Yale French Studies, Number 121: Literature and History: Around Suite Française and Les Bienveillantes Volume 121
Richard J. Golsan, Philip Watts
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The most famous name in French literary circles from the late 1950s till his death in 1981, Roland Barthes maintained a contradictory rapport with the cinema. As a cultural critic, he warned of its surreptitious ability to lead the enthralled spectator toward an acceptance of a pre-given world. As a leftist, he understood that spectacle could be turned against itself and provoke deep questioning of that pre-given world. And as an extraordinarily sensitive human being, he relished the beauty of images and the community they could bring together.
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Yale French Studies, Number 121: Literature and History: Around Suite Française and Les Bienveillantes Volume 121
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Häftad
382 kr