The Oxford Handbook of Music Revival

Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK. Her work on Corsican music has appeared across a range of edited volumes and journals. Her first monograph, Transported by Song: Corsican Voices from Oral Tradition to World Stage, was published by Scarecrow Press (2007). Her edited collection, The Past in Music, appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph, A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song, is published by Oxford University Press (2014). Her current research focuses on Georgian polyphony, intangible cultural heritage, and cultural tourism.Juniper Hill is Lecturer in Music at University College Cork, Ireland, and Research Associate at the University of Cambridge, UK. The recipient of two Fulbright Fellowships, a Marie Curie Intra-European Fellowship, an Alexander Von Humboldt Fellowship, and a University of California Faculty Fellowship, she has conducted fieldwork in Finland, South Africa, the United States, and Ecuador. She has published in the journals Ethnomusicology, Ethnomusicology Forum, Musiikin Suunta, Pacific Review of Ethnomusicology, Revue de Musicologie, and Yearbook for Traditional Music as well as in edited volumes such as Musical Imaginations (OUP 2012). Her monograph Becoming Creative: Insights from Musicians in a Diverse World is forthcoming from Oxford University Press.

• Table of Contents I. Towards Multiple Theories of Music Revival1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of ChangeJuniper Hill and Caroline Bithell 2. Traditional Music, Heritage MusicOwe Ronström3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking Tamara Livingston II. Scholars and Collectors as Revival Agents 4. Antiquarian Nostalgia and the Institutionalization of Early MusicJohn Haines5. A Folklorist's Exploration of the Revival MetaphorNeil V. Rosenberg6. A Participant-Documentarian in the American Instrumental Folk Music RevivalAlan Jabbour III. Intangible Cultural Heritage, Preservation, and Policy7. Reviving Korean Identity through Intangible Cultural HeritageKeith Howard8. Music Revival, Ca Trù Ontologies and Intangible Cultural Heritage in VietnamBarley Norton9. The Hungarian Dance House Movement and Revival of Transylvanian String Band MusicColin Quigley IV. National Renaissance and Postcolonial Futures10. National Purity and Postcolonial Hybridity in India's Kathak Dance RevivalMargaret Walker11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010Hélène Neveu Kringelbach 12. Revived Musical Practices within Uzbekistan's Evolving National ProjectTanya Merchant13. Two Revivalist Moments in Iranian Classical Music Laudan Nooshin14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music RevivalVictoria Levine V. Recovery from War, Disaster, and Cultural Devastation15. Revivalist Articulations of Traditional Music in War and Post-War CroatiaNaila Ceribasi?16. Cultural Rescue and Musical Revival among the Nicaraguan GarifunaAnnemarie Gallaugher17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or NeglectMargaret Kartomi VI. Innovations and Transformations18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music RevivalsJuniper Hill19. Revival Currents and Innovation on the Path from Protest Bossa to TropicáliaDenise Milstein20. Bending or Breaking the Native American Flute Tradition?Paula Conlon21. Towards an Application of Globalization Paradigms to Modern Folk Music RevivalsBritta Sweers VII. Festivals, Marketing, and Media22. Contemporary English Folk Music and the Folk IndustrySimon Keegan-Phipps and Trish Winter23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian FemininityAdriana Helbig24. Trailing Images and Culture Branding in Post-Renaissance Hawai'iJane Freeman Moulin25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to CyberspaceRichard Blaustein VIII. Diaspora and the Global Village26. Georgian Polyphony and its Journeys from National Revival to Global HeritageCaroline Bithell27. Irish Music Revivals Through Generations of Diaspora Sean Williams28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American DiasporaAnthony Shay 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979)Carol Ann Muller Afterword30. Re-flections Mark Slobin