Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK, where she also teaches courses in Arts Management. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage was published by Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with new work on Georgian polyphony. Juniper Hill is a senior research fellow at the University of Cambridge, and a lecturer in music at the University College Cork, Ireland. A recipient of the Marie Curie Intra-European Fellowship, the Alexander von Humboldt Fellowship, two Fulbrights, and the University of California Faculty Fellowship, her publications address topics such as creativity, pedagogy, transnationalism, and revival.

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• Table of Contents ; I. Towards Multiple Theories of Music Revival ; 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change ; Juniper Hill and Caroline Bithell ; 2. Traditional Music, Heritage Music ; Owe Ronstrom ; 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking ; Tamara Livingston ; II. Scholars and Collectors as Revival Agents ; 4. Antiquarian Nostalgia and the Institutionalization of Early Music ; John Haines ; 5. A Folklorist's Exploration of the Revival Metaphor ; Neil V. Rosenberg ; 6. A Participant-Documentarian in the American Instrumental Folk Music Revival ; Alan Jabbour ; III. Intangible Cultural Heritage, Preservation, and Policy ; 7. Reviving Korean Identity through Intangible Cultural Heritage ; Keith Howard ; 8. Music Revival, Ca Tru Ontologies and Intangible Cultural Heritage in Vietnam ; Barley Norton ; 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music ; Colin Quigley ; IV. National Renaissance and Postcolonial Futures ; 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival ; Margaret Walker ; 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010 ; Helene Neveu Kringelbach ; 12. Revived Musical Practices within Uzbekistan's Evolving National Project ; Tanya Merchant ; 13. Two Revivalist Moments in Iranian Classical Music ; Laudan Nooshin ; 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival ; Victoria Levine ; V. Recovery from War, Disaster, and Cultural Devastation ; 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia ; Naila Ceribasi? ; 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna ; Annemarie Gallaugher ; 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect ; Margaret Kartomi ; VI. Innovations and Transformations ; 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals ; Juniper Hill ; 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicalia ; Denise Milstein ; 20. Bending or Breaking the Native American Flute Tradition? ; Paula Conlon ; 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals ; Britta Sweers ; VII. Festivals, Marketing, and Media ; 22. Contemporary English Folk Music and the Folk Industry ; Simon Keegan-Phipps and Trish Winter ; 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity ; Adriana Helbig ; 24. Trailing Images and Culture Branding in Post-Renaissance Hawai'i ; Jane Freeman Moulin ; 25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to Cyberspace ; Richard Blaustein ; VIII. Diaspora and the Global Village ; 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage ; Caroline Bithell ; 27. Irish Music Revivals Through Generations of Diaspora ; Sean Williams ; 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora ; Anthony Shay ; 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979) ; Carol Ann Muller ; Afterword ; 30. Re-flections ; Mark Slobin

Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK, where she also teaches courses in Arts Management. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage was published by Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with new work on Georgian polyphony. Juniper Hill is a senior research fellow at the University of Cambridge, and a lecturer in music at the University College Cork, Ireland. A recipient of the Marie Curie Intra-European Fellowship, the Alexander von Humboldt Fellowship, two Fulbrights, and the University of California Faculty Fellowship, her publications address topics such as creativity, pedagogy, transnationalism, and revival.

Select Guide Rating

• Table of Contents ; I. Towards Multiple Theories of Music Revival ; 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change ; Juniper Hill and Caroline Bithell ; 2. Traditional Music, Heritage Music ; Owe Ronstrom ; 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking ; Tamara Livingston ; II. Scholars and Collectors as Revival Agents ; 4. Antiquarian Nostalgia and the Institutionalization of Early Music ; John Haines ; 5. A Folklorist's Exploration of the Revival Metaphor ; Neil V. Rosenberg ; 6. A Participant-Documentarian in the American Instrumental Folk Music Revival ; Alan Jabbour ; III. Intangible Cultural Heritage, Preservation, and Policy ; 7. Reviving Korean Identity through Intangible Cultural Heritage ; Keith Howard ; 8. Music Revival, Ca Tru Ontologies and Intangible Cultural Heritage in Vietnam ; Barley Norton ; 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music ; Colin Quigley ; IV. National Renaissance and Postcolonial Futures ; 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival ; Margaret Walker ; 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010 ; Helene Neveu Kringelbach ; 12. Revived Musical Practices within Uzbekistan's Evolving National Project ; Tanya Merchant ; 13. Two Revivalist Moments in Iranian Classical Music ; Laudan Nooshin ; 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival ; Victoria Levine ; V. Recovery from War, Disaster, and Cultural Devastation ; 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia ; Naila Ceribasi? ; 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna ; Annemarie Gallaugher ; 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect ; Margaret Kartomi ; VI. Innovations and Transformations ; 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals ; Juniper Hill ; 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicalia ; Denise Milstein ; 20. Bending or Breaking the Native American Flute Tradition? ; Paula Conlon ; 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals ; Britta Sweers ; VII. Festivals, Marketing, and Media ; 22. Contemporary English Folk Music and the Folk Industry ; Simon Keegan-Phipps and Trish Winter ; 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity ; Adriana Helbig ; 24. Trailing Images and Culture Branding in Post-Renaissance Hawai'i ; Jane Freeman Moulin ; 25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to Cyberspace ; Richard Blaustein ; VIII. Diaspora and the Global Village ; 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage ; Caroline Bithell ; 27. Irish Music Revivals Through Generations of Diaspora ; Sean Williams ; 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora ; Anthony Shay ; 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979) ; Carol Ann Muller ; Afterword ; 30. Re-flections ; Mark Slobin