browning's work by feminist scholars has made her an established author in university syllabuses in Britain and in America. Yet the reception of Barrett Browning as a writer within an explicitly female tradition has tended to limit the appreciation of her wider contribution to English literary culture in the nineteenth century, just as her popular image as a ringleted romantic heroine served sentimentally to eclipse her role as a literary pioneer. This edition complements or corrects these emphases by being the first edition dedicated to witnessing the progress and growth of the poet's creative direction--from her juvenilia through to her major achievements and beyond. The selection of works presented here appear in the order in which they were originally published, enabling students and readers to experience the contours of Barrett Browning's poetic career. Thus, following selections from published juvenilia, The Battle of Marathon (1820) and 'An Essay on Mind' and Other Poems (1826) and from 'Prometheus Bound' and Miscellaneous Poems (1833), there are more extensive selections from 'The Seraphim' and Other Poems (1838), from Poems 1844 and from Poems 1850 including the full text of Sonnets from the Portuguese. Substantial excerpts from Casa Guidi Windows (1851) is followed by the full text of Aurora Leigh (1857) and by selections from the posthumous Last Poems (1862). These individual sections are supplemented by careful selections (also chronologically ordered) from the correspondence, including the courtship letters with Robert Browning, and, where applicable, from poetry unpublished in the nineteenth century.Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Barrett Browning, and a Chronology.

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of John Donne (1572-1631). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Donne's work in the order in which it was written, and, wherever possible, using the text of the first published version.The volume presents a wholly new edition of Donne's verse and prose, consisting of a selection of Donne's compositions that circulated in manuscript or in print form during his lifetime. Each text is paired with a generous complement of historical and textual annotation, which enables students to access and appreciate the excitement with which Donne's contemporaries--his first readers--discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that equip students with a better understanding of the texts and the contexts in which they were produced, such as the history of readership and the history of texts as material objects. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Donne, and a Chronology.

This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature. Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include the hauntingly meditative Urn-Burial, and the elaborate The Garden of Cyrus, a work that borders on a madness of infinite pattern. Religio Medici, probably Browne's most famous work, is at once autobiography, intricate religious-scientific paradox, and a monument of tolerance in the era of the English civil war. This volume also includes his Pseudodoxia Epidemica, an encyclopaedia of error which contains within its vast remit the entire intellectual landscape of the seventeenth century-its science, its natural history, its painting, its history, its geography and its biblical oddities. The volume enables students to experience the ways in which Browne brings his lucid, baroque and stylish prose to bear across this range of diverse material, together with a carefully poised wit. This volume contains almost all of the author's work that was published in his lifetime, as well as a selection of writings published after his death. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browne.

This volume in the 21st-Century Oxford Authors series offers an authoritative, comprehensive selection of the work of Arthur Hugh Clough (1819-1861), one of the most distinctive writers of the Victorian period. The first selection to place Clough's poetry alongside his prose, it allows readers to explore how his poems are connected to his literary criticism and his lectures on literary history, to his letters and diaries, and to his writing on politics and economics. A political radical and religious sceptic, Clough emerges as a strikingly modern Victorian: he writes honestly and directly about sexuality, and his work is informed by a cosmopolitan perspective that views Victorian society in the context of other national, political, and cultural traditions. Clough's innovative poems incorporate a diverse range of voices and styles, borrowing and reimagining aspects of the epic, the drama, and the novel. And they reveal a side of Victorian culture--irreverent, iconoclastic, and self-aware--that is often ignored today. Detailed notes identify and explain Clough's comments on major political events such as the European revolutions of 1848, and his allusions to a wide array of different writers and texts. The edition includes an Introduction to the life and works of Clough, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and critical notes.Ruskin has been called 'the most powerful and original thinker of the nineteenth century' and yet, like his two fellow Victorian Sages, Thomas Carlyle and Matthew Arnold, his work remains obscure to modern readers. This anthology hopes to remedy this situation by presenting the immense range of Ruskin's interests, from art to politics, museology to ornithology, architecture to geology, and morals to economics--all of which interests were indivisible in his view. Here are rapturous accounts of Turner, the Alps, Renaissance painters, and Gothic architecture; but here, too, are urgently dystopian analyses of the modern culture that we continue to inhabit: vacuousness in communication, callousness in labour relations, amoral sophistication in art, and rationalism in all its various delusory forms in politics, society, and the economy. There are special stresses on cultural preservation and the illusions that it both fosters and depends upon; the status of women in society, which Ruskin reflected on constantly; nature, wilderness, and eco-catastrophism; and the role of artists like the Pre-Raphaelites in a society mostly given over to Philistinism. In short, the nineteenth century continues to cast an interrogatory shadow over the twenty-first, and Ruskin is its most vital and critical antagonist in the English language, inspiring intellectuals as diverse as Tolstoy, Proust, and Gandhi during his lifetime and afterwards. He was, this collection suggests, nothing like a 'sage', but something much more important and much more like those impossible things, a Victorian Renaissance man, an English Rousseau, and a post-religious Jeremiah.Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Ruskin, and a Chronology.

This volume in the 21st-Century Oxford Authors series offers students and readers a comprehensive selection of the work of Algernon Charles Swinburne (1837-1909). This authoritative edition presents students with a new, more complete, more challenging, but also more credible Swinburne than ever before. This edition presents the first rigorous scholarly edition of a substantial selection of Swinburne's work ever produced. Swinburne was one of the most brilliant and controversial poets of the nineteenth century: a republican; a scorner of established Christianity; a writer of sexual daring; a poet of loss and of love. Yet he is also the most misunderstood poet of the Victorian period. This new edition, with substantial editorial material, presents a new and convincing portrait of a man sharply different from what is usually said of him. Beginning with his unpublished 'Ode to Mazzini' (1857) and ending with his last major critical work on The Age of Shakespeare (1908), this edition offers Swinburne in the round--a man of astonishing consistency whose formal innovations and critical penetration remain persistently engaging as well as provocative. A major introduction explores Swinburne's complicated reaction to the scandal of his first major collection, Poems and Ballads (1866); his life-long commitment to radical voices (Blake, Hugo, Landor, Shelley); his permanent hostility to tyranny; his sense of literature as a living form and of the heroic personality of the artist; his dazzling art criticism and adroit analysis of Renaissance and modern literature; his exceptional elegies for dead friends; his burlesques and richly atmospheric fiction and drama. The edition draws on rich contemporary sources, manuscripts, and the diverse print culture of Swinburne's day, as well as moving through ancient and modern languages that Swinburne wrote with fluency.Explanatory notes and commentary are included to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life of Swinburne.

This volume in the 21st-Century Oxford Authors series offers students and readers a comprehensive selection of the work of John Keats (1795-1821). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Keats's work afresh, bringing his poetry and letters together in chronological order.The backbone of this volume is provided by the poems published in Keats's lifetime--the three volumes, Poems (1817), Endymion (1818), and Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), together with the small number of poems he published elsewhere. But a much larger body of Keats's writing was seen only in manuscript, if at all, by Keats's friends and family--the unpublished poems which include the dream vision, The Fall of Hyperion, his annotations of Shakespeare and Milton, and, above all, his extraordinary letters. These are placed at the date on which they were written or at their probable date. This selection of poems, prose, and letters therefore creates a double time scheme. It places the poetry by which Keats was known to a frequently antagonistic reading public in his lifetime within the extensive biographical context provided by his unpublished poems and letters. This substantial body of manuscript evidence, some of it not discovered until the twentieth-century and none of it known to Keats's reading public, is now part of our understanding of his life and work, and allows us to follow his extraordinary intellectual, emotional, and artistic self-making in the three short years between Poems (1817) and 1820.Explanatory notes and commentary are included to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life of Keats, and a Chronology.

This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Samuel Johnson (1709-1784). Accompanied by full scholarly apparatus, the edition enables students to study Johnson's work in the order in which it was written, and, wherever possible, using the text of the first published version. The volume presents a selection of Johnson's most important writings, drawn from all periods of his life. It reflects almost completely the range of literary forms in which Johnson wrote, including poetic translation, biographical sketches, literary criticism, and letters. It includes a broad selection from The Rambler (17501752) and The Idler (17581760), along with the travel narrative A Journey to the Western Islands of Scotland (1775), and a selection from The Lives of the Poets (1781). David Womersleys introduction explores how Johnsons mastery of style enabled him to adopt various personae, sometimes simultaneously, in order to communicate through many different genres and registers. Johnson is shown to be an active participant in the philosophical and social currents of his time. This selection reveals an author driven by deeply-held principles, concerned with how the ethical, political, and affective dimensions of language go beyond vocabulary and reach into the lives of its users. Explanatory notes and commentary are included to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life of Johnson, and a Chronology.

This volume in the 21st Century Oxford Authors series presents a substantial selection of Pope's writings, arranged in chronological order to give a sense of the development of his literary career. As well as the poems for which Pope is still best remembered—An Essay on Criticism, The Rape of the Lock, the Essay on Man, the Imitations of Horace, and the Dunciad—readers will find a broad range of lesser-known comic and occasional poems and of his satirical and critical prose. In addition, this volume pays due attention to Pope's genius as a translator, and includes generous selections from his versions of Chaucer, Ovid, Statius, and especially Homer. Several of Pope's letters are also included. Particular care has been taken to give a sense of Pope's arrangement of his verse on the page, in order to reflect his particular interest in the printed form of his work.Extensive commentary will guide readers to a full understanding and enjoyment of these ground-breaking works. The edition also includes a substantial introduction to Pope's writing, and a detailed chronology of his life.

Emily Brontë is one of the few modern writers in English whose distinction as a novelist is matched by her distinction as a poet. She lived and died more or less completely out of the public eye and only towards the end of the nineteenth century was her writing widely recognized. Wuthering Heights (1847) and the small but vital corpus of poetry have subsequently become some of the most celebrated writing in nineteenth-century literature. This new edition in the 21st-Century Oxford Authors series presents Emily Brontë's work as it was first known to the reading public, together with what manuscript evidence survives of what she had originally intended. It also reproduces the slender amount of personal writing that Emily Brontë left behind and both early criticism and early poems about her. Emily Brontë's sister Charlotte was significant in the initial reception of Emily's work, and this edition allows the reader to see Charlotte Brontë's interventions into her sister's texts and to evaluate them. Centrally, though, this edition is about how Emily Brontë, a remarkably original voice in literature, was first read. Here, primarily, is the Emily Brontë in and of her own lifetime.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the poetry and prose of Matthew Arnold (1822-1888)--the first of its kind for half a century. The anthology is a fresh presentation of one of the most important and influential writers and thinkers of the Victorian period. Arnold's many facets--as poet, educationalist, literary critic, cultural commentator, and religious controversialist--are represented; and the text is fully annotated, identifying the many authors with whom Arnold engaged, and the contemporary public events to which his work often responds. Many of the themes of Arnold's writing life are still pressing matters today. What is the true nature of education? What are the duties of the State towards its citizens? What are the proper limits to individual freedom within a liberal society? What is the future of religion in an age of increasing secularisation? And, besides these questions, his poetry is one of the greatest and most influential of all bodies of Victorian verse, giving voice to the anxieties of an epoch.

This volume in the 21st-Century Oxford Authors series offers students a comprehensive selection of the work of Thomas Hardy—the first for nearly thirty years. The edition presents the poetry in a new way by using the text of Hardy's individual volumes, as they appeared originally, instead of the revised text he later produced for his Collected Poems. This edition reveals the range and variety of his output—qualities he later tended to disguise. His most famous sequence, Poems of 1912-13, appears in a radically different form. Selections from his epic drama, The Dynasts, are given within the chronological sequence of his poetry, illustrating the power of this neglected work. Notebook and journal entries where Hardy puts forward his understanding of poetry and the role of the poet are also included. Uniquely generous in the number of poems it contains, this edition also provides extensive annotation, locating Hardy's work in its cultural context and reading it in the light of the critical reception. The notes direct attention towards Hardy's regional heritage, and they show his response to the issues and debates of his day—to discussions surrounding war, patriotism, the treatment of animals, marriage, and religion, among others. The annotation identifies, in addition, how Hardy's work has continued to speak to present-day readers, by addressing present-day concerns—in particular, gender, including the gender(s) of the poetic voice, the global and (or versus) the local, and humanity's place within the natural world. The edition also includes an Introduction to the life and works of Hardy and a Chronology.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the poetry and prose of John Dryden, the most important poet, dramatist, translator, and literary theorist of the later seventeenth century. He wrote across the tumultuous decades of political and cultural revolution--years stretching from the end of the Cromwellian Protectorate in 1659 through the reign of William III--and he addressed the crucial events of those decades. These were years of unprecedented political revolution, and of a remarkable transformation of English literary culture, with John Dryden at the literary centre. He invented new literary modes including the theatre of spectacle known as heroic drama; he perfected the heroic couplet, a form that became the chief instrument of public poetry; he adapted works of Shakespeare and Milton; he wrote excoriating satire; and he brought the translation of classical poetry to new levels of perfection; and throughout his career he wrote works of literary theory that defined his own practices and the literary ethos of his age. By the time that Dryden died in 1700 he had redefined English literary culture; his work recalled and embodied all the genres and modes of early modern literature and anticipated the brilliance of eighteenth-century satire as performed by Jonathan Swift and Alexander Pope.This edition represents the span of a long career in its remarkable variety. All the genres in which Dryden wrote are represented: panegyrics, lyrics, odes, epigrams, verse epistles, historical poems, commendatory verse, commemorative poems, religious poems, satires, plays, prologues and epilogues, translations, critical prose, dedications, prefaces, biography, and letters.Explanatory notes and commentary enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Dryden, and a Chronology.

This volume in the 21st-Century Oxford Authors series offers an authoritative, comprehensive selection of the work of Arthur Hugh Clough (1819-1861), one of the most distinctive writers of the Victorian period. The first selection to place Clough's poetry alongside his prose, it allows readers to explore how his poems are connected to his literary criticism and his lectures on literary history, to his letters and diaries, and to his writing on politics and economics.A political radical and religious sceptic, Clough emerges as a strikingly modern Victorian: he writes honestly and directly about sexuality, and his work is informed by a cosmopolitan perspective that views Victorian society in the context of other national, political, and cultural traditions. Clough's innovative poems incorporate a diverse range of voices and styles, borrowing and reimagining aspects of the epic, the drama, and the novel. And they reveal a side of Victorian culture-irreverent, iconoclastic, and self-aware-that is often ignored today. Detailed notes identify and explain Clough's comments on major political events such as the European revolutions of 1848, and his allusions to a wide array of different writers and texts.The edition includes an Introduction to the life and works of Clough, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

The wordsworth volume in the 21st-Century Oxford Authors series is the most comprehensive selection currently available of the poetry and prose of one of the finest poets in the English language. The familiar poems from Wordsworth's 'Great Decade' are all included, but they are complemented by a more than usually generous selection of the best poems from his later years. The extracts from the Guide to the Lakes will be a revelation to many readers, as will the political prose of the Convention of Cintra. All of the material is presented in chronological sequence, so that the reader can see how Wordsworth's changing concerns were expressed in prose as well as poetry. Work which Wordsworth published is separated from that which he did not reveal, which will enable the reader to trace through successive published volumes the development of Wordsworth's public poetic self, while also being able to follow the growth of the body of poetry which, for whatever reason, Wordsworth did not choose to make public when it was written - The Prelude being the greatest and most obvious example.

The first volume to be published in the new 21st-Century Oxford Authors series presents all of the surviving writings of Isaac Rosenberg (1890-1918): poetry, plays, prose works, and letters. The book also provides a commentary giving details of the composition and publication of the poems and plays and throws light on the people, places, and incidents described in both these and the letters. An introduction places the collection in context and a chronological table describes the main events of his life. There are also examples of his paintings and drawings.Although best known as a war poet, most of Rosenberg's work pre-dates the war. The son of Jewish immigrants from Lithuania, he grew up in London's East End. Financially impoverished, he nevertheless lived in a society that valued artistic creativity - among his friends were Mark Gertler and David Bomberg. He was a painter as well as a poet, and studied at the Slade School of Art. He knew many of the leading poets of the day, and his letters, in particular those to Edward Marsh and Gordon Bottomley, throw fascinating light on his own poetic creativitiy and the response to his work of those around him.In both his letters and prose works we find an insightful commentator on both poetry and painting. Though never a member of any movement, he was aware of the issues that preoccupied the artistic circles of his day. His artistic independence gives both power and insight to his work.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the poetry and prose of Matthew Arnold (1822-1888)--the first of its kind for half a century. The anthology is a fresh presentation of one of the most important and influential writers and thinkers of the Victorian period. Arnold's many facets--as poet, educationalist, literary critic, cultural commentator, and religious controversialist--are represented; and the text is fully annotated, identifying the many authors with whom Arnold engaged, and the contemporary public events to which his work often responds. Many of the themes of Arnold's writing life are still pressing matters today. What is the true nature of education? What are the duties of the State towards its citizens? What are the proper limits to individual freedom within a liberal society? What is the future of religion in an age of increasing secularisation? And, besides these questions, his poetry is one of the greatest and most influential of all bodies of Victorian verse, giving voice to the anxieties of an epoch.Explanatory notes and commentary enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Arnold, and a Chronology.

The John Donne volume in the 21st-Century Oxford Authors series offers a wholly new edition of Donne's verse and prose. It consists of a selection of the compositions that circulated in manuscript or in print form during Donne's lifetime. In keeping with the approach of the series, the texts are presented in chronological order and the text chosen is, wherever possible, the text of the first published version. Each text is paired with a generous complement of historical and textual annotation, which enables the present day reader to access the excitement with which Donne's contemporaries, his first readers, discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that are foregrounded in the 21st-Century Oxford Authors series, such as the history of readership and the history of texts as material objects.

The Robert Browning volume in the 21st-Century Oxford Authors series is the first one-volume fully annotated edition of Browning to offer a wide selection of work written throughout Browning's career, from the very first poem he published, Pauline, to Asolando, the volume that was published on the day that he died. The text chosen is, wherever possible, the text of the poem as it was first published by Browning himself, and as a consequence the volume also constitutes a kind of biography. It reveals a poet who began as a bold experimentalist, and who continued to experiment throughout a writing career of more than fifty years. Browning is best known for his dramatic monologues, and the dramatic monologues are fully represented in this volume, but he was also a narrative poet, a poet of philosophical reflection, and a poet who fashioned an extraordinary variety of lyric measures. This volume reveals Browning as a far more versatile poet than he is often taken to be. There are two important prose items, an essay on Shelley and a letter to Ruskin which clarify Browning's intellectual stance. The Notes include brief headnotes to each poem followed by detailed annotation. Browning is often a difficult poet, and the notes are designed to assist the reader to arrive at a full understanding of the poems. The volume also includes a general introduction and a detailed chronology of Browning's life and times.