Elements in the Gothic - Böcker
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30 produkter
30 produkter
269 kr
Skickas inom 7-10 vardagar
The Eternal Wanderer: Christian Negotiations in the Gothic Mode provides new ways of reading the Gothicisation of the Wandering Jew. It argues that early Gothic writing conjured iterations of this figure that reimagine and revise him, adding Gothic layers to a popular Christian myth that refuses to die. Drawing on the work of Carol Margaret Davison, Lisa Lampert-Weissig and Galit Hasan-Roken and Alan Dundes, whose studies trace the myth's development across history, folklore and literature, this Element studies the figure as an antisemitic, palimpsestic Derridean spectre and establishes early Gothic writing as a significant development in his continued spectral existence. By reading the production of the Wandering Jew in conversation with his historical and theological contexts, and employing theoretical traditions of spectralisation according to Jacques Derrida and Steven F. Kruger, this Element provides a dedicated account of Gothic iterations of this figure and examines its alchemical, Faustian and theological figurations.
269 kr
Skickas inom 7-10 vardagar
Celebrated as an actress on the London stage (1776-80) and notorious as the mistress of the Prince of Wales (1779-80), Mary Darby Robinson had to write to support herself from the mid-1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.
269 kr
Skickas inom 7-10 vardagar
Folk Gothic begins with the assertion that a significant part of what has been categorised as folk horror is more accurately and usefully labelled as Folk Gothic. Through the modifier 'folk', Folk Gothic obviously shares with folk horror its deployment (and frequent fabrication) of diegetic folklore. Folk Gothic does not share, however, folk horror's incarnate monsters, its forward impetus across spatial and ontological boundaries and the shock and repulsion elicited through its bodily violence. The author argues that the Folk Gothic as a literary, televisual and cinematic formation is defined by particular temporal and spatial structures that serve to forge distinctly nonhuman stories. In emphasising these temporal and spatial structures - not literal 'folk' and 'monsters' - the Folk Gothic tells stories that foreground land and 'things', consequently loosening the grip of anthropocentrism.
248 kr
Skickas inom 7-10 vardagar
This Element explores twenty-first century Black Gothic literature and film as it responds to American anti-Blackness and as they illustrate a mode of Black Gothic fiction termed Black Lives Matter (BLM) Gothic. The various texts express frustration, rage, and sorrow over the failures of previous civil rights fights. Intended as an introduction to a complex mode, this Element explores the three central themes in BLM Gothic texts and defines the mode's pattern of tropes. The first section reviews the depictions of American anti-Blackness, and defines the mode's pattern of tropes reveal the necropolitical mechanisms at play in US systemic racism. The second section explores the ways the fictions 'make whiteness strange' in order to destabilize white normativity and shatter the power arising from such claims. The final section examines the costs of waging war against racial oppression and the power of embracing 'monstrosity'.
269 kr
Skickas inom 7-10 vardagar
This Element provides new ways of reading the soundscape of the Gothic text. Drawing inspiration from the field of 'sonic Gothic' studies, which has been spearheaded by the writings of Isabella van Elferen, as well as from Mladen Dolar's articulation of the psychoanalytic 'object' voice, this study introduces the critical category of 'vococentric Gothic' into Gothic scholarship. In so doing, it reads important moments in Gothic fiction when the voice takes precedence as an uncanny, monstrous or seductive object. Historically informed, the range of readings proffered demonstrate the persistence of these vocal motifs across time (from the Gothic romance to contemporary Gothic) and across intermedia forms (from literature to film to podcasts). Gothic Voices, then, provides the first dedicated account of voices of terror and horror as they develop in the Gothic mode from the Romantic period until today.
269 kr
Skickas inom 7-10 vardagar
Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.
234 kr
Skickas inom 7-10 vardagar
While the political undercurrent of the American Gothic has been firmly established, few scholars have surveyed the genre's ambivalent relationship to democracy. The American Gothic routinely undercuts centralised authority by exposing the dark underbelly of the status quo; at the same time, the American Gothic tends to reflect a widespread mistrust of the masses. American readers are too afraid of democracy – and not yet fearful enough. This concise Element theorises the democratic and anti-democratic elements of the American Gothic by surveying the conflicted imaginaries of the genre's mainstays, including Charles Brockden Brown, Edgar Allan Poe, Shirley Jackson, and Stephen King.
248 kr
Skickas inom 7-10 vardagar
'Body horror', a horror subgenre concerned with transformation, loss of control and the human body's susceptibility to disease, infection and external harm, has moved into the mainstream to become one of the greatest repositories of biopolitical discourse. Put simply, body horror acts out the power flows of modern life, visualising often imperceptible or ignored processes of marginalisation and behavioural policing, and revealing how interrelations between different social spheres (medical, legal, political, educational) produce embodied identity. This book offers the first sustained study of the types of body horror that have been popular in the twenty-first century and centres on the representational and ideological work they carry out. It proposes that, thanks to the progressive vision of feminist, queer and anti-racist practitioners, this important subgenre has expanded its ethical horizons and even found a sense of celebratory liberation in fantastic metamorphoses redolent of contemporary activist movements.
269 kr
Skickas inom 7-10 vardagar
Dickens and the Gothic provides a critical focus on representations of social and psychological entrapment which demonstrates how Dickens employs the Gothic to evaluate how institutions and formations of history impinge on the individual. An analysis of these forms of Gothic entrapment reveals how these institutions and representations of public and personal history function Gothically in Dickens, because they hold back other, putatively reformist, ambitions. To be trapped in an institution such as a prison, or by the machinations of a law court, or haunted by history, or to be haunted by ghosts, represent forms of Gothic entrapment which this study examines both psychologically and sociologically.
- Nyhet
234 kr
Skickas inom 7-10 vardagar
Disability is central to the Gothic imagination. This Element draws together disability and Gothic literature in ways that show the interplay between them. The first chapter offers a brief history of Critical Disability Studies, and the manner in which Gothic has been integral to the evolution of disability theory. It shows the increasing centrality of the Gothic to the development of Critical Disability Studies, and describes the emergence of the subfield of Gothic Disability Studies. The second chapter and third chapters offer close readings of particular texts, showing how Gothic bodies and minds articulate and shift their relationship to the aesthetic and affective frameworks of the nineteenth century. While disability sometimes represents the 'other' in Gothic literature, this positioning far from exhausts the ways in which disability is presented in this genre.
269 kr
Skickas inom 7-10 vardagar
This Element explores the theme of 'Gothic sympathy' as it appears in a collection of 'Last Man' novels. A liminal site of both possibility and irreconcilability, Gothic sympathy at once challenges the anthropocentric bias of traditional notions of sympathetic concern, premising compassionate relations with other beings - animal, vegetal, etc. - beyond the standard measure of the liberal-humanist subject, and at the same time acknowledges the horror that is the ineluctable and untranslatable otherness accompanying, interrupting, and shaping such a sympathetic connection. Many examples of 'Last Man' fiction explore the dialectical impasse of Gothic sympathy by dramatizing complicated relationships between a lone liberal-humanist subject and other-than-human or posthuman subjects that will persist beyond humanity's extinction. Such confrontations as they appear in Mary Shelley's The Last Man, H.G. Wells's The Time Machine, and Richard Matheson's I Am Legend will be explored.
269 kr
Skickas inom 7-10 vardagar
Littoral zones such as haunted shorelines, oppressively expansive beaches, and the crumbling edgelands around coastal cliffs have been an indelible feature of the Gothic literary tradition since the eighteenth century. They are frequently portrayed as strange, interstitial realms, sites of epistemic and existential precarity, of wreckage and uncanny returns, poised between the homely and unhomely, whose intense openness to the world(s) beyond contend uneasily (yet valuably) with the imagined integrity of selves and nations: it is a region, above all, of unsettlement. Coastal Gothic, 1719-2020 offers the first long-form examination of the coastal Gothic. Focusing on British and Irish Gothic authors and on the fraught political and human histories of the coastline, this Element examines the function of littoral terror, hauntings, and uncanny encounters as a means of unsettling pervasive conceptions of identity at national, regional, and individual levels.
269 kr
Skickas inom 7-10 vardagar
This Element demonstrates how Poland became a gothic setting in British fiction between the 1790s and the 1830s as a result of public interest in the partitions of Poland (1772-95) and their aftermath. It first discusses the ways Minerva gothics capitalised on the appeal of the Polish cause and showcases salient patterns for the 'Gothicisation' of Poland. This is followed by two focused readings of texts - Jane Porter's Thaddeus of Warsaw (1803) and Catherine Gore's Polish Tales (1833) - that build on this tradition and further explore the potential of female gothic frameworks and the gothic's long-standing investment in war and revolution to generalise and allegorise the political turmoil in Poland. This Element argues that the idea of Gothic Poland in British fiction was negotiated between the particular and the universal, the familiar and the unknown, the need for historical and factual accuracy and the prevalent patterns of gothic obfuscation.
248 kr
Skickas inom 7-10 vardagar
This Element argues for the value of biography in studying trade Gothic - that is, Gothic novels published by unprestigious trade publishers during the Romantic period. As Section 1 argues, biography has been central to the study of canonical Gothic and, indeed, to the very formation of the Gothic canon, whereas the biographical obscurity of trade novelists has reinforced the marginalization of their works. The following sections draw on the case of Isabella Kelly (c. 1759-1857) to show how biographical knowledge can provide insight into seemingly formulaic Gothic novels. Section 2 uses new archival findings to offer an updated biography of Kelly, while Section 3 traces covert pieces of life writing embedded in her fiction. Section 4 focuses on Kelly's acquaintance with Matthew Lewis, drawing on her fiction to offer a speculative reassessment of their relationship and to question assumptions about the flow of influence in the Gothic literary marketplace.
753 kr
Skickas inom 7-10 vardagar
Folk Gothic begins with the assertion that a significant part of what has been categorised as folk horror is more accurately and usefully labelled as Folk Gothic. Through the modifier 'folk', Folk Gothic obviously shares with folk horror its deployment (and frequent fabrication) of diegetic folklore. Folk Gothic does not share, however, folk horror's incarnate monsters, its forward impetus across spatial and ontological boundaries and the shock and repulsion elicited through its bodily violence. The author argues that the Folk Gothic as a literary, televisual and cinematic formation is defined by particular temporal and spatial structures that serve to forge distinctly nonhuman stories. In emphasising these temporal and spatial structures - not literal 'folk' and 'monsters' - the Folk Gothic tells stories that foreground land and 'things', consequently loosening the grip of anthropocentrism.
865 kr
Skickas inom 7-10 vardagar
This Element explores the theme of 'Gothic sympathy' as it appears in a collection of 'Last Man' novels. A liminal site of both possibility and irreconcilability, Gothic sympathy at once challenges the anthropocentric bias of traditional notions of sympathetic concern, premising compassionate relations with other beings - animal, vegetal, etc. - beyond the standard measure of the liberal-humanist subject, and at the same time acknowledges the horror that is the ineluctable and untranslatable otherness accompanying, interrupting, and shaping such a sympathetic connection. Many examples of 'Last Man' fiction explore the dialectical impasse of Gothic sympathy by dramatizing complicated relationships between a lone liberal-humanist subject and other-than-human or posthuman subjects that will persist beyond humanity's extinction. Such confrontations as they appear in Mary Shelley's The Last Man, H.G. Wells's The Time Machine, and Richard Matheson's I Am Legend will be explored.
865 kr
Skickas inom 7-10 vardagar
The Eternal Wanderer: Christian Negotiations in the Gothic Mode provides new ways of reading the Gothicisation of the Wandering Jew. It argues that early Gothic writing conjured iterations of this figure that reimagine and revise him, adding Gothic layers to a popular Christian myth that refuses to die. Drawing on the work of Carol Margaret Davison, Lisa Lampert-Weissig and Galit Hasan-Roken and Alan Dundes, whose studies trace the myth's development across history, folklore and literature, this Element studies the figure as an antisemitic, palimpsestic Derridean spectre and establishes early Gothic writing as a significant development in his continued spectral existence. By reading the production of the Wandering Jew in conversation with his historical and theological contexts, and employing theoretical traditions of spectralisation according to Jacques Derrida and Steven F. Kruger, this Element provides a dedicated account of Gothic iterations of this figure and examines its alchemical, Faustian and theological figurations.
865 kr
Skickas inom 7-10 vardagar
Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.
865 kr
Skickas inom 7-10 vardagar
Dickens and the Gothic provides a critical focus on representations of social and psychological entrapment which demonstrates how Dickens employs the Gothic to evaluate how institutions and formations of history impinge on the individual. An analysis of these forms of Gothic entrapment reveals how these institutions and representations of public and personal history function Gothically in Dickens, because they hold back other, putatively reformist, ambitions. To be trapped in an institution such as a prison, or by the machinations of a law court, or haunted by history, or to be haunted by ghosts, represent forms of Gothic entrapment which this study examines both psychologically and sociologically.
753 kr
Skickas inom 7-10 vardagar
While the political undercurrent of the American Gothic has been firmly established, few scholars have surveyed the genre's ambivalent relationship to democracy. The American Gothic routinely undercuts centralised authority by exposing the dark underbelly of the status quo; at the same time, the American Gothic tends to reflect a widespread mistrust of the masses. American readers are too afraid of democracy – and not yet fearful enough. This concise Element theorises the democratic and anti-democratic elements of the American Gothic by surveying the conflicted imaginaries of the genre's mainstays, including Charles Brockden Brown, Edgar Allan Poe, Shirley Jackson, and Stephen King.
865 kr
Skickas inom 7-10 vardagar
Littoral zones such as haunted shorelines, oppressively expansive beaches, and the crumbling edgelands around coastal cliffs have been an indelible feature of the Gothic literary tradition since the eighteenth century. They are frequently portrayed as strange, interstitial realms, sites of epistemic and existential precarity, of wreckage and uncanny returns, poised between the homely and unhomely, whose intense openness to the world(s) beyond contend uneasily (yet valuably) with the imagined integrity of selves and nations: it is a region, above all, of unsettlement. Coastal Gothic, 1719-2020 offers the first long-form examination of the coastal Gothic. Focusing on British and Irish Gothic authors and on the fraught political and human histories of the coastline, this Element examines the function of littoral terror, hauntings, and uncanny encounters as a means of unsettling pervasive conceptions of identity at national, regional, and individual levels.
865 kr
Skickas inom 7-10 vardagar
This Element demonstrates how Poland became a gothic setting in British fiction between the 1790s and the 1830s as a result of public interest in the partitions of Poland (1772-95) and their aftermath. It first discusses the ways Minerva gothics capitalised on the appeal of the Polish cause and showcases salient patterns for the 'Gothicisation' of Poland. This is followed by two focused readings of texts - Jane Porter's Thaddeus of Warsaw (1803) and Catherine Gore's Polish Tales (1833) - that build on this tradition and further explore the potential of female gothic frameworks and the gothic's long-standing investment in war and revolution to generalise and allegorise the political turmoil in Poland. This Element argues that the idea of Gothic Poland in British fiction was negotiated between the particular and the universal, the familiar and the unknown, the need for historical and factual accuracy and the prevalent patterns of gothic obfuscation.
799 kr
Skickas inom 7-10 vardagar
This Element argues for the value of biography in studying trade Gothic - that is, Gothic novels published by unprestigious trade publishers during the Romantic period. As Section 1 argues, biography has been central to the study of canonical Gothic and, indeed, to the very formation of the Gothic canon, whereas the biographical obscurity of trade novelists has reinforced the marginalization of their works. The following sections draw on the case of Isabella Kelly (c. 1759-1857) to show how biographical knowledge can provide insight into seemingly formulaic Gothic novels. Section 2 uses new archival findings to offer an updated biography of Kelly, while Section 3 traces covert pieces of life writing embedded in her fiction. Section 4 focuses on Kelly's acquaintance with Matthew Lewis, drawing on her fiction to offer a speculative reassessment of their relationship and to question assumptions about the flow of influence in the Gothic literary marketplace.
799 kr
Skickas inom 7-10 vardagar
'Body horror', a horror subgenre concerned with transformation, loss of control and the human body's susceptibility to disease, infection and external harm, has moved into the mainstream to become one of the greatest repositories of biopolitical discourse. Put simply, body horror acts out the power flows of modern life, visualising often imperceptible or ignored processes of marginalisation and behavioural policing, and revealing how interrelations between different social spheres (medical, legal, political, educational) produce embodied identity. This book offers the first sustained study of the types of body horror that have been popular in the twenty-first century and centres on the representational and ideological work they carry out. It proposes that, thanks to the progressive vision of feminist, queer and anti-racist practitioners, this important subgenre has expanded its ethical horizons and even found a sense of celebratory liberation in fantastic metamorphoses redolent of contemporary activist movements.
799 kr
Skickas inom 7-10 vardagar
This Element explores twenty-first century Black Gothic literature and film as it responds to American anti-Blackness and as they illustrate a mode of Black Gothic fiction termed Black Lives Matter (BLM) Gothic. The various texts express frustration, rage, and sorrow over the failures of previous civil rights fights. Intended as an introduction to a complex mode, this Element explores the three central themes in BLM Gothic texts and defines the mode's pattern of tropes. The first section reviews the depictions of American anti-Blackness, and defines the mode's pattern of tropes reveal the necropolitical mechanisms at play in US systemic racism. The second section explores the ways the fictions 'make whiteness strange' in order to destabilize white normativity and shatter the power arising from such claims. The final section examines the costs of waging war against racial oppression and the power of embracing 'monstrosity'.
- Nyhet
269 kr
Skickas inom 7-10 vardagar
Gothic Dementia: Troubled Minds in Gothic Timelines introduces Gothic studies as a valuable lens through which to critically consider how we think about dementia. It argues that the Gothic's foundational narrative techniques can model approaches to similar dementia symptoms, such as chronological confusion, fragmentation, cyclical storytelling, repetition, unreliable narrators, unstable identities, uncanny behaviours, and Otherness. If we can navigate these challenging narrative elements in literature, can we navigate similar challenging dementia signs using interpretive strategies? Gothic Dementia considers this question in two ways: (1) through Gothic literary elements that correlate to characteristics of dementia and (2) through contentious horror film depictions of characters with dementia and their caregivers. Reading Gothic works and horror films within the context of dementia studies-and vice versa-can contribute valuable insights into a feared disease that threatens the core of who we imagine ourselves and others to be.
- Nyhet
865 kr
Skickas inom 7-10 vardagar
Gothic Dementia: Troubled Minds in Gothic Timelines introduces Gothic studies as a valuable lens through which to critically consider how we think about dementia. It argues that the Gothic's foundational narrative techniques can model approaches to similar dementia symptoms, such as chronological confusion, fragmentation, cyclical storytelling, repetition, unreliable narrators, unstable identities, uncanny behaviours, and Otherness. If we can navigate these challenging narrative elements in literature, can we navigate similar challenging dementia signs using interpretive strategies? Gothic Dementia considers this question in two ways: (1) through Gothic literary elements that correlate to characteristics of dementia and (2) through contentious horror film depictions of characters with dementia and their caregivers. Reading Gothic works and horror films within the context of dementia studies-and vice versa-can contribute valuable insights into a feared disease that threatens the core of who we imagine ourselves and others to be.
- Nyhet
674 kr
Skickas inom 3-6 vardagar
Disability is central to the Gothic imagination. This Element draws together disability and Gothic literature in ways that show the interplay between them. The first chapter offers a brief history of Critical Disability Studies, and the manner in which Gothic has been integral to the evolution of disability theory. It shows the increasing centrality of the Gothic to the development of Critical Disability Studies, and describes the emergence of the subfield of Gothic Disability Studies. The second chapter and third chapters offer close readings of particular texts, showing how Gothic bodies and minds articulate and shift their relationship to the aesthetic and affective frameworks of the nineteenth century. While disability sometimes represents the 'other' in Gothic literature, this positioning far from exhausts the ways in which disability is presented in this genre.
- Nyhet
269 kr
Kommande
This Element explores how twenty-first century Iranian filmmakers have applied elements from Persian culture to the horror genre. Although horror films have not often been a part of the rich Iranian cinematic tradition due in part to censorship laws following the 1979 revolution, I argue that a small group of directors has made provocative use of the genre. The first section draws on theories of monstrosity to examine the re-contextualisation of pre-revolutionary film tropes in the work of Fereydoun Jeyrani. The second section examines how Mohammad Hossein Latifi uses the slasher to navigate debates around female university students. The third section discusses Shahram Mokri's use of single takes to facilitate horror's function as social critique. The final section examines the depiction of politics and history in the films of Mani Haghighi. The analysis reveals Iranian horror to be both a vibrant tradition and valuable for understanding the genre's global importance.
- Nyhet
865 kr
Kommande
This Element explores how twenty-first century Iranian filmmakers have applied elements from Persian culture to the horror genre. Although horror films have not often been a part of the rich Iranian cinematic tradition due in part to censorship laws following the 1979 revolution, I argue that a small group of directors has made provocative use of the genre. The first section draws on theories of monstrosity to examine the re-contextualisation of pre-revolutionary film tropes in the work of Fereydoun Jeyrani. The second section examines how Mohammad Hossein Latifi uses the slasher to navigate debates around female university students. The third section discusses Shahram Mokri's use of single takes to facilitate horror's function as social critique. The final section examines the depiction of politics and history in the films of Mani Haghighi. The analysis reveals Iranian horror to be both a vibrant tradition and valuable for understanding the genre's global importance.