Routledge Studies in African Literature – serie

This book considers the evolution and characteristics of Nigeria’s third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era.The creative writing of this period reflects new sensibilities and anxieties about Nigeria’s changing fortunes in the post-colonial era. The literature of the third generation is startling in its candidness, irreverence as well as the brutal self-disclosure of its characters, and it is governed by an unusually wide-ranging sweep in narrative techniques. This book examines six key texts of the oeuvre: Maria Ajima’s The Web, Okey Ndibe’s Foreign Gods, Inc., Teju Cole’s Open City, Chika Unigwe’s On Black Sisters Street, Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives, and Chimamanda Ngozi Adichie’s The Thing Around Your Neck. The texts interpret contemporary corruption and other unspeakable social malaise; together, they point to the exciting future of Nigerian literature, which has always been defined by its daring creativity and inventive expressive modes. Even conventional storytelling strategies receive revitalizing energies in these angst-driven narratives.This book will be of interest to students and researchers of contemporary African literature, Sociology, Gender and women’s studies, and post-colonial cultural expression more broadly.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This book considers the evolution and characteristics of Nigeria’s third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era.The creative writing of this period reflects new sensibilities and anxieties about Nigeria’s changing fortunes in the post-colonial era. The literature of the third generation is startling in its candidness, irreverence as well as the brutal self-disclosure of its characters, and it is governed by an unusually wide-ranging sweep in narrative techniques. This book examines six key texts of the oeuvre: Maria Ajima’s The Web, Okey Ndibe’s Foreign Gods, Inc., Teju Cole’s Open City, Chika Unigwe’s On Black Sisters Street, Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives, and Chimamanda Ngozi Adichie’s The Thing Around Your Neck. The texts interpret contemporary corruption and other unspeakable social malaise; together, they point to the exciting future of Nigerian literature, which has always been defined by its daring creativity and inventive expressive modes. Even conventional storytelling strategies receive revitalizing energies in these angst-driven narratives.This book will be of interest to students and researchers of contemporary African literature, Sociology, Gender and women’s studies, and post-colonial cultural expression more broadly.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This book provides an important critical analysis of the autobiographies of nine major leaders of national liberation movements in Africa. By examining their self-narratives, we can better understand how decolonisation unfolded and how activist-politicians sought to immortalise their roles for posterity.Focusing on the autobiographies of Peter Abrahams, Albert Luthuli, Ruth First and Nelson Mandela (South Africa), Nnamdi Azikiwe (Nigeria), Kenneth Kaunda (Zambia), George Mwase (Malawi), Kwame Nkrumah (Ghana), Maurice Nyagumbo (Zimbabwe), and Oginga Odinga (Kenya), the book uncovers the social and cultural forces which galvanized the anti-colonial resistance movement in African societies. In particular, the book explores the disdain for foreign domination, economic exploitation and cultural imperialism. It delves into themes of African cultural sovereignty before the colonial encounter, the disruptive presence of colonialism, the nationalist ferment against European imperial domination, the achievement of political autonomy by African nation-states and the corpus of contradictions which attended postcolonial becoming.With important insights on how these key historical figures navigated the process of self-determining nationhood in Africa, this book will be of interest to researchers of African literature, history, and politics.

This book provides an important critical analysis of the autobiographies of nine major leaders of national liberation movements in Africa. By examining their self-narratives, we can better understand how decolonisation unfolded and how activist-politicians sought to immortalise their roles for posterity.Focusing on the autobiographies of Peter Abrahams, Albert Luthuli, Ruth First and Nelson Mandela (South Africa), Nnamdi Azikiwe (Nigeria), Kenneth Kaunda (Zambia), George Mwase (Malawi), Kwame Nkrumah (Ghana), Maurice Nyagumbo (Zimbabwe), and Oginga Odinga (Kenya), the book uncovers the social and cultural forces which galvanized the anti-colonial resistance movement in African societies. In particular, the book explores the disdain for foreign domination, economic exploitation and cultural imperialism. It delves into themes of African cultural sovereignty before the colonial encounter, the disruptive presence of colonialism, the nationalist ferment against European imperial domination, the achievement of political autonomy by African nation-states and the corpus of contradictions which attended postcolonial becoming.With important insights on how these key historical figures navigated the process of self-determining nationhood in Africa, this book will be of interest to researchers of African literature, history, and politics.

This book examines the life and work of Mazisi Kunene, the only recognized poet laureate of Africa, a Nobel Prize nominee, and a key symbol of African cultural independence.Kunene is widely recognized for his epic poems that assert cultural identity and condemn the disruption of the growth and development of African culture through colonialism/postcolonialism. This book explores how ‘oraliterature’ and cultural traditions informed Kunene’s poetry, how Kunene’s poetry highlights African women and mothers, and how activism, mythology and transnational identities are depicted in his verse to promote cultural and generational continuities from Africa to the Diasporic Africans. Drawing on a range of interviews and comparative studies, the book situates Kunene’s work in a wider conversation about South African social struggles.This book is an important contribution to our understanding of one of the giants of African literary history. As such, it will be of interest to researchers across African literary and postcolonial studies.

This book examines the life and work of Mazisi Kunene, the only recognized poet laureate of Africa, a Nobel Prize nominee, and a key symbol of African cultural independence.Kunene is widely recognized for his epic poems that assert cultural identity and condemn the disruption of the growth and development of African culture through colonialism/postcolonialism. This book explores how ‘oraliterature’ and cultural traditions informed Kunene’s poetry, how Kunene’s poetry highlights African women and mothers, and how activism, mythology and transnational identities are depicted in his verse to promote cultural and generational continuities from Africa to the Diasporic Africans. Drawing on a range of interviews and comparative studies, the book situates Kunene’s work in a wider conversation about South African social struggles.This book is an important contribution to our understanding of one of the giants of African literary history. As such, it will be of interest to researchers across African literary and postcolonial studies.

This book examines the complexities of women’s lives in Africa and the transnational spaces of Europe and North America through the literary works of key African women writers. Using a postcolonial analytical framework, the book highlights the commonalities of African women’s identities and experiences across national, ethnic, linguistic, and religious boundaries in Africa and in western settings. It collates the multi-regional narratives of key African women writers who convey how women’s lives are shaped by social, economic, and political factors at home and abroad. It also illustrates the intersection of ethnicity, class, and gender that flows through all the texts examined. Unlike existing works that explore African women’s fiction, this book uncovers the transformation from postcolonial themes of nationhood to global modalities of post-independence writing through the lens of gender. The book engages with feminist expression through broad themes including religion, war and ethnic conflict, women’s status in society, tradition and modernity and local and global tensions. A unique approach to literary criticism of Anglophone African women’s writing, this book will be of interest to scholars and students in the field of African Literature, African Studies, Women’s Literature, Postcolonial Literature, Cultural and Ethnic Studies and Migration and Diaspora Studies.

This book examines the complexities of women’s lives in Africa and the transnational spaces of Europe and North America through the literary works of key African women writers. Using a postcolonial analytical framework, the book highlights the commonalities of African women’s identities and experiences across national, ethnic, linguistic, and religious boundaries in Africa and in western settings. It collates the multi-regional narratives of key African women writers who convey how women’s lives are shaped by social, economic, and political factors at home and abroad. It also illustrates the intersection of ethnicity, class, and gender that flows through all the texts examined. Unlike existing works that explore African women’s fiction, this book uncovers the transformation from postcolonial themes of nationhood to global modalities of post-independence writing through the lens of gender. The book engages with feminist expression through broad themes including religion, war and ethnic conflict, women’s status in society, tradition and modernity and local and global tensions. A unique approach to literary criticism of Anglophone African women’s writing, this book will be of interest to scholars and students in the field of African Literature, African Studies, Women’s Literature, Postcolonial Literature, Cultural and Ethnic Studies and Migration and Diaspora Studies.

African Shakespeare: Subversions, Appropriations, Negotiations uncovers the multidimensional inventions, synergies, and experimentations that have emerged from performative, political, literary, and conceptual encounters with Shakespeare and his oeuvre in African contexts. Divided into three broad and overlapping parts, the chapters of the book critically explore issues of decoloniality and postcoloniality; nation-building and state corruption; history and memory; gender and feminism; translation and adaptation from diverse theoretical standpoints. The book displaces the emphasis on Shakespeare’s works to productively illuminate the multi-layered significance of African epistemes, politico-aesthetics, languages and socio-cultural realities to the practice and process of literary and theatrical intervention and creation. Building on and extending extant scholarship in the field of African Shakespeare, the contributions in the volume not only enhance knowledge of African Shakespearean creations but also enrich African Studies and Shakespeare Studies by opening up new possibilities for transdisciplinary dialogues and cross-fertilization.The book will be useful for students and scholars of African Theatre and Performance, Cultural Studies, (Global) Shakespeare Studies, Translation and Adaptation Studies and Post-colonial Studies.

African Shakespeare: Subversions, Appropriations, Negotiations uncovers the multidimensional inventions, synergies, and experimentations that have emerged from performative, political, literary, and conceptual encounters with Shakespeare and his oeuvre in African contexts. Divided into three broad and overlapping parts, the chapters of the book critically explore issues of decoloniality and postcoloniality; nation-building and state corruption; history and memory; gender and feminism; translation and adaptation from diverse theoretical standpoints. The book displaces the emphasis on Shakespeare’s works to productively illuminate the multi-layered significance of African epistemes, politico-aesthetics, languages and socio-cultural realities to the practice and process of literary and theatrical intervention and creation. Building on and extending extant scholarship in the field of African Shakespeare, the contributions in the volume not only enhance knowledge of African Shakespearean creations but also enrich African Studies and Shakespeare Studies by opening up new possibilities for transdisciplinary dialogues and cross-fertilization.The book will be useful for students and scholars of African Theatre and Performance, Cultural Studies, (Global) Shakespeare Studies, Translation and Adaptation Studies and Post-colonial Studies.

This book examines the work of Sindiwe Magona, one of South Africa’s most prolific and groundbreaking writers, widely recognized for highlighting the everyday experiences of women and the domestic side of apartheid. A pioneer among black African women writers, she is equally respected as storyteller, advocate for children’s education, activist for HIV/AIDS awareness, and champion of indigenous languages. In this book, Renée Schatteman contends that Magona’s most important contribution comes through her refusal to choose sides in the contentious debates that have polarized public discourse following apartheid. By straddling two (or more) sides of a controversy and challenging any who do harm to others (and to the nation), regardless of their position, she blurs distinctions that are assumed to be absolute, opens new avenues of understanding, and inspires alternative visions for the future. By occupying the space of paradox, she undermines the closed epistemological structures inherited from apartheid and champions the need for interdependence, truth-telling, and dialogue. Covering her creative production over three decades (which includes novels, autobiographies and biographies, short story collections, children’s books, and literature about HIV/AIDS), this book is an essential read for Magona enthusiasts as well as for researchers of African literature and postcolonial South Africa.

This book examines the work of Sindiwe Magona, one of South Africa’s most prolific and groundbreaking writers, widely recognized for highlighting the everyday experiences of women and the domestic side of apartheid. A pioneer among black African women writers, she is equally respected as storyteller, advocate for children’s education, activist for HIV/AIDS awareness, and champion of indigenous languages. In this book, Renée Schatteman contends that Magona’s most important contribution comes through her refusal to choose sides in the contentious debates that have polarized public discourse following apartheid. By straddling two (or more) sides of a controversy and challenging any who do harm to others (and to the nation), regardless of their position, she blurs distinctions that are assumed to be absolute, opens new avenues of understanding, and inspires alternative visions for the future. By occupying the space of paradox, she undermines the closed epistemological structures inherited from apartheid and champions the need for interdependence, truth-telling, and dialogue. Covering her creative production over three decades (which includes novels, autobiographies and biographies, short story collections, children’s books, and literature about HIV/AIDS), this book is an essential read for Magona enthusiasts as well as for researchers of African literature and postcolonial South Africa.

The Experimental Turn in the Moroccan Novel, 1976-1989 examines the trajectory of the Moroccan experimental novel and makes a link between its emergence in the early-mid 1970s and the Arab defeat in the six-day war with Israel in 1967.Drawing on works by Muḥammad Barrādah, ʿAbdullāh al-ʿArwī, Aḥmad al-Madīnī, and others, the book contends that the Moroccan experimental novel reflects an historic turning point and transitional cultural landscape. It further shows that the experimental novel laid the ground for a different vision of literature, an important feature of which was the intent to surpass the traditional realist model as executed by Moroccan novelist ʿAbdulkarīm Ghallāb (1919–2017) and Egyptian Nobel laureate Najīb Maḥfūẓ (1911–2006). This new vision of literature seeks to create new discursive spheres for the treatment of the social and the political.This book will be an important contribution to debates around Moroccan/Arabic/Maghrebi literature, as well as to the field of literary experimentalism more broadly.

The Experimental Turn in the Moroccan Novel, 1976-1989 examines the trajectory of the Moroccan experimental novel and makes a link between its emergence in the early-mid 1970s and the Arab defeat in the six-day war with Israel in 1967.Drawing on works by Muḥammad Barrādah, ʿAbdullāh al-ʿArwī, Aḥmad al-Madīnī, and others, the book contends that the Moroccan experimental novel reflects an historic turning point and transitional cultural landscape. It further shows that the experimental novel laid the ground for a different vision of literature, an important feature of which was the intent to surpass the traditional realist model as executed by Moroccan novelist ʿAbdulkarīm Ghallāb (1919–2017) and Egyptian Nobel laureate Najīb Maḥfūẓ (1911–2006). This new vision of literature seeks to create new discursive spheres for the treatment of the social and the political.This book will be an important contribution to debates around Moroccan/Arabic/Maghrebi literature, as well as to the field of literary experimentalism more broadly.

Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent.The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‑Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique.This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.

Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent.The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‑Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique.This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.

This book provides an ecocritical analysis of the poetry of the famous Nigerian poet Niyi Osundare. It interrogates the intricate interface between time and nature in 11 of Osundare’s defining poetry collections. This is a book of postcolonial ecocriticism from an African perspective. It brings together the ecocritical theory of animism and theories of geologic time in the discussion of Osundare’s poetry. Osundare shows that animism has a lot to offer in enriching human understanding of the ecosystem. And while he eloquently catalogues problems undermining the health of the earth in this age of the Anthropocene and the Capitalocene in his poetry, he also holds on to the hope of a better future. The book concludes that Osundare’s optimism is what informs his use of poetry to press humankind to rise to the duty of salvaging the environment. Deploying an interdisciplinary approach that stretches across the fields of literature, religion, geology, physics, economics, and anthropology, this book will be an important read for those looking for fresh ways to understand Osundare’s poetry and African nature writing.

This book provides an ecocritical analysis of the poetry of the famous Nigerian poet Niyi Osundare. It interrogates the intricate interface between time and nature in 11 of Osundare’s defining poetry collections. This is a book of postcolonial ecocriticism from an African perspective. It brings together the ecocritical theory of animism and theories of geologic time in the discussion of Osundare’s poetry. Osundare shows that animism has a lot to offer in enriching human understanding of the ecosystem. And while he eloquently catalogues problems undermining the health of the earth in this age of the Anthropocene and the Capitalocene in his poetry, he also holds on to the hope of a better future. The book concludes that Osundare’s optimism is what informs his use of poetry to press humankind to rise to the duty of salvaging the environment. Deploying an interdisciplinary approach that stretches across the fields of literature, religion, geology, physics, economics, and anthropology, this book will be an important read for those looking for fresh ways to understand Osundare’s poetry and African nature writing.

This book investigates the thematic and conceptual dimensions of insidious trauma in contemporary eastern African literatures and cultural productions.The book extends our understanding of trauma beyond people’s immediate and conventional experiences of disastrous events and incidents, instead considering how trauma is sustained in the aftermaths, continuing to impact livelihoods, and familial, social, and gender relationships. Drawing on different circumstances and experiences across and between the eastern African region, the book explores how emerging cultural practices involve varying modes of narrating, representing, and thematising insidious trauma. In doing so, the book considers different forms and practices of cultural production, including fashion, social media, film, and literature, in order to uncover how human subjects and cultural artefacts circulate through modalities of social, cultural and political ecologies.Transdisciplinary in scope and showcasing the work of experts from across the region, this book will be an important guide for researchers across literature, media studies, sociology, and trauma studies.

This book investigates the thematic and conceptual dimensions of insidious trauma in contemporary eastern African literatures and cultural productions.The book extends our understanding of trauma beyond people’s immediate and conventional experiences of disastrous events and incidents, instead considering how trauma is sustained in the aftermaths, continuing to impact livelihoods, and familial, social, and gender relationships. Drawing on different circumstances and experiences across and between the eastern African region, the book explores how emerging cultural practices involve varying modes of narrating, representing, and thematising insidious trauma. In doing so, the book considers different forms and practices of cultural production, including fashion, social media, film, and literature, in order to uncover how human subjects and cultural artefacts circulate through modalities of social, cultural and political ecologies.Transdisciplinary in scope and showcasing the work of experts from across the region, this book will be an important guide for researchers across literature, media studies, sociology, and trauma studies.

This book investigates how Zimbabwean literary texts subvert state-sponsored amnesia when it comes to the many forms of past and ongoing political violence in Zimbabwe.Zimbabwean Literature provides an important space for confronting the past and reflecting on how violence continues into the present day. This violent past was forgotten either through the promise of violence against those who sought to remember, or by depicting the violence as a necessary tool of a never-ending decolonisation process, or by appealing to the logic of letting bygones be bygones. For instance, by claiming that the five years of the Gukurahundi genocide were ‘a moment of madness’, Robert Mugabe set a climate of state-sponsored amnesia which has persisted through subsequent acts of state violence and into the Mnangagwa era. Drawing on key works by Shimmer Chinodya, Alexander Kanengoni, Yvonne Vera, Novuyo Rosa Tshuma, Brian Chikwava, Chenjerai Hove, Panashe Chigumadzi, and NoViolet Bulawayo, this book investigates how fictional works challenge this state-sponsored amnesia, in relation both to Gukurahundi and other past and ongoing forms of violence. Bringing together iconic literary texts from 1980 to 2022, the book draws a common thread through the texts’ connected histories and highlights their role in de-silencing the past.Situated at the interface of memory studies and literary criticism, this book will be of interest to researchers across the fields of African literature, politics, development, and history.

This book provides a rich and full analysis of female Swahili novelists from a feminist perspective, highlighting their important contributions to the living Swahili literary and intellectual tradition.Compared to the diverse and centuries-old oral literature, or religious-philosophical poetry tradition developing since at least the 17th century, the novel is a relatively young phenomenon in the rich body of Swahili literary output, emerging only in the last hundred years. Since then, academia has focused primarily on male novelists, largely disregarding important female writers such as Ndyanao Balisidya, Zainab Burhani, Martha Mvungi Mlangala, Zainab Mwanga, Lucy Nyasulu, and Zainab Alwi Baharoon. This book traces the evolution of women’s writing in Tanzania, highlighting emancipatory and feminist discourses, as well as intersectional themes of class, education, and urbanisation. The author demonstrates how concepts such as utu 'the essence of humanity', aibu 'shame', 'disgrace' and heshima 'honor', 'social respectability' are used in the novels to articulate the value systems and social norms in Swahili communities, including the gendered perceptions of women that they create.Grounded throughout in the historical and socio-political contexts of the authors it discusses, this book will be an important read for researchers of African literature and women’s studies.

This book provides a rich and full analysis of female Swahili novelists from a feminist perspective, highlighting their important contributions to the living Swahili literary and intellectual tradition.Compared to the diverse and centuries-old oral literature, or religious-philosophical poetry tradition developing since at least the 17th century, the novel is a relatively young phenomenon in the rich body of Swahili literary output, emerging only in the last hundred years. Since then, academia has focused primarily on male novelists, largely disregarding important female writers such as Ndyanao Balisidya, Zainab Burhani, Martha Mvungi Mlangala, Zainab Mwanga, Lucy Nyasulu, and Zainab Alwi Baharoon. This book traces the evolution of women’s writing in Tanzania, highlighting emancipatory and feminist discourses, as well as intersectional themes of class, education, and urbanisation. The author demonstrates how concepts such as utu 'the essence of humanity', aibu 'shame', 'disgrace' and heshima 'honor', 'social respectability' are used in the novels to articulate the value systems and social norms in Swahili communities, including the gendered perceptions of women that they create.Grounded throughout in the historical and socio-political contexts of the authors it discusses, this book will be an important read for researchers of African literature and women’s studies.

This book considers how the literature of the Somali diaspora deploys themes of ambivalent belonging in cosmopolitan spaces.The book starts by building a picture of cosmopolitanism thinking from the European Enlightenment through to key postcolonial thinkers like Anthony Appiah, Achille Mbembe, and Arjun Appadurai. However, the book shows that far from a picture of diverse groups coming together in mutual respect, in fact cosmopolitanism is affected by mutual phobias between migrants and their host cultures. These phobias stem from (ethno)racism, Islamophobia, classicism, clannism, xenophobia, and mutual superiority and inferiority complexes. In building this analysis, the book considers key texts from Ayaan Hirsi, Yasmeen Maxamuud, Jonny Steinberg, Nuruddin Farah, and Santur Ghedi, with settings that range from North America, Canada, Norway, Holland, Germany, South Africa, Saudi Arabia to East Africa.Considering literature on the Somali diaspora within the context of major cosmopolitan theories and postcolonial inflexions, this book is an important contribution to contemporary sociopolitical conversations, and will be of interest to researchers across literary and cultural studies.

This book is a powerful testament to the transformative force of women’s storytelling in shaping Zimbabwe’s past and present, and in boldly reimagining its future.Spanning the colonial period to the contemporary moment, the book reconfigures the contours of Zimbabwean literature by challenging dominant narratives and reasserting the significance of women writers’ contributions to national discourses. The Zimbabwean literary landscape has been profoundly shaped by its tumultuous history, marked by colonialism, the struggle for independence, and the entangled socio-economic and political challenges that followed. This book argues that within this context, Zimbabwean women writers emerge as incisive, indispensable voices, offering nuanced, insurgent perspectives on national consciousness, while contesting and recasting dominant narratives of identity, belonging, and cultural memory. The book centres and celebrates the creative contributions of Tsitsi Dangarembga, Panashe Chigumadzi, Sue Nyathi, Irene Sabatini, Samatha Rumbidzai Vazhure, Yvonne Vera, Novuyo Rosa Tshuma, Siphiwe Gloria Ndlovu, NoViolet Bulawayo, Valerie Tagwira, Petina Gappah, and Virginia Phiri. The richly varied chapters illuminate the diverse ways in which these authors imagine, interrogate, and rescript the nation, opening up new critical horizons that are essential for a comprehensive understanding of Zimbabwean literature, culture, race, gender, and national struggles.Arriving at a pivotal moment in Zimbabwe’s postcolonial trajectory, this book will be an indispensable resource and a compelling intervention for researchers across the fields of African literature, gender studies, postcolonial studies, and cultural history, as well as for readers invested in the evolving narratives of Zimbabwe’s literary and national life.

This book assesses the life and works of the leading Zimbabwean poet and novelist, Chenjerai Hove. Proposing a reading of Hove’s work through the dual concepts of rupture and suture, this book investigates Hove’s position as a writer at home and in exile.Described affectionately as ‘Change’ by his contemporaries, Hove’s longing and desire for a free Zimbabwe runs through his works both in his first language, ChiShona, and in his second language, English. Whilst nationalist struggles promised a sense of suture from the wounds of colonialism, in the postcolonial period a new political elite introduced new ruptures, looting resources and flouting the rule of law. Hove’s narratives of decolonisation, globalisation and indigenous becoming in his works point to these unfinished historical processes of rupture and suture, bringing in contrasting themes of beauty and ugliness, democracy and despotism, development and anarchy, independence and corruption. In deploying a framework of rupture and suture to Hove’s work, this book disrupts fundamentalist frameworks suggesting a return to a pristine precolonial past and argues instead that the process of decolonising is relational and reflexive. Providing an important original analysis of Hove’s work, this book also brings in comparisons with other writers in exile, arguing that displaced citizenship allows African writers to trouble the disjuncture/s in the nationalist and postcolonial project.As such, this book will be an important read not only for researchers of Zimbabwean literature but also for scholars working on African and diasporic literature more widely.