After the Empire: The Francophone World and Postcolonial France – serie
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99 produkter
99 produkter
In Search of Shelter
Subjectivity and Spaces of Loss in the Fiction of Paule Constant
Inbunden, Engelska, 2003
1 484 kr
Skickas inom 10-15 vardagar
The fiction of French post-colonial writer Paule Constant is remarkable in its lurid and disturbing portrayals of female characters suffering in profoundly oppressive "colonizing" circumstances. In In Search of Shelter: Subjectivity and Spaces of Loss in the Fiction of Paule Constant, author Margot Miller skillfully synthesizes Karen Horney's model of submission, aggression and withdrawal, Jean Baker Miller's concept of relational being, Julia Kristeva's idea of psychic space, and Kelly Oliver's notions on social support to analyze Constant's work. Miller's close reading also brings to light previously unnoticed mythological references in Constant's fiction which illuminate the characters' psychological realities, and examines Constant's nuanced treatment of violence through language. In Search of Shelter: Subjectivity and Spaces of Loss in the Fiction of Paule Constant reveals the myriad intersections of interpersonal and cognitive psychology, mythological and cultural awareness, literature, and lived experience, and suggests new ways of reading these and other works of fiction.
Of Suffocated Hearts and Tortured Souls
Seeking Subjecthood through Madness in Francophone Women's Writing of Africa and the Caribbean
Inbunden, Engelska, 2003
1 484 kr
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Female characters who suffer madness and insanity are strikingly prominent in novels by women writers of Africa and the Caribbean. To find out why there are so many 'suffocated hearts and tortured souls' in this literature, Valerie Orlando, who has long studied Francophone text and culture, here closely reads the work of Aminata Sow Fall, Mariama B%, Myrian Warner-Vieyra, and Simone Schwarz-Bart, among others. In these women's novels, Orlando finds, madness is the manifestation of a split identity, and in this study she sets herself the task of interrogating the nature of that identity. Francophone women novelists of Africa and the Caribbean—though they come from countries whose unique experiences of colonialism, revolution, and postcolonial regimes have shaped specific and discrete cultures—express a common search for a meaningful relationship between their experience as women to the history and destiny of their nations. Only when 'woman'' is understood not as an ahistorical object but as a subject whose lived body is entwined with political, cultural, and economic structures, Orlando argues, will insanity finally give way to clarity of being. Interweaving literary citations with theoretical discussion, Suffocated Hearts and Tortured Souls is just as much a masterful explication of profoundly affecting literary work as it is an essential addition to feminist scholarship and theory.
Of Suffocated Hearts and Tortured Souls
Seeking Subjecthood through Madness in Francophone Women's Writing of Africa and the Caribbean
Häftad, Engelska, 2002
676 kr
Skickas inom 10-15 vardagar
Female characters who suffer madness and insanity are strikingly prominent in novels by women writers of Africa and the Caribbean. To find out why there are so many 'suffocated hearts and tortured souls' in this literature, Valerie Orlando, who has long studied Francophone text and culture, here closely reads the work of Aminata Sow Fall, Mariama B%, Myrian Warner-Vieyra, and Simone Schwarz-Bart, among others. In these women's novels, Orlando finds, madness is the manifestation of a split identity, and in this study she sets herself the task of interrogating the nature of that identity. Francophone women novelists of Africa and the Caribbean—though they come from countries whose unique experiences of colonialism, revolution, and postcolonial regimes have shaped specific and discrete cultures—express a common search for a meaningful relationship between their experience as women to the history and destiny of their nations. Only when 'woman'' is understood not as an ahistorical object but as a subject whose lived body is entwined with political, cultural, and economic structures, Orlando argues, will insanity finally give way to clarity of being. Interweaving literary citations with theoretical discussion, Suffocated Hearts and Tortured Souls is just as much a masterful explication of profoundly affecting literary work as it is an essential addition to feminist scholarship and theory.
1 764 kr
Skickas inom 10-15 vardagar
The recent rise of Francophone studies within French studies has created the need for a one-volume exploration of the range of expression in the French language following the colonial period. Francophone Post-Colonial Cultures collects discussions of literary texts and cultural identity from Europe, North Africa, the Caribbean, and South Asia—regions of the world that seem to have only the French language in common. Despite enormous differences among all the countries where French is spoken, Francophone literatures tend to deal with a similar spread of issues. This volume positions the study of the Francophone world and its cultures as a comparative project, in which post-colonial Francophone cultures and the specific alterity of these cultures emerge as inextricable from and essential to an understanding of modern France. Organized by region, boasting an international roster of contributors, and including summaries of selected creative and critical works and a guide to selected terms and figures, Francophone Post-Colonial Cultures is an ideal resource for scholars of French literature and advanced students looking to read beyond the French literary canon.
588 kr
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What happens when the study of French is no longer coterminous with the study of France? French Civilization and Its Discontents explores the ways in which considerations of difference, especially colonialism, postcolonialism, and race, have shaped French culture and French studies in the modern era. Rejecting traditional assimilationist notions of French national identity, contributors to this groundbreaking volume demonstrate how literature, history, and other aspects of what is considered French civilization have been shaped by global processes of creolization and differentiation. This book ably demonstrates the necessity of studying France and the Francophone world together, and of recognizing not only the presence of France in the Francophone world but also the central place occupied by the Francophone world in world literature and history.
In Search of Shelter
Subjectivity and Spaces of Loss in the Fiction of Paule Constant
Häftad, Engelska, 2003
661 kr
Skickas inom 10-15 vardagar
The fiction of French post-colonial writer Paule Constant is remarkable in its lurid and disturbing portrayals of female characters suffering in profoundly oppressive "colonizing" circumstances. In In Search of Shelter: Subjectivity and Spaces of Loss in the Fiction of Paule Constant, author Margot Miller skillfully synthesizes Karen Horney's model of submission, aggression and withdrawal, Jean Baker Miller's concept of relational being, Julia Kristeva's idea of psychic space, and Kelly Oliver's notions on social support to analyze Constant's work. Miller's close reading also brings to light previously unnoticed mythological references in Constant's fiction which illuminate the characters' psychological realities, and examines Constant's nuanced treatment of violence through language. In Search of Shelter: Subjectivity and Spaces of Loss in the Fiction of Paule Constant reveals the myriad intersections of interpersonal and cognitive psychology, mythological and cultural awareness, literature, and lived experience, and suggests new ways of reading these and other works of fiction.
After the Deluge
New Perspectives on the Intellectual and Cultural History of Postwar France
Inbunden, Engelska, 2004
1 629 kr
Skickas inom 10-15 vardagar
Madame de Pompadour's famous quip, "Après nous, le deluge," serves as fitting inspiration for this lively discussion of postwar French intellectual and cultural life. Over the past thirty years, North American and European scholarship has been significantly transformed by the absorption of poststructuralist and postmodernist theories from French thinkers. But Julian Bourg's seamlessly edited volume proves that, historically speaking, French intellecutal and cultural life since World War Two has involved much more than a few infamous figures and concepts. Motivated by a desire to narrate and contextualize the deluge of "French theory," After the Deluge showcases recent work by today's brightest scholars of French intellectual history that historicizes key debates, figures, and turning points in the postwar era of French thought. Relying on primary and archival sources, contributors examine, among other themes: left-wing critiques of the Left, the internationalizing of thought, the institutional and affective conditions of cultural life, and the religious imagination. They revive neglected debates and figures, and they explore the larger impact of political quarrels. In an afterword, preeminent French historian François Dosse heralds the arrival of a new generation, a historiographical sensibility that brings fresh, original perspectives and a passion for French history to the contemporary French intellectual arena. After the Deluge adds significant depth and breadth to our understanding of postwar French intellectual and cultural history.
After the Deluge
New Perspectives on the Intellectual and Cultural History of Postwar France
Häftad, Engelska, 2004
750 kr
Skickas inom 10-15 vardagar
Madame de Pompadour's famous quip, "Après nous, le deluge," serves as fitting inspiration for this lively discussion of postwar French intellectual and cultural life. Over the past thirty years, North American and European scholarship has been significantly transformed by the absorption of poststructuralist and postmodernist theories from French thinkers. But Julian Bourg's seamlessly edited volume proves that, historically speaking, French intellecutal and cultural life since World War Two has involved much more than a few infamous figures and concepts. Motivated by a desire to narrate and contextualize the deluge of "French theory," After the Deluge showcases recent work by today's brightest scholars of French intellectual history that historicizes key debates, figures, and turning points in the postwar era of French thought. Relying on primary and archival sources, contributors examine, among other themes: left-wing critiques of the Left, the internationalizing of thought, the institutional and affective conditions of cultural life, and the religious imagination. They revive neglected debates and figures, and they explore the larger impact of political quarrels. In an afterword, preeminent French historian François Dosse heralds the arrival of a new generation, a historiographical sensibility that brings fresh, original perspectives and a passion for French history to the contemporary French intellectual arena. After the Deluge adds significant depth and breadth to our understanding of postwar French intellectual and cultural history.
1 484 kr
Skickas inom 10-15 vardagar
Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.
676 kr
Skickas inom 10-15 vardagar
Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.
1 484 kr
Skickas inom 10-15 vardagar
In Remnants of Empire in Algeria and Vietnam: Women, Words, and War author Pamela A. Pears proposes a new approach to Francophone studies. The work uses postcolonial theory, along with gender and feminist inquiries, to emphasize the connections between two Francophone literatures, Algerian and Vietnamese. Specifically Pears focuses on four novels: Yamina Mechakra's La Grotte ZclatZe, Ly Thu Ho's Le Mirage de la paix, Malika Mokeddem's L'Interdite, and Kim Lef_vre's Retour ^ la saison des pluies. All four novels show the profound transformation of women's roles in Algeria and Vietnam during and following the presence of French colonialism. These four authors never attempt to unfold a clear and single definition of the postcolonial female subject. Instead, they explore the various subjective possibilities, expand on them, and ultimately place them in question. Although the differences between Algeria and Vietnam are striking, it is through their connections to one another that we can foreground postcolonial gender issues. Whereas geographical boundaries and official nationalities serve as divisive classifications, the links between the works lead us to a much more engaging dialogue and ultimate understanding of postcolonial Francophone literature.
Packaging Post/Coloniality
The Manufacture of Literary Identity in the Francophone World
Häftad, Engelska, 2005
676 kr
Skickas inom 10-15 vardagar
In Packaging Post/Coloniality, Richard Watts breaks from convention and reads Francophone books by their covers, focusing on the package over the content. Watts looks at the ways that the "paratext"—the covers, illustrations, promotional summaries, epigraphs, dedications, and prefaces or forewords that enclose the text—mediates creative works by writers from sub-Saharan Africa, the Maghreb, the Caribbean, and Southeast Asia whose place in the French literary institution was and remains a source of conflict. In order to be acceptable for French bookstore shelves, the novels, essays, and collections of poetry created in colonial territories were deemed to need explanation and sponsorship by an authority in the field. Watts finds the French mission civilisatrice, or "civilizing mission," manifest in prefaces, introductions, and dedications inserted in the books that appeared in the metropole during the height of French imperialism. In the postcolonial era, book packaging reveals a struggle to reverse the power dynamic: Francophone writers introduced each others' texts, yet books still appeared with covers promoting stereotypical images of the Francophone world. This fascinating journey through a particular cultural history of the book is a unique take on the quest for a literary identity. Watts concludes his study by looking at English mediations of Francophone works, with a chapter on reading and teaching Francophone literature in translation.
Against the Postcolonial
'Francophone' Writers at the Ends of the French Empire
Inbunden, Engelska, 2005
1 329 kr
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Richard Serrano begins his provocative new work Against the Postcolonial with the bold statement that OFrancophone studies is mostly a mirage, while postcolonial studies is mostly a delusion.O He argues that many attempts to use postcoloniality to account for francophone writers tell us more about the criticsO assumptions than about the writersO works. Furthermore, he asserts that postcolonial studies, with its antecedents as an Anglophone Indian project that emerged in response to the weakening British Raj, is but one sort of narrative of colonialism into which writers of French expression do not neatly fit. In an insightful exploration of the work of five writers from lands formerly or currently ruled by France_Algeria, Cambodia, Guiana, Madagascar, and Mali_Serrano demonstrates the rewards of research that engages in textual analysis within its historical and literary context. He deftly argues against the relevance of a homogenizing critical practice; considering these writers Opostcolonial,O he claims, is to misunderstand their aesthetic strategies for survival in the face of French colonialism and modernism. Scholars of Francophone literature, postcolonial studies, and world literature will relish SerranoOs lively invitation to debate and masterful analysis of five brilliant artists.
1 329 kr
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To what extent, and precisely how, are nationalism and patriotism transnational processes? Youth Mobilization in Vichy Indochina and Its Legacies analyzes the causes and consequences of state-sponsored patriotic youth associations during World War II in French Indochina. Providing an historical account of the transnational policy process of youth mobilization during World War II, this book describes how officials transplanted French doctrines to Indochina with sensitivity toward the varying local political contexts and cultural traditions the French believed they had found there. Engaging the work of Benedict Anderson on nationalism in the Third World, Raffin details the mechanisms by which a set of French colonial practices and discourses sponsored by the colonial state promoted nationalism among local youth and helped to lead the countries of the former French Indochina toward militaristic regimes. This well-researched volume provides a valuable contribution to a period of Indochinese history that is still little studied, and is important reading for students and scholars of colonial history who seek a long-term historical perspective on empire and post-empire state building.
1 484 kr
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Stephanie Corinna Bille, a Swiss short-story writer, playwright, poet, and novelist and winner of the 1975 French Prix Concourt, is often considered the major contemporary Franco-Swiss woman writer. As a writer, Bille excelled at rendering the woman's experience. She stands out as an elegant writer, a compassionate observer of early twentieth-century Catholic rural life, and a precise painter of the beauty of the natural environment. In over thirty volumes of creative writing, she favored short narrative forms from five lines to eighty pages, exploiting her dreams and fantasies in the wake of the Surrealist revolution. Yet despite her many successes, little has been published about her life and work in English. In The Transparent Girl and Other Stories Monika Giacoppe and Christiane Makward have assembled and translated a magnificent collection of Bille's work that strives to fill this void. Within these pages they expose an English-speaking audience—many for the first time—to Bille's exotic, captivating, mystical, and sexually provocative stories, which will delight scholars of Literature, Francophone Studies, and Women's Studies.
Time Signatures
Contextualizing Contemporary Francophone Autobiographical Writing from the Maghreb
Häftad, Engelska, 2006
676 kr
Skickas inom 10-15 vardagar
Time Signatures engages in a close study of the autobiographical writings of three contemporary Francophone writers from the Maghreb: Assia Djebar, Hélène Cixous, and Abdelkébir Khatibi. Alluding to music not only as a "theme" pulsing throughout these writers' works, but also as a means of comprehending their unique, improvisational writing styles, Alison Rice offers readers a new and beautifully constructed way of reading these authors' texts by demonstrating that the form adopted to address topics of concern is as significant as the content itself. The voice of Jacques Derrida intermingles with the timbres of these three writers in fruitful contrapuntal passages, serving as a source of inspiration for conceptualizing language and communicating the self in an unprecedented manner. Time Signatures demonstrates that these individuals write the "self" in French in ways influenced by sensitivities acquired during their early experiences in a multicultural, multilingual "colonial" environment in which their ears were trained, and their minds tuned, for translations to come.
661 kr
Skickas inom 10-15 vardagar
Stephanie Corinna Bille, a Swiss short-story writer, playwright, poet, and novelist and winner of the 1975 French Prix Concourt, is often considered the major contemporary Franco-Swiss woman writer. As a writer, Bille excelled at rendering the woman's experience. She stands out as an elegant writer, a compassionate observer of early twentieth-century Catholic rural life, and a precise painter of the beauty of the natural environment. In over thirty volumes of creative writing, she favored short narrative forms from five lines to eighty pages, exploiting her dreams and fantasies in the wake of the Surrealist revolution. Yet despite her many successes, little has been published about her life and work in English. In The Transparent Girl and Other Stories Monika Giacoppe and Christiane Makward have assembled and translated a magnificent collection of Bille's work that strives to fill this void. Within these pages they expose an English-speaking audience—many for the first time—to Bille's exotic, captivating, mystical, and sexually provocative stories, which will delight scholars of Literature, Francophone Studies, and Women's Studies.
785 kr
Skickas inom 10-15 vardagar
History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect. The North African city became a privileged place in the relationship between literacy and historical discourses in the colony. Graebner analyzes the importance of architecture and urbanism as markers of historical development, as the urban fabric and descriptions of it became signs of difference between metropole and colony. Discussing writers as diverse as Bertrand, Randau, and Kateb, this book examines how the changing Algerian city has remained the locus of a debate colored by various sorts of nostalgia. Graebner demonstrates that nostalgia was symptomatic of historical anxiety generated by colonial conditions, but with literary consequences for mainland France as well. History's Place is a comprehensive and valuable addition to the study of French literature and cultural studies.
1 329 kr
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Breadfruit or Chestnut? examines gender construction comparatively across the fiction of contemporary writers of Guadeloupe and Martinique. In particular, it explores the construction of gender identity by six authors—three male and three female—who have never been brought together in a study of this issue. Rather than following the trend of studying theory and cultural identity in the central male writers and of studying "women's writing" in the works of the female writers, Thomas expertly blurs these traditional boundaries in order to present an unexplored aspect of identity. In addition to illuminating women's conception of gender, this work examines the male equivalent and how each gender observes and perceives the other. Breadfruit or Chestnut? not only contextualizes the primary literature, but also draws on contemporary theoretical debates surrounding feminism, subjectivity, and postcolonialism. The combination of literary and historical tools of analysis allows for a deeper probing into gender relations in the French Caribbean.
707 kr
Skickas inom 10-15 vardagar
Breadfruit or Chestnut? examines gender construction comparatively across the fiction of contemporary writers of Guadeloupe and Martinique. In particular, it explores the construction of gender identity by six authors—three male and three female—who have never been brought together in a study of this issue. Rather than following the trend of studying theory and cultural identity in the central male writers and of studying "women's writing" in the works of the female writers, Thomas expertly blurs these traditional boundaries in order to present an unexplored aspect of identity. In addition to illuminating women's conception of gender, this work examines the male equivalent and how each gender observes and perceives the other. Breadfruit or Chestnut? not only contextualizes the primary literature, but also draws on contemporary theoretical debates surrounding feminism, subjectivity, and postcolonialism. The combination of literary and historical tools of analysis allows for a deeper probing into gender relations in the French Caribbean.
785 kr
Skickas inom 10-15 vardagar
Migrant Revolutions: Haitian Literature, Globalization, and U.S. Imperialism interprets Haitian literature in a transnational context of anti-colonial—and anti-globalization—politics. Positing a materialist and historicized account of Haitian literary modernity, it traces the themes of slavery, labor migration, diaspora, and revolution in works by Jacques Roumain, Marie Chauvet, Edwidge Danticat, and others. Author Valerie Kaussen argues that the sociocultural effects of U.S. imperialism have renewed and expanded the relevance of the universal political ideals that informed Haiti's eighteenth-century slave revolt and war of decolonization. Finally, Migrant Revolutions defines Haitian literary modernity as located at the forefront of the struggles against transnational empire and global colonialism.
683 kr
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Rethinking Marriage in Francophone African and Caribbean Literatures analyzes novels and films that demonstrate how marriage affects Francophone African and Caribbean women in their respective societies. It argues that marriage serves as a catalyst for intense identity formation because it functions as a narrative intersection for a number of overlapping themes on gender and the body, class and economics, religion, interracial and intercultural identity and nation building. Marriage provides a narrative space for commentary on cultural practices presented in the works in question as the foundations of cultural identity.
Other Hybrid Archipelago
Introduction to the Literatures and Cultures of the Francophone Indian Ocean
Häftad, Engelska, 2010
785 kr
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The Other Hybrid Archipelago presents the postcolonial literatures of the Francophone Indian Ocean islands to an Anglophone audience. The islands of Madagascar, Mauritius, Reunion, the Comoros, and the Seychelles form a region that has a particular cultural identity because of the varied mixture of populations that have settled there and the dominant influence of French colonialism. This survey concentrates on the period since the Second World War, when most of the islands achieved independence, except for Reunion and Mayotte, which maintain a regional status within the French Republic. The postcolonial approach suggests certain recurrent themes and preoccupations of the islands' cultures and an appropriate way to define their recent cultural production, while taking account of the burden of their colonial past. The rich cocktail of cultural and linguistic influences surveyed is situated in relation to the contemporary political and social context of the islands and their marginal status within the global economy.
Fictions of Childhood
The Roots of Identity in Contemporary French Narratives
Inbunden, Engelska, 2008
1 190 kr
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Fictions of Childhood explores the complexity of French identity in writings that focus on the experience of children. Nina Bouraoui, Linda Lê, and Gisèle Pineau—French writers of Algerian, Vietnamese, and Guadelupean origin, respectively—are discussed within the text because of their use of educational and familial contexts to explore the meanings of childhood in fiction. In their role as literary double agents who view French identity against the grain, these three writers perceive French identity from multiple angles. The selected texts counter preconceived notions about children and childhood in their portrayal of child narrator-protagonist—mostly girl children—who make prophetic revelations. They are marginalized schoolchildren who denounce French society and institutions for failing them, children who cross the boundaries of gender and sexuality, and children of the French empire who tell French colonial and post-colonial history from their unique perspectives. The current crisis in French universalism is mirrored in the literary portrayal of child figures as victors and victims because these representations make visible the relational dynamic between France and her former colonies, which underlie the silenced history of colonialism and post-colonialism that continues to define French identity.
785 kr
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Over the last four decades, the largest French-speaking state in North America, Québec, has nested more than a dozen vibrant modes of French expression created by members of the varied cultural communities that have settled there. Voices of Exile in Contemporary Canadian Francophone Literature examines the works of several first-generation Canadian authors originating from Lebanon, Iraq, Egypt, and the Maghreb, who produced a trilingual literature that reflects the diversity of their cultural backgrounds. By casting a critical eye on the works of Saad Elkhadem, Naim Kattan, Abla Farhoud, Wajdi Mouawad, and Hédi Bouraoui, F. Elizabeth Dahab explores themes, styles, and structures that characterize the oeuvre of those authors. Dahab demonstrates that their mode is exile, and in so doing, she reveals the ways in which these writers seek to shape their art, using a host of innovative techniques that engage their renewed cultural identity.
Del 103 - After the Empire: The Francophone World and Postcolonial France
After Multiculturalism
The Politics of Race and the Dialectics of Liberty
Häftad, Engelska, 2007
683 kr
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After Multiculturalism: The Discourse on Race and the Dialectics of Liberty provides a unique critique of multiculturalist thought in social theory and public policy from an individualist perspective. Contemporary academic and policy discourse on race and racism in the United States is dominated by collectivist social theories that are founded on the idea that the only meaningful challenges to racism are those that foster collective social identities and seek to influence and direct the use of state power in the interest of particular racial and ethnic groups. Multiculturalism is the prevailing incarnation of anti-racist thought that informs and mediates political process and organizational life in the United States. The multicultural discourse on race has become tribalist, anti-western, anti-market, and statist. After Multiculturalism challenges the notion that collectivist and statist ideologies 'own' racism as an educational and public policy issue. Welsh demonstrates that individualist philosophies entail critiques of racism that follow directly from their anti-collectivist and anti-statist foundations. He argues that multiculturalism is unlikely to promote the types of social action and changes essential to overcoming racism and that the individualist and libertarian ideas discussed in the book make important contributions toward the realization of a world free of racial domination. To this end, the ideas of Ayn Rand, Murray Rothbard, Benjamin, Benjamin Tucker, Lysander Spooner, Max Stirner and contemporary libertarian scholars are discussed to the lay the foundation for a critique of multiculturalism. The book explores the concepts of post-ethnicity and transracialism as individualist and libertarian expressions of a society 'after multiculturalism.' Welsh's discussions of transracialism and post-ethnicity constitute unique and important contributions to social thought. This book will hold great interest for scholars and students concerned with race, ethnicity, political theory, or individualist thought, as well as scholars and students of the history of ideas.
Voicing Diasporas
Ethnic Radio in Paris and Berlin Between Cultural Renewal and Retention
Inbunden, Engelska, 2011
1 291 kr
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The events of 9/11 have cast a shadow of suspicion on Muslims in Western Europe and fostered a public discourse of arbitrary associations with violence and resistance to social and cultural integration. The antagonistic ascendancy of militant Islam globally and the anxiety this has engendered are animating day-to-day debates on the place and loyalty of Muslims in Western societies. Exploring the neglected reality of ethnic radio in Paris and Berlin, Voicing Diasporas: Ethnic Radio in Paris and Berlin Between Cultural Renewal and Retention examines how Muslim minorities of North African descent in France and Germany resist these glaring generalizations and challenge bounded narratives and laws of cultural citizenship in both countries. Through an analysis of Beur FM in Paris and Radio Multikulti in Berlin, this book also questions the reductionist view of diasporic media as expressions of longing, nostalgia, and cultural dislocation. This ground-breaking study is as essential read for not only scholars and higher educational students in various fields, but for those interested in this ever-changing, topical issue.
Writing from the Hearth
Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean
Inbunden, Engelska, 2007
1 562 kr
Skickas inom 10-15 vardagar
If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis that women's writing of Francophone Africa and the Caribbean offers important perspectives on the relationship of gender to space,Writing from the Hearth proposes close readings of Francophone women writers of Africa (Aoua KZita, Mariama B%, Ken Bugul, Calixthe Beyala, and Aminata Sow Fall) and the Caribbean (Marie Chauvet, Simon Schwarz-Bart, Maryse CondZ, and Edwidge Danticat). As critical readings of postcolonial African and Caribbean literature show that tropes of confinement appear frequently in female-authored texts_where home is often depicted as a place of alienation_this critical study examines ambiguities associated with domestic space as enclosure as it explores the relationship between the female protagonist and the inner and outer spaces of her world: domestic, imaginative, and public space. Writing from the Hearth probes the hypothesis that the female protagonist can move toward empowerment by entering public space from which she has been excluded by indigenous patriarchs and European colonizers and by establishing a new relationship to domestic space or securing a liberating alternative space within it. Flexible and multipurpose, alternative space is a place of possibilities that can function as a refuge for meditation, recollection, or fantasy, an antechamber for action, and a site of resistance and performance. Here, by telling the tale, writing the creative work, a woman can affirm her sense of self.
Writing from the Hearth
Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean
Häftad, Engelska, 2007
785 kr
Skickas inom 10-15 vardagar
If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis that women's writing of Francophone Africa and the Caribbean offers important perspectives on the relationship of gender to space,Writing from the Hearth proposes close readings of Francophone women writers of Africa (Aoua KZita, Mariama B%, Ken Bugul, Calixthe Beyala, and Aminata Sow Fall) and the Caribbean (Marie Chauvet, Simon Schwarz-Bart, Maryse CondZ, and Edwidge Danticat). As critical readings of postcolonial African and Caribbean literature show that tropes of confinement appear frequently in female-authored texts_where home is often depicted as a place of alienation_this critical study examines ambiguities associated with domestic space as enclosure as it explores the relationship between the female protagonist and the inner and outer spaces of her world: domestic, imaginative, and public space. Writing from the Hearth probes the hypothesis that the female protagonist can move toward empowerment by entering public space from which she has been excluded by indigenous patriarchs and European colonizers and by establishing a new relationship to domestic space or securing a liberating alternative space within it. Flexible and multipurpose, alternative space is a place of possibilities that can function as a refuge for meditation, recollection, or fantasy, an antechamber for action, and a site of resistance and performance. Here, by telling the tale, writing the creative work, a woman can affirm her sense of self.
676 kr
Skickas inom 10-15 vardagar
Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.