OXFORD UNIV PR – serie

As an age of empire and industry dawned in the wake of American Civil War, Southerners grappled with what it meant to be modern. The fair expositions popular at this time allowed Southerners to explore this changing world on their own terms. On a local, national, and global stage, African Americans, New South boosters, New Women, and Civil War soldiers presented their dreams of the future to prove to the world how rapidly the South had embraced and, in the words of Henry Grady in 1890, built "from pitiful resources a great and expanding empire."Nowhere was this more apparent than at the Atlanta and Nashville world's fairs held at the close of the nineteenth century. Here, Southerners presented themselves as modern and imperial citizens ready to spread the South's culture and racial politics across the globe. Unlike the World's Columbian Exposition held in Chicago in 1893, the Southern expositions also gave African Americans an opportunity to present their own vision of modernity within the fairs' "Negro Buildings." At the fairs, southern African Americans defined themselves as both a separate race and a modern people, as "New Negroes." In Dream of the Future, Cardon explores these assertions of Southern identity and culture, critically placing them within the wider context of imperialism and industrialization.

All physicians are involved in the management of pain at some level or the other, but of the various specialties and health professions, orthopedic surgeons are at the frontline of delivering perioperative pain care for a wide variety of problems that range from skeletal trauma, joint replacement procedures, bone tumors and spinal conditions. Perioperative Pain Management for Orthopedic and Spine Surgery offers a concise yet comprehensive overview of the surgical spine pain management field to help practitioners effectively plan and enhance perioperative pain control. Chapters provide guidance on solving common dilemmas facing surgeons who are managing patients with pain related problems and clinical decision-making, and explore essential topics required for the trainee and practitioner to quickly assess the patient with pain, to diagnose pain and painful conditions, determine the feasibility and safety of surgical procedure needed, and arrange for advanced pain management consults and care if needed. This text also explores the latest evolving techniques and appropriate utilization of modern equipment and technology to safely provide care. Highly accessible and written by experts in the field, Perioperative Pain Management for Orthopedic and Spine Surgery is an ideal resource for practicing orthopedic and spine surgeons, anesthesiologists, critical care personnel, residents, medical students.

This book explores the relationship between U.S. imperial aspirations and the circumscription of domestic civil liberties, especially the rights of the African American population. Central to this framework is the figure of the refugee, the homeless foreigner who constitutes a threat to national identity. Waligora-Davis demonstrates the importance of this figure to African Americans, people who possess a national identity, but are despised as 'other', 'foreign' and not belonging to the nation. African Americans are effectively rendered refugees when their injuries become invisible, when possibilities for redress are foreclosed. In response, the African American imaginary has repeatedly summoned the notion of sanctuary, a space that is imagined as utopian but that too often proves unattainable. Sanctuary presents an original contribution by outlining the ways that African Americans' challenges to citizenship and nation have failed to live up to a more human and global outlook. Black intellectuals and artists have long understood that domestic race relations are shaped by and help to shape US foreign relations and expansionist/imperialist empires. Sanctuary shows how by providing important and original historically-grounded readings of works by Melville and Du Bois, while introducing us to new sources within Langston Hughes' writings and popular texts like the Chicago Tribune's coverage of the Chicago race riot.

The complexity of the American economy and polity has grown at an explosive rate in our era of globalization. Yet as the 2008 financial crisis revealed, the evolution of the American state has not proceeded apace. The crisis exposed the system's manifold political and economic dysfunctionalities. Featuring a cast of leading scholars working at the intersection of political science and American history, The Unsustainable American State is a historically informed account of the American state's development from the nineteenth century to the present. It focuses in particular on the state-produced inequalities and administrative incoherence that became so apparent in the post-1970s era. Collectively, the book offers an unsettling account of the growth of racial and economic inequality, the ossification of the state, the gradual erosion of democracy, and the problems deriving from imperial overreach. Utilizing the framework of sustainability, a concept that is currently informing some of the best work on governance and development, the contributors show how the USA's current trajectory does not imply an impending collapse, but rather a gradual erosion of capacity and legitimacy. That is a more appropriate theoretical framework, they contend, because for all of its manifest flaws, the American state is durable. That durability, however, does not preclude a long relative decline.

Muslims in the Western Imagination explores the ways in which Muslim men are depicted as monsters throughout history. Monsters help a society delineate who belongs in a social group and who, or what, is excluded. Even when Muslim monsters are symbolic, as in post-9/11 zombie films, they still function to define Muslims as non-human entities. These are not portrayals of Muslim men as malevolent human characters, but rather as creatures that occupy the imagination--non-humans that exhibit their wickedness outwardly on the skin. They populate medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films. Through an exhaustive survey of medieval, early modern, and contemporary literature, art, and cinema, Sophia Rose Arjana examines the dehumanizing ways in which Muslim men have been constructed and represented as monsters, and the impact such representations have on perceptions of Muslims. The study is the first to present a Foucauldian genealogy of these creatures, from the demons and giants of the Middle Ages to the hunchbacks with filed teeth that appeared in the 2006 film 300. The book argues that constructions of Muslim monsters constitute a recurring theme, first formulated in medieval Christian anti-Semitism. Arjana shows how Muslim monsters are often related to Jewish monsters, and more broadly to Christian anti-Semitism, which involves both religious bigotry and fears surrounding bodily differences. Like the Jewish monster, the Muslim monster is not simply a product of religious bigotry, but of anxiety surrounding bodily difference. Overall, Arjana argues persuasively, these dehumanizing constructions deeply embedded in Western consciousness are internalized beliefs and practices that contribute to the culture of violence--both rhetorical and bodily- against Muslims.