Alexander Rehding teaches music theory at Harvard University. He specializes in the music of the nineteenth century, history of music theory, and media theory. His publications include Hugo Riemann and the Birth of Modern Musical Thought (2003), Music and Monumentality (2009), and Beethoven's Ninth Symphony (2017). He is editor-in-chief of the Oxford Handbooks Online in Music and series editor for a six-volume Cultural History of Music. Steven Rings teaches music theory at the University of Chicago. His research ranges from transformational theory to studies of the popular singing voice. His book Tonality and Transformation received the Emerging Scholar Award from the Society for Music Theory, and his article "A Foreign Sound to Your Ear: Bob Dylan Performs 'It's Alright, Ma (I'm Only Bleeding),' 1964-2009" received the Outstanding Publication Award from the SMT's Popular Music Interest Group. He is Series Editor of Oxford Studies in Music Theory.

In reading it, I learned and I was exercised; the collection is outstanding indeed

• Contributors Introduction 1. Pitch, Tone, and NoteBryan Parkhurst, Stephan Hammel 2. IntervalHenry Klumpenhouwer 3. ModeSusan McClary 4. ScaleMatthew Gelbart 5. TonicSteven Rings 6. TimbreDavid Blake 7. TextureJonathan De Souza 8. RepetitionElizabeth Hellmuth Margulis 9. MeterRichard Cohn 10. TemporalitiesMartin Scherzinger 11. GrooveGuilherme Schmidt Câmara, Anne Danielsen 12. PhraseJanet Schmalfeldt 13. Music's Moving FormDaniel Grimley 14. Expressive TimingMitch Ohriner 15. MelodyDavid Trippett 16. Consonance and DissonanceAlexander Rehding 17. Tonal HarmonyIan Quinn 18. Key and ModulationSuzannah Clark 19. CadenceDaniel Harrison 20. SequenceNaomi Waltham-Smith 21. PolyphonyMichael Tenzer 22. Musical GrammarRobert O. Gjerdingen 23. Beneath ImprovisationVijay Iyer 24. Analytical RelationshipsMarion Guck 25. Images, Visualization, and RepresentationDora Hanninen 26. What is Music, Anyway?Andrew Bowie Index

Alexander Rehding teaches music theory at Harvard University. He specializes in the music of the nineteenth century, history of music theory, and media theory. His publications include Hugo Riemann and the Birth of Modern Musical Thought (2003), Music and Monumentality (2009), and Beethoven's Ninth Symphony (2017). He is editor-in-chief of the Oxford Handbooks Online in Music and series editor for a six-volume Cultural History of Music. Steven Rings teaches music theory at the University of Chicago. His research ranges from transformational theory to studies of the popular singing voice. His book Tonality and Transformation received the Emerging Scholar Award from the Society for Music Theory, and his article "A Foreign Sound to Your Ear: Bob Dylan Performs 'It's Alright, Ma (I'm Only Bleeding),' 1964-2009" received the Outstanding Publication Award from the SMT's Popular Music Interest Group. He is Series Editor of Oxford Studies in Music Theory.

In reading it, I learned and I was exercised; the collection is outstanding indeed

• Contributors Introduction 1. Pitch, Tone, and NoteBryan Parkhurst, Stephan Hammel 2. IntervalHenry Klumpenhouwer 3. ModeSusan McClary 4. ScaleMatthew Gelbart 5. TonicSteven Rings 6. TimbreDavid Blake 7. TextureJonathan De Souza 8. RepetitionElizabeth Hellmuth Margulis 9. MeterRichard Cohn 10. TemporalitiesMartin Scherzinger 11. GrooveGuilherme Schmidt Câmara, Anne Danielsen 12. PhraseJanet Schmalfeldt 13. Music's Moving FormDaniel Grimley 14. Expressive TimingMitch Ohriner 15. MelodyDavid Trippett 16. Consonance and DissonanceAlexander Rehding 17. Tonal HarmonyIan Quinn 18. Key and ModulationSuzannah Clark 19. CadenceDaniel Harrison 20. SequenceNaomi Waltham-Smith 21. PolyphonyMichael Tenzer 22. Musical GrammarRobert O. Gjerdingen 23. Beneath ImprovisationVijay Iyer 24. Analytical RelationshipsMarion Guck 25. Images, Visualization, and RepresentationDora Hanninen 26. What is Music, Anyway?Andrew Bowie Index

Alexander Rehding teaches music theory at Harvard University. He specializes in the music of the nineteenth century, history of music theory, and media theory. His publications include Hugo Riemann and the Birth of Modern Musical Thought (2003), Music and Monumentality (2009), and Beethoven's Ninth Symphony (2017). He is editor-in-chief of the Oxford Handbooks Online in Music and series editor for a six-volume Cultural History of Music. Steven Rings teaches music theory at the University of Chicago. His research ranges from transformational theory to studies of the popular singing voice. His book Tonality and Transformation received the Emerging Scholar Award from the Society for Music Theory, and his article "A Foreign Sound to Your Ear: Bob Dylan Performs 'It's Alright, Ma (I'm Only Bleeding),' 1964-2009" received the Outstanding Publication Award from the SMT's Popular Music Interest Group. He is Series Editor of Oxford Studies in Music Theory.

In reading it, I learned and I was exercised; the collection is outstanding indeed

• Contributors Introduction 1. Pitch, Tone, and NoteBryan Parkhurst, Stephan Hammel 2. IntervalHenry Klumpenhouwer 3. ModeSusan McClary 4. ScaleMatthew Gelbart 5. TonicSteven Rings 6. TimbreDavid Blake 7. TextureJonathan De Souza 8. RepetitionElizabeth Hellmuth Margulis 9. MeterRichard Cohn 10. TemporalitiesMartin Scherzinger 11. GrooveGuilherme Schmidt Câmara, Anne Danielsen 12. PhraseJanet Schmalfeldt 13. Music's Moving FormDaniel Grimley 14. Expressive TimingMitch Ohriner 15. MelodyDavid Trippett 16. Consonance and DissonanceAlexander Rehding 17. Tonal HarmonyIan Quinn 18. Key and ModulationSuzannah Clark 19. CadenceDaniel Harrison 20. SequenceNaomi Waltham-Smith 21. PolyphonyMichael Tenzer 22. Musical GrammarRobert O. Gjerdingen 23. Beneath ImprovisationVijay Iyer 24. Analytical RelationshipsMarion Guck 25. Images, Visualization, and RepresentationDora Hanninen 26. What is Music, Anyway?Andrew Bowie Index