Tales of Mystery & The Supernatural – serie

With an Introduction by David Stuart Davies.'I read it and reread it, and wept and laughed and trembled with horror which at all times assails me yet'.With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it?This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.

Selected and introduced by Stephen Carver‘The beauty of the scene was strangely uplifting. Yet, ever at the back of his thoughts, lay that other aspect of the wilderness: the indifference to human life, the merciless spirit of desolation which took no note of man.’ – The Wendigo ‘Of the quality of Mr. Blackwood’s genius there can be no dispute … he is the one absolute and unquestioned master of weird atmosphere.’ – H.P. Lovecraft Algernon Blackwood (1869 – 1951) – ‘The Ghost Man’ – was a British broadcaster, journalist, traveller, mystic, and paranormal investigator, and, above all, a prolific author of weird, occult, and supernatural fiction. Often, he wrote about the untamed wilderness, from deserts to vast, primeval forests, vividly depicting a natural environment that is at once awe-inspiring, alien and hostile. Many of Blackwood’s most famous tales – such as The Wendigo and ‘The Willows’ (both included in this collection) – are set in the empty places of the world. Like his psychic detective ‘John Silence’, Blackwood was fascinated by elemental spirits, reincarnation, other dimensions, and higher states of consciousness. Wherever such things broke through, he sought them out, and now so can you in this comprehensive collection of his short fiction. As Blackwood explained himself: ‘I believe it possible for our consciousness to change and grow, and that with this change we may become aware of a new universe.’Contents:IntroductionNote on the TextBibliographyWorks by Algernon BlackwoodFurther ReadingA Haunted Island A Case of Eavesdropping The Empty House Keeping His Promise Smith: An Episode in a Lodging House The Listener Max Hensig – Bacteriologist and Murderer: A Story of New YorkThe Willows The Insanity of Jones The Woman’s Ghost Story A Psychical InvasionThe Nemesis of Fire Secret Worship Entrance and ExitThe Sea FitThe Wendigo The Deferred AppointmentThe DamnedA Descent into EgyptTransitionThe DecoyThe Wolves of GodConfessionThe Man Who Was MilliganThe Doll Appendix: Explorers’ Ghost Stories

‘His body was pressed against the wall at the head of the bed, and the face was a mask of agonised horror and fruitless entreaty. But the eyes were already glazed in death, and before Francis could reach the bed the body had toppled over and lay inert and lifeless. Even as he looked, he heard a limping step go down the passage outside.’E. F. Benson was a master of the ghost story and now all his rich, imaginative, spine-tingling and beautifully written tales are presented together in this bumper collection. The range and variety of these spooky narratives is far broader and more adventurous than those of any other writer of supernatural fiction. Within the covers of this volume you will encounter revengeful spectres, vampires, homicidal spirits, monstrous spectral worms and slugs and other entities of nameless dread. This is a classic collection that cannot fail to charm and chill.

Selected and introduced by Stephen CarverThe draped effigy just behind him worried him again. He had been trying, at the back of his mind, behind the other thoughts, to strangle the thought of it. But it was there—very close to him. Suppose it put out its hand, its wax hand, and touched him. But it was of wax: it could not move. No, of course not. But suppose it did? Best known as the author of The Railway Children, beloved British children’s writer Edith Nesbit had a morbid fear of the dark. Childhood trauma had also left her haunted by the thought that dead things might return, and copies of the living become horribly animated. These deep-rooted fears are the foundation of her horror and supernatural fiction. Frequently overlooked by readers and biographers, Nesbit’s weird and uncanny stories belong to the ‘Golden Age of the Ghost Story’ – that period from Dickens to M.R. James – and the ‘Female Gothic’, which uses horror as a veiled way to explore anxieties over motherhood, domestic abuse, and female sexuality. Nesbit’s tales are short, sharp shockers, her delivery vivid, eerie, and unsettling. She wrote about what scared her: ghosts, zombies, ‘things that walk’; madness, murder, and premature burial. This edition collects all her short horror and weird fiction, reproducing her own collection Grim Tales (1893) in its entirety, including ‘Man-size in Marble’, adapted by Mark Gatiss as Women of Stone for the BBC’s 2024 ‘Ghost Story for Christmas’.

Selected and introduced by Stephen Carver'Of living creators of cosmic fear raised to its most artistic pitch, few if any can hope to equal the versatile Arthur Machen.’ – H.P. Lovecraft.There upon the floor was a dark and putrid mass, seething with corruption and hideous rottenness, neither liquid nor solid, but melting and changing before our eyes, and bubbling with unctuous oily bubbles like boiling pitch. And out of the midst of it shone two burning points like eyes…A mysterious beauty leaves a trail of suicides in her wake; an innocent child is indoctrinated into witchcraft and depravity; the bowmen of Agincourt come to the aid of the British Expeditionary Force; animals inexplicably start killing people; and a fragment of Paradise randomly manifests in a London suburb… Welcome to the weird world of Arthur Machen, a writer that H.P. Lovecraft hailed as a ‘Master of Horror.’ Machen fervently believed in a mystical and eternal reality hidden beyond the veil of ordinary existence, that could be glimpsed by those who knew how to look. Sometimes the revelation would be beautiful, sometimes terrible. Using the mediums of horror and weird fantasy, Machen set out to unlock these visions of ‘Sorcery and sanctity.’This collection comprises the majority of Machen’s short horror fiction, including his Decadent masterpiece The Great God Pan, his tales of the malevolent ‘Little People’ still living beneath the mountains and valleys of his native Wales, and the chilling novella The Terror.Full contents:Strange Story of a Red Jar The AutophoneA Double ReturnThe Lost ClubThe Great God PanThe Inmost LightThe Shining PyramidNovel of the Black SealNovel of the Iron MaidNovel of the White PowderThe Red Hand The White PeopleThe BowmenThe Soldiers’ Rest The Monstrance The Great Return Out of the Earth The Terror The Happy Children Ornaments in Jade: -The Rose Garden -The Turanians -The Idealist -Witchcraft -The Ceremony -Psychology -Torture -Midsummer -Nature -The Holy Things Opening the Door The Bright Boy The Children of the Pool The Exalted Omega Out of the Picture Change The Cosy Room N The Dover Road Ritual Appendix: Introduction to The Bowmen

This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.Also included is Edith Nesbit's Man-Size in Marble, which has been adapted for the 2024 instalment of the BBC's A Ghost Story for Christmas series by Mark Gatiss, now titled Woman of Stone.

With an Introduction and Notes by Martin Scofield, University of Kent at Canterbury.Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available.The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme.The volume also includes James's great novella The Turn of the Screw, perhaps the most ambiguous and disturbing ghost story ever written.

With an Introduction by John S. Whitley, University of Sussex.This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included.These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

Based on the translation by Alexander Teixeira de Mattos. With an Introduction by David Stuart Davies.‘… the shadow turned round; and I saw a terrible death’s-head, which darted a look at me from a pair of scorching eyes. I felt as if I were face to face with Satan…’Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance.It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik’s passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale.Gaston Leroux’s novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published.

Horrific, horrendous, unspeakable, The Whitechapel Murderer, Jack the Ripper, stalked the streets of East London in 1888, slaughtering prostitutes and bewildering the police who were hunting him. They never succeeded in apprehending him, and to this day the mystery of his identity remains an enigma. But he did leave clues to his identity, and numerous theories have been entertained throughout the one hundred and twenty years since he held London's East End in his grip of terror.This book looks at the evidence left by the murderer and the reports and investigative papers which recorded the atrocities that the Ripper performed. It takes time to analyse the existing information and evaluate the letters sent to the police. It is the strongest and most powerful book ever written on the murders. It dispels a lot of myths attached to the Ripper, and eliminates a lot of the previously conjectured perpetrators, leaving only those who realistically could have been…Jack the Ripper.

With an Introduction and Notes by Scott Brewster, University of Central Lancashire.Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress.The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

With an Introduction by David Stuart Davies.'In the great mirror opposite I saw myself, and right behind, another wicked fearful self, so like me my soul seemed to quiver within me, as though not knowing to which similitude of body it belonged'.Elizabeth Gaskell is better known today for her pioneering social novels such as Mary Barton (1848) but she also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume. The real charm of this dark anthology is its variety. Unlike so many writers of this kind of material, Gaskell allows the story to fit the style rather than the other way around and as result there is a charming freshness to each tale.This remarkable author uses different voices, tones and topics to engage her readers and as you turn from one story to the next you cannot be quite sure what to expect.

Selected & Introduced by David Stuart Davies.Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these pages you will encounter a married farmer bewitched by a dead girl; a ghostly bell which saves a woman's reputation; the weird spectral eyes which terrorise the midnight hours of an elderly aesthete; the haunted man who receives letters from his dead wife; and the frightening power of a doppelganger which foreshadows a terrible tragedy.Compelling, rich and strange, the ghost stories of Edith Wharton, like vintage wine, have matured and grown more potent with the passing years.

With an Introduction by Kathryn White.Prepare to be shocked. This novel, written in 1796, is a Gothic festival of sex, magic and ghastly, ghostly violence rarely seen in literature. The Monk is remarkably modern in style and tells a breathless tale of temptation, imprisonment and betrayal. Matthew Lewis recounts the downfall of Ambrosio, the holier-than-thou monk seduced within the walls of a Madrid abbey until he heads for the utter corruption of the soul. Meanwhile, two sets of young lovers are thwarted and the reader thrills to pursuits through the woods by bandits and is chilled by the spectre of nuns imprisoned in vermin-ridden and skeleton-crowded vaults.Late Eighteenth Century audiences were polarised in opinion as to the novel's merits. Lord Byron and the Marquis de Sade were impressed by Lewis's daring, while Coleridge warned parents against The Monk's suitability for their sons or daughters, describing the novel as 'poison for youth. If you want a novel that still terrifies, over two hundred years after it was written, there is none finer than The Monk.

Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury.Late in the eighteenth century authors began to write ‘Gothic’ stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the ‘Age of Reason’.This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting ‘The Lame Priest’ are ‘lost masterpieces’ and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling – tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind – insanity, sexuality, death and the often terrible power of the past to catch up with the present.In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories’ place in the complex traditions of Gothic writing in British and American literature.

Editedand with an Introduction by David Stuart Davies.‘Have you ever heard of the fascination of terror?’This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.

M.R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror.As well as the preface, there is a fascinating tail-piece by M.R. James, ‘Stories I Have Tried To Write’, which accompanies these thirty tales. Among them are ‘Casting the Runes’, ‘Oh, Whistle and I’ll come to you, My Lad’, ‘The Tractate Middoth’, ‘The Ash Tree’ and ‘Canon Alberic’s Scrapbook’.‘There are some authors one wishes one had never read in order to have the joy of reading them for the first time. For me, M.R. James is one of these’. Ruth Rendell

With an Introduction by David Stuart Davies.Joseph Sheridan Le Fanu (1814-1873) was one of the great masters of Victorian of mystery and horror fiction, and can be regarded as the father of the modern ghost story. In a Glass Darkly (1872), one of his most celebrated volumes, purports to be the casebook of Dr Hesselius, a pioneer psychologist.These five tales represent some of Le Fanu's most accomplished work, which rises above the staid conventions of the age. Although drawing on Gothic conventions - the book features both ghosts and vampires - Le Fanu redefined the parameters of supernatural fiction. He had little interest in the crude depiction of other worldly phenomena in order to provide the reader with a pleasurable frisson of fear. Le Fanu's concern rather lay in the examination of the results of supernatural experience on the psyche of his protagonist; in this he paved the way for the work of Henry James and M. R. James.Included is ‘Carmilla’, a classic vampire story, pre-dating (but heavily influencing) Dracula by 26 years and establishing many of the traditional facets of the female vampire..This volume is an indispensable cornerstone of modern horror and remains one of the finest collections of unsettling fiction in the language.

Selected and Introduced by M.J. Elliott.That is not dead that can eternal lie And with strange aeons even death may die Millenia ago, the Old Ones ruled our planet. Since that time, they have but slumbered. But when a massive sea tremor brings the ancient stone city of R'lyeh to the surface once more, the Old Ones awaken at last.The Whisperer in Darkness brings together the original Cthulhu Mythos stories of the legendary horror writer H.P. Lovecraft. Included in this volume are several early tales, along with the classics 'The Call of Cthulhu', 'The Dunwich Horror' and 'At the Mountains of Madness'. Arm yourself with a copy of Abdul Alhazred's fabled Necronomican and prepare to face terrors beyond the wildest imaginings of all, save H.P. Lovecraft.

Dracula: Introduction and Notes by Dr David Rogers, Kingston University.'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.'Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.Dracula's Guest & Other Stories: Edited and Introduced by David Stuart Davies.The above is followed with a rich collection of Stoker's macabre tales including Dracula's Guest (which was omitted from the final version of Dracula); a devilishly dangerous haunted room in The Judge's House; a fatalistic tragedy in The Burial of the Rats; a terror of revenge from beyond the grave in The Secret of Growing Gold, and a surprising twist in the tail in The Gypsy's Prophecy. Other strange and frightening episodes provide a feast of terror for those readers who like to be unnerved as well as entertained.

Fully revised Second Edition. With a new Introduction and Bibliography by Dick Collins.The exploits of Sweeney Todd, ‘The Demon Barber of Fleet Street’, have been recounted many times in plays, films and musicals, but the origins of the character largely were forgotten for many years. The String of Pearls - the original tale of Sweeney Todd, a classic of British horror - was first published as a weekly serial in 1846-7 by Edward Lloyd, the King of the Penny Dreadfuls. One of the earliest detective stories, it became an important source for Bram Stoker's Dracula, but it was after over 150 years of obscurity that it appeared first in book form in the Wordsworth edition published in 2005.The one great mystery that has surrounded the book is who the author was - or was it possibly the work of more than one man? In his new introduction to this fully revised second edition, Dick Collins, by means of detailed research of contemporary records, has established finally the identity of the creator of this legendary figure.So here is the original story of the terrifying owner of that famous London barber-shop, and the secret recipe for Mrs Lovett's delicious pies…

With an Introduction by M.J. Elliott.‘My eyes, perversely shaken open, gazed for an instant upon a sight which no human creature could even imagine without panic, fear and physical exhaustion…’A wax museum in London boasts a new exhibit, which no man has seen and remained sane… A businessman is trapped in a train carriage with a madman who claims to have created a new and efficient method of capital punishment… A doctor plans a horrible revenge, using as his murder weapon an insect believed capable of consuming the human soul… Within these pages, some of H P Lovecraft's more obscure works of horror and science fiction can be found, including several fantastic tales from his celebrated Cthulhu Mythos. No true Lovecraft aficionado dare be without this volume.

Selected and Introduced by M J Elliott.‘They were removing the stones quietly, one by one, from the centuried wall. And then, as the breach became large enough, they came out into the laboratory in single file; led by a stalking thing with a beautiful head made of wax.’From the dark, mind-expanding imagination of H P Lovecraft, Wordsworth presents a third volume of tales penned by the greatest horror writer of the 20th Century.  Here are some of Lovecraft’s weirdest  flesh-creeping masterpieces, including Pickman's Model, The Shunned House, his famous serial Herbert West – Reanimator, and several classic tales from the Cthulhu Mythos, in which mankind is subjected to the unimaginable terrors known only to those who have read from the forbidden Necronomicon. Also included in this compelling collection are the complete Randolph Carter stories, chronicling his adventures in this world and the realm of his dreams, where he faces perils beyond comprehension.

‘The thing came abruptly and unannounced; a demon, rat-like, scurrying from pits remote and unimaginable, a hellish panting and stifled grunting, and then from that opening beneath the chimney a burst of multitudinous and leprous life - a loathsome night-spawned flood of organic corruption more devastatingly hideous than the blackest conjurations of mortal madness and morbidity.’Only the expansive imagination of H.P. Lovecraft could conceive the delicious and spine-tingling horrors you will find within the pages of this unique collection. In addition to such classics as The Picture in the House, The Music of Erich Zann and The Rats in the Walls, this volume contains some fascinating rarities: examples of Lovecraft's earliest weird fiction and material unpublished during his lifetime.H.P. Lovecraft's creation of the Cthulhu Mythos has influenced many modern authors, and still remains at the forefront of supernatural literature.

This revised and expanded second edition brings together the uncollected short fiction of the poet, writer and religious philosopher Aleister Crowley (1875-1947). Of the fifty-four stories in the present volume, only thirty-five were published in his lifetime. Most of the rest appear in this collection for the first time.Crowley was a successful critic, editor and author of fiction from 1908 to 1922. Like their author, his stories are fun, smart, witty, thought-provoking and sometimes unsettling. They are set in places in which he had lived, and knew well: Belle Epoque Paris, Edwardian London, pre-revolutionary Russia and America during the First World War.The title story The Drug stands as one of the first accounts — if not the first — of a psychedelic experience. His Black and Silver is a knowing early noir discovery that anticipates an entire genre. Atlantis is a masterpiece of occult fantasy that can stand with Samuel Butler’s Erewhon. Frank Harris considered The Testament of Magdalen Blair the most terrifying tale ever written. This second edition adds several additional stories, including the Qabalistic allegory Ambrosii Magi Hortus Rosarum, featuring the author’s previously unpublished annotations.Extensive editorial end-notes give full details about the stories.