Regional – serie

Given the tensions and demands of medicine, highly successful physicians and surgeons rarely achieve equal success as prose writers. It is truly extraordinary that a major, international pioneer in the controversial field of transplant surgery should have written a spellbinding, and heart-wrenching, autobiography.Thomas Starzl grew up in LeMars, Iowa, the son of a newspaper publisher and a nurse. His father also wrote science fiction and was acquainted with the writer Ray Bradbury. Starzl left the family business to enter Northwestern University Medical School where he earned both and M.D. and a PhD. While he was a student, and later during his surgical internship at the Johns Hopkins Hospital, he began the series of animal experiments that led eventually to the world\u2019s first transplantation of the human liver in 1963.Throughout his career, first at the University of Colorado and then at the University of Pittsburgh, he has aroused both worldwide admiration and controversy. His technical innovations and medical genius have revolutionized the field, but Starzl has not hesitated to address the moral and ethical issues raised by transplantation. In this book he clearly states his position on many hotly debated issues including brain death, randomized trials for experimental drugs, the costs of transplant operations, and the system for selecting organ recipients from among scores of desperately ill patients.There are many heroes in the story of transplantation, and many \u201cpuzzle people,\u201d the patients who, as one journalist suggested, might one day be made entirely of various transplanted parts. They are old and young, obscure and world famous. Some have been taken into the hearts of America, like Stormie Jones, the brave and beautiful child from Texas. Every patient who receives someone else\u2019s organ - and Starzl remembers each one - is a puzzle. \u201cIt was not just the acquisition of a new part,\u201d he writes. \u201cThe rest of the body had to change in many ways before the gift could be accepted. It was necessary for the mind to see the world in a different way.\u201d The surgeons and physicians who pioneered transplantation were also changed: they too became puzzle people. \u201cSome were corroded or destroyed by the experience, some were sublimated, and none remained the same.\u201d

A new edition of this long unavailable classic reproduces photographic prints made from original negatives and features an extensive analytical introduction by the noted architectural historian Dell Upton.Before the 1936 publication of The Early Architecture of Western Pennsylvania, the architectual heritage of a region prominent in the history of early America had been almost totally neglected. Based on a four-year survey conducted by the Pittsburgh chapter of the American Istitute of Architects, Charles Morse Stotz's book provides the definitive description and analysis of structures ranging from log houses to colonial and Georgian structures to examples of the pre-Civil War Gothic revival. The volume defines the local architectural idiom as an expression of the frontier and early industrial societies that played such an important part in the history of nineteenth century America.This oversized volume of 416 black-and-white photographs, 81 measured drawings and an extensive text presents a splendid array of early dwellings, barns, and other outbuildings, churches, arsenals, banks, inns, commercial buildings, tollhouses, mills, and even tombstones. Time has proved this work to be the definitive record of an architectural heritage that was fast disappearing with the economic boom of World War II and the postwar years.The Early Architecture of Western Pennsylvania is also a work of precision, beauty, and integrity. The drawings ignore alterations made after 960 and shoe the buildings in their original condition, giving special attention to details such as window sashes, shutters, cornices, and roofs. The floor plan of each structure is included, and line drawings display the profiles of moldings and ornamentation. Signature stones and hardware convey the quality of the early craftsmen's work. In all cases, stone joining has been faithfully drawn, joint for joint, to record the charm of old wall patterns.This new edition makes a landmark book available to a new generation of readers - one especially aware of the importance of architectural preservation and guarding the history of the Western Pennsylvania region.

Initially commissioned to record the progress of Pittsburgh’s Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of opposites—the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance—all the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

This is the first thorough guide to the design and history of "Kentuck," a splendid mountain house in southwestern Pennsylvania designed in 1953-1954 by Frank Lloyd Wright. Inspired by Fallingwater, the famous house only seven miles away that Wright designed above the waterfalls of Bear Run, local businessman I. N. Hagan and his wife, Bernardine, commissioned the 86-year-old Wright to design this home. Kentuck, constructed on an isolated knoll, or knob, is now owned by Lord Palumbo of London and is open for public tours. This vivid account tells the story of how the house came to be, detailing the many complexities faced by the Hagans—from the delights and difficulties in dealing with Wright to the problems with topography and architectual plans. In fulfilling Wright's vision, the Hagans and their contractor managed to construct a building of great beauty, dignity, and serenity. More than fifty photographs, drawings, and diagrams accompany a detailed descriptive text to illustrate how the peculiarities of the plan, based on the equilateral triangle, resulted in a house that generates countless vistas, indoors and out, and spatial effects of great charm and intimacy. Frank Lloyd Wright's House on Kentuck Knob brings to life an unusual work of residential architecture. It is the perfect introduction to Kentuck, and for those who have visited there, a lovely reminder of this luminous but modest house.

Few American cities reflect the challenges and promise of a twenty-first-century economy better than Pittsburgh and its surrounding region. Once a titan of the industrial age, Pittsburgh flourished from the benefits of its waterways, central location, and natural resources-bituminous coal to fire steel furnaces; salt and sand for glass making; gas, oil, and just enough ore to spark an early iron industry. Today, like many cities located in the manufacturing triangle that stretches from Boston to Duluth to St. Louis, Pittsburgh has made the transition to a service-based economy.Pittsburgh and the Appalachians presents a collection of eighteen essays that explore the advantages and disadvantages that Pittsburgh and its surrounding region face in the new global economy, from the perspectives of technology, natural resources, workforce, and geography. It offers an extensive examination of the processes and factors that have transformed much of industrial America during the past half-century, and shows how other cities can learn from the steps Pittsburgh has taken through redevelopment, green space acquisition, air and water quality improvement, cultural revival, and public-private partnerships to create a more livable, economically viable region for future populations.

Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.

Winner, 2008 Special Jury Award, Gourmand World Cookbook AwardsHailed as the most architecturally significant private residence in the United States, Fallingwater was a welcome retreat for Edgar J. Kaufmann, his wife, Liliane, their son, Edgar jr., and their many guests. The Fallingwater Cookbook captures the experience of fine and casual dining at this famed home. Suzanne Martinson, former food editor and writer for the Pittsburgh Press and the Pittsburgh Post-Gazette, relates recipes from Elsie Henderson, the longtime and last cook for the Kaufmann family at Fallingwater, along with Henderson's memories and anecdotes of life in the renowned house on the waterfall. Henderson also recounts with humor, affection, and vivid detail her encounters with Senators John Heinz and Ted Kennedy, Isaac Stern, and Frank Lloyd Wright, among others.The book is rounded out with additional recipes from Chef Robert Sendall, who began producing special events at Fallingwater in the early 1990s, Jane Citron, with whom Sendall taught cooking classes, and Mary Ann Moreau, former chef of the Cafe at Fallingwater. Artfully composed photographs of food, architecture, landscape, family, and guests complete the collection, which, like Fallingwater, will be treasured for years to come.

Based on the journal writings of Art Rooney Jr., with input from other family members, colleagues, and friends, The Chief is a one-man play that faithfully reenacts the larger-than-life persona of Pittsburgh icon Art Rooney, owner of one of the most successful football franchises of all time. Playwrights Gene Collier and Rob Zellers recreate the words, deeds, and essence of this paragon of Pittsburgh sports as he reminisces, in his gruff but affable style, about his tough upbringing on Pittsburgh's North Side and the family, friends, politicians, and outlandish adventures that shaped his life. He also recounts the colorful history of the Pittsburgh Steelers, from the foibles and frustrations of the early days to the great Super Bowl runs of the 1970s, and offers insights on the characters of many of his beloved players. Reproduced in print for the first time, the work is complemented by photographs of Rooney, his family, and members of the Steelers, along with scenes from the standout performance of actor Tom Atkins, who has embodied the role since the play's inception.

From its founding in 1758, Pittsburgh has experienced several epic transformations. It began its existence as a fortress, on a site originally selected by George Washington. A hundred years later, and well into our own time, no other American city was as intensively industrialized, only to be later consigned to "rustbelt" status. Remade as a thriving twenty-first-century city and an international center for science, medicine, biotechnology, and financial services, Pittsburgh is now routinely acclaimed as one of the most promising and livable of America's cities. Franklin Toker shows us why.Toker highlights this remarkable story of urban reinvention by focusing on what makes Pittsburgh so resilient and appealing - its strong neighborhoods and their surprisingly rich architectural history. The many unique, lively urban communities that make up Pittsburgh are a treasure trove of every imaginable style of structure, from Victorian to Bauhaus, Gothic to Art Deco, and from Industrial to Green. These ordinary homes expressed the aspirations of people who came from around the world to settle in Pittsburgh, while they built the city itself into an economic powerhouse. With the wealth generated by this everyday work, local captains of industry could build their own monumental additions to Pittsburgh's urban landscape, including two of America's greatest buildings: H. H. Richardson's Allegheny Courthouse and Frank Lloyd Wright's Fallingwater. With accessible prose, Toker examines Pittsburgh in its historical context (from Indian settlement to postmodern city), in its regional setting (from the playgrounds of the Laurel Highlands to the hard-working mill towns dotting the landscape), and from the street level (leading the reader on a personal tour through every neighborhood). Lavishly illustrated with photos and maps, Pittsburgh: A New Portrait reveals the true colors of a truly great American city.

At the end of the nineteenth century, Pittsburgh was leading the nation in glass production, and glass bottle plants in particular relied heavily on adolescent (and younger) males for their manufacturing process. These "glass house boys" worked both day and night, as plants ran around the clock to meet production demands and remain price competitive with their newly-automated rivals. Boys performed menial tasks, received low wages, and had little to say on their own behalf. By the turn of the century, most states had enacted laws banning children from working at night, and coupled with compulsory education requirements, had greatly reduced the use of children in industry. In western Pennsylvania, however, child labor was deeply entrenched, and Pennsylvania lawmakers lagged far behind the rest of the nation. In The Glass House Boys of Pittsburgh, James L. Flannery presents an original and compelling examination of legislative clashes over the singular issue of the glass house boys. He reveals the many societal, economic, and political factors at work that allowed for the perpetuation of child labor in this industry and region. Through extensive research in Pennsylvania state legislature archives, National Child Labor Committee reports, and union and industry journals, Flannery uncovers a complex web of collusion between union representatives, industrialists, and legislators that kept child labor reform at bay. Despite national pressure, a concerted effort by reformers, and changes to education laws, the slow defeat of the "glass house exception" in 1915 came about primarily because of technological advances in the glass bottle industry that limited the need for child labor.

In Knowing and Seeing, muralist Douglas Cooper reflects on his long career as a muralist in various cities around the world. Part memoir and part an examination of his art, Cooper looks back on his half-century career from two points of view. First, through personal anecdotes on site sketches and finished works, and secondly, on the intellectual roots of the works. Though the core ideas of his work began in Pittsburgh, Cooper has exhibited work and produced murals, up to 200 feet long, in Cologne, Rome, San Francisco, Seattle, Qatar, Frankfurt, Philadelphia, New York, and Washington DC. Memory has been a recurring theme in his art. All of Cooper’s works are driven by a desire to combine his conception of place with his perception of it—knowing and seeing. Knowing and Seeing features personal essays and more than 240 color images, including early Christian and Renaissance paintings as well as contemporary murals and other illustrations of Cooper’s unique work.

Foreword by Maxwell KingAfterword by Ron BaraffThe Monongahela River Valley in Southwestern Pennsylvania is steeped with a rich industrial history. Starting with iron, brass, tin, and glass production, the river towns—from Brownsville to Braddock—ultimately helped make Pittsburgh the one-time steelmaking capital of the world. With this industrial legacy in mind, artist Ron Donoughe set out to document the small towns in this region, one painting at a time.Over a twelve-month period, he explored the forgotten towns of Brownsville, California, Donora, Charleroi, Monessen, Monongahela, Clairton, Duquesne, McKeesport, Braddock, and the Monongahela River itself. Brownsville to Braddock provides key insight on a forty-mile stretch of river towns. The post-industrial economy led to a decline in manufacturing, and with it, substantial job losses. These towns face many significant challenges, yet there is still beauty to be found. Donoughe finds it as he paints the human spirit through the mills, factories, parks, and homes. The people he meets share their stories of family joy and sorrows, along with a genuine love for the area they call the “Mon Valley.”

American Workman presents a comprehensive, novel reassessment of the life and work of one of America’s most influential self-taught artists, John Kane. With a full account of Kane’s life as a working man, including his time as a steelworker, coal miner, street paver, and commercial painter in and around Pittsburgh in the early twentieth century, the authors explore how these occupations shaped his development as an artist and his breakthrough success in the modern art world. A rough-and-tumble blue-collar man prone to brawling and drinking, Kane also sought out beauty in the industrial world he inhabited. This Kane paradox—brawny and tough, sensitive and creative—was at the heart of much of the public’s interest in Kane as a person. The allure of the Kane saga was heightened all the more by the fact that he did not achieve renown until he was at the age at which most people are retiring from their professions. Kane’s dedication to painting resulted in a fascinating body of work that has ended up in some of America’s most important museums and private collections. His dramatic life story demonstrates the courage, strength, and creativity of his generation of workmen. They may be long gone, but thanks to Kane they cannot be forgotten.

The City of McKeesport in southwestern Pennsylvania once had a population of more than fifty thousand people and a newspaper that dated back to the nineteenth century. Technology has caused massive disruption to American journalism, throwing thousands of reporters out of work, closing newsrooms, and leaving vast areas with few traditional news sources—including McKeesport. With the loss of their local paper in 2015, residents now struggle to make sense of what goes on in their community and to separate facts from gossip—often driven by social media. The changes taking place in this one Pennsylvania community are being repeated across the United States as hundreds of local newspapers close, creating news deserts and leaving citizens with little access to reliable local journalism. The obituary for local news, however, does not have to read all bad: Even in the bleakest places, citizens are discovering what happens in their communities and becoming gatekeepers to information for the people around them. In McKeesport, citizens are attempting to make sense of the news on their own, for better and worse. This experiment not only offers clues about what happens after a local newspaper dies, but also provides guidance to the way forward.

America’s emergence as a global industrial superpower was built on iron and steel, and despite their comparatively small numbers, no immigrant group played a more strategic role per capita in advancing basic industry than Welsh workers and managers. They immigrated in surges synchronized with the stage of America’s industrial development, concentrating in the coal and iron centers of Pennsylvania and Ohio. This book explores the formative influence of the Welsh on the American iron and steel industry and the transnational cultural spaces they created in mill communities in the tristate area—the greater upper Ohio Valley, eastern Ohio, northern West Virginia, and western Pennsylvania—including boroughs of Allegheny County, such as Homestead and Braddock. Focusing on the intersection of transnational immigration history, ethnic history, and labor history, Ronald Lewis analyzes continuity and change, and how Americanization worked within a small, relatively privileged, working-class ethnic group.

Join celebrated author and photographer Tim Palmer as he takes us down one of America’s most magnificent rivers. From the Youghiogheny’s lofty headwaters to its quiet ending only a dozen miles from Pittsburgh, the river he reveals shines with splendor and beckons to all who walk, bike, paddle, or simply pause to appreciate the natural wonder awaiting those who live nearby or visit from near and far. A companion to Palmer’s earlier book—Youghiogheny: Appalachian River—this elegant photo essay shows us the remarkable beauty of a river that has become enormously popular. With a sharp eye to all things wild, Palmer also presents an engaging narrative and features opportunities for enjoying and exploring Ohiopyle State Park in Pennsylvania, Swallow Falls State Park in Maryland, and elsewhere along this river’s rapid descent through America’s oldest and most biologically rich range of mountains. Watching the River Run is a book for all who visit and cherish this extraordinary waterway.

Leland Baldwin presents a succinct account of the Whiskey Rebellion of 1794 in Western Pennsylvania, recalling the economic and sociological factors that led to this historic uprising.

Told from the viewpoint of the Indians, this account of Indian-white relations during the second half of the eighteenth century is an exciting addition to the historical literature of Pennsylvania.From the beginning, when the white traders followed the first Shawnee hunters into Pennsylvania, until the Battle of Fallen Timbers in 1794, the region\u2019s history was the history of the relationship between the Indians and the whites. For nearly half a century the Indian maintained a precarious hold upon Western Pennsylvania by playing one white faction off against the anther, first the French against the British, then the British against the Americans.

A definitive account of nearly every aspect of Western Pennsylvanian life and development up until the War of 1812. The book opens with a narrative of the formative years of the region. Succeeding chapters deal with the development of agriculture, industry, education, religion, social customs, and law and order --all based upon the results of the work of the Western Pennsylvania Historical Survey.Among the more than one hundred illustrations are contemporary pictures, maps, plans of forts, portraits, architectural photographs and more.

Out of This Furnace is Thomas Bell’s most compelling achievement. Its story of three generations of an immigrant Slovak family -- the Dobrejcaks -- still stands as a fresh and extraordinary accomplishment.The novel begins in the mid-1880s with the naive blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, Pennsylvania, and his eventual downfall through foolish financial speculations and an extramarital affair. The second generation is represented by Kracha’s daughter, Mary, who married Mike Dobrejcak, a steel worker. Their decent lives, made desperate by the inhuman working conditions of the mills, were held together by the warm bonds of their family life, and Mike’s political idealism set an example for the children. Dobie Dobrejcak, the third generation, came of age in the 1920s determined not to be sacrificed to the mills. His involvement in the successful unionization of the steel industry climaxed a half-century struggle to establish economic justice for the workers.Out of This Furnace is a document of ethnic heritage and of a violent and cruel period in our history, but it is also a superb story. The writing is strong and forthright, and the novel builds constantly to its triumphantly human conclusion.

Guns at the Forks is a special reissue commemorating the 250th anniversary of the French and Indian War. In a spirited, intelligent, and informative history, O’Meara tells the story of five successive forts, particularly Fort Duquesne and Fort Pitt, and the dramatic part they played in the war between 1750 and 1760. He describes Washington’s capitulation at Fort Necessity, Braddock’s defeat at the Monongahela, and Forbes’s successful campaign to retake Fort Duquesne. Although most of the action in the book takes place at the strategically important forks of the Ohio, where present-day Pittsburgh stands, O’Meara’s narrative relates the two forts to the larger story of the French and Indian War and elucidates their roles in sparking a global conflict that altered the course of world events and decided the fate of empires.

In 1893, the Rawsthorne Engraving and Printing Company published journalist Arthur Burgoyne’s complete history of the 1892 Homestead strike and the ensuing conflict between the Carnegie Steel Company and the Amalgamated Association of Iron and Steel Workers. Although popular at the time of publication, it fell out of print until the University of Pittsburgh Press revived it in the late 1970s. Burgoyne, one of Pittsburgh’s most skilled and sensitive journalists, offers an accurate, readable, and judiciously balanced history that gives crucial insight into a turbulent period in Pittsburgh’s history.

Excerpt from Flatlanders and Ridgerunners: Out-Riddling the Judge Back in Prohibition my uncle made moonshine. His name was Moses Kenny and his whiskey--they called it “White Mule” was the best in the county. Well, the feds got after him and finally they arrested him. Took him to a federal judge down in Philadelphia. Now, the judge liked a good time and thought he’d have a little fun with this hick from the mountains. When Uncle came into court, he said, “are you the Moses who can make the sun dark?” Moses looked at him and said slowly, “Nope, your honor. But I am the Moses who can make the moon shine.” The judge let him go.

Sidney Saylor Farr was a woman who knew Appalachia well. Born in Stoney Fork in southeastern Kentucky, she lived much of her life close to the mountains, among people whose roots are deep in the soil and who pass on to their children a love for the land, a strong sense of belonging and of place, and an equally strong connection with traditional foods.The women of Stoney Fork rarely had cash to spend, so they depended upon the free products of nature—their cookery used every nutritious, edible thing they could scour from the gardens and hillsides. With instructions for making moonshine whiskey, for fixing baked groundhog with sweet potatoes, for making turnip kraut, cracklin’ bread, egg pie, apple stackcake, and other traditional dishes, More Than Moonshine is more than a cookbook. It evokes a rural way of life in the mid-twentieth century that centered on kitchens at home, the warmth from the wood-burning stove, the smell of coffee, and the family gathered around the table to eat, talk, and share each other’s company.

This memoir introduces the family of Charles Hart Spencer and his wife Mary Acheson: seven children born between 1884 and 1895. In a large Victorian house in Shadyside, an affluent Pittsburgh neighborhood, the family begins a middle-class way of life at the turn of the century. Mr. Spencer, who worked—not very happily—for Henry Clay Frick, was one of the growing number of middle-management employees in American industrial cities in the 1880s and 1890s. His income, which supported his family of nine, a cook, two regular nurses, and at times a wet nurse and her baby, guaranteed a comfortable life but not a luxurious one. The Spencers represent a class that "too often stands silent or stereotyped as we rush forward toward the greater glamour of the robber barons or their immigrant workers." Through the eyes of Ethel Spencer, the third daughter, the reader is led through the routine of everyday life in the Spencer household: school, play, church on Sundays, illness, family celebrations, and vacations. Ethel was an observant child, with little sentimentality, and she wrote her memoir in later life as a professor of English at Carnegie Tech, now Carnegie Mellon University. The Spencers of Amberson Avenue offers a compelling account of middle-class Pittsburgh urban life. The book is richly illustrated with family photographs taken by Charles Spencer, who was a talented amateur photographer.

The death of David Leo Lawrence in 1966 ended a fifty-year career of major influence in American politics. In a front-page obituary, the New York Times noted that Lawrence, the longtime mayor of Pittsburgh, governor of Pennsylvania, and power in Democratic national politics, disliked being called Boss. But, the Times noted, "he was one anyway."Certainly Lawrence was a consumate politician. Born in a poor, working-class neighborhood, in the present-day Golden Triange of Pittsburgh, he was from boyhood an astute student of politics and a devoted Democrat. Paying minute attention to every detail at the ward and precinct level, he revived the moribund Democratic party of Pittsburgh and fashioned a machine that upset the long-entrenched Republican organization in 1932.When "Davy" Lawrence, as he was affectionately known, won the gubernatorial election in 1958, he became the first Roman Catholic governor of Pennsylvania and the oldest. But he achieved his greatest public recognition as mayor of Pittsburgh. Taking office in 1945, at the close of World War II, this stalwart Democrat formed an alliance with the predominantly Republican business community to bring about the much acclaimed Pittsburgh Renaissance, transforming the downtown business district and persuading many large corporations to retain their national headquarters in Pittsburgh. In 1958 the editors of Fortune magazine name Pittsburgh as one of the eight best administered cities in America.Don't Call Me Boss examines the lengthy career of this remarkable politician. Using over one hundred interviews, as well as extensive archival material, Michael Weber demonstrates how Lawrence was able to balance his intense political drive and devotion to the Democratic party with the larger needs of his city and state. Although his administration was not free of controversy, as indicated by the city's police and free work scandals. Lawrence showed that it was possible to make the transition from nineteenth-century political boss to modern municipal manager. He was one of the few politicians of the century to do so. When the undisputed bosses of other American cities - the Curleys, Pendergasts, and Hagues - were out of power and disgraced, Lawrence was elected governor of Pennsylvania.More than twenty years after his death, David L. Lawrence and his success in rebuilding the city of Pittsburgh continue to serve as an example of effective urban leadership.

Choice 1988 Outstanding Academic TitleA Best Business Book of 1988 by USA TodayA veteran reporter of American labor analyzes the spectacular and tragic collapse of the steel industry in the 1980s. John Hoerr's account of these events stretches from the industry-wide bargaining failures of 1982 to the crippling work stoppage at USX (U.S. Steel) in 1986-87. He interviewed scores of steelworkers, company managers at all levels, and union officials, and was present at many of the crucial events he describes. Using historical flashbacks to the origins of the steel industry, particularly in the Monongahela Valley of southwestern Pennsylvania, he shows how an obsolete and adversarial relationship between management and labor made it impossible for the industry to adapt to shattering changes in the global economy.

The Milkweed Ladies is written out of deep affection for and intimate knowledge of the lives of rural people and the rhythms of the natural world. It is a personal account of the farm in southern West Virginia where poet Louise McNeill’s family has lived for nine generations.The Milkweed Ladies is filled with memorable characters—an herb-gathering granny, McNeill’s sailor father, her patient, flower-loving mother, and Aunt Malindy in her “black sateen dress” who “never did a lick of work.” McNeill writes movingly of the harsh routines of the lives of her family, from spring plowing to winter sugaring, and of the hold the farm itself has on them and the earth itself on all of us. McNeill juxtaposes the life of the farm with the larger world events that impinge on it, such as the destruction from lumber companies in the 1930s and World War II in the ’40s.With her poet’s gift for detail and language, McNeill creates a particular world forgotten by many of us, and to some of us, never known.

The West Virginia mine war of 1920–21, a major civil insurrection of unusual brutality on both sides, even by the standards of the coal fields, involved thousands of union and nonunion miners, state and private police, militia, and federal troops. Before it was over, three West Virginia counties were in open rebellion, much of the state was under military rule, and bombers of the US Army Air Corps had been dispatched against striking miners.The civil war began in the small railroad town of Matewan when Mayor C. C. Testerman and Police Chief Sid Hatfield sided with striking miners against agents of the Baldwin-Felts Detective Agency, who attempted to evict the miners from company-owned housing. Thunder in the Mountains was the first book-length account of this crisis in American industrial relations and governance, much neglected in historical accounts.