Granta Poetry – serie

WINNER OF THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION SHORTLISTED FOR THE T.S. ELIOT PRIZE FOR POETRY 2020A startlingly radical and surreal poetic journey, RENDANG takes the reader from West Sumatra to Planet Mongo via Gray's Inn Road, alighting on Indonesian artefacts, gentrification, and citizenry. RENDANG is an urgent comment on what it means to be a person now, a dissection of and love letter to the histories, places, and things that make us.Through adept and complex language play, a ludic voice, and a masterful command of form, Will Harris creates a poetry that charts the ambivalences, difficulties, and voices of our contemporary landscape.

SHORTLISTED FOR THE TS ELIOT PRIZE FOR POETRY 2020WINNER OF THE SCOTTISH BOOK AWARDS' POETRY BOOK OF THE YEARA POETRY BOOK SOCIETY RECOMMENDATIONSHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE"Whip-smart, sonically gorgeous" - Rae Armantrout, author of the Pulitzer Prize winning VersedWhen Louis Pasteur observed the process of fermentation, he noted that, while most organisms perished from lack of oxygen, some were able to thrive as 'life without air'. In this capricious, dreamlike collection, characters and scenes traverse states of airlessness, from suffocating relationships and institutions, to toxic environments and ecstatic asphyxiations. Both compassionate and ecologically nuanced, this innovative collection bridges poetry and prose to interrogate the conditions necessary for survival.

Shortlisted for the Forward Prize for Best First CollectionComic Timing, Holly Pester's extraordinary debut collection of poems, chronicles the experience of living and working as a radical and resistant act. These poems shunt a reader between the political and personal via unique, fragmentary and illusory turns of phrase. Holly tackles marginal bodies, landlords, bog butter, desire, domestic and civic spaces in an unique and illusory voice. She chronicles the prevailing mood of our times, mining radical and anarchic histories to offer a collection of political resistance with both absurdity and seriousness. These poems interrogate and poke fun at the expectations of people in a commodified culture with a wry humour. Combining a beautifully performed naivety with a profound intellect, this collection is a hugely original approach to a number of pressing issues. Worker's rights, feminisms, reproductive rights and marginalised bodies and their positions are all thought through in this startling and innovative voice.

'A brilliant and beautiful book which wrestles with the scope and ache of lineage, the origin and myth and making of ourselves' - Rachel Long, author of My Darling from the Lions'Unlike almost anything I've read - so alive it seems to squirm to the touch' - Will Harris, author of RENDANG, winner of the Forward Prize for Best First CollectionWhat does it mean to be a person of multitudinous countries and heritages? Amnion excavates migratory histories, colonialism and class, moving from England to France, the United States, Spain, Germany, Libya and the Philippines. In this chronicle of a family's history divided by geography and language, Stephanie Sy-Quia explores the reverberations that the actions of one generation can have on the next, through acts of bravery and resistance, great and small.Simultaneously mapping and undoing ideas of the self, everything here is contested. Undefinable in form, combining aspects of fiction, epic poetry and the lyric essay, and merging classical thought and contemporary life to show the joy in living and art, Amnion's broad intellect and undulating emotional landscape is a testament to the families we are given and those that we choose.A POETRY BOOK SOCIETY RECOMMENDATION'Kaleidoscopic... A powerful, hybrid song charged with ferocity and fragility' - the Guardian

how to write about flowers without the nauseating sentimental phraseology? No quaint, no dainty, no winsome. This smells good, that smells bad, my hands rank with manure. This at least is pure.What is a plant in language? Something like a 'morose root', 'cream cinquefoil', or 'bohemian and sozzled with nostalgia'?In Garden Physic, Sylvia Legris's glinting studies on flora - mariner's root, throatwort, wild rocket, cuckoo point - create an abundant and fluorescent vegetal mesh.Combining the histories of botanical manuscripts and pharmacopeias with imagined letters between garden designers Vita Sackville-West and Harold Nicolson and playful illustrations throughout, Legris creates an idiosyncratic botanical glossolalia for her meanderings through the physical space of the garden.These luscious poems are a testament to the imbricated human relationship to plants; a radical defence of how we can utilize our ancient symbiosis with living greenery in order to live, heal, and nourish.

FINALIST FOR THE PULITZER PRIZE IN POETRY A Poetry Book Society RecommendationRefractive Africa is a set of three poems ruminating on diasporic witness, colonialism, invasion, and political resistance. This 'pas de trois' of poems begins paying homage to Amos Tutuola, innovative Nigerian-Yoruban author, and ends with a speech towards modernist Malagasy poet Jean-Joseph Rabearivelo. The collection turns around the long middle poem, using the geographical site of the Congo river as a lens for considering the pillaging and dislocation of societies through history, honing-in on the specific colonial and post-colonial histories of the area. He welds these to contemporary instances of ecological damage through mining for tin and cobalt. Fierce, compelling, and full of astrological reckoning, this book is a 'savage enunciation':'this is the Congo vertiginous with derangement with its foul & delimited hygiene with its "weaver bird nests" with its sprawling grasslands with its "ghostly voltage" as flares from old oil rigs thus our intelligence forcibly blunted our thought stream injured as culpable integument within this compound negation terror persists snaking its way through interior suppression'

WINNER OF THE RSL ONDAATJE PRIZE 2023What does it mean to have heritage, and how do we perform or undo it?In these daring and sonorous poems, Anaxagorou conducts a researched unpacking of two countries whose dividing lines of a colonial past are still visible and felt. Uniquely engaged with the complexities of Cyprus and the diasporic experience, these poems map both an island's public history alongside a person's private reckoning. They offer a ferocious and uncompromising look towards the damaging historical structures that have led to now. Fearless, intensely honest and hopeful, Heritage Aesthetics merges Anthony's gift for performance and his brilliant experimentation with form to create a vivid insistence to communicate a self in the world.

A speculative-poetic work from the Forward Prize-winning, T.S. Eliot shortlisted author of RENDANG.At the heart of Brother Poem is a sequence addressed to a fictional brother. Through these fragments, Will Harris attempts to reckon with the past while mourning what never existed.The text moves, cloud-like, through states of consciousness, beings and geographies, to create a moving portrait of contemporary anxieties around language and the need to communicate. With pronominal shifts, broken dialogisms, and obsessive feedback loops, it reflects on the fictions we tell ourselves, and in our attempts to live up to the demands of others.From a dimension uncannily like our own, intuited through signs, whispers, and glitches, Brother Poem is shadowed by the loss of what can't be seen. Telling stories of bizarre familial reckonings and difficult relationships, about love and living with others, it is a deeply sensitive coming-of-age poetics.

Four female friends navigate the political turbulence of North Belfast in the late 80s in this extraordinary, evocative verse novelWe Play Here is a collection of four poem-stories, taking place in an underdeveloped area of Protestant North Belfast in the summer of 1988, against a background of political turbulence during the Troubles. Written from the perspectives of four female friends in the months between finishing primary school and starting high school, the girls inhabit an eerie, elemental landscape of normalised violence, poverty and neglect.This is a lyrical and graceful evocation of working-class childhood, and a radical approach to girlhood and girl-friendships,in the years before the trappings of gender make themselves strongly known.

An extraordinary and playful debut collection by one of Granta's Best of Young British Novelists, exploring the joy and fluidity of queer love.An interrogation of the erotic and romantic becomes refracted, as though through a prism, towards beings, lovers, states, objects, landscapes, systems, in K Patrick's ground-breaking debut book of poems. These are notes towards a contemporary queer experience that emerge from the body, dodging and playing with logic to create a brand new poetics. Patrick's subversive and distinct poetic manoeuvres through a marriage and a subsequent divorce, nature writing and 20th Century literary figures with agility, delicacy, candour, and humour.By turns both innovative and empathetic, Three Births documents the absurdity of obsessive desires, giving room to states of flux and flow in the body, relationships, ecology and place. George Michael, the history of inches, the ache that lives behind a 'rigid seam': a high-wire linguistic utopia is put forward in Patrick's easy-going, cool and ironic tone, which zaps with syntactic-synaptic wildness. Three Births culminates in the subtle but powerful message that we should be able to inhabit the body we want to inhabit and love freely within this.

Fantasia hazards a listening walk through seashells, telecommunication networks, and cosmic vibrations, to learn something new about how we sound. Alice Coltrane's experiments in jazz and spiritual community guide these poems that hum and glitch, that leap across space-time, landing in and reflecting the discordant music of life on earth.

Spanning several years, the searching force of this collection is the attempt to understand the nature of love between a young woman and an older man. Written in English, Fourie's distinctive Afrikaans voice grounds the poems in the physical and intellectual world the couple lived in - this is poetry of the earth and the body as well as of the mind.