Handbook of Oriental Studies. Section 8 Uralic & Central Asian Studies – serie

During the last couple of decades Afghanistan’s cultural heritage has faced exceptional challenges. Looting of the National Museum, ‘Kabul Museum’, the neglect of monuments and extensive illegal excavations have taken place. However, what really shook the world was the destruction of the Buddhas of Bamiyan in March 2001. This volume focuses on Afghanistan’s cultural heritage protection. Its purpose is threefold. To provide an overview of the diversity of activities undertaken in the cultural heritage field. To change public opinion into a more positive one. And to serve as an example for future generations. This multidisciplinary book (including contributions from archaeologists, linguists, and lawyers) will interest both scholars in the cultural, legal and humanistic field as well as the public at large. Many exceptional photographs are included.

Visions of Justice offers an exploration of legal consciousness among the Muslim communities of Central Asia from the end of the eighteenth century through the fall of the Russian Empire. Paolo Sartori surveys how colonialism affected the way in which Muslims formulated their convictions about entitlements and became exposed to different notions of morality. Situating his work within a range of debates about colonialism and law, legal pluralism, and subaltern subjectivity, Sartori puts the study of Central Asia on a broad, conceptually sophisticated, comparative footing. Drawing from a wealth of Arabic, Persian, Turkic and Russian sources, this book provides a thoughtful critique of method and considers some of the contrasting ways in which material from Central Asian archives may most usefully be read.Publication in Open Access was made possible by a grant from the Volkswagen Foundation.

Sufism in Central Asia: New Perspectives on Sufi Traditions, 15th-21st Centuries brings together ten original studies on historical aspects of Sufism in this region. A central question, of ongoing significance, underlies each contribution: what is the relationship between Sufism as it was manifested in this region prior to the Russian conquest and the Soviet era, on the one hand, and the features of Islamic religious life in the region during the Tsarist, Soviet, and post-Soviet eras on the other? The authors address multiple aspects of Central Asian religious life rooted in Sufism, examining interpretative strategies, realignments in Sufi communities and sources from the Russian to the post-Soviet period, and social, political and economic perspectives on Sufi communities.Contributors include: Shahzad Bashir, Devin DeWeese, Allen Frank, Jo-Ann Gross, Kawahara Yayoi, Robert McChesney, Ashirbek Muminov, Maria Subtelny, Eren Tasar, and Waleed Ziad.

For generations, Central Asian Muslims have told legends of medieval rulers who waged war, died in battle, and achieved sainthood. Among the Uyghurs of East Turkistan (present-day Xinjiang, China), some of the most beloved legends tell of the warrior-saint Satuq Bughra Khan and his descendants, the rulers of the Qarakhanid dynasty. To this day, these tales are recited at the saints' shrines and retold on any occasion.Warrior Saints of the Silk Road introduces this rich literary tradition, presenting the first complete English translation of the Qarakhanid narrative cycle along with an accessible commentary. At once mesmerizing, moving, and disturbing, these legends are essential texts in Central Asia's religious heritage as well as fine, enduring works of mystical literature.

The volume's unifying theme, inspired by the scholarly legacy of Professor Devin DeWeese, and indeed the subject of all the contributions, is the history of religion among the Muslim peoples of Inner and Central Asia, grounded in ignored or hitherto unknown indigenous sources. Individually, and as a whole, the articles pay tribute to DeWeese’s pathbreaking contributions to the disciplines of history and religious studies by exploring new approaches and new sources to build on this legacy. The volume pays particular attention to DeWeese's point d'appui: the centrality of Sufism in the region's religious, social, and literary history. The volume’s focus is thus twofold: to bring a new set of rich, largely unused materials into the scholarly domain among specialists on Central Asia, and to challenge historians of Islam to recognize that understanding the religious history of Central Asia, and Sufism in particular, is crucial in evaluating the Islamic world as a whole.Contributors:Peter B. Golden, Jürgen Paul, Ron Sela, Nicholas Walmsley, Jo-Ann Gross, Daniel Beben, Jeff Eden, Jamal Elias, Michael Kemper, Paolo Sartori, Eren Tasar, Stéphane A. Dudoignon, Allen J. Frank

Commissioned by the Qianlong emperor in 1751, the Qing Imperial Illustrations of Tributary Peoples (Huang Qing zhigong tu 皇清職貢圖), is a captivating work of art and an ideological statement of universal rule best understood as a cultural cartography of empire. This translation of the ethnographic texts accompanied by a full-color reproduction of Xie Sui’s (謝遂) hand-painted scroll helps us to understand the conceptualization of imperial tributary relationships the work embodies as rooted in both dynastic history and the specifics of Qing rule.

Qarakhanid Roads to China reconsiders the diplomacy, trade and geography of transcontinental networks between Central Asia and China from the 10th to the 12th centuries and challenges the concept of “the Silk Road crisis” in the period between the fall of the Tang Dynasty and the rise of the Mongols. Utilizing a broad range of Islamic and Chinese primary sources together with archaeological data, Dilnoza Duturaeva demonstrates the complexity of interaction along the Silk Roads and beyond that, revolutionizes our understanding of the Qarakhanid world and Song-era China’s relations with neighboring regions.

The stone monuments of Mongolia’s Altai Mountains trace the web of ancient cultures across that remote land. This study breaks new ground by seeking their cultural significance from within their physical locations and viewsheds. It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.