Bloomsbury Egyptology - Böcker

This volume explores the earliest appearances and functions of the five major Egyptian goddesses Neith, Hathor, Nut, Isis and Nephthys. Although their importance endured throughout more than three millennia of ancient Egyptian history, their origins, earliest roles, and relationships in religion, myth, and cult have never before been studied together in detail. Showcasing the latest research with carefully chosen illustrations and a full bibliography, Susan Tower Hollis suggests that the origins of the goddesses derived primarily from their functions, as, shown by their first appearances in the text and art of the Protodynastic, Early Dynastic, and Old Kingdom periods of the late fourth and third millennia BCE. The roles of the goddess Bat are also explored where she is viewed both as an independent figure and in her specific connections to Hathor, including the background to their shared bovine iconography. Hollis provides evidence of the goddesses’ close ties with royalty and, in the case of Neith, her special connections to early queens. Vital reading for all scholars of Egyptian religion and other ancient religions and mythology, this volume brings to light the earliest origins of these goddesses who would go on to play major parts in later narratives, myths, and mortuary cult.

In the half-century between 1831 and 1881 three massive obelisks left Egypt for new lands. Prior to these journeys, the last large obelisk moved was the Vatican obelisk in 1586 – one of the great engineering achievements of the Renaissance. Roman emperors moved more than a dozen, but left no records of how they did it. The nineteenth-century engineers entrusted with transporting the obelisks across oceans had to invent new methods, and they were far from certain that they would work. As the three obelisks, bound for Paris, London and New York, sailed towards their new homes, the world held its breath. Newspapers reported the obelisks’ daily progress, complete with dramatic illustrations of the heroic deeds of the engineers and crews struggling under nearly impossible conditions. When the obelisks finally arrived safely in their new homes, bands played Cleopatra’s Needle Waltz and silver obelisk pencils dangled from fashionable ladies’ necks. This turbulent era, caught up in obelisk mania, is recreated by Bob Brier in all its glory. Amid astounding tales of engineering dexterity and naval endurance, the individuals involved in transporting the obelisks and receiving them in their future homes are brought to life through their letters and diaries, newspaper articles and illustrations. Written by a renowned Egyptologist and author, this compelling book will fascinate all those interested in Egypt, its iconic monuments and the history of great endeavour.

This book examines the dynamics around the introduction and spread of helmets and body armour throughout Egypt during the 18th, 19th and 20th Dynasties. It argues that the word 'introduction' is the best term to define this phenomenon because these types of military equipment were not in fact Egyptian technological innovations, but initially appeared at the end of the Bronze Age following the Hurrian expansion in the Middle East before being dispersed throughout the surrounding territories.The analysis focuses particularly on a survey of iconographic, archaeological and lexicographic attestations from a wide range of surviving material evidence and literary sources. On the basis of the collated data, it provides as accurate a perspective as possible on how the helmet and the cuirass were introduced and propagated, their impact on warfare and their possible role in ideology across the chronological span of the New Kingdom. Pollastrini also draws productive comparisons between the Egyptian data and contemporary attestations from the Middle East and the Aegean region in order to underpin the 'international' dynamics at play. In doing so it both encourages a broader ancient-historical perspective that sets New Kingdom Egypt within its contemporary context, and sheds new light on developments in the military history and warfare of the period.

This book examines the dynamics around the introduction and spread of helmets and body armour throughout Egypt during the 18th, 19th and 20th Dynasties. It argues that the word 'introduction' is the best term to define this phenomenon because these types of military equipment were not in fact Egyptian technological innovations, but initially appeared at the end of the Bronze Age following the Hurrian expansion in the Middle East before being dispersed throughout the surrounding territories.The analysis focuses particularly on a survey of iconographic, archaeological and lexicographic attestations from a wide range of surviving material evidence and literary sources. On the basis of the collated data, it provides as accurate a perspective as possible on how the helmet and the cuirass were introduced and propagated, their impact on warfare and their possible role in ideology across the chronological span of the New Kingdom. Pollastrini also draws productive comparisons between the Egyptian data and contemporary attestations from the Middle East and the Aegean region in order to underpin the 'international' dynamics at play. In doing so it both encourages a broader ancient-historical perspective that sets New Kingdom Egypt within its contemporary context, and sheds new light on developments in the military history and warfare of the period.

Drawing on more than 20 years of archaeological study and investigation at Zawiyet Umm el-Rakham by a team from the University of Liverpool (led by Professor Steven Snape), this book paints a nuanced picture of daily life not only at this liminal military site, but also in Ramesside Egypt more broadly. Constructed during the reign of Ramesses II, the fortified settlement was situated 300 kilometres west of Alexandria and represents the furthest western outpost of the Egyptian New Kingdom empire. Excavations in Area K of the fortress have uncovered extensive evidence for the living arrangements, minor industries, food production and daily life of the fort’s inhabitants.This previously unpublished material forms the bedrock of this volume, which focuses on analysing the various subsistence and craft production strategies that were conducted alongside each other in this area, from baking, brewing and butchery to lithics working, bone-carving and weaving. These traces of the activities of the soldiers and their families shed new light on what life was like at this military installation and for ordinary Egyptians more widely, shifting away from a focus on elite social groups. The archaeological evidence covered in this book prompts a re-evaluation of the realities of the relationship between Egyptians and Libyans at the close of the Late Bronze Age. The purpose of the fortress' construction was primarily defensive, however the surviving material points to co-operation by means of collaborative farming and trading, and provides a direct counterpoint to the more belligerent contemporary royal monumental inscriptions describing Egypto-Libyan relations.

Drawing on more than 20 years of archaeological study and investigation at Zawiyet Umm el-Rakham by a team from the University of Liverpool (led by Professor Steven Snape), this book paints a nuanced picture of daily life not only at this liminal military site, but also in Ramesside Egypt more broadly. Constructed during the reign of Ramesses II, the fortified settlement was situated 300 kilometres west of Alexandria and represents the furthest western outpost of the Egyptian New Kingdom empire. Excavations in Area K of the fortress have uncovered extensive evidence for the living arrangements, minor industries, food production and daily life of the fort’s inhabitants.This previously unpublished material forms the bedrock of this volume, which focuses on analysing the various subsistence and craft production strategies that were conducted alongside each other in this area, from baking, brewing and butchery to lithics working, bone-carving and weaving. These traces of the activities of the soldiers and their families shed new light on what life was like at this military installation and for ordinary Egyptians more widely, shifting away from a focus on elite social groups. The archaeological evidence covered in this book prompts a re-evaluation of the realities of the relationship between Egyptians and Libyans at the close of the Late Bronze Age. The purpose of the fortress' construction was primarily defensive, however the surviving material points to co-operation by means of collaborative farming and trading, and provides a direct counterpoint to the more belligerent contemporary royal monumental inscriptions describing Egypto-Libyan relations.

This book explores the administration and social organisation of ancient Egypt during the New Kingdom, the age of empire, through the lives and careers of the highest classes of Egyptian society. Based on analysis and interpretation of a wide range of hieratic and hieroglyphic texts (from administrative documents and accounts, to biographies and literature), as well as iconographic and archaeological evidence (reliefs, statues and steles), it compares the transmission of power and the relevance of social provenance during the New Kingdom to other periods of ancient Egyptian history and examines the changing relationship between central power and periphery in the empire. Both texts and figural sources are set in their historical contexts, with the aim of encouraging readers to deepen their understanding of some less-studied aspects of New Kingdom society, such as state control and the recruitment or enrolment of the elite classes. This detailed but straightforward approach will be of use to both scholars and students of Egyptology and Egyptian archaeology, and to those engaged in comparative studies of ancient history, society and culture.

Texts and images from the Book of the Dead were widely used to decorate the walls of tombs during Egypt’s New Kingdom (c. 1550-1077 BCE). Prior research has tended to focus on either individual tombs, or on the contents of papyrus copies of the Book of the Dead. This book focusses on the adaptation of parts of this funerary corpus in individual tombs from the New Kingdom necropolis at Saqqara, with the aim of showing how each tomb’s decoration was tailored to the ends of their builders. In doing so, it builds up a picture of the ways in which these developments changed over time, and captures the dynamic and shifting ways in which ancient Egyptians interacted with their funerary texts. This contrasts with the popular image of Egyptian religion as centrally administered and directed, and essentially unchanging over millennia. In fact, choices and forms of texts and images used in tombs changed even within a single generation. Some forms remained popular over long periods, being constantly reused and re-adapted, while others achieved specific and local popularity, or else were abandoned after only a short period of time. This book argues powerfully for the human dimension in ancient Egyptian religion, revealing the ways in which individuals and groups continually reshaped their tradition even as they worked within it. Produced as part of the research project The Walking Dead at Saqqara: The Making of a Cultural Geography, this book is kindly funded by the Dutch Research Council (NWO).The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Dutch Research Council (NWO): 276-30-016.

Texts and images from the Book of the Dead were widely used to decorate the walls of tombs during Egypt’s New Kingdom (c. 1550-1077 BCE). Prior research has tended to focus on either individual tombs, or on the contents of papyrus copies of the Book of the Dead. This book focusses on the adaptation of parts of this funerary corpus in individual tombs from the New Kingdom necropolis at Saqqara, with the aim of showing how each tomb’s decoration was tailored to the ends of their builders. In doing so, it builds up a picture of the ways in which these developments changed over time, and captures the dynamic and shifting ways in which ancient Egyptians interacted with their funerary texts. This contrasts with the popular image of Egyptian religion as centrally administered and directed, and essentially unchanging over millennia. In fact, choices and forms of texts and images used in tombs changed even within a single generation. Some forms remained popular over long periods, being constantly reused and re-adapted, while others achieved specific and local popularity, or else were abandoned after only a short period of time. This book argues powerfully for the human dimension in ancient Egyptian religion, revealing the ways in which individuals and groups continually reshaped their tradition even as they worked within it. Produced as part of the research project The Walking Dead at Saqqara: The Making of a Cultural Geography, this book is kindly funded by the Dutch Research Council (NWO).The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Dutch Research Council (NWO): 276-30-016.

The reign of Tutankhamun was of major significance in the history of ancient Egypt. Following Howard Carter’s discovery of the king’s tomb in 1922, the story of the boy who became Pharaoh, died young and was buried in splendor at the height of Egyptian civilization captivated generations. But there exists a wide discrepancy between that saga and what scholarship has discovered in the last few decades about Tutankhamun’s reign. A truer story is revealed, not by objects from his tomb, but by statuary, reliefs, paintings, and architecture from outside the Valley of the Kings. Marianne Eaton-Krauss, a leading authority on the boy king and the Amarna Period, guides readers through the recent findings of international research and the relevant documentation from a wide variety of sources, to create an accessible and comprehensive biography. Tracing Tutankhamun’s life from birth to burial, she analyzes his parentage, his childhood as Prince Tutankhaten, his accession and change of name to Tutankhamun, his role in the restoration of the traditional cults and his own building projects, his death and burial, and the attitudes of his immediate successors to his reign.Illustrated with color and black-and-white images, the book includes extensive endnotes and selected bibliography, which will make it essential reading for students and scholars as well as anyone interested in Tutankhamun.

The modern view of the ancient Egyptian world is often through the lens of a scribe: the trained, schooled, literate individual who was present at many levels of Egyptian society, from a local accountant to the highest echelons of society. And yet, despite the wealth of information the scribes left us, we know relatively little about what underpinned their world, about their mentality and about their everyday life.Tracing ten key biographies, Ancient Egyptian Scribes examines how these figures kept both the administrative life and cultural memory of Egypt running. These are the Egyptians who ran the state and formed the supposedly meritocratic system of local administration and government. Case studies look at accountants, draughtsmen, scribes with military and dynastic roles, the authors of graffiti and literati who interacted in different ways with Pharaohs and other leaders. Assuming no previous knowledge of ancient Egypt, the various roles and identities of the scribes are presented in a concise and accessible way, offering structured information on their cultural identity and self-presentation, and providing readers with an insight into the making of Egyptian written culture.

The modern view of the ancient Egyptian world is often through the lens of a scribe: the trained, schooled, literate individual who was present at many levels of Egyptian society, from a local accountant to the highest echelons of society. And yet, despite the wealth of information the scribes left us, we know relatively little about what underpinned their world, about their mentality and about their everyday life.Ancient Egyptian Scribes examines how these figures kept both the administrative life and cultural memory of Egypt running. These are the Egyptians who ran the state and formed the supposedly meritocratic system of local administration and government. Case studies look at accountants, draughtsmen, scribes with military and dynastic roles, the authors of graffiti and literati who interacted in different ways with Pharaohs and other leaders. Assuming no previous knowledge of ancient Egypt, and ensuring accessibility for students and non-specialists, the various roles and identities of the scribes are presented in a way that offers structured information on their cultural identity and self-presentation, and provides readers with an insight into the making of Egyptian written culture.

In the late 19th and early 20th centuries, growing numbers of tourists and scholars from Europe and America, fascinated by new discoveries, visited the Near East and Egypt – attracted by the riches and mysteries of the Land of the Bible. Almost all such visitors, no matter how esoteric or academic their pursuits, had to deal with the local authorities and the native workforce for their archaeological excavations. The vast majority of these visitors had to rely on interpreters, dragomans, translators and local guides.This study, based on published and unpublished travel memoirs, guidebooks, personal papers and archaeological reports of the British and American archaeologists, deals with the socio-political status and multi-faceted role of interpreters at the time. Those bi- or multi-lingual individuals frequently took on (or were forced to take on) much more than just interpreting. They often played the role of go-betweens, servants, bodyguards, pimps, diplomats, spies, messengers, managers and overseers, and had to mediate, scheme and often improvise, whether in an official or unofficial capacity. For the most part denied due credit and recognition, these interpreters are finally here given a new voice. An engrossing story emerges of how through their many and varied actions and roles, they had a crucial part to play in the introduction to Britain and America of these mysterious past cultures and civilizations.

In the late 19th and early 20th centuries, growing numbers of tourists and scholars from Europe and America, fascinated by new discoveries, visited the Near East and Egypt – attracted by the riches and mysteries of the Land of the Bible. Almost all such visitors, no matter how esoteric or academic their pursuits, had to deal with the local authorities and the native workforce for their archaeological excavations. The vast majority of these visitors had to rely on interpreters, dragomans, translators and local guides.This study, based on published and unpublished travel memoirs, guidebooks, personal papers and archaeological reports of the British and American archaeologists, deals with the socio-political status and multi-faceted role of interpreters at the time. Those bi- or multi-lingual individuals frequently took on (or were forced to take on) much more than just interpreting. They often played the role of go-betweens, servants, bodyguards, pimps, diplomats, spies, messengers, managers and overseers, and had to mediate, scheme and often improvise, whether in an official or unofficial capacity. For the most part denied due credit and recognition, these interpreters are finally here given a new voice. An engrossing story emerges of how through their many and varied actions and roles, they had a crucial part to play in the introduction to Britain and America of these mysterious past cultures and civilizations.

The rich history of Egypt has provided famous examples of board games played in antiquity. Each of these games provides evidence of contact between Egypt and its neighbours. From pre-dynastic rule to Arab and Ottoman invasions, Egypt’s past is visible on game boards. This volume starts by introducing the reader to board games as well as instruments of chance and goes on to trace the history and distribution of ancient Egyptian games, looking particularly at how they show contact with other cultures and civilizations. Game practices, which were also part of Egyptian rituals and divination, travelled throughout the eastern Mediterranean. This book explores the role of Egypt in accepting and disseminating games during its long history. Over the last few years, the extent and the modes of contact have become better understood through museum and archival research projects as well as surveys of archaeological sites in Egypt and its surrounding regions. The results allow new insight into ancient Egypt’s international relations and the role of board games research in understanding its extent.Written by three authors known internationally for their expertise on this topic, this will be the first volume on Ancient Egyptian games of its kind and a much-needed contribution to the field of both Egyptology and board games studies.

The rich history of Egypt has provided famous examples of board games played in antiquity. Each of these games provides evidence of contact between Egypt and its neighbours. From pre-dynastic rule to Arab and Ottoman invasions, Egypt’s past is visible on game boards. This volume starts by introducing the reader to board games as well as instruments of chance and goes on to trace the history and distribution of ancient Egyptian games, looking particularly at how they show contact with other cultures and civilizations. Game practices, which were also part of Egyptian rituals and divination, travelled throughout the eastern Mediterranean. This book explores the role of Egypt in accepting and disseminating games during its long history. Over the last few years, the extent and the modes of contact have become better understood through museum and archival research projects as well as surveys of archaeological sites in Egypt and its surrounding regions. The results allow new insight into ancient Egypt’s international relations and the role of board games research in understanding its extent.Written by three authors known internationally for their expertise on this topic, this will be the first volume on Ancient Egyptian games of its kind and a much-needed contribution to the field of both Egyptology and board games studies.

The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects.The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.

For more than 2,000 years, between 1500 BCE and 600 CE, the Egyptian processional oracle was one of the main points of contact between temple-based religion and the general population. In a public ceremony, a god would indicate its will or answer questions through the movements of a portable cult statue borne by priests or important members of the community.The Egyptian Oracle Project is an interactive performance that adapts this ceremony to serve as the basis for a mixed-reality educational experience for children and young adults, using both virtual reality and live performance. The scene is set in a virtual Egyptian temple projected onto a wall. An oracle led by a high priest avatar (controlled by a live human puppeteer) is brought into the presence of a live audience, who act in the role of the Egyptian populace. Through the mediation of an actress, the audience interacts with the avatar, recreating the event.The series of carefully focused essays in this book provides vital background to this path-breaking project in three sections. After a brief introduction to educational theatre and virtual reality, the first section describes the ancient ceremony and its development, along with cross-cultural connections. Then the development of the script and its performance in the context of mixed-reality and educational theatre are examined. The final set of essays describes the virtual temple setting in more detail and explores the wider implications of this project for virtual heritage.

This volume explores the earliest appearances and functions of the five major Egyptian goddesses Neith, Hathor, Nut, Isis and Nephthys. Although their importance endured throughout more than three millennia of ancient Egyptian history, their origins, earliest roles, and relationships in religion, myth, and cult have never before been studied together in detail. Showcasing the latest research with carefully chosen illustrations and a full bibliography, Susan Tower Hollis suggests that the origins of the goddesses derived primarily from their functions, as, shown by their first appearances in the text and art of the Protodynastic, Early Dynastic, and Old Kingdom periods of the late fourth and third millennia BCE. The roles of the goddess Bat are also explored where she is viewed both as an independent figure and in her specific connections to Hathor, including the background to their shared bovine iconography. Hollis provides evidence of the goddesses’ close ties with royalty and, in the case of Neith, her special connections to early queens. Vital reading for all scholars of Egyptian religion and other ancient religions and mythology, this volume brings to light the earliest origins of these goddesses who would go on to play major parts in later narratives, myths, and mortuary cult.

In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king’s feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite.This volume analyses the new presentation of foreigners in these tombs. Far from being chaotic, they are shown in an orderly fashion, carrying tribute that underscores the wealth and prestige of the tomb owner. This orderliness reflects the ability of the Egyptian state to impose order on foreign lands, but also crucially symbolises the tomb owner’s ability to overcome the chaos of death and achieve a successful afterlife. Illustrated with colour plates and black-and-white images, this new volume is an important and original study of the significance of these images for the tomb owner and the functioning of the funerary cult.

In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king’s feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite.This volume analyses the new presentation of foreigners in these tombs. Far from being chaotic, they are shown in an orderly fashion, carrying tribute that underscores the wealth and prestige of the tomb owner. This orderliness reflects the ability of the Egyptian state to impose order on foreign lands, but also crucially symbolises the tomb owner’s ability to overcome the chaos of death and achieve a successful afterlife. Illustrated with colour plates and black-and-white images, this new volume is an important and original study of the significance of these images for the tomb owner and the functioning of the funerary cult.

The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects.The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.

For more than 2,000 years, between 1500 BCE and 600 CE, the Egyptian processional oracle was one of the main points of contact between temple-based religion and the general population. In a public ceremony, a god would indicate its will or answer questions through the movements of a portable cult statue borne by priests or important members of the community.The Egyptian Oracle Project is an interactive performance that adapts this ceremony to serve as the basis for a mixed-reality educational experience for children and young adults, using both virtual reality and live performance. The scene is set in a virtual Egyptian temple projected onto a wall. An oracle led by a high priest avatar (controlled by a live human puppeteer) is brought into the presence of a live audience, who act in the role of the Egyptian populace. Through the mediation of an actress, the audience interacts with the avatar, recreating the event.The series of carefully focused essays in this book provides vital background to this path-breaking project in three sections. After a brief introduction to educational theatre and virtual reality, the first section describes the ancient ceremony and its development, along with cross-cultural connections. Then the development of the script and its performance in the context of mixed-reality and educational theatre are examined. The final set of essays describes the virtual temple setting in more detail and explores the wider implications of this project for virtual heritage.