Selected Essays – serie

Religion and enlightenment, the twin themes of this volume, always exist in tension. The tensions, affinities, and conflicts between the two, as they play out in German literature from Goethe, Schiller and Kleist down to Kafka and Thomas Mann, are explored in this volume, with one section examining their interplay in the neglected Austrian Enlightenment. Thanks to the historical and textual criticism of the Bible, the ‘sea of faith’ began its withdrawal sooner in Germany than in England, and this collection traces its retreat, looking especially at Nietzsche’s militant opposition to Christianity and at the expression in some modernist writing of a distinctly post-Christian and even post-human outlook.

Ritchie Robertson is Taylor Professor of German at the University of Oxford. This book aims to make more widely available some 27 of his essays on the theme of Enlightenment and religion, in both Germany and Austria, which are otherwise widely scattered in journals published over the last twenty years.

Dante, Petrarch, and Boccaccio, the three crowns of Italian literature, dealt with literature, doctrine, and reality in distinct, yet also overlapping, ways. In this major collection of nineteen essays, Barański explores how they endeavoured to create and establish their authority and identity as writers, while developing new ideas about literature and its status in the world, and, especially in Dante’s case, forging and legitimating new forms of writing. Each treated other authors, such as Guido Cavalcanti, or intellectuals, such as Epicurus, polemically and selectively as foils to their own self-portraits. Petrarch and Boccaccio had also to contend with Dante, and his extraordinary success as a ‘modern’ vernacular authority, though they employed very different strategies for doing so. Barański’s close attention to the medieval context uniting these greatest of medieval writers is complemented by an equally close attention to the scholarly tradition on the questions addressed. To be a historian of literature also means being a historian of one’s subject.

Zygmunt G. Barański is Serena Professor of Italian Emeritus at the University of Cambridge and Notre Dame Professor of Dante & Italian Studies at the University of Notre Dame. He has published extensively on Dante, on medieval Italian literature, on Dante’s fourteenth- and twentieth-century reception, and on twentieth-century Italian literature, film, and culture. For many years he was senior editor of The Italianist, and currently holds the same position with Le tre corone.