Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. His research interrogates intersections between music theory and history. His publications center on nineteenth-century music and on sound media, including Music and Monumentality (2009). His work has been recognized with a Guggenheim Fellowship and the Dent Medal.

"Beethoven meets media theory in Alexander Rehding's wonderful and expansive account of Symphony No. 9. Taking the symphony's monumental challenges into the 21st century, Rehding offers a novel interpretation based on its recent performance and adaptation history, troubling our most fundamental understandings of music, communication and time in the process. A delightful and surprising read."-Jonathan Sterne, McGill University, author of MP3: The Meaning ofa Format

• Contents Acknowledgements Chapter 1: Beethoven's Ninth for a New Millennium Chapter 2: Marking History Chapter 3: Marking Hearing Chapter 4: Marking Time Chapter 5: Marking Form Chapter 6: Marking Noise Select Bibliography

Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. His research interrogates intersections between music theory and history. His publications center on nineteenth-century music and on sound media, including Music and Monumentality (2009). His work has been recognized with a Guggenheim Fellowship and the Dent Medal.

"Beethoven meets media theory in Alexander Rehding's wonderful and expansive account of Symphony No. 9. Taking the symphony's monumental challenges into the 21st century, Rehding offers a novel interpretation based on its recent performance and adaptation history, troubling our most fundamental understandings of music, communication and time in the process. A delightful and surprising read."-Jonathan Sterne, McGill University, author of MP3: The Meaning ofa Format

• Contents Acknowledgements Chapter 1: Beethoven's Ninth for a New Millennium Chapter 2: Marking History Chapter 3: Marking Hearing Chapter 4: Marking Time Chapter 5: Marking Form Chapter 6: Marking Noise Select Bibliography

Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. His research interrogates intersections between music theory and history. His publications center on nineteenth-century music and on sound media, including Music and Monumentality (2009). His work has been recognized with a Guggenheim Fellowship and the Dent Medal.

"Beethoven meets media theory in Alexander Rehding's wonderful and expansive account of Symphony No. 9. Taking the symphony's monumental challenges into the 21st century, Rehding offers a novel interpretation based on its recent performance and adaptation history, troubling our most fundamental understandings of music, communication and time in the process. A delightful and surprising read."-Jonathan Sterne, McGill University, author of MP3: The Meaning ofa Format

• Contents Acknowledgements Chapter 1: Beethoven's Ninth for a New Millennium Chapter 2: Marking History Chapter 3: Marking Hearing Chapter 4: Marking Time Chapter 5: Marking Form Chapter 6: Marking Noise Select Bibliography