Edward Gollin is Associate Professor of Music at Williams College. Alexander Rehding teaches music at Harvard University. His interests are in the history of music theory, and in nineteenth and twentieth century music. He is the author of Hugo Riemann and the Birth of Modern Musical Thought and Music and Monumentality, and is co-editor of Acta musicologica.

This volume is of major importance to professional music theorists as well as musicians interested in the deep structure of chromatic tonal music. It is the most comprehensive set of neo-Riemannian analyses now available, conjoining, as it does, the historical Hugo Riemann with contemporary thought and techniques.

• ACKNOWLEDGMENTS; PREFACE; PART I. INTELLECTUAL CONTEXTS; LUDWIG HOLTMEIER; BENJAMIN STEEGE; BRIAN HYER; MATTHEW GELBART AND ALEXANDER REHDING; PART II. DUALISM; IAN BENT; HENRY KLUMPENHOUWER; ALEXANDER REHDING; DMITRI TYMOCZKO; PART III. TONE SPACE; EDWARD GOLLIN; SUZANNAH CLARK; RICHARD COHN; PART IV. HARMONIC SPACE; NORA ENGEBRETSEN; EDWARD GOLLIN; DAVID KOPP; PART V. TEMPORAL SPACE; WILLIAM E. CAPLIN; SCOTT BURNHAM; PAUL BERRY; PART VI. TRANSFORMATION, ANALYSIS, CRITICISM; STEVEN RINGS; ROBERT C. COOK; DANIEL HARRISON; GLOSSARY; SELECTED BIBLIOGRAPHY; INDEX

Edward Gollin is Associate Professor of Music at Williams College. Alexander Rehding teaches music at Harvard University. His interests are in the history of music theory, and in nineteenth and twentieth century music. He is the author of Hugo Riemann and the Birth of Modern Musical Thought and Music and Monumentality, and is co-editor of Acta musicologica.

This volume is of major importance to professional music theorists as well as musicians interested in the deep structure of chromatic tonal music. It is the most comprehensive set of neo-Riemannian analyses now available, conjoining, as it does, the historical Hugo Riemann with contemporary thought and techniques.

• ACKNOWLEDGMENTS; PREFACE; PART I. INTELLECTUAL CONTEXTS; LUDWIG HOLTMEIER; BENJAMIN STEEGE; BRIAN HYER; MATTHEW GELBART AND ALEXANDER REHDING; PART II. DUALISM; IAN BENT; HENRY KLUMPENHOUWER; ALEXANDER REHDING; DMITRI TYMOCZKO; PART III. TONE SPACE; EDWARD GOLLIN; SUZANNAH CLARK; RICHARD COHN; PART IV. HARMONIC SPACE; NORA ENGEBRETSEN; EDWARD GOLLIN; DAVID KOPP; PART V. TEMPORAL SPACE; WILLIAM E. CAPLIN; SCOTT BURNHAM; PAUL BERRY; PART VI. TRANSFORMATION, ANALYSIS, CRITICISM; STEVEN RINGS; ROBERT C. COOK; DANIEL HARRISON; GLOSSARY; SELECTED BIBLIOGRAPHY; INDEX

Edward Gollin is Associate Professor of Music at Williams College. Alexander Rehding teaches music at Harvard University. His interests are in the history of music theory, and in nineteenth and twentieth century music. He is the author of Hugo Riemann and the Birth of Modern Musical Thought and Music and Monumentality, and is co-editor of Acta musicologica.

This volume is of major importance to professional music theorists as well as musicians interested in the deep structure of chromatic tonal music. It is the most comprehensive set of neo-Riemannian analyses now available, conjoining, as it does, the historical Hugo Riemann with contemporary thought and techniques.

• ACKNOWLEDGMENTS; PREFACE; PART I. INTELLECTUAL CONTEXTS; LUDWIG HOLTMEIER; BENJAMIN STEEGE; BRIAN HYER; MATTHEW GELBART AND ALEXANDER REHDING; PART II. DUALISM; IAN BENT; HENRY KLUMPENHOUWER; ALEXANDER REHDING; DMITRI TYMOCZKO; PART III. TONE SPACE; EDWARD GOLLIN; SUZANNAH CLARK; RICHARD COHN; PART IV. HARMONIC SPACE; NORA ENGEBRETSEN; EDWARD GOLLIN; DAVID KOPP; PART V. TEMPORAL SPACE; WILLIAM E. CAPLIN; SCOTT BURNHAM; PAUL BERRY; PART VI. TRANSFORMATION, ANALYSIS, CRITICISM; STEVEN RINGS; ROBERT C. COOK; DANIEL HARRISON; GLOSSARY; SELECTED BIBLIOGRAPHY; INDEX