Bloomsbury Studies in Continental Philosophy – serie

Nietzsche, Nihilism and the Philosophy of the Future examines Nietzsche's analysis of and response to contemporary nihilism, the sense that nothing has value or meaning. Eleven newly-commissioned essays from an influential team of contributors illustrate the richness and complexity of Nietzsche's thought by bringing together a diverse collection of perspectives on Nietzsche.Nietzsche's engagement with nihilism has been relatively neglected by recent scholarship, despite the fact that Nietzsche himself regarded it as one of the most original and important aspect of his thought. This book addresses that gap in the literature by exploring this central and compelling area of Nietzsche's thought. The essays concentrate on Nietzsche's philosophical analysis of nihilism, the cultural politics of his reaction to nihilism, and the rhetorical dimensions and intricacies of his texts.

Art and Institution examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. Rajiv Kaushik treats Merleau-Ponty's renderings of the artwork - specifically in his later writings during the period ranging from 1952-1961 - as a path into the being that precedes phenomenology. Replete with references to Merleau-Ponty's reflections on Matisse, Cézanne, Proust and others, and featuring Kaushik's own original reflections on various artworks, this book is guided by the notion that art does not iterate the findings of phenomenology so much as it allows phenomenology to finally discover what, as a matter of principle, it seeks: the very foundation of experience that is not itself available to thought. Kaushik is thus concerned with the ways in which the work of art restores the principle of institution, prior to the intentional structures of consciousness, so that phenomenology may settle questions concerning ontological difference, the origination of significance, and the relationship between interiority and exteriority.

Alain Badiou has claimed that Quentin Meillassoux’s book After Finitude (Bloomsbury, 2008) “opened up a new path in the history of philosophy.” And so, whether you agree or disagree with the speculative realism movement, it has to be addressed. Lacanian Realism does just that. This book reconstructs Lacanian dogma from the ground up: first, by unearthing a new reading of the Lacanian category of the real; second, by demonstrating the political and cultural ingenuity of Lacan’s concept of the real, and by positioning this against the more reductive analyses of the concept by Slavoj Žižek, Alain Badiou, Saul Newman, Todd May, Joan Copjec, Jacques Rancière, and others, and; third, by arguing that the subject exists intimately within the real. Lacanian Realism is an imaginative and timely exploration of the relationship between Lacanian psychoanalysis and contemporary continental philosophy.

The concept of resistance has always been central to the reception of Hegel’s philosophy. The prevalent image of Hegel’s system, which continues to influence the scholarship to this day, is that of an absolutist, monist metaphysics which overcomes all resistance, sublating or assimilating all differences into a single organic ‘Whole’. For that reason, the reception of Hegel has always been marked by the question of how to resist Hegel: how to think that which remains outside of or other to the totalizing system of dialectics.In recent years the work of scholars such as Catherine Malabou, Slavoj Žižek, Rebecca Comay and Frank Ruda has brought considerable nuance to this debate. A new reading of Hegel has emerged which challenges the idea that there is no place for difference, otherness or resistance in Hegel, both by refusing to reduce Hegel’s complex philosophy to a straightforward systematic narrative and by highlighting particular moments within Hegel’s philosophy which seem to counteract the traditional understanding of dialectics.This book brings together established and new voices in this field in order to show that the notion of resistance is central to this revaluation of Hegel.

The rise of populism, cynicism, fanaticism and fundamentalism challenges us to reconsider the problem of ressentiment. Characterized by Nietzsche as the self-poisoning of the will through internalising trauma in the form of a postponed and imaginary revenge, the concept of ressentiment is making a comeback in politicaldiscourse.Unlike resentment, the feeling of injustice, ressentiment is an intrinsically polemical notion. It implies a political drama in which there is no inherent good sense in its application and no universal criterion. Drawing on psychoanalysis, political theory, media theory and philosophy, this book examines a wide variety of ideological contexts, offering an examination of the divergent senses in which the concept of ressentiment is used today.

Addressing Merleau-Ponty’s work Phenomenology of Perception, in dialogue with The Visible and the Invisible, his lectures at the Collège de France, and his reading of Proust, this book argues that at play in his thought is a philosophy of “ontological lateness”. This describes the manner in which philosophical reflection is fated to lag behind its objects; therefore an absolute grasp on being remains beyond its reach. Merleau-Ponty articulates this philosophy against the backdrop of what he calls “cruel thought”, a style of reflecting that seeks resolution by limiting, circumscribing, and arresting its object. By contrast, the philosophy of ontological lateness seeks no such finality—no apocalypsis or unveiling—but is characterized by its ability to accept the veiling of being and its own constitutive lack of punctuality. To this extent, his thinking inaugurates a new relation to the becoming of sense that overcomes cruel thought. Merleau-Ponty’s work gives voice to a wisdom of dispossession that allows for the withdrawal of being. Never before has anyone engaged with the theme of Merleau-Ponty’s own understanding of philosophy in such a sustained way as Whitmoyer does in this volume.

Returning to the Greek understanding of art to rethink its capacities, Creation and the Function of Art focuses on the relationship between techné and phusis (nature). Moving away from the theoretical Platonism which dominates contemporary understandings of art, this book instead reinvigorates Aristotelian causation.Beginning with the Greek topos and turning to insights from philosophy, pure mathematics, psychoanalysis and biology, Jason Tuckwell re-problematises techné in functional terms. This book examines the deviations at play within logical forms, the subject, and upon phusis to better situate the role of the function in poiesis (art). In so doing, Tuckwell argues that art concerns a genuinely creative labour that cannot be resolved via an ontological or epistemological problem, but which instead constitutes an encounter with the problematic. As such, techné is shown to be a property of the living, of intelligence coupled to action, that not only enacts poiesis or art, but indicates a broader role for creative deviation in nature.

Spinoza’s political thought has been subject to a significant revival of interest in recent years. As a response to difficult times, students and scholars have returned to this founding figure of modern philosophy as a means to help reinterpret and rethink the political present. Spinoza’s Authority Volume II makes a significant contribution to this ongoing reception and utilization of Spinoza’s 1670s Theologico-Political and Political treatises. By taking the concept of authority as an original framework, this books asks: How is authority related to law, memory, and conflict in Spinoza’s political thought? What are the social, historical and representational processes that produce authority and resistance? And what are the conditions of effective resistance?Spinoza’s Authority Volume II features a roster of internationally established theorists of Spinoza’s work, and covers key elements of Spinoza's political philosophy.

This collection both reflects and contributes to the recent surge of philosophical interest in The Antichrist and represents a major contribution to Nietzsche studies.Nietzsche regarded The Antichrist, along with Zarathustra, as his most important work. In it he outlined many epoch-defining ideas, including his dawning realisation of the ‘death of God’ and the inception of a new, post-moral epoch in Western history. He called the work ‘a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed’.One certainly need not share Nietzsche’s estimation of his achievement in The Antichrist to conclude that there is something significant going on in this work. Indeed, even if Nietzsche overestimated its transformative power, it would be valuable nonetheless to have a clearer sense of why he thought so highly of this particular book, which is something of an outlier in his oeuvre. Until now, there has been no book that attempts to account with philosophical precision for the multiple themes addressed in this difficult and complex work.

The question of nihilism is always a question of truth.It is a crisis of truth that causes the experience of the nothingness of existence. What elevated truth to this existential position? The answer is: philosophy. The philosophical will to truth opens the door to nihilism, since it both makes identifying truth the utmost aim and yet continually calls it into question. Baker develops the central insight that the crises of truth and of existence, or 'loss of world', that occur within nihilistic thought are inseparable, in a wide-ranging study from antiquity to the present, from ancient Cynics, St Paul, Nietzsche, Heidegger, Foucault, Agamben, and Badiou.Baker contends that since nihilism is always a question of the relation to the world occasioned by the philosophical will to truth, an answer to nihilism must be able to propose a new understanding of truth.

Jacques Rancière’s work has challenged many of the assumptions of contemporary continental philosophy by placing equality at the forefront of emancipatory political thought and aesthetics. Drawing on the claim that egalitarian politics persistently appropriates elements from political philosophy to engage new forms of dissensus, Devin Zane Shaw argues that Rancière’s work also provides an opportunity to reconsider modern philosophy and aesthetics in light of the question of equality. In Part I, Shaw examines Rancière’s philosophical debts to the ‘good sense’ of Cartesian egalitarianism and the existentialist critique of identity. In Part II, he outlines Rancière’s critical analyses of Walter Benjamin and Clement Greenberg and offers a reinterpretation of Rancière’s debate with Alain Badiou in light of the philosophical differences between Schiller and Schelling. From engaging debates about political subjectivity from Descartes to Sartre, to delineating the egalitarian stakes in aesthetics and the philosophy of art from Schiller to Badiou, this book presents a concise tour through a series of egalitarian moments found within the histories of modern philosophy and aesthetics.

The indebtedness of contemporary thinkers to Derrida's project of deconstruction is unquestionable, whether as a source of inspiration or the grounds of critical antagonism. This collection considers: how best to recall deconstruction? Rather than reduce it to an object of historical importance or memory, these essays analyze its significance in terms of complex matrices of desire; provoked in this way, deconstruction cannot be dismissed as 'dead', nor unproblematically defended as alive and well.Repositioned on the threshold of life-death, deconstruction profoundly complicates the field of critical thought which still struggles to memorialize, inter, or reduce the deconstructive corpus to ashes.

Husserl's 20th-century phenomenological project remains the cornerstone of modern European philosophy. The place of ethics is of importance to the ongoing legacy and study of phenomenology itself. Husserl's Ethics and Practical Intentionality constitutes one of the major new interventions in this burgeoning field of Husserl scholarship, and offers an unrivaled perspective on the question of ethics in Husserl's philosophy through a focus on volumes not yet translated into English.This book offers a refreshing perspective on stagnating ethical debates that pivot around conceptions of relativism and universalism, shedding light on a phenomenological ethics beyond the common dichotomy.

Exploring phenomenological philosophy as it relates to psychiatry and the social world, this book establishes a common language between psychiatrists, anti-psychiatrists, psychologists and social workers. Phenomenology and the Social Context of Psychiatry is an inter-disciplinary work by phenomenological philosophers, psychiatrists, and psychologists to discover the essence and foundations of social psychiatry. Using the phenomenology of Husserl as a point of departure, the meanings of empathy, interpersonal understanding, we-intentionality, ethics, citizenship and social inclusion are investigated in relation to psychopathology, nosology, and clinical research. This work, drawing upon the rich classical and contemporary phenomenological tradition, touching on a broad range of thinkers such as Deleuze, Levinas, and R.D. Laing, also explicates how phenomenology is a method capable of capturing the human condition and its intricate relation to the social world and mental illness

In Nietzsche and Friendship, Willow Verkerk provides a new and provocative account of Nietzsche’s philosophy which identifies him as an agonistic thinker concerned with the topics of love and friendship. She argues that Nietzsche’s challenges to the received principles of friendship from Aristotle to Kant offer resources for reinvigorating our thinking about friendship today. Through an examination of his free spirit texts, Human, All Too Human, Daybreak and The Gay Science together with Thus Spoke Zarathustra and Beyond Good and Evil, Verkerk unlocks key aspects of Nietzsche’s thinking on friendship, love, ‘woman’, the self, self-overcoming, virtue, and character. She questions Nietzsche’s misogyny, but also considers the emancipatory potential of his writing by brining him into dialogue with postmodern, feminist, and transgender thinkers. This book revives interest in the ethical, therapeutic, and political dimensions of Nietzsche’s philosophy.

The influence of anarchists such as Proudhon and Bakunin is apparent in Jean-Paul Sartres’ political writings, from his early works of the 1920s to Critique of Dialectical Reason, his largest political piece. Yet, scholarly debate overwhelmingly concludes that his political philosophy is a Marxist one. In this landmark study, William L. Remley sheds new light on the crucial role of anarchism in Sartre’s writing, arguing that it fundamentally underpins the body of his political work. Sartre’s political philosophy has been infrequently studied and neglected in recent years. Introducing newly translated material from his early oeuvre, as well as providing a fresh perspective on his colossal Critique of Dialectical Reason, this book is a timely re-invigoration of this topic.It is only in understanding Sartre’s anarchism that one can appreciate the full meaning not only of the Critique, but of Sartre’s entire political philosophy. This book sets forth an entirely new approach to Sartre’s political philosophy by arguing that it espouses a far more radical anarchist position than has been previously attributed to it. In doing so, Jean-Paul Sartre's Anarchist Philosophy not only fills an important gap in Sartre scholarship but also initiates a much needed revision of twentieth century thought from an anarchist perspective.

This volume presents the concepts of schizoanalysis and ecosophy as Felix Guattari and Gilles Deleuze understood them, in interviews and analyses by their contemporaries and followers. This accessible yet authoritative introduction is written by distinguished specialists, combining testimonies from some of Guattari's colleagues at the La Borde psychiatric clinic where he practiced, with expository essays on his main ideas, schizoanalysis and ecosophy, as well as his relations with Lacan. The last section of the book deals with the subsequent creative application of those ideas by his philosophical and psychoanalytic followers situated within the contemporary moment. This collection also provides the crucial historical context of France at the time Guattari was developing his concepts, including the role of the Maoists and the significance of the political situation in Algeria.

Heidegger’s Politics of Enframing examines the controversial political choices made by Heidegger, the one-time Nazi party member, and articulates a direct connection between his troubling political decisions and his late thoughts on technology. This book looks at the evolution of Heidegger’s understanding of human politics, viewed through the lens of his ontological articulations from the early 1930’s to the end of his life, with a deep focus on the role that Nietzsche plays in Heidegger’s understanding of technology and the technological. The key question within Heidegger’s thoughts on technology is whether Heidegger is proposing a sense of responsibility, and therefore an ethics, in his notion of a technological “saving power.” Cardoza-Kon develops an understanding of what the political ramifications of this are, and what can we take from Heidegger’s thought today.

This book offers new critical perspectives on the relationship between the notions of speculation, logic and reality in Hegel’s thought as basis for his philosophical account of nature, history, spirit and human experience. The systematic functions of logic and pure thought are explored in their concrete forms and processual progression from subjective spirit to philosophy of right, society, the notion of habit, the idea of work, art, religion and science. Engaging the relation between the Logic and its realisations, this book shows the internal tension that inhabits Hegel’s philosophy at the intersection of logical (conceptual) speculation and concrete (interpretative) analysis. The investigation of this tension allows for a hermeneutical approach that demystifies the common view of Hegel’s idealism as a form of abstract thought, while allowing for a new assessment of the importance of speculation for a concrete understanding of the world.

French philosopher Gilles Deleuze wrote two 'logic' books: Francis Bacon: The Logic of Sensation and The Logic of Sense. However, in neither of these books nor in any other works does Deleuze articulate in a formal way the features of the logic he employs. He certainly does not use classical logic. And the best options for the non-classical logic that he may be implementing are: fuzzy, intuitionist, and many-valued. These are applicable to his concepts of heterogeneous composition and becoming, affirmative synthetic disjunction, and powers of the false.In The Logic of Gilles Deleuze: Basic Principles, Corry Shores examines the applicability of three non-classical logics to Deleuze's philosophy, by building from the philosophical and logical writings of Graham Priest, the world's leading proponent of dialetheism. Through so doing, Shores argues that Deleuze's logic is best understood as a dialetheic, paraconsistent, many-valued logic.

Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofsky's declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art history and the humanities in general, it shows how examining this promotes a cooperation between the history of art and the history of philosophy. It discusses whether Panofsky’s method could be of use for general questions in the epistemology of the historical sciences that examine human works. Figural Philology also shows that Panofsky shares affinities with twentieth-century romance philology. A reading of Panofsky's work alongside the philological enterprise of Erich Auerbach and several other authors demonstrates that a proper appropriation of the philological impulse can provide a way out of the methodological antimony still hanging between hyper-formalist and hyper-theoretical approaches to the history of art.

The oeuvre of Alain Badiou has gained international success and recognition, but most of the secondary literature focuses on internal problems of Badiou’s philosophy, rather than its position within a broader philosophical genealogy. This book unites philosophers from Germany, Slovenia, the UK, Australia and France, to trace the relation between elements of Badiou’s philosophy and the German philosophical tradition, namely the three significant movements of German Idealism, Phenomenology, Marxism and the Frankfurt School. This is a discussion that has not yet been established, although the parallels and decisive differences between poststructuralist French philosophy and German philosophy are apparent. Through these paradigms – Badiou’s reception of German Idealism, Marxism, Adorno and the Critical Theory, and Heideggerian phenomenology – the authors shed light onto Badiou’s inheritance of and engagement with these specific traditions, but also highlight the links between these philosophies to open up new questions for contemporary continental thought. With an original chapter from Alain Badiou himself, looking back at his influences and antagonisms within the German tradition, this book is essential for readers interested in the exploration of Badiou’s legacy. It illustrates the continuation of poststructuralist philosophy, Critical Theory and the Frankfurt School, assessing the place of classic continental philosophy to tackle how we might benefit from these intellectual exchanges today.

There has been a renaissance of interest in the work and thought of Paul Ricoeur, one of the great hermeneutic scholars of the twentieth century. It is time to assess the future landscape for hermeneutics as a scholarly field and an educational curriculum after the momentous impact of Paul Ricoeur, who extended and deepened its trans-disciplinary reach, and pushed its profile substantially beyond its German legacy. There exists a misunderstanding that his thought is simply an extension or revision of Heidegger and Gadamer; Hermeneutics After Ricoeur ably sets out the differences and tensions, establishing the originality of Ricoeur’s thought and its application beyond hermeneutic studies, with a thematic focus on education, the humanities, and the liberal arts.

With the publication of The Use of Bodies (2016), Agamben's multi-volume Homo Sacer project has come to an end, or to paraphrase Agamben, has been abandoned. We now have a new vantage point from which to reread Agamben’s corpus; not only his method but his political and philosophical thought can been seen in a clearer light. This timely book both assesses and contributes to the debates on the Homo Sacer project in its entirety.Rethinking the notions of life and power – two of the central themes in Agamben’s work – through a reconstruction of his philosophical method and an examination of his critique of Western metaphysics, this book argues that Agamben’s thought cannot be fully grasped if we do not account for the intertwining of politics and ontology. This book argues that it is only by revisiting Agamben’s critique of signification and metaphysics and examining his reconstruction of the archaeological method that we can understand his notions of life and power. By bringing together the two parts of the Homo Sacer project – the archaeology of the signature of Sovereignty and the archaeology of governmentality – this book provides an analysis of the production of Agambenian 'bare life'. In this sense this project re-articulates Agamben’s works on signification, language and ontology with his archaeology of power. Offering an original examination of Agamben’s notion of resistance, this is essential reading for any thoughtful consideration of his philosophical legacy.

French thinkers such as Lacan and Derrida are often labelled as representatives of ‘poststructuralism’ in the Anglophone world. However in France, where their work originated, they use no such category; this group of theorists – ‘the poststructuralists’ - were never perceived as a coherent intellectual group or movement. Outlining the institutional contexts, affinities, and rivalries of, among others, Althusser, Barthes, Foucault, Irigaray, and Kristeva, Angermuller – drawing from Bourdieu’s concepts of cultural capital and the academic field – insightfully explores post-structuralism as a phenomenon. By tracing the evolution of the French intellectual field after the war, Why There is No Poststructuralism in France places French Theory both in the specific material conditions of its production and the social and historical contexts of its reception, accounting for a particularly creative moment in French intellectual life which continues to inform the theoretical imaginary of our time.

Through a unique combination of theoretical scope and material, and historical, breadth The Hermeneutics of Suspicion poses an original investigation into our understanding of alterity in Indian literature and history, and significantly contributes to an emerging discourse on East-West literary relations. Hans Georg Gadamer’s notion of hermeneutical consciousness seeks to open up a cultural context through which to engage the other. It stands in opposition to the hermeneutics of suspicion advocated by recent popular theories, such as colonial discourse analysis, multiculturalism, postcolonial theory, the critique of globalism, etc. In his late work, Paul Ricoeur charts a middle path between the hermeneutics of suspicion and a hermeneutical consciousness that addresses the ontological and ethical categories of otherness. His approach reflects concerns voiced elsewhere, particularly in the historiography of Michel de Certeau and the ethics of Emmanuel Levinas. This volume follows the path proposed by Ricoeur and, alongside Certeau and Levinas, provides an examination of varying representations of the Indian Other in classical Greek and Sanskrit sources, the writings of Church Fathers, apocryphal literature, the Romance tradition, Portuguese and Italian travel narratives and Jesuit mission letters. In the various texts examined, the problems of translation are highlighted together with the sense that understanding can be found somewhere between the different approaches of hermeneutical consciousness and critical consciousness. This book not only looks at the European reception of the Indian other, but also looks at the ancient Indian view of its others and the cross-pollination of Indian concepts of otherness with the West.

The Ethics of Time utilizes the resources of phenomenology and hermeneutics to explore this under-charted field of philosophical inquiry. Its rigorous analyses of such phenomena as waiting, memory, and the body are carried out phenomenologically, as it engages in a hermeneutical reading of such classical texts as Augustine’s Confessions and Sophocles’s Oedipus Rex, among others. The Ethics of Time takes seriously phenomenology’s claim of a consciousness both constituting time and being constituted by time. This claim has some important implications for the “ethical” self or, rather, for the ways in which such a self informed by time, might come to understand anew the problems of imperfection and ethical goodness. Even though a strictly philosophical endeavour, this book engages knowledgeably and deftly with subjects across literature, theology and the arts and will be of interest to scholars throughout these disciplines.

Addressing Merleau-Ponty’s work Phenomenology of Perception, in dialogue with The Visible and the Invisible, his lectures at the Collège de France, and his reading of Proust, this book argues that at play in his thought is a philosophy of “ontological lateness”. This describes the manner in which philosophical reflection is fated to lag behind its objects; therefore an absolute grasp on being remains beyond its reach. Merleau-Ponty articulates this philosophy against the backdrop of what he calls “cruel thought”, a style of reflecting that seeks resolution by limiting, circumscribing, and arresting its object. By contrast, the philosophy of ontological lateness seeks no such finality—no apocalypsis or unveiling—but is characterized by its ability to accept the veiling of being and its own constitutive lack of punctuality. To this extent, his thinking inaugurates a new relation to the becoming of sense that overcomes cruel thought. Merleau-Ponty’s work gives voice to a wisdom of dispossession that allows for the withdrawal of being. Never before has anyone engaged with the theme of Merleau-Ponty’s own understanding of philosophy in such a sustained way as Whitmoyer does in this volume.

Martin Heidegger’s radical and, for that, controversial reflections on language were not simply a passing interest in his thinking, but a fundamental, career-long concern arguably as significant to him as his study of being. This book traces the intimate connection between language and being in Heidegger’s philosophy, and shows how they cannot be understood apart from one another. It discusses why Heidegger’s undervalued philosophy of language is increasingly important, how it figures in the wider context of his work, and how it is to be approached and understood for our times. This includes the significance to Heidegger of being, the logos principle, etymology, phenomenology, mysticism, and poetry. Illuminating a difficult yet highly significant area in Heidegger’s thinking, Williams provides an insightful and authoritative interpretation of the topic.