American Literature (Dalkey Archive) – serie

Coleman Dowell's "Southern Gothic" is a novel about sexual repression. Miss Ethel, a spinster school teacher, decides to write what she calls a "perverse tale" about one of her former students, a Kentucky farmer named Jim Cummins. Endowing him with unnaturally large genitals, she spins a tawdry tale of his frustrated relationship with his petite wife. Expressing all the bitterness of "an old woman's revenge," Miss Ethel's tale is nonetheless a sensitive depiction of rural life in the early years of World War II.Dowell's masterful use of the tale-within-a-tale to explore psychological states makes "Too Much Flesh and Jabez" a memorable achievement.

June Akers Seese's second novel is about books and the people who read them: it's about a rare-book dealer and his mistress, set in that era when words like "mistress" were still used, and recalling the years when Lenny Bruce, Edith Piaf, and Freud might share the same paragraph in an after-hours night spot. Seese writes movingly, tightly, without recourse to adjectives, from the gut and to the gut.

This volume brings together two of Paul West's best books: his critically acclaimed "Words for a Deaf Daughter" (1970), a nonfiction account of West's deaf and brain-damaged daughter Mandy at age eight, and "Gala" (1976), a novel about a writer named Wight Deulius who brings his handicapped teenage daughter Michaela from England to America for a visit. While Words is an account of Mandy's diagnosis and treatment, Gala is "the scenario of a wish-fulfillment" (as West writes in the preface), a continuation of the father and daughter's joyful investigation of the richness of life and its amazing possibilities. Ranging across natural history and astronomy in his effort to understand his daughter's handicap, West finds in Mandy/Michaela an irrepressible and unpredictable guide to the mysteries of the universe. Brought together in the same volume, the books also allow a unique look at how nonfiction and fiction techniques can be used to the same ends in the hands of a master of prose.

In?"God Head," Scott Zwiren boldly and courageously records the terrifying, destructive experience of manic depression. From a promising young college student to mental hospitals to a confined, out-of-control, roller-coaster life on New York City's Upper West Side, Zwiren's narrator traces from the inside the horrors of an existence that swings between numbing depression and exalting highs.

Both comic and haunting, ?"Crystal Vision"?invokes the world of magic and the arcane as filtered through a group of characters gathered on the streets and in the stores of their Brooklyn neighborhood to gossip, insult, lust, brag, and argue. In a series of seventy-eight short narratives, Gilbert Sorrentino perfectly captures the speech, illusions, and confusion of The Magician, Ritchie, The Arab, Irish Billy, Big Duck, Doc Friday, Fat Frankie, and many others. Through formal inventiveness, Sorrentino liberates these characters from the confines of realism and gives us their world--zany, vulgar, hilarious, and exuberant.

A novel. In the tour de force called America, one of the tired, the poor, the huddled masses struggles upward to the penthouse of God, discovering too late he's taken the elevator marked down. Resurrected from the rubble of dreams as a messiah and accidental revolutionary, his cry for freedom echoes like a broken record as they lower him into the ground. Like a hopelessly lost coal miner, he digs on, deflating the gloom with slapstick, pensive as a clown, gathering strength for the next round.

The interconnected stones that form Felipe Alfau's novel LOCOS take place in a Madrid as exotic as the Baghdad of the 1001 ARABIAN NIGHTS and feature unforgettable characters in revolt against their young 'author' "For them", he complains, "reality is what fiction is to real people; they simply love it and make for it against ray almost heroic opposition" Alfau's "comedy of gestures" -- a mercurial dreamscape of the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy -- was written in English and first published in 1936, favorably reviewed for The Nation by Mary McCarthy, as she recounts here in her Afterword, then long neglected.

This collection of stories brings together some of the most interesting and innovative American fiction writers since the 1930s. With an introduction by the editor, Innovations concludes with an extensive list of novels that belong to the real "great tradition" for further reading.

"Memories of My Father Watching TV" has as its protagonists television shows, around which the personalities of family members are shaped. The shows have a life of their own and become the arena of shared experience. And in Curtis White's hands, they become a son's projections of what he wants for himself and his father through characters in "Combat, " "Highway Patrol, " "Bonanza, " and other television shows (and one movie) from the 1950s and '60s. Comic in many ways, "Memories" is finally a sad lament of father-son relationship that is painful and tortured, displayed against a background of what they most shared, the watching of television, the universal American experience.

In Monstrous Possibility Curtis White creates a lucid perspective on what it means to be a writer and a human being in the so-called post-modern moment.

"Excitability" collects the best of Diane Williams' bold, often hilarious stories of love, sex, death, and the family.

The Polish Complex takes place on Christmas Eve, from early morning until late in the evening, as a line of people (including the narrator, whose name is Konwicki) stand and wait in front of a jewelry store in Warsaw. Through the narrator we are told of what happens among those standing in line outside this store, what happens as the narrator's mind thinks and rants about the current state of Poland, and what happens as he imagines the failed Polish rebellion of 1863. The novel's form allows Konwicki (both character and author) to roam around and through Poland's past and present, and to range freely through whatever comes to his attention. By turns comic, lyrical, despairing, and liberating, The Polish Complex stands as one of the most important novels to have come out of Poland since World War II.

Hundreds of novels have explored the war in Vietnam. This is the first to explore the world of the architects of that war, and it cuts terribly close to home. Dimock brilliantly exposes the pained heart of a single family and offers a vision of what their way of life still costs us all. His book raises with startling freshness ancient yet urgent questions about relations between image, word, and act.

These nine stories reveal a dazzling variety of styles, tones and subject matter. Among them are some of Stanley Elkin’s finest, including the fabulistic “On a Field, Rampant,” the farcical “Perlmutter at the East Pole,” and the stylized “A Poetics for Bullies.” Despite the diversity of their form and matter, each of these stories shares Elkin’s nimble, comic, antic imagination, a dedication to the value of form and language, and a concern with a single theme: the tragic inadequacy of a simplistic response to life.

"I see him now! Somewhere out there in that gloaming that we call the Past that Time forgot--his ratty beard and frizzy hair, his hearty grease sandwiches, his rusted bicycle clips. An unlikely hero, your good faces seem to say..."And so we meet our hero Serge "Blue" Gavotte, a modern-day Candide who quits his job, mounts a piano atop a broken-down pushcart and sets off with wife and child on a visionary quest across contemporary America in search of the "Perfect Musical Phrase." From the dismal plains of the Midwest to the technicolor sunsets of the Southwest, Blue refuses to let financial troubles, lecherous professors or the burdensome weight of his piano prevent him from reaching his final goal.A work of art masquerading as artifice, "Blue Pastoral" is a madhouse production whose hilarious cast of styles and forms includes everything from Rabelaisian lists to Swiftian satires to parodies of such pastoral modes as the eclogue, the idyll, and the elegy.

-- First paperback edition.-- A ghost story unfolds simultaneously across three centuries and two continents; a young cannibal details the daily life and appetites of his clan; a man slowly, and without pain or blood, loses his limbs, his tongue, and his sight. A collection culled from Coleman Dowell's entire career, The Houses of Children displays the wide range of his talent in a dense and beautifully stylistic prose.-- Coleman Dowell is the author of five novels including Island People and Mrs. October Was Here, and a memoir, A Star-Bright Lie, which won an Editor's Choice Lambda Literary Award.-- First published by Weidenfeld & Nicolson (1987).

-- Dying in a bamboo bed, Captain Clancy hallucinates several philosophical conversations with a snake and a tiger. Meanwhile, Captain Knightbridge and Nurse Jane of the Search & Rescue Unit have sex in their helicopter -- the Bamboo Bed -- at 10,000 feet, setting a wartime record. Down below, two hippy kids wander the forest trying to end the Vietnam war with a dream and a guitar. In the tradition of Catch-22 and Dr. Strangelove, The Bamboo Bed treats with hilarity and outrage the grim absurdity of war.

The three novellas collected in Van Gogh's Room at Arles demonstrate once again Stanley Elkin's mastery of the English language, with exuberant rants on almost every page, unexpected plot twists, and jokes that leave readers torn between laughter and tears. Her Sense of Timing relates a destructive day in the life of a wheelchair-bound professor who is abandoned by his wife at the worst possible time, leaving him to preside -- helplessly -- over a party for his students that careens out of control. The second story in this collection tells of an unsuspecting commoner catapulted into royalty when she catches the wandering eye of Prince Larry of Wales. And in the title story, a community college professor searches for his scholarly identity in a land of academic giants while staying in Van Gogh's famous room at Arles and avoiding run-ins with the Club of the Portraits of the Descendants of the People Painted by Vincent Van Gogh.

Well-respected throughout his career, Douglas Woolf created some of the most startlingly original works of the twentieth century. The two novels collected here create a dreamlike vision of America where helplessness prevails and the actions of the sane seem tinged with madness. Ya! takes place during the Christmas reunion of a penniless novelist and his teenage daughter at the nightmarish home of a super-American family; John-Juan begins with an amnesiac who finds himself in a Mexican border town with only his pajamas and watch before becoming part of a surreal and somewhat frightening community organized around "runners" that collect trash along the highways.

Paying homage to the Italian-American experience, Italian Stories celebrates an Italian neighbourhood in the Bronx during the 1930s and '40s, and mourns the loss of this ethnic identity with the migration of subsequent generations to the suburbs. With stories that are both melancholy and comic, Papaleo here explores the contradictory desires of assimilation: his characters want to live the life of the average American while maintaining a strong link to their rich heritage. In addition, Papaleo rails against the damaging stereotypes of Italian-Americans propagated by the media in movies and television.

Famous for her works of "flash fiction" which capture life, love, and contradiction in a single page, Diane Williams continues to forge her own innovative tradition in this new collection. Including over three dozen short stories along with three novellas, Romancer Erector is her boldest collection to date. Here she once again astonishes us with her distinctive voice, detached yet fiercely intimate. As one critic writes: "the effect is original, as if a strange little memory has insinuated itself into the reader's own memory, to remain there...incapable of assimilation." Like intricately wrapped gifts, these tales deliver the hidden, the haunted, the charms, the bell, the mansions inside of the human heart.

Available For The First Time In One Volume, The Very Best Of Mathews's Short Fiction; This expertly designed original paperback presents a comprehensive collection of internationally renowned poet and novelist Harry Mathews' short prose. From the hilarious 'The Broadcast, ' in which the narrator learns from a radio program that everything he needs in life should fit into one sock, to 'Calibration of Latitude, ' which follows Sir Joseph Pernican on a meandering and seemingly aimless but deeply moving journey, this is a long-awaited addition to Mathew's beloved and masterful canon.

C. S. Giscombe's "Here" is a long, single poem that takes place in a progression of three settings, three unlikely locations: the edges of the urban south, the edges--just beyond and just within the city--of rural Ohio, and the places where upstate New York forms the border with Canada, "the next country." "Here" is racial in its knowledge and acknowledgment of the great geographic archetype, the journey north; yet the work's nature denies the closure of destination. The poem's interest instead is in statement(s) of situation, in "the path traced by a moving point." First published by Dalkey Archive Press in 1994, now available again.

Not since On the Road has a book been more thoroughly of the road. Unlike Kerouac's novel, however, this book was literally written on the road in Gudding's own car, on pad and paper while driving. Rhode Island Notebook is the handwritten account of one driver's journey to happiness in the face of grief. This book-length poem chronicles the break-up of a family and the separation of a father and daughter, while at the same time recording the rise of jingoism in the United States in the moments before and during the invasion of Iraq.

In normal, everyday tones, a story is told by the perpetrator of triple incest: first with his mother as a child and a young man, then with his daughter as he grows into mature manhood, and finally with his sister in middle age. This primeval fairytale burns with an icy passion as the narrator switches roles along with familial relationships. The quasi-metaphysical lucidity with which he pursues his odd fate is eerie, particularly in light of his apparent innocence as to the perverse nature of his taboo attachments, and the theatrical artifice with which he pursues them. In the end, his passionate desire is so earnest that the reader is left to wonder if he is truly a monster or an innocent: who is directing whom?

A gift for his wife, Jay Wright’s Polynomials and Pollen explores the complementary exigencies of abstraction and physicality. In five sections, each arranged under the aegis of a tutelary concept—from the Yoruba, Akan, Bamana, and Náhuatl—the book is a constellation of protophilosophical inquiry into notions of order, disarray, evidence, flowering, and return; it is also a dynamically visceral work whose feelingtones register rage as well as devotion.

Humour abounds in this memoir which reads like an expose of the power structures in America's higher education system: Whose got it, how they're abusing it, what everyone else is willing to do to get it and the social cost of doing educational business this way."

Winner of a 2007 American Academy of Arts and Letters, Rikki Ducornet is beloved as a novelist and essayist, but is known perhaps most of all for her work as a writer of short stories. In the tradition of Italo Calvino, Donald Barthelme, and Angela Carter, Ducornet creates modern-day fables filled with characters as complex and surprising as any in American short fiction. This landmark collection of new stories is generously illustrated by T. Motley, whose gritty, fantastical cartooning explores the same post-magical realism that has been the subject of Ducornet’s distinguished career.

A classic of dark eroticism from one of the great American writers of the twentieth century.