Edinburgh Studies in East Asian Film – serie
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33 produkter
33 produkter
1 259 kr
Skickas inom 7-10 vardagar
Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China.Covering directors such as Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi’en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film.
1 234 kr
Skickas inom 11-20 vardagar
There has been an explosion in Chinese independent documentary making since the turn of the twenty-first century. How are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence? Or a more complex attempt to expand the terms of public discourse in the People’s Republic? This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public.
1 336 kr
Skickas inom 7-10 vardagar
One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozu’s career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu’s depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu’s work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to postwar Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a groundbreaking new study of a master of cinema.
'My' Self on Camera
First Person Documentary Practice in an Individualising China
Inbunden, Engelska, 2018
1 895 kr
Skickas inom 3-6 vardagar
‘My’ Self on Camera is the first book to explore first person narrative documentary in China’s post-Mao era. Since the emergence of the individual as an ever more important social figure in China, this mode of independent filmmaking and cultural practice has become increasingly significant. Combining the approach of cultural ethnography, interviews, and textual analysis of selected films, this study examines the motivations, key aesthetic features and ethical tensions of presenting the self on camera, as well as the socio-political, cultural and technical conditions surrounding its practice. This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.
1 882 kr
Skickas inom 3-6 vardagar
Kinoshita Keisuke was once thought of as the equal in importance and popularity to his colleague Ozu Yasujiro and friend Kurosawa Akira. In many ways, he was even more popular with audiences than they were, as well as being a critical favorite. He had built an overseas following with prestigious festival play and was considered an innovator for his use of color and widescreen. In addition, he was known for his cinematic depictions of the plight of women under rigid social restrictions along with his often-rebellious heroines who endured and sometimes triumphed. Yet he is much less known than his fellow filmmakers. Leading scholars from the US, Australia, the UK and Japan, relying on close analysis and numerous Japanese sources come together to redress this gap and demonstrate why Kinoshita deserves to be returned to the pantheon Japanese and world cinema.
1 882 kr
Skickas inom 3-6 vardagar
Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "Taiwanese" (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.
- Nyhet
314 kr
Skickas
Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "Taiwanese" (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.
East Asian Auteurism, Cinephilia and the Media Platform Era
Film Authorship Rethought
Inbunden, Engelska, 2025
1 111 kr
Skickas
This book makes a critical intervention in the scholarship of East Asian cinema by examining how the platform-driven cinephilic engagement evokes a new imaginary of auteurs. While East Asian filmmakers continue to provide world screens with vibrant and innovative works in recent years, their names and visions have been intensely scrutinised and renegotiated by global cinephiles on digital media platforms such as Facebook, Letterboxd, MUBI, X, and Bilibili. The novel cinephilic experiences potentially problematises the authorial intent and structure legitimised by the traditional cinema, thus, challenging what film authorship means. This monograph employs a dual structuring of auteurism and digital cinephilia to contend how East Asian auteurs' brands are recoded, re-mobilised, and reassessed by platform users. As the first book-length account in the area, this volume calls for conceptual rethought of the auteur function in East Asia at the crossroads of film studies, audience/cinephilia studies, and new media studies.
East Asian Auteurism, Cinephilia and the Media Platform Era
Film Authorship Rethought
Häftad, Engelska, 2027
253 kr
Kommande
This book makes a critical intervention in the scholarship of East Asian cinema by examining how the platform-driven cinephilic engagement evokes a new imaginary of auteurs. While East Asian filmmakers continue to provide world screens with vibrant and innovative works in recent years, their names and visions have been intensely scrutinised and renegotiated by global cinephiles on digital media platforms such as Facebook, Letterboxd, MUBI, X, and Bilibili. The novel cinephilic experiences potentially problematises the authorial intent and structure legitimised by the traditional cinema, thus, challenging what film authorship means. This monograph employs a dual structuring of auteurism and digital cinephilia to contend how East Asian auteurs’ brands are recoded, re-mobilised, and reassessed by platform users. As the first book-length account in the area, this volume calls for conceptual rethought of the auteur function in East Asia at the crossroads of film studies, audience/cinephilia studies, and new media studies.
1 172 kr
Kommande
Shedding light on the regional scale between the national cinema framework and the planetary perspective, East Asian Ecocinema: Between Nation and Planet argues for the importance of East Asia as a critical space for cinematic ecocriticism.Drawing on the influential work of Sheldon Lu and Jiayan Mi on Sinophone ecocinema, and Tommy Gustafsson and Pietari Kääpä’s transnational approach, the book brings together diverse perspectives that examine ecocinema in both national and transnational contexts.Through promoting inter-East Asian conversations, the essays collectively reveal how films from East Asia can reframe global environmental discourse, decentering Hollywood and expanding ecocinema’s conceptual horizons.
1 172 kr
Kommande
The Cultural Revolution renegade’s ravenous gaze at his daughter’s fleeting image, the accusatory questioning from a daughter of a White Terror survivor in Taiwan and children’s exhilarated shouts across pre-handover Hong Kong harbor – Sinophone cinema encodes emotional realities erased from official narratives.This monograph investigates how films from mainland China, Taiwan and Hong Kong (1994-2020) crystallize affects – nostalgia, horror, shame, love, sentimentalism, friendship – expressing both widespread and marginalized emotional experiences omitted from hegemonic discourses.Examining watershed moments, including China’s 1930s left-wing literary movement, Cultural Revolution, economic reforms, Taiwan’s martial law and Hong Kong’s 1997 handover, this book demonstrates how cinematic emotional registers capture feelings escaping nationalist and neoliberalist discourses. Examining affect and Sinophone film, this monograph extends Shu-mei Shih’s framework by establishing that Sinophone consciousness is constituted through affect, which manifests as collusive or recalcitrant responses to dominant ideologies and challenges conventional understandings of “Chineseness.”
253 kr
Kommande
There has been an explosion in Chinese independent documentary making since the turn of the twenty-first century. How are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence? Or a more complex attempt to expand the terms of public discourse in the People’s Republic? This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public.
296 kr
Kommande
Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China.Covering directors such as Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi’en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film.
Fragments of a Unified Nation
Spatial Narratives in Contemporary Chinese Cinema
Inbunden, Engelska, 2021
927 kr
Kommande
1 259 kr
Skickas inom 7-10 vardagar
The first book in English dedicated to the actor and director Tanaka KinuyoPraised as amongst the greatest actors in the history of Japanese cinema, Tanaka's career spanned the industrial development of cinema from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguchi, Naruse and Kurosawa, Tanaka was also the only Japanese woman filmmaker between 1953 and 1962, and her films tackled distinctly feminine topics such as prostitution and breast cancer. Her career overlapped with a transformative period in Japanese history, and this close analysis of her fascinating life and work offers new perspectives, subjectivities and modes of analysis for the classical era of Japanese cinema.Key FeaturesA unique look at the life and career of Tanaka Kinuyo, as both an actor and directorOffers a new perspective on the history of women and film in JapanBrings together a range of Japanese and western scholars
2 097 kr
Skickas inom 3-6 vardagar
The only Japanese director to have won the Palme d’Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan’s leading and most controversial film directors. This book is one of the first to study all of Imamura’s major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura’s career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society.
1 336 kr
Skickas inom 7-10 vardagar
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre’s possible future development.
1 336 kr
Skickas inom 7-10 vardagar
The "Reform Era" (1979-present) in China has been a time of massive social and economic change, and has witnessed China's transition from socialism to capitalism. This book focuses on how this period of change has been constructed in the films of Jia Zhangke through analyzing the five class figures of worker, peasant, soldier, intellectual, and entrepreneur that are found in his films. It examines how the figures' representation and the films' cinematography create what Raymond Williams terms "structures of feeling" feelings that concretize around a particular time and place which are captured and evoked in art and culture. The book argues that Jia's cinema should be understood not just as narratives that represent Chinese social transition and the director's changing attitudes to them through characters of different social classes, but also as an effort to engage the audience's emotional responses to those figures through representation, symbolism, and the affective experience of specific cinematic tropes. While making specific observations on Jia's films, the book adds to the scholarship about the Reform era by considering how this period's enormous transformations have been "felt," and also opens up many new areas, not only in the existing body of literature about Chinese film, which has mainly taken a political or sociological approach, but also in the larger fields of Chinese visual culture, cultural studies, and the affective qualities of film.
1 895 kr
Skickas inom 3-6 vardagar
In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers’ film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.
1 895 kr
Skickas inom 3-6 vardagar
How does cinema imagine our place in the world? Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the idea of nationhood. Examining the cultural, political and industrial overlaps between these cinemas, as well as the areas where they uniquely parallel each other, this book brings together perspectives from cinema studies, Chinese studies and Asian American studies to show how culture is produced in the spaces between empires. With case studies of popular stars like Linda Lin Dai and Edison Chen, and spectacular genres like the Shaolin Temple cycle of martial arts films and the romantic melodramas of 1970s Taiwan, this book explores what it meant to be both cosmopolitan and Chinese in the second half of the 20th century.
293 kr
Skickas
How does cinema imagine our place in the world? Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the idea of nationhood. Examining the cultural, political and industrial overlaps between these cinemas, as well as the areas where they uniquely parallel each other, this book brings together perspectives from cinema studies, Chinese studies and Asian American studies to show how culture is produced in the spaces between empires. With case studies of popular stars like Linda Lin Dai and Edison Chen, and spectacular genres like the Shaolin Temple cycle of martial arts films, the book explores what it meant to be both cosmopolitan and Chinese in the second half of the 20th century.
674 kr
Skickas inom 3-6 vardagar
Bringing together a range of Japanese and western scholars, this is the first book in English dedicated to the actress and director Tanaka Kinuyo. Praised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development of cinema – from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguchi, Naruse and Kurosawa, Tanaka was also the only Japanese woman filmmaker between 1953 and 1962, and her films tackled distinctly feminine topics such as prostitution and breast cancer. Her career overlapped with a transformative period in Japanese history, and this close analysis of her fascinating life and work offers new perspectives, subjectivities and modes of analysis for the classical era of Japanese cinema.
388 kr
Skickas
The first comprehensive collection on the subject of Hong Kong neo-noir cinemaThe first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China before and after the 1997 Handover.Case studies include classics such as 'The Wild, Wild Rose' (1960) and more recent films like 'Full Alert' (1997), 'Exiled' (2007) and 'Shinjuku Incident' (2008). It provides a fresh look at the careers of iconic figures Johnnie To, Jackie Chan and Fruit Chan. By examining the films of emigre Shanghai directors, the cool women killers, the hybrids and noir cityscapes, 'Hong Kong Neo-Noir' explores the complex connections between a vibrant cinema and global noir.ContributorsAdam Bingham, Edge Hill UniversityJinhee Choi, King's College LondonDavid Desser, University of IllinoisKenneth E. Hall, East Tennessee State UniversityLaw Kar, Hong Kong Film ArchiveKwai-Cheung Lo, Hong Kong Baptist UniversityGina Marchetti, University of Hong KongLisa Odham Stokes, Seminole State College in Central FloridaJulian Stringer, University of NottinghamKristof Van den Troost, Chinese University of Hong KongTony Williams, Southern Illinois University, CarbondaleEsther C. M. Yau, University of Hong Kong
419 kr
Skickas inom 7-10 vardagar
In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers’ film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.
388 kr
Skickas
One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozu’s career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu’s depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu’s work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to postwar Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a groundbreaking new study of a master of cinema.
342 kr
Skickas inom 7-10 vardagar
Since 1979, China has been undergoing a period of immense social and economic change, transitioning from state-run economics to free market capitalism. This book focuses on how the ‘Reform Era’ has been constructed in the work of the director Jia Zhangke, analysing the archetypal class figures of worker, peasant, soldier, intellectual and entrepreneur that are found in his films. Examining how these figures are represented, and how Jia’s cinematography creates those ‘structures of feeling’ that concretise around a particular time and place, the book argues that Jia’s cinema should be understood not just as narratives that represent Chinese social transition, but also as an effort to engage the audience’s emotional responses through representation, symbolism and the affective experience of specific cinematic tropes.Making an important contribution to scholarship about the Reform Era, and opening up many new areas in the larger fields of Chinese visual culture, cultural studies and the affective qualities of film, this is groundbreaking work about a cinematic culture in a period of profound transformation.
1 402 kr
Skickas inom 7-10 vardagar
Although Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of ‘Sino-enchantment’ as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema.
516 kr
Skickas inom 3-6 vardagar
Approaches the recent resurgence of the fantastic in Chinese cinemasOffers the framework of 'Sino-enchantment' as a new theoretical lens through which readers can engage elements of the fantastic in Chinese cinemaAddresses the increasing prominence of fantastic narratives, imagery and styles in Chinese filmsInterested not simply in CGI effects, but as much in the ideological, aesthetic and ethical ramifications of the fantastic in contemporary film cultureAlthough Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of 'Sino-enchantment' as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema.
2 097 kr
Skickas inom 3-6 vardagar
Hong Kong Cinema and Sinophone Transnationalisms explores the intricate complexity of selected films and film-making practices from 1930s Hong Kong (and Shanghai) to the later 'new wave' phenomenon of the 1980s. The result is a Sinophone cinema that created some very different ways of understanding 'China' and 'Chineseness', developing their own 'cosmopolitan dreaming' within the cultural and economic changes of those times. Exploring sinification and its multiple manifestations in film, the book examines cinematic genres including Huangmei Opera films, qiqing (strange or queer romance) films, fanchuaners (professional cross-sex performers) in film, Hong Kong's Bond Movies (bangpian), erotic (fengyue) films, and New Wave Hong Kong cinema. In doing so, this book lays fruitful foundations for further understanding the development and changing faces of Hong Kong films and sinophone transnationalism in the even more complex and changing times of today.
487 kr
Skickas inom 3-6 vardagar
Examines new sinophone modes of filmic address in Hong Kong cinema in the 20th century, enabling a developing cosmopolitanism to emergeExamines new sinophone modes of filmic address in Hong Kong cinema in the 20th centuryExplores the Sinophone, queering strategies, and cosmopolitanism through textual analysis of key genres and figures in Hong Kong film history, including the Shaw Brothers and Tsui HarkHistoricizes the Sinophone by locating its articulations in specific industrial contexts, and through historical cases of genre, stardom, and authorshipHong Kong Cinema and Sinophone Transnationalisms explores the intricate complexity of selected films and film-making practices from 1930s Hong Kong (and Shanghai) to the later 'new wave' phenomenon of the 1980s. The result is a Sinophone cinema that created some very different ways of understanding 'China' and 'Chineseness', developing their own 'cosmopolitan dreaming' within the cultural and economic changes of those times.Exploring sinification and its multiple manifestations in film, the book examines cinematic genres including Huangmei Opera films, qiqing (strange or queer romance) films, fanchuaners (professional cross-sex performers) in film, Hong Kong's Bond Movies (bangpian), erotic (fengyue) films, and New Wave Hong Kong cinema. In doing so, this book lays fruitful foundations for further understanding the development and changing faces of Hong Kong films and sinophone transnationalism in the even more complex and changing times of today.