New Directions Paperbook – serie
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175 kr
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Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women. Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism.
200 kr
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The macabre but beautiful work, Les Chants de Maldoror, has achieved a considerable reputation as one of the earliest and most extraordinary examples of Surrealist writing. It is a long narrative prose poem which celebrates the principle of Evil in an elaborate style and with a passion akin to religious fanaticism. The French poet-critic Georges Hugnet has written of Lautréamont: "He terrifies, stupefies, strikes dumb. He could look squarely at that which others had merely given a passing glance."Little is known of the author of Maldoror, Isidore Ducasse, self-styled Comte de Lautréamont, except that he was born in Montevideo, Uruguay in 1846 and died in Paris at the age of twenty-four. When first published in 1868-9, Maldoror went almost unnoticed. But in the nineties the book was rediscovered and hailed as a work of genius by such eminent writers as Huysmans, Léon Bloy, Maeterlinck, and Rémy de Gourmont. Later still, Lautréamont was to be canonized as one of their principal "ancestors" by the Paris Surrealists.This edition, translated by Guy Wernham, includes also a long introduction to a never-written, or now lost, volume of poetry. Thus, except for a few letters, it gives all the surviving literary work of Lautréamont.
158 kr
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In 1939, after ten years as an expatriate, Henry Miller returned to the United States with a keen desire to see what his native land was really like—to get to the roots of the American nature and experience. He set out on a journey that was to last three years, visiting many sections of the country and making friends of all descriptions. The Air-Conditioned Nightmare is the result of that odyssey.
179 kr
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Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.
297 kr
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This anthology is Ezra Pound’s own choice of the poetry of various ages and cultures—ranging from his translations of the Confucian Odes up to E. E. Cummings—which he considered the finest of its type. It is a statement by example of the "Pound critical canon" and, as such, a short course in the history of world poetry, useful alike for the student and the general reader. Nearly a hundred poets are represented, a number of them in Pound’s own translations, with emphasis on the Greek and Latin, Chinese, Troubadour, Renaissance, and Elizabethan. Of particular interest are the notes on certain of the poems and poets which Pound supplied in comment on his selections.
244 kr
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The verse and criticism which he produced during the early years of the twentieth century very largely determined the directions of creative writing in our time; virtually every major poet in England and America today has acknowledged his help or influence. Pound's lyric genius, his superb technique, and his fresh insight into literary problems make him one of the small company of men who through the centuries have kept poetry alive—one of the great innovators.This book offers a compact yet representative selection of Ezra Pound's poems and translations. The span covered is Pound's entire writing career, from his early lyrics and the translations of Provençal songs to his English version of Sophocles' Trachiniae. Included are parts of his best known works—the Chinese translations, the sequence called Hugh Selwyn Mauberly, the Homage to Sextus Propertius. The Cantos, Pound's major epic, are presented in generous selections, chosen to emphasize the main themes of the whole poem.
198 kr
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Kanthapura is the story of how Gandhi’s struggle for independence from the British came to a typical village, Kanthapura, in South India. Young Moorthy, back from the city with "new ideas," cuts across the ancient barriers of caste to unite the villagers in non-violent action––which is met with violence by landlords and police. The dramatic tale unfolds in a poetic, almost mythical style which conveys as never before the rich textures of Indian rural life. The narrator is an old woman, imbued with the legendary history of the region, who knows the past of all the characters and comments on their actions with sharp-eyed wisdom. Her narrative, and the way she tells it, evokes the spirit of India’s traditional folk-epics. This edition includes extensive notes on Indian myths, religion, social customs, and the Independence movement (given at the end of the book) which fill out the background for the American reader’s more complete understanding and enjoyment.
211 kr
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William Carlos Williams’s medical practice and his literary career formed an undivided life. For forty years he was a busy doctor in the town of Rutherford, New Jersey, and yet he was able to write more than thirty books. One of the finest chapters in the Autobiography tells how each of his two roles stimulated and supported the other.
249 kr
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Essays analyze the poetry of Hopkins in terms of its language, rhythm, and literary and religious symbolism
396 kr
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123 kr
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Stitching Porcelain, Deborah Larsen's first book of poetry, is a narrative-lyric sequence based on the life of Matteo Ricci, the resourceful Jesuit who entered China in 1583 and stayed for a quarter century. Pondering cultural accommodation as well as faith, many of the poems center on actual events: Ricci's dressing as a Buddhist; his awe-inspiring map (with China shrewdly centered); his prostration before an empty Dragon Throne. Other events the poet imagined. (In the title room, Ricci addresses a love lyric to China: "Your porcelain is so fine, so thin,/a brass wire can repair it . . . /Once I saw you beneath the bamboo/ . . . bent back/from the world, stitching porcelain.") With a felicity rare in a debut volume, Larsen's opalescent poetry works in perfect counterpoint to the strange and brilliant Ricci.
358 kr
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So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.
349 kr
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So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.
127 kr
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The Foreign Legion is a collection in two parts, gathering both stories and chronicles, and it offers wonderful evidence of Clarice Lispector's unique sensibility and range as an exponent of experimental prose. It opens with thirteen stories and the second part of the book presents her newspaper crônicas, which Lispector said she retrieved from a bottom drawer.
184 kr
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“What a clear, insistent health there is here––as if the so-called world were seriously the point, which it is, and we could actually live in it, which we do. Truly this is the best How To book I've read in years. Bernadette Mayer makes a various world of real people in real times and places, a fact of love and loving use. She has impeccable insight and humor. She is a consummate poet no matter what’s for supper or who eats it. Would that all genius were as generous.” —Robert Creeley
152 kr
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In her celebrated essay “Against Decoration,” published in Parnassus, Mary Karr took aim against the verbal ornaments that too often pass for poetry these days and their attendant justifications: deconstruction and a “new formalism” that elevates form as an end in itself. Her own poems, she says, are “humanist poems,” written for everyday readers rather than an exclusive audience––poems that do not require an academic explication in order to be understood. Of The Devil’s Tour, her newest collection, she writes: “This is a book of poems about standing in the dark, about trying to memorize the bad news. The tour is a tour of the skull. l am thinking of Satan in Paradise Lost: ’The mind is its own place and it can make a hell of heav’n or a heav’n of hell … I myself am hell.”
184 kr
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Set in nineteenth-century India between two revolutionary moments of change, Twilight in Delhi brings history alive, depicting most movingly the loss of an entire culture and way of life. As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.
219 kr
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Kamau Brathwaite, who won the 1994 Neustadt International Prize for Literature, has revised his celebrated 1979 Casa de las Americas collection, Black + Blues, for its first edition by a U.S. publisher. A rich, arid, beautiful collection, Black + Blues is cast in three parts — “Fragments,” “Drought,” and “Flowers.” In Brathwaite’s voice, as The Beloit Poetry Journal noted, “the false distinctions between poetry and polemic, between tragic vision and comic insight, between anger and tenderness, here disappear. At last a major poet of our troubled history and troubling time is available to readers in this country.” “His dazzling, inventive language, his tragic yet unquenchable vision,” as Adrienne Rich declared, “make Kamau Brathwaite one of the most compelling of late 20th century poets.”
323 kr
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New Directions has long published poet William Carlos Williams’ entire body of short fiction as The Farmers’ Daughters (1961). This new edition of The Collected Stories of William Carlos Williams contains all fifty-two stories combining the early collections The Knife of the Times (1932), Life Along the Passaic (1938) with the later collection Make Light of It (1950) and the great long story, “The Farmers’ Daughters” (1956). When these stories first appeared, their vitality and immediacy shocked many readers, as did the blunt, idiosyncratic speech of Williams’ immigrant and working-class characters. But the passage of time has silenced the detractors, and what shines in the best of these stories is the unflinching honesty and deep humanity of Williams’ portraits, burnished by the seeming artlessness which only the greatest masters command.
112 kr
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As Denise Levertov comments in her brief foreword to The Life Around Us, she has “shared with most poets in every time and place an ardent love of what my eyes and other senses revealed to me in the world we call nature. Yet in this selection of sixty-two poems chosen by the author “celebration and fear of loss are necessarily conjoined.” The Life Around Us shows us both the eternal renewal of the natural world and its imperilment: “In these last few decades of the 20th century it has become ever clearer to all thinking people that although we humans are a part of nature ourselves, we have become, in multifarious ways, an increasingly destructive element within it, shaking and breaking ’the great web’—perhaps irremediably.”
168 kr
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As civilian war poetry (written under the shattering impact of World War II). Trilogy's three long poems rank with T.S. Eliot's "Four Quartets" and Ezra Pound's "Pisan Cantos." The first book of the Trilogy, "The Walls Do Not Fall," published in the midst of the "fifty thousand incidents" of the London blitz, maintains the hope that though "we have no map; / possibly we will reach haven,/ heaven." "Tribute to Angels" describes new life springing from the ruins, and finally, in "The Flowering of the Rod"—with its epigram "...pause to give/ thanks that we rise again from death and live."—faith in love and resurrection is realized in lyric and strongly Biblical imagery.
238 kr
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The award-winning poet's newest book of poems is heroic and of mythic proportions, showing the compassionate side of men. How to Do Things with Tears is a book of poems brought forth by the Sighted Singer, the poet who holds the central place in Allen Grossman's newest poetic work. "This is a how-to book," Grossman explains. "The heroic singer of tradition is blind. A new singer in this present must be sighted. In this book the poet intends to say something, insofar as a poet can, about the common sadness of living and dying in the world." Like the blind bard of old, Grossman's Sighted Singer conjures visions both high and low, in mythopoetic resonances that excite the sorrows and the laughter of the gods and men.
158 kr
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An evocative, often mischievous remembrance and reinvention by the poet of his youth in the New York City of the '40s and '50s. In Loew's Triboro, John Allman's fourth collection of poems with New Directions, the poet recalls the movie palace in Astoria, Queensone of the five boroughs of New York Cityand its centrality to the lives and fantasies of the people in the neighborhood. In a combination of prose poems and free verse, sometimes darkly funny, Allman juxtaposes vignettes from the streets of Astoria with the movies of the period, revisioning such film noir classics as The Postman Always Rings Twice, Double Indemnity, and The Asphalt Jungle. The book itself becomes a narrative place where real and cinematic lives interact, where movies are the engines of history and myth and the motif of journey is implicit from the first poem to the last.
198 kr
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Robert Walser is an overwhelmingly original author with many ardent fans: J.M. Coetzee ("dazzling"), Guy Davenport ("a very special kind of whimsical-serious-deep writer"), and Hermann Hesse ("If he had a hundred thousand readers, the world would be a better place"). Charged with compassion, and an utterly unique radiance of vision, Walser is as Susan Sontag exclaimed "a truly wonderful, heart-breaking writer."The Assistant is his breathtaking 1908 novel, translated by award-winning translator Susan Bernofsky. Joseph, hired to become an inventor's new assistant, arrives one rainy Monday morning at Technical Engineer Karl Tobler's splendid hilltop villa: he is at once pleased and terribly worried, a state soon followed by even stickier psychological complexities. He enjoys the beautiful view over Lake Zurich, in the company of the proud wife, Frau Tobler, and the delicious savory meals. But does he deserve any of these pleasures? The Assistant chronicles Joseph's inner life of cascading emotions as he attempts, both frantically and light-heartedly, to help the Tobler household, even as it slides toward financial ruin. Tobler demands of Joseph, "Do you have your wits about you?!" And Joseph's wits are in fact all around him, trembling like leaves in the breeze—he is full of exuberance and despair, all the raptures and panics of a person "drowning in obedience."
291 kr
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Mary de Rachewiltz’s autobiographical account, Ezra Pound, Father and Teacher, which first appeared as a New Directions Paperbook in 1975, is now reissued with a new afterword by the author. Set against the background of Fascist Italy and the Tyrolean Alps where she spent the early years of her childhood, the story Ezra Pound’s daughter movingly reveals is a side of the poet which is seldom touched upon, that of devoted father, and at the same time serves to illuminate many of the more difficult, personal passages of The Cantos. But the book is more than a mere memoir, for Mary de Rachewiltz is an accomplished poet and translator in her own right, guided in her craft under her father’s tutelage: through her stylized, often oblique prose technique we are enabled to appreciate more deeply Pound’s inner anguish during the war years and the strains put upon him by the circumstances of his life. Many of the scenes described are illustrated with photographs. while the narrative itself gleams with lines from The Cantos that light up the events of the author’s life as her life lights up the poetry.
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A selection of harsh, sometimes violent, and often surreal stories by the premier young avant-garde Chinese woman writer.A couple moves with their young daughter to the seaside, only to be terrorized by hostile townsfolk, predatory seabirds, and the persistent sound of the waves. Two old friends spend their waning days traipsing amongst ruined walls, imagining bubbling brooks and lush marshland. An old man lives atop a bizarre wooden building in the clouds, where he is served pancakes by a hostile youth.These are the scenarios of just some of the stories in this generous new collection by Can Xue. Although rooted in the folk traditions of Chinese literature and the real conflicts of contemporary Chinese life, Can Xue's stories exist in a separate space and time where dreams and reality coalesce: tenderness quickly turns to violence, strange diseases are caught, and quaint landscapes become phantasmagorical. Can Xue's literary world is inhabited by ghosts, dying old men, street urchins, cobblers, farmers, cats, rats, and stray dogs. Much influenced by Borges, Kafka, and Bruno Schulz, this new collection of Can Xue's surreal stories confirms The New York Times' assessment that "reading Can Xue's fiction is like running downhill in the dark; you've got momentum, but you don't know where you're headed."
148 kr
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One of the men is a writer named Sampel, the other is the main character of his novel, Azorno. All the women are pregnant by Sampel, but which of them is really the narrator? Has someone been killed? Is someone insane? Is the whole story part of Sampel’s book, or Inger Christensen’s?Reminiscent of the works of Georges Perec and Alain Robbe-Grillet, Azorno illuminates the prevailing theme throughout Inger Christensen’s great body of poetry and fiction: the interplay of perception, language, and reality. As Anne Carson said, “Like Hesiod, Inger Christensen wants to give us an account of what is—of everything that is and how it is and what we are in the midst of.” Ending with the struggle between two merged characters, Azorno simultaneously satisfies and unsettles, leaving us with a view of reality unlike any other.
354 kr
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Madman. Prophet. Magician. Hippie. Murderer. Who is the Sunlight Man?In The Sunlight Dialogues, John Gardner's vision of America in the turbulent 1960s embraces an unconventional cast of conventional citizens in the small rural town of Batavia, New York. Sheriff Fred Clumly is trying desperately to unravel mysteries surrounding a disorderly, nameless drifter called "The Sunlight Man," who has been jailed for painting the word "LOVE" across two lanes of traffic, and who is later suspected of murder. The men battle over morality, freedom and their opposing notions of justice, leading each to find his own state of grace. Their conflict is mirrored in the community of middlebrow politicians and their church-going wives, Native Americans, working-class immigrants, farmers, soldiers, petty thieves, and even centenarian sisters too stubborn to die. Gardner's alchemy is existential: from the most raw, vulnerable, and conflicting characters in the American melting pot, he transmutes common denominators of human isolation and longing. With unnerving suspense, his acute ear for American speech, and permeated by his deep- rooted belief in morality, this expansive, sprawling, and ambitious novel is John Gardner's masterpiece: "A superb literary achievement," noted The Boston Globe.
286 kr
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Allen Grossman's newest work Descartes' Loneliness blends the comic and tragic. As the writer Ha Jin once wrote, it is "remarkable for the stout spirit of the speaker who dares to be funny while tackling such an austere subject as death." Poems such as "The Famished Dead," where the poet is visited by lost loved ones, "one at a time," confirm Jorie Graham's observation that "from the bottom reaches of the underworld, to the elevations from which one need cry to be heard—Grossman invents such peace as Poetry can invent."
208 kr
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This newly revised and greatly expanded edition of Ezra Pound’s Selected Poems is intended to articulate Pound for the twenty-first century. Gone are many of the “stale creampuffs” (as Pound called them) of the 1949 edition. Instead, new emphasis has been laid on the interpenetration of original composition and translation within Pound’s career. New features of this edition include the complete “Homage to Sextus Propertius” in its original lineation, early translations from Cavalcanti, Heine, and the troubadours, as well as late translations of Sophocles, and the Confucian Odes.As a lifelong expatriate, Pound parceled out his work to a variety of journals in England, America, France, and Italy. This new edition takes account of this complex publishing history by giving the poems in the chronological order of their original magazine publication. We can observe Pound as he first emerges onto the literary scene in the pages of Ford Madox Ford’s English Review and Harriet Monroe’s Chicago-based Poetry, and then as an agent provocateur for the avant-garde Little Review, Blast, and The Dial.Unlike all previous selections, this volume provides annotation to all the early poems as well as a running commentary on the later Cantos — indispensable to any reader wanting to follow Pound on his epic odyssey through ancient China, medieval Provence, the Italian Renaissance, the early American Republic, and the darkness of the twentieth century. The editor, Richard Sieburth, provides a chronology of Pound’s life, a new preface, and an informative afterword, “Selecting Pound.” Also included in the appendix are T. S. Eliot’s and John Berryman’s original introductions to Pound’s Selected Poems.