Women in the West – serie

“With eighty men I could ride through the entire Sioux nation.” The story of what has become popularly known as the Fetterman Fight, near Fort Phil Kearney in present-day Wyoming in 1866, is based entirely on this infamous declaration attributed to Capt. William J. Fetterman. Historical accounts cite this statement in support of the premise that bravado, vainglory, and contempt for the fort’s commander, Col. Henry B. Carrington, compelled Fetterman to disobey direct orders from Carrington and lead his men into a perfectly executed ambush by an alliance of Plains Indians. In the aftermath of the incident, Carrington’s superiors-including generals Ulysses S. Grant and William T. Sherman-positioned Carrington as solely accountable for the “massacre” by suppressing exonerating evidence. In the face of this betrayal, Carrington’s first and second wives came to their husband’s defense by publishing books presenting his version of the deadly encounter. Although several of Fetterman’s soldiers and fellow officers disagreed with the women’s accounts, their chivalrous deference to women’s moral authority during this age of Victorian sensibilities enabled Carrington’s wives to present their story without challenge. Influenced by these early works, historians focused on Fetterman’s arrogance and ineptitude as the sole cause of the tragedy. In Give Me Eighty Men, Shannon D. Smith reexamines the works of the two Mrs. Carringtons in the context of contemporary evidence. No longer seen as an arrogant firebrand, Fetterman emerges as an outstanding officer who respected the Plains Indians' superiority in numbers, weaponry, and battle skills. Give Me Eighty Men both challenges standard interpretations of this American myth and shows the powerful influence of female writers in the nineteenth and twentieth centuries.

2019 Tucson Weekly “40 Essential Arizona Books” pick2014 One Book Yuma selection 2010 Best of the Best from the University Presses (ALA) selection2010 Caroline Bancroft History Prize Finalist2009 Southwest Book of the YearIn 1851 Olive Oatman was a thirteen-year old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.   Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois-including the massacre, her captivity, and her return to white society-to her later years as a wealthy banker’s wife in Texas.   Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.

“With eighty men I could ride through the entire Sioux nation.” The story of what has become popularly known as the Fetterman Fight, near Fort Phil Kearney in present-day Wyoming in 1866, is based entirely on this infamous declaration attributed to Capt. William J. Fetterman. Historical accounts cite this statement in support of the premise that bravado, vainglory, and contempt for the fort’s commander, Col. Henry B. Carrington, compelled Fetterman to disobey direct orders from Carrington and lead his men into a perfectly executed ambush by an alliance of Plains Indians. In the aftermath of the incident, Carrington’s superiors-including generals Ulysses S. Grant and William T. Sherman-positioned Carrington as solely accountable for the “massacre” by suppressing exonerating evidence. In the face of this betrayal, Carrington’s first and second wives came to their husband’s defense by publishing books presenting his version of the deadly encounter. Although several of Fetterman’s soldiers and fellow officers disagreed with the women’s accounts, their chivalrous deference to women’s moral authority during this age of Victorian sensibilities enabled Carrington’s wives to present their story without challenge. Influenced by these early works, historians focused on Fetterman’s arrogance and ineptitude as the sole cause of the tragedy. In Give Me Eighty Men, Shannon D. Smith reexamines the works of the two Mrs. Carringtons in the context of contemporary evidence. No longer seen as an arrogant firebrand, Fetterman emerges as an outstanding officer who respected the Plains Indians' superiority in numbers, weaponry, and battle skills. Give Me Eighty Men both challenges standard interpretations of this American myth and shows the powerful influence of female writers in the nineteenth and twentieth centuries.

Raised in a sheltered, puritanical household in New England, Elaine Goodale Eastman (1863–1953) followed her conscience and calling in 1885 when she traveled west and opened a school on the Great Sioux Reservation in South Dakota. Over the next six years she witnessed many of the monumental events that affected the Lakotas, including the inception of the Ghost Dance religion and the fallout from the Wounded Knee massacre in December 1890. She also fell in love with and married Charles Eastman, a Dakota doctor with whom she had six children, and went on to help edit his many popular books on Sioux life and culture. This biography draws on a newly discovered cache of more than one hundred letters from Elaine that were collected by one of her sisters, Rose Goodale Dayton, as well as newly discovered family correspondence and photographs. Previous books about Elaine—including her own autobiography—emphasize her work on the Sioux reservation and association with her famous husband. Access to her personal papers, however, enabled Theodore D. Sargent to shed new light on the dynamics of her thirty-year marriage to Charles and its ultimate demise, the importance of her own literary contributions during this period, and the challenges and successes of her life following their separation. The result is a long overdue multidimensional portrait of the relationships and aspirations that impelled and troubled this fascinating woman and her extraordinary life.

In 1881 Thomas and Elizabeth Tannatt said a final good-bye to Massachusetts and the eastern seaboard and set out in search not of land but of opportunities for social and political advancement. Facing severe limitations to their goals in the depressed and disheveled postwar East, the Tannatts went west to Walla Walla, Washington Territory, to pursue their dreams of influence and status. Domesticating the West examines the motivations of late-nineteenth-century middle-class migrants who moved west to build communities and establish themselves as leaders. The West offered new opportunities for solidly middle-class eastern families who endured hardship, uncertainty, and displacement during the Civil War, and who struggled to carve out meaningful social space in the war's aftermath. Brenda K. Jackson places the Tannatts at the center of this movement and demonstrates how gender, class, and place affected the new migrants' abilities to integrate into their new communities. She also shows how easterners redefined themselves as leaders of a new, moral western environment through volunteerism and political participation. While many studies of westward expansion focus exclusively on the earliest pioneers, Jackson adroitly shows how later arrivals shaped the social, economic, and cultural growth of the nation.

During a time when female reporters were almost always relegated to the society and women's pages of the newspapers, a few hundred notable women broke barriers and wrote their way onto the front pages of metropolitan newspapers. Front-Page Women Journalists, 1920–1950 takes a look at the lives and careers of women who worked successfully in this male-dominated profession. Kathleen A. Cairns examines the roles women played in early-twentieth-century newspaper journalism and the influence they had on future generations of newspaperwomen through the examples of Agness Underwood, Charlotta Bass, and Ruth Finney. Each of these front-page women faced her own challenges, whether in regard to class, race, or gender. To get to the newsroom, and to stay there, they had to craft subtle, clever, and exhausting strategies. They had to be tough but compassionate, deferential yet independent, tenacious but also gracious. Most important, they could never openly challenge larger cultural assumptions about gender or suggest that they sought to advance the status of all women as well as themselves. In spite of these challenges, front-page women played a significant role in reshaping public perceptions about women's roles. The public nature of journalism gave these women a large audience and a prominent stage on which to act out new professional identities. Their audience witnessed them traipsing through war zones, debating politics, and gaining scoops on high-profile criminal cases. The women viewed themselves as path-breakers, although they rarely openly acknowledged it. Between the lines, however, they suggested that they understood how important their success was to future generations of women. They quietly mentored other young female reporters, paved the way for the eventual admission of women into the all-male press clubs, and opened up more career opportunities for women.

"Crack shot." "Enigma woman." "Good with ponies and pistols." "A much-married woman." What if such an unconventional woman—and the press unanimously agreed that Nellie May Madison was indeed unconventional—were to get away with murder? Shortly after her husband's bullet-riddled body was found in the couple's Burbank apartment, police issued an all-points bulletin for the "beautiful, dark-haired widow." The ensuing drama unfolded with all the strange twists and turns of a noir crime novel.       In this intriguing cultural history, Kathleen A. Cairns tells the true tale of the first woman sentenced to death in California, Nellie May Madison. Her story offers a glimpse into law and disorder in 1930s Los Angeles while bringing to life a remarkable character whose plight reflects on the status of woman, the workings of the media and the judiciary system, and the stratification of society in her time. An intriguing cultural history, Cairns's re-creation of the case from murder to trial to aftermath casts an eye forward to our own love-hate affair with celebrity crimes and our abiding ambivalence about domestic violence abuse as a defense for murder.

When the town of Pendleton, Oregon, held its first large-scale rodeo, it introduced a new kind of rodeo queen-not a traveling cowgirl performer but a young, middle-class woman from its own town. Riding Pretty examines the history, evolution, and significance of the community-sponsored rodeo queen, from the introduction of this new phenomenon at the 1910 Pendleton Round-Up to the advent of Miss Rodeo America in 1956, and places the main theme-connection of queens to community-within the context of the evolution of rodeo as a spectator sport and the changing concepts of gender relations in the American West.The model for community-sponsored rodeo queens that originated in Pendleton gradually spread to other rodeos throughout the West, giving young women the opportunity to participate both in rodeo and in their communities. From 1910 to 1956, the community-sponsored rodeo queen’s role expanded, both in terms of her responsibilities and in terms of the community she represented, local, regional, and national. While each community adapted the rodeo queen phenomenon to suit the characteristics of its own celebration, the main characteristics of the role remained: the rodeo queen as a symbol of the local rodeo and as a metaphor for western women.

The writings of the American West have long dealt with masculine ideals. Well into the twentieth century, what little attention was afforded to women typically reflected prescribed or stereotyped roles, and the work of women scholars received less attention than that of men. And yet the early twentieth century saw a host of pioneering scholars who would not be ignored, erased, or marginalized.  The ten women intellectuals showcased in this volume were pioneers in the writing of Indian-centered history, ethnology, and folklore that incorporated the insights, voices, and perspectives of American Indians. These authors not only produced significant works that are still useful to modern-day scholars; they also pioneered research methods and theoretical concepts that helped lay the foundation for the new scholarship on western history, American Indian studies, and ethnohistory. Noted scholars have provided individual biographies describing the struggles and contributions these foremothers made to the creation of late twentieth-century scholarship: Annie Heloise Abel, Gertrude Simmons Bonnin (Zitkala-Ša), Angie Debo, Ella Cara Deloria, Isabel T. Kelly, Marjorie Ferguson Lambert, Dorothea Cross Leighton, Alice Marriott, Mari Sandoz, and Ruth Underhill.

2019 Tucson Weekly “40 Essential Arizona Books” pick2014 One Book Yuma selection 2010 Best of the Best from the University Presses (ALA) selection2010 Caroline Bancroft History Prize Finalist2009 Southwest Book of the YearIn 1851 Olive Oatman was a thirteen-year old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.   Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois-including the massacre, her captivity, and her return to white society-to her later years as a wealthy banker’s wife in Texas.   Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.

With the passage of the Morrill Act in 1862, many states in the Midwest and the West chartered land-grant colleges following the Civil War. Because of both progressive ideologies and economic necessity, these institutions admitted women from their inception and were among the first public institutions to practice coeducation. Although female students did not feel completely accepted by their male peers and professors in the land-grant environment, many of them nonetheless successfully negotiated greater gender inclusion for themselves and their peers.In Bright Epoch, Andrea G. Radke-Moss tells the story of female students' early mixed-gender encounters at four institutions: Iowa Agricultural College, the University of Nebraska, Oregon Agricultural College, and Utah State Agricultural College. Although land-grant institutions have been most commonly associated with domestic science courses for women, Bright Epoch illuminates the diversity of other courses of study available to female students, including the sciences, literature, journalism, business commerce, and law. In a culture where the forces of gender separation constantly battled gender inclusion, women found new opportunities for success and achievement through activities such as literary societies, athletics, military regiments, and women's rights and suffrage activism. Through these venues, women students challenged nineteenth-century gender limitations and created broader definitions of female inclusion and participation in the land-grant environment and in the larger American society.

Raised in a sheltered, puritanical household in New England, Elaine Goodale Eastman (1863–1953) followed her conscience and calling in 1885 when she traveled west and opened a school on the Great Sioux Reservation in South Dakota. Over the next six years she witnessed many of the monumental events that affected the Lakotas, including the inception of the Ghost Dance religion and the fallout from the Wounded Knee massacre in December 1890. She also fell in love with and married Charles Eastman, a Dakota doctor with whom she had six children, and went on to help edit his many popular books on Sioux life and culture. This biography draws on a newly discovered cache of more than one hundred letters from Elaine that were collected by one of her sisters, Rose Goodale Dayton, as well as newly discovered family correspondence and photographs. Previous books about Elaine—including her own autobiography—emphasize her work on the Sioux reservation and association with her famous husband. Access to her personal papers, however, enabled Theodore D. Sargent to shed new light on the dynamics of her thirty-year marriage to Charles and its ultimate demise, the importance of her own literary contributions during this period, and the challenges and successes of her life following their separation. The result is a long overdue multidimensional portrait of the relationships and aspirations that impelled and troubled this fascinating woman and her extraordinary life.

Sweetwater County lies in southwestern Wyoming, and has stood as a significant symbolic geography for the "new Western Woman’s" history. As the county in which Elinore Pruitt Stewart (Letters of a Woman Homesteader, Nebraska 1990) said she proved up her homestead in 1913, it is a fitting locale for the study of western gender relations. The Important Things of Life examines women’s work and family lives in Sweetwater County in the late nineteenth and early twentieth centuries. The 1880’s discovery of coal caused a population boom, attracting immigrants from numerous ethnic groups. At the same time, liberalized homestead law drew sheep and cattle ranchers. Dee Garceau demonstrates how survival on the ranching and mining frontier heightened the value of group cooperation in ways that bred conservative attitudes toward gender. Augmented by reminiscences and oral histories, Garceau traces the adaptations that broadened women’s work roles and increased their domestic authority. Hers is a compelling portrait of the American West as a laboratory of gender role change, in which migration, relocation, and new settlement underscored the development of new social identities.

Mildred Dee Brown (1905–89) was the cofounder of Nebraska's Omaha Star, the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha's Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal.Within the context of African American and women's history studies, Amy Helene Forss's Black Print with a White Carnation examines the impact of the black press through the narrative of Brown's life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown's fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America's changing racial landscape.

In 1919 Charlotte Anita Whitney, a wealthy white woman, received one of the first Communist Labor Party membership cards for the charter group of the northern California Communist Labor Party. Less than a decade later in Berkeley, California, a Jewish woman named Dorothy Ray Healey became a card-carrying member of the Young Communist League. Nearly forty years later, in 1966, Kendra Claire Harris Alexander, a mixed-race woman, enlisted with the Los Angeles branch of the Communist Party, determined to promote class equality.In Gendering Radicalism, Beth Slutsky examines how American leftist radicalism was experienced through the lives of these three women who led the California branches of the Communist Party from its founding in 1919 to its near dissolution in 1992. Separately, each woman represents a generation of the membership and activism of the party. Collectively, Slutsky argues, their individual histories tell the story of one of the most infamous organizations this country has ever known and in a broader sense represent the story of all women who have devoted their lives to radicalism in America. Slutsky considers how gender politics, California's political climate, coalitions with other activist groups and local communities, and generational dynamics created a grassroots Communist movement distinct from the Communist parties in the Soviet Union and Europe. An ambitious comparative study, Gendering Radicalism demonstrates the continuity and changes of the party both within and among three generations of its female leaders' lives.

In 1901, Philadelphia's celebrity female journalist stepped off a train in Blackfoot, Montana, and into a world of living legends. The miners and frontiersmen, Indians and trappers that Caroline Lockhart met there inspired this beautiful, single, strong-willed woman to live a life she had only dreamed about in what remained of the Wild West. This is the true story of a woman whose work and life teetered between realism and romanticism and who wrote novels "like a man" yet ran her businesses and love affairs like a liberated feminist. Prep-school educated (she attended the Moravian Seminary for girls) and well-traveled (her assignments took her throughout Europe), she chose to live out her passions in a time when to bare one's ankle could ruin a woman for life. As a newspaper publisher in Cody, Wyoming, she founded the town's still-thriving Stampede Rodeo, received critical praise from the demanding H. L. Mencken, and saw three of her seven novels turned into films. Yet she also infuriated neighbors and admirers with her cantankerous crusades (she referred to novelist Zane Grey, for instance, as "that tooth-pulling ass!") and indomitable will. In this all-encompassing portrait the Cowboy Girl, Caroline Lockhart, emerges as a woman who remade the fantasy of the West in life and in words, and who keeps us spellbound to this day.

In 1924 eight young women drove across the American West in two Model T Fords. In nine weeks they traveled more than nine thousand unpaved miles on an extended car-camping trip through six national parks, "without a man or a gun along." It was the era of the flapper, but this book tells the story of a group of farm girls who met while attending Iowa's Teacher's College and who shared a "yen to see some things." A blend of oral and written history, adventure, memoir, and just plain heartfelt living, Eight Women is a story of ordinary people doing extraordinary things. Weaving together a granddaughter's essays with family stories and anecdotes from the 1924 trip, the book portrays four generations of women extending from nineteenth-century Norway to present-day Iowa—and sets them loose across the western United States where the perils and practicalities of automotive travel reaffirm family connections while also celebrating individual freedom.

Lost for almost half a century and never before published, When Montana and I Were Young is a remarkable primary account of a child's life in the early part of the twentieth century. Margaret Bell (1888–1982) was a rancher and horse breaker whose memoir tells the story of a frontier childhood on the high plains of Montana and Canada. Hers was not a typical childhood. Bell was barely seven when her mother died, and her stepfather, Hedge Wolfe, moved Bell and her three younger half-sisters far from their nurturing grandmother to the Canadian plains and a life of extreme poverty, hardship, and abuse.

"Oh how I do wish I could have a little help in maintaining my home. I shall dread the cold winter so much. I don't have very good success getting employment," wrote Emily French in her diary in 1890. Emily was recently divorced but received no alimony or child support. She worked as a laundress, cleaning woman, and nurse, first in the farming community of Elbert, Colorado, then in the growing city of Denver, the mining town of Dake, and back into Denver. Emily's diary discloses an example of the desperate lives lived by many. Having enough money and food is a source of constant anxiety, but her deepest fears center on the loss of family and of home. She becomes discouraged but never gives up, recognizes others less fortunate than herself, and always believes things will change. This is a moving work that provides an unusual look into the life of the working poor in the late-nineteenth-century West.

Generations of readers have delighted in Elinore Pruitt Stewart's Letters of a Woman Homesteader (1914) and Letters on an Elk Hunt (1915), among the most engaging accounts of life in the American West. Stewart related her adventures on an isolated Wyoming homestead with such vividness, gusto, and sympathy that she has become the woman homesteader. Until now, however, little has been known about her except what she chose to reveal in her published letters. Old friends and new acquaintances alike will welcome this book combining Stewart's previously unpublished or uncollected letters with Susanne K. George's extensive research. Here is as full and candid a portrait as wella re ever likely to have of The Woman Homesteader: the illness, disappointments, and grinding hard work that lay behind her genial public persona; the family, neighbors, and correspondents who peopled her letter-stories and shared her life.George has discovered in Elinore Pruitt Stewart a story fully as rewarding as any told by the Woman Homesteader herself. In an afterword George considers Stewart's use of fictional devices and her growth as a writer as well as her place in American letters.

Over the course of a dozen years, Scottish plant collector Isobel Wylie Hutchison (1889–1982) explored northern latitudes from the Lofoten Islands of Norway to the far reaches of the American Aleutians. To achieve her goals, she traveled by any means available, from rowboats in Greenland to trading schooners and coast-guard vessels in Alaska. When necessary, she journeyed by snowshoe or sled in pursuit of her botanical specimens, accompanied only by strangers who served as guides. In Flowers in the Snow, Gwyneth Hoyle paints a vivid portrait of a woman gloriously out of the step with the conventions of her time.

In this interdisciplinary study of gender, cross-cultural encounters, and federal Indian policy, Margaret D. Jacobs explores the changing relationship between Anglo-American women and Pueblo Indians before and after the turn of the century. During the late nineteenth century, the Pueblos were often characterized by women reformers as barbaric and needing to be "uplifted" into civilization. By the 1920s, however, the Pueblos were widely admired by activist Anglo-American women, who challenged assimilation policies and worked hard to protect the Pueblos' "traditional" way of life. Deftly weaving together an analysis of changes in gender roles, attitudes toward sexuality, public conceptions of Native peoples, and federal Indian policy, Jacobs argues that the impetus for this transformation in perception rests less with a progressively tolerant view of Native peoples and more with fundamental shifts in the ways Anglo-American women saw their own sexuality and social responsibilities.

The modern woman who tries to juggle private and public roles with equilibrium will discover a spiritual ancestor in Alice Kirk Grierson. The colonel's lady spent most of her life at army outposts on the nineteenth-century western frontier, where she faced the problems of raising a large family while fulfilling the duties of a commanding officer's wife. Fortunately for history, she left a large and extraordinarily candid correspondence, which has now been edited by Shirley Anne Leckie. Alice was the wife of Benjamin B. Grierson, a major general in the Civil War who won fame for a raid that contributed to the fall of Vicksburg. Her letters begin in 1866, when her husband reentered the army as colonel of the legendary "buffalo soldiers" of the Tenth Cavalry, and end with her death in 1888. During these years she chronicles the criticism experienced by her husband in commanding one of the army's two black mounted regiments and the frustration when he is repeatedly passed over for promotion, in part because he advocated a more humane Indian policy. All the while her position requires her to assume heavy responsibilities as a hostess. Her letters are just as unflinching in describing the daily hard-ships of raising a family at frontier posts like Forts Riley, Gibson, Sill, Concho, Davis, and Grant, where two of her seven children died young and two suffered from manic-depressive psychosis. They are extraordinary for their insight into nineteenth-century attitudes toward birth control, childbearing, marital roles, race relations, and mental illness.

Called "Her Majesty" because of her resemblance to Queen Victoria and known as "the measuring woman" among the Indians whose land allotments she administered, Alice Fletcher (1838–1923) commanded respect from both friend and foe. She was the foremost woman anthropologist in the United States in the nineteenth century and instrumental in the adoption of the policy of severalty that dominated Indian affairs in the 1880s. This is the full and intimate story of a woman who, as she grew in understanding of Indian ways, came to recognize that she was the one who was alien, a stranger in her native land. Joan Mark recreates the long and active life of Alice Fletcher from diaries, correspondence, and other records, placing her achievements for the first time in a feminist perspective. Sustained by a sense of mission, Alice Fletcher challenged her society's definition of what women could be and do.

In this new and enlarged edition the editors have built on an already strong collection with four new accounts. Colorado pioneer Augusta Tabor gives a sense of the heady days as Leadville became a major mining center. Abigail Duniway describes the challenges of life for women in the Pacific Northwest. Effie Wiltbank's short selection is a reminiscence of her grandmother's "receet" for washing clothes, a chore that epitomizes the practical skill, determination, and common sense required of so many Western women. Apolinaria Lorenzana offers a rare glimpse of the operations of the mission system while illuminating the perils of living with the acquisitive Americans.