SUNY series in Feminist Criticism and Theory – serie
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89 produkter
89 produkter
1 198 kr
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In this book gender is the lens through which autobiography and biography are scrutinized. The authors show what is revealed when they magnify the gendered aspects of both men's and women's writing. The eternal questions of identity, choice, responsibility, happiness, tragedy, and even death are interpreted in terms of gender analysis.The book presents a sequence of studies from the early nineteenth to the late twentieth century that includes individuals such as American poet Anne Sexton and German writers Christa Wolf and Paul Celan, and groups such as nineteenth-century Mexican women and members of the British working class. It extends the paradigm of "self-reflexive" literature to include and highlight the overlap between autobiography and biography, especially in the case of women who often wrote their lives obliquely through the biographies of their famous male relatives, e. g., Adèle Hugo and Anne Thackeray Ritchie.The authors refuse to accept a monolithic conception of gender. The studies of Charles and Mary Lamb, Nadezhda Durova, and John Stuart Mill demonstrate that even in the nineteenth century, a binary gender system is inadequate as a mode of approach to actual life stories.
504 kr
Skickas inom 5-8 vardagar
In this book gender is the lens through which autobiography and biography are scrutinized. The authors show what is revealed when they magnify the gendered aspects of both men's and women's writing. The eternal questions of identity, choice, responsibility, happiness, tragedy, and even death are interpreted in terms of gender analysis.The book presents a sequence of studies from the early nineteenth to the late twentieth century that includes individuals such as American poet Anne Sexton and German writers Christa Wolf and Paul Celan, and groups such as nineteenth-century Mexican women and members of the British working class. It extends the paradigm of "self-reflexive" literature to include and highlight the overlap between autobiography and biography, especially in the case of women who often wrote their lives obliquely through the biographies of their famous male relatives, e. g., Adèle Hugo and Anne Thackeray Ritchie.The authors refuse to accept a monolithic conception of gender. The studies of Charles and Mary Lamb, Nadezhda Durova, and John Stuart Mill demonstrate that even in the nineteenth century, a binary gender system is inadequate as a mode of approach to actual life stories.
Engendering the Subject
Gender and Self-Representation in Contemporary Women's Fiction
Inbunden, Engelska, 1991
1 209 kr
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Robinson sets up a dialogue between feminist critical theory and contemporary women's fiction in order to argue for a new way of reading the specificity of women's writing. Through theoretically informed readings of novels by Doris Lessing, Angela Carter, and Gayl Jones, the author argues that female subjectivity is engendered in discourse through the woman writer's strategic engagement in representational systems that rely on a singular figure of Woman for coherence. Through this engagement, women's self-representation emerges as a process through which women take up multiple and contradictory positions in relation to different hegemonic discursive systems, and through which they engender themselves as subjects.Finally, Engendering the Subject suggests how women's fiction can provide a model for a feminist practice of reading that would simultaneously work against the historical containment of Woman, and for the empowerment of women as subjects of cultural practices.
Engendering the Subject
Gender and Self-Representation in Contemporary Women's Fiction
Häftad, Engelska, 1991
433 kr
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Robinson sets up a dialogue between feminist critical theory and contemporary women's fiction in order to argue for a new way of reading the specificity of women's writing. Through theoretically informed readings of novels by Doris Lessing, Angela Carter, and Gayl Jones, the author argues that female subjectivity is engendered in discourse through the woman writer's strategic engagement in representational systems that rely on a singular figure of Woman for coherence. Through this engagement, women's self-representation emerges as a process through which women take up multiple and contradictory positions in relation to different hegemonic discursive systems, and through which they engender themselves as subjects.Finally, Engendering the Subject suggests how women's fiction can provide a model for a feminist practice of reading that would simultaneously work against the historical containment of Woman, and for the empowerment of women as subjects of cultural practices.
1 051 kr
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Feminism, Bakhtin, and the Dialogic assembles thirteen essays on the intersection of Bakhtin's narrative theory, especially his concept of dialogism. The book explores the dimensions of using Bakhtin for a feminist analysis and discerns the connections between feminist dialogics and cultural materialism. The authors offer various views ranging from studies of ecofeminism, gender theories of novelistic discourse, Bakhtin and French feminism, to analyses of contemporary novelists such as Toni Morrison, Nadine Gordimer, and Pat Barker.Drawing on Bakhtin's sociolinguistics, this book provides an introduction to feminist work on Bakhtin and the development of a cultural politics of reading. Challenging questions are raised: What is dialogic feminism? Can Bakhtin's theories advance a feminist politics? How does a feminist dialogics fit into a materialist feminist practice? Can the "dialogic imagination" also describe some of the most radical moments within feminist thinking? The interdisciplinary focus of these responses represents the ongoing dialogue among literary critics, cultural theorists, and feminists.
377 kr
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Feminism, Bakhtin, and the Dialogic assembles thirteen essays on the intersection of Bakhtin's narrative theory, especially his concept of dialogism. The book explores the dimensions of using Bakhtin for a feminist analysis and discerns the connections between feminist dialogics and cultural materialism. The authors offer various views ranging from studies of ecofeminism, gender theories of novelistic discourse, Bakhtin and French feminism, to analyses of contemporary novelists such as Toni Morrison, Nadine Gordimer, and Pat Barker.Drawing on Bakhtin's sociolinguistics, this book provides an introduction to feminist work on Bakhtin and the development of a cultural politics of reading. Challenging questions are raised: What is dialogic feminism? Can Bakhtin's theories advance a feminist politics? How does a feminist dialogics fit into a materialist feminist practice? Can the "dialogic imagination" also describe some of the most radical moments within feminist thinking? The interdisciplinary focus of these responses represents the ongoing dialogue among literary critics, cultural theorists, and feminists.
Constructing and Reconstructing Gender
The Links Among Communication, Language, and Gender
Häftad, Engelska, 1992
400 kr
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A multifaceted analysis of gender.Constructing and Reconstructing Gender is an excellent compendium of current research, and will be appealing and useful to those interested in gender issues in a wide variety of disciplines. This book cuts across disciplines and scholarly methods, drawing from many backgrounds, including Communication, Linguistics, English, Business, Law, and Psychology. The interweaving of rhetorical, critical, phenomenological, and statistical methods gives readers a multifaceted analysis of gender.At the same time that this book shows the value of gender research in provoking new currents of thought, it also brings into focus two aspects of gender that are often confused: how gender operates as a cultural category that affects communication behavior, and how communication and language function to create gender categories.
1 209 kr
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Gothic fiction usually has been perceived as the special province of women, an attraction often attributed to a thematics of woman-identified issues such as female sexuality, marriage, and childbirth. But why these issues? What is specifically "female" about "Gothic?" This book argues that Gothic modes provide women who write with special means to negotiate their way through their double status as women and as writers, and to subvert the power relationships that hinder women writers.Current theories of "gendered" observation complicate the idea that Gothic-marked fiction relies on composed, individual scenes and visual metaphors for its effect. The texts studied here-by Ann Radcliffe, Mary Shelley, Charlotte Brontë, Harriet Beecher Stowe, George Eliot, and Edith Wharton-explode the authority of a unitary, centralized narrative gaze and establish instead a diffuse, multi-angled textual position for "woman." Gothic moments in these novels create a textualized space for the voice of a "woman writer," as well as inviting the response of a "woman reader."
1 198 kr
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"Only women and inferior men are difficult to deal with." - ConfuciusTwo thousand years after Confucius, the contributors to this book ask if Chinese women have succeeded in changing their status as the equivalent of "inferior men." Gender and Sexuality in Twentieth-Century Chinese Literature and Society approaches the role of women in social change through analyzing literature and culture during the May Fourth and the Post-Cultural Revolution periods.
437 kr
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"Only women and inferior men are difficult to deal with." - ConfuciusTwo thousand years after Confucius, the contributors to this book ask if Chinese women have succeeded in changing their status as the equivalent of "inferior men." Gender and Sexuality in Twentieth-Century Chinese Literature and Society approaches the role of women in social change through analyzing literature and culture during the May Fourth and the Post-Cultural Revolution periods.
1 209 kr
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This book explains the conflicting feelings of anxiety and empowerment that women, historically excluded from masculine discourse, feel when they read and write, and it analyzes narrative strategies that reveal this ambivalence.Anxious Power draws upon feminist literary theory, narrative theory, and reader-response criticism to define women's ambivalence toward language. It is the first collection to address issues of ambivalence in narrative by women, to trace those issues from the medieval period to the present, and to outline a theoretical framework for understanding them.The contributors address a broad spectrum of female literary voices ranging from familiar British and American writers (Jane Austen, Charlotte Bronte, and Willa Cather), and those less well known (Jane Barker, Caroline Lee Henz, Susan Warner, Sarah Grand, and Fanny Howe), to European, Canadian, African-American, South and Latin American, and Asian American writers (Christine de Pizan, Marie-Catherine d'Aulnoy, Margaret Atwood, Harriet Jacobs, Toni Morrison, Clarice Lispector, Sandra Cisneros, and Maxine Hong Kingston).Anxious Power considers forms of women's narrative ranging from fairy tales through romances, novels, and autobiographies, to feminist metafiction.
471 kr
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This book explains the conflicting feelings of anxiety and empowerment that women, historically excluded from masculine discourse, feel when they read and write, and it analyzes narrative strategies that reveal this ambivalence.Anxious Power draws upon feminist literary theory, narrative theory, and reader-response criticism to define women's ambivalence toward language. It is the first collection to address issues of ambivalence in narrative by women, to trace those issues from the medieval period to the present, and to outline a theoretical framework for understanding them.The contributors address a broad spectrum of female literary voices ranging from familiar British and American writers (Jane Austen, Charlotte Bronte, and Willa Cather), and those less well known (Jane Barker, Caroline Lee Henz, Susan Warner, Sarah Grand, and Fanny Howe), to European, Canadian, African-American, South and Latin American, and Asian American writers (Christine de Pizan, Marie-Catherine d'Aulnoy, Margaret Atwood, Harriet Jacobs, Toni Morrison, Clarice Lispector, Sandra Cisneros, and Maxine Hong Kingston).Anxious Power considers forms of women's narrative ranging from fairy tales through romances, novels, and autobiographies, to feminist metafiction.
429 kr
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Shows how eighteenth-century women's literature redefined nation and culture in class and gendered terms.This book examines the poems of three Englishwomen-washerwoman Mary Collier, middle-class feminist polemicist Mary Scott, Bristol milkwoman Ann Yearsley, and Scottish dairywoman from Ayrshire, Janet Little. It questions how national identity might have influenced gender and class affiliations, and, reciprocally, how gender might have determined a nationalist impulse, particularly as it played out during the revolutionary period (1770-1800) in which most of the texts were written.
504 kr
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Describes how Latin-American women writers of all classes, from the beginning of the twentieth century to the present, ironize masculinist, classicist, and racist cliches in their narratives.This book provides a much needed grouping of Latin-American women, emphasizing their differences-the diversity of their cultural backgrounds, socio-economic conditions, and literary strategies-as well as their commonalities. Humble writers of the Spanish and Portuguese testimonio and sophisticated postmodernist authors alike are contextualized within a "matriheritage of founding discourses."
433 kr
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Uses post structuralist, psychoanalytic, and feminist theories to read the poetry of Dickinson, Moore, H.D., and Rich.Scheming Women charts a trajectory of American female poetic speakers from within a heterosexual lyric framework to bisexual and lesbian subjects outside that pervasive frame. In close readings of Dickinson, Moore, H.D., and Rich, the author makes a new argument about the division that permeates their poetic speaking subjects. Postulating a revolutionary female subject, she extends Julia Kristeva's theory of poetic language through an intertextual approach, and shows that these relatively advantaged female poets destructure the very poetic power they are able to assert. Hogue concludes that in not reproducing positions of dominance and privilege indicative of larger cultural trends, these key poets exemplify important alternatives to class, race, and gender hierarchies-persuasively demonstrating the promise of what she terms an ethical feminist poetic practice.
426 kr
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Examines the subversive and constructive narrative of female journey in American literature, from the seventeenth century to the present.Travel is the root metaphor for Western progress, a fact particularly evident in a colonizing and immigrant nation like the United States. Despite changing historical circumstances from one American epoch to another, men have generally been associated with adventurous movement and women with domestic stasis, a bias that has obscured recognition of a significant trope: the woman traveler throughout American literature.Secret Journeys examines the subversive and constructive narrative of female journey from the seventeenth century to the present in such works as John Greenleaf Whittier's Snowbound, Mary Rowlandson's A Narrative of the Captivity and Restauration of Mary Rowlandson, Harriet Jacobs's Incidents in the Life of a Slave Girl, Sarah Orne Jewett's The Country of the Pointed Firs, Edith Wharton's Summer, Willa Cather's The Professor's House, Marilynne Robinson's Housekeeping, Eudora Welty's short fiction, and Elizabeth Bishop's poetry. In recognizing the figure of the woman traveler, Wesley produces new readings of canonical texts that subvert social and political assumptions in texts by men and construct alternative arrangements in texts by women.
370 kr
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Reads a wide range of contemporary feminist theorists to show how they invest in sound as a medium of critical thought.In The Sounds of Feminist Theory, Ruth Salvaggio follows a distinctive turn toward the oral and evocative qualities of language in feminist theory. Questioning paradigms of female voice and varied feminist claims to language, she suggests that feminist theorists listen to the ways in which words mean more than they ostensibly signify, the ways in which language and epistemology-like sound-are mobile. She calls this theoretical project "Hearing the O," a process of listening for and seizing those wavering qualities of language that invite changes, often remarkable alterations, in how we think.A range of contemporary feminist critical writers are discussed: Gloria Anzaldúa, Judith Butler, Hélène Cixous, Rachel Blau DuPlessis, Jane Flax, Susan Griffin, Donna Haraway, Luce Irigaray, Julia Kristeva, Elaine Pagels, Adrienne Rich, Eve Sedgwick, Joan Scott, Jane Tompkins, Trinh Minh-ha, and Patricia Williams. Their investment in the oral modulations of words marks not only a provocative engagement with the incommensurability of contemporary theory, but also a turn to the ambiguous and tangled qualities of language-"poetic literacy"-that generate an evocative epistemology.
433 kr
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Explores the lives and religious imaginations of colonial women and the contributions they made to colonial religious discourse.By exploring the interrelationship between elite and popular religious culture in colonial New England, Coming Into Communion shows that laywomen made active significant contributions, through the process of dialogue, to religious language and theology in the early eighteenth century. Case studies examine a variety of women, including the poet Jane Colman Turell, Sarah Edwards (wife of the prominent theologian), and a group of women whose voices are preserved in history because they were accused of killing their newborn babies. Henigman tells the fascinating stories of their interchanges with their ministers to show that these women subtly revised the language of the clergy, choosing different scripture texts and images to describe a more intimate relationship with God and a holistic sense of community.
Perverse Gaze of Sympathy
Sadomasochistic Sentiments from Clarissa to Rescue 911
Häftad, Engelska, 1999
377 kr
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Offers a new interpretation of "sympathy" as an instrument for investigating contemporary culture, gender, and visual technique.Suggesting that sentimental novels, films, and TV melodramas are guided by an ambivalent and sadoerotic sympathy, this book shows sympathetic sentiments to be cultural formulations of male desire, and sympathy itself to be the embodiment of a controlling gaze. In a playful but historically persuasive linkage of diverse texts, Laura Hinton shows how sympathetic spectators love their victims and, in the process, maintain authoritarian codes of sexual and racial difference.
369 kr
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Probes the complementary yet contested relations between psychoanalysis and feminism, emphasizing the plural nature of each.Bringing together twelve provocative and iconoclastic contributions by leading scholars and new voices, this book probes the complementary yet contested relations between various forms of contemporary psychoanalysis and feminism. The intention is not simply to juxtapose these two preeminent intellectual movements of the twentieth century, but to highlight the manifold nature of each. The contributors use and interrogate Freud, Lacan, Klein, Irigaray, Riviere, and Jessica Benjamin, as well as object-relations theory, self psychology, and Horneyan theory as they discuss the work of such writers as D. H. Lawrence, Emily Bronte, Virginia Woolf, and Kathy Acker.If feminism has insisted that "the personal is political," psychoanalysis argues that no realm of human life is impervious to unconscious motives, which may subvert a subject's avowed intentions. Although Freud remains a point of reference, he is now important as a symptom of the crises of Western patriarchal culture as well as for his epoch-making theoretical ideas. Because feminism and psychoanalysis unsettle each other's complacencies, they rekindle their own radical potential, and what may be perhaps termed their "marriage" has proven, as this book amply shows, to be both enduring and fecund.Contributors include Ranita Chatterjee, Patricia Reid Eldredge, David Galef,Claire Kahane, Lynne Layton, Veronique Machelidon, Michelle A. Masse, Peter L. Rudnytsky, Barbara Schapiro, Madelon Sprengnether, Maureen Turim, and David Willbern.
433 kr
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Through detailed readings and interviews, this book provides a valuable introduction to feminist language-poets and to some of the most compelling issues in contemporary poetry.Poetic Epistemologies explores the political and epistemological implications of women's language-oriented writing in the United States, arguing that, in its investigation of knowledge, language, and gender, this writing (re)unites art with philosophy, and both with social critique. Featuring eight contemporary and four earlier-twentieth-century poets-including Lyn Hejinian, Susan Howe, Leslie Scalapino, Mina Loy, and Gertrude Stein-Simpson emphasizes each writer's unique contribution to the emerging tradition of feminist epistemological poetry. Drawing upon original interviews, as well as poststructuralist and feminist theory, Poetic Epistemologies offers an informed account of one of the most vital recent developments in contemporary American poetry.
426 kr
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Explores alternatives to the gender binary in twentieth-century women's fiction.In 1929, Virginia Woolf used the phrase "other sexes" to point out the dire need to expand our way of thinking about sexual difference. The fiction studied here does just that, by sketching the contours of a world where genders, sexes, and sexualities proliferate and multiply.Focusing on a selection of novels by Woolf, Djuna Barnes, Marianne Hauser, and Jeanette Winterson-novels that cross conventional boundaries between British and American, modern and postmodern, canonical and non-canonical-Andrea L. Harris argues that there is a continuum in these novelists' investigations of gender. Taking as theoretical models Judith Butler's theory of performative gender and Luce Irigaray's concept of the sensible transcendental, Harris analyzes increasingly more radical challenges to the notion of two sexes and two genders throughout the twentieth century.
1 131 kr
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Examines the full spectrum of women's participation in the social, economic, religious, and poetic debates surrounding the French Revolution.This pathbreaking collection engages in the important new work of rediscovering the hundreds of British women writing during the Romantic period, women who we now realize were central, not marginal, to the poetics and ideologies of Romanticism. Yet no previous volume has focused on British women's responses to the French Revolution and the Napoleonic wars, or on their participation in the social, economic, religious, and poetic debates surrounding these political conflicts. As the first book to represent the full spectrum of women's participation in the Revolutionary debates, Rebellious Hearts uncovers a rich new field of literary and historical scholarship.
471 kr
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Examines the full spectrum of women's participation in the social, economic, religious, and poetic debates surrounding the French Revolution.This pathbreaking collection engages in the important new work of rediscovering the hundreds of British women writing during the Romantic period, women who we now realize were central, not marginal, to the poetics and ideologies of Romanticism. Yet no previous volume has focused on British women's responses to the French Revolution and the Napoleonic wars, or on their participation in the social, economic, religious, and poetic debates surrounding these political conflicts. As the first book to represent the full spectrum of women's participation in the Revolutionary debates, Rebellious Hearts uncovers a rich new field of literary and historical scholarship.
1 198 kr
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Argues that contemporary female Gothic novels of death can, in fact, breathe new life into feminist debates about victimization, essentialism, agency, and the body.In Femicidal Fears, Helene Meyers examines contemporary femicidal plots-plots in which women are killed or fear for their lives-to argue that these female Gothic novels of death actually bring the nuances of feminist thought to life. Through her examination of works by Angela Carter, Muriel Spark, Edna O'Brien, Beryl Bainbridge, Joyce Carol Oates, and Margaret Atwood, as well as such infamous cases as the Montreal Massacre and the Yorkshire Ripper, Meyers contends that these femicidal plots restage and embody feminist debates flattened by such glib and automatic phrases as "essentialism" and "victim feminism." Bringing the Gothic and the quotidian together in discussions of heterosexual romance, the sadomasochistic couple, female paranoia, postfeminism, and images of the female body, the book affirms that refusing victimization may not be a simple story, but it is nevertheless one worth telling.
500 kr
Skickas inom 5-8 vardagar
Argues that contemporary female Gothic novels of death can, in fact, breathe new life into feminist debates about victimization, essentialism, agency, and the body.In Femicidal Fears, Helene Meyers examines contemporary femicidal plots-plots in which women are killed or fear for their lives-to argue that these female Gothic novels of death actually bring the nuances of feminist thought to life. Through her examination of works by Angela Carter, Muriel Spark, Edna O'Brien, Beryl Bainbridge, Joyce Carol Oates, and Margaret Atwood, as well as such infamous cases as the Montreal Massacre and the Yorkshire Ripper, Meyers contends that these femicidal plots restage and embody feminist debates flattened by such glib and automatic phrases as "essentialism" and "victim feminism." Bringing the Gothic and the quotidian together in discussions of heterosexual romance, the sadomasochistic couple, female paranoia, postfeminism, and images of the female body, the book affirms that refusing victimization may not be a simple story, but it is nevertheless one worth telling.
Lesbian Index
Pragmatism and Lesbian Subjectivity in the Twentieth-Century United States
Inbunden, Engelska, 2001
1 051 kr
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Adds historical and philosophical perspectives to current debates over whether lesbian identity is socially constructed or genetically based.For more than a century, female homosexuality has been a frequent flashpoint for conflicts configured around such oppositions as nature and nurture, essentialism and constructivism, foundationalist philosophies and poststructuralist ones. In The Lesbian Index, Kim Emery offers the pragmatic semiotics of C. S. Peirce as a way out of this divide. In particular, she introduces Peirce's notion of "indexicality," which marks the intersection of the historical world with the conceptual one, as a useful theoretical tool for tracing the development of lesbian existence and experience. Through readings of historically significant literary works, from the first known U.S. novel with an avowedly homosexual heroine (1895's Norma Trist) to Mary McCarthy's incongruously queer midcentury account of American womanhood (1963's The Group) to Sarah Schulman's damning re-vision of On the Road (1986's Girls, Visions, and Everything), Emery demonstrates how fictional accounts of lesbian lives have engaged key national narratives, reexamining race, rights, private enterprise, imperialism, and other core concepts of American culture. In the process, she accumulates considerable evidence that representations of lesbian identity are not peripheral to mainstream U.S. culture, but a crucial locus and telling index of contested American meanings.
Lesbian Index
Pragmatism and Lesbian Subjectivity in the Twentieth-Century United States
Häftad, Engelska, 2001
426 kr
Tillfälligt slut
Adds historical and philosophical perspectives to current debates over whether lesbian identity is socially constructed or genetically based.For more than a century, female homosexuality has been a frequent flashpoint for conflicts configured around such oppositions as nature and nurture, essentialism and constructivism, foundationalist philosophies and poststructuralist ones. In The Lesbian Index, Kim Emery offers the pragmatic semiotics of C. S. Peirce as a way out of this divide. In particular, she introduces Peirce's notion of "indexicality," which marks the intersection of the historical world with the conceptual one, as a useful theoretical tool for tracing the development of lesbian existence and experience. Through readings of historically significant literary works, from the first known U.S. novel with an avowedly homosexual heroine (1895's Norma Trist) to Mary McCarthy's incongruously queer midcentury account of American womanhood (1963's The Group) to Sarah Schulman's damning re-vision of On the Road (1986's Girls, Visions, and Everything), Emery demonstrates how fictional accounts of lesbian lives have engaged key national narratives, reexamining race, rights, private enterprise, imperialism, and other core concepts of American culture. In the process, she accumulates considerable evidence that representations of lesbian identity are not peripheral to mainstream U.S. culture, but a crucial locus and telling index of contested American meanings.
White Women in Racialized Spaces
Imaginative Transformation and Ethical Action in Literature
Häftad, Engelska, 2002
500 kr
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Explores the unique relationship between white women and racial Others in a wide variety of literary works.At once racially privileged and sexually marginalized, white women have been energetic in calling for solidarity among all women in opposing patriarchy, but have not been equally motivated to examine their own racial privilege. White Women in Racialized Spaces turns primarily to literature to illuminate the undeniable blind spots in white women's comprehension of their advantage. The contributors cover extensive historical ground, from early captivity narratives of white women in seventeenth-century America up to the present-day trials of Louise Woodward and Manjit Basuta, both British nannies accused of causing the deaths of their infant charges in the United States. Their wide-ranging discussions also include representations of white women in Native American, Latin American, African, Asian, and Middle Eastern contexts. The volume ultimately makes the case that, by creating alternative scenarios to particular ethical, political, or emotional problems against which readers and characters test their responses, literature forms an ideal vehicle for exploring white women's actual and potential roles in their efforts to undercut the oppressive force of whiteness.
Celluloid Nationalism and Other Melodramas
From Post-Revolutionary Mexico to fin de siglo Mexamerica
Häftad, Engelska, 2003
486 kr
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Explores issues of representation and rebellion in Mexican and Mexican American cinema.Celluloid Nationalism and Other Melodramas looks at representation and rebellion in times of national uncertainty. Moving from mid-century Mexican cinema to recent films staged in Los Angeles and Mexico City, Susan Dever analyzes melodrama's double function as a genre and as a sensibility, revealing coincidences between movie morals and political pieties in the civic-minded films of Emilio Fernández, Matilde Landeta, Allison Anders, and Marcela Fernández Violante. These filmmakers' rationally and emotionally engaged cinema-offering representations of indigenous peoples and poor urban women who alternately endorsed "civilizing" projects and voiced resistance to such totalization-both interrupts and sustains fictions of national coherence in an increasingly transnational world.