I B Tauris Handbooks – serie

This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.

This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.

In the last 20 years, feminist scholars have radicalised the historiography of the Arab world. Using gendered theorisations, they have rejected the mainstream histories that prioritise ‘official’ narratives, and they have highlighted the exclusionary effect of patriarchal systems and discourses. This handbook continues their work by using ‘gender’ as a mode of analysis to produce a new cultural history of the Arab world. In doing so, it presents a new generation with ways to study the region using a 'gender lens' and establishes this approach as a field.The five thematic parts correspond to specific areas focused on by new cultural historians: histories of practices; histories of representations; narrative sites of memory; histories of material culture; and histories of the body. Each section then provides new knowledge of the Arab world by moving away from the Western colonial gaze and focusing instead on women’s everyday experiences and lifeways. Subjects covered include: theoretical perspectives, Islamic law, protest movements and popular culture, as well as women’s autobiographies, gendered memory, food, public health and sexualities.Edited by two pioneering feminist scholars, Hoda Elsadda and Seteney Shami, it draws together the most innovative work of other feminist scholars from across history, anthropology, literature, sociology, psychology, theology, economics, political science, law, and translation studies. The chapters demonstrate that in using gender as a category of analysis, the cultural histories of the Arab world can be rewritten to prioritise lived realities and female voices and perspectives.

In the last 20 years, feminist scholars have radicalised the historiography of the Arab world. Using gendered theorisations, they have rejected the mainstream histories that prioritise 'official' narratives, and they have highlighted the exclusionary effect of patriarchal systems and discourses. This handbook continues their work by using 'gender' as a mode of analysis to produce a new cultural history of the Arab world. In doing so, it presents a new generation with ways to study the region using a 'gender lens' and establishes this approach as a field.The five thematic parts correspond to specific areas focused on by new cultural historians: histories of practices; histories of representations; narrative sites of memory; histories of material culture; and histories of the body. Each section then provides new knowledge of the Arab world by moving away from the Western colonial gaze and focusing instead on women's everyday experiences and lifeways. Subjects covered include: theoretical perspectives, Islamic law, protest movements and popular culture, as well as women's autobiographies, gendered memory, food, public health and sexualities.Edited by two pioneering feminist scholars, Hoda Elsadda and Seteney Shami, it draws together the most innovative work of other feminist scholars from across history, anthropology, literature, sociology, psychology, theology, economics, political science, law, and translation studies. The chapters demonstrate that in using gender as a category of analysis, the cultural histories of the Arab world can be rewritten to prioritise lived realities and female voices and perspectives.