Carlos Rojas is Associate Professor of Chinese Cultural Studies, Women's Studies, and Arts of the Moving Image at Duke University. He is the author of The Great Wall: A Cultural History (Harvard UP, 2010).Eileen Chow is Assistant Professor of Chinese Literary and Cultural Studies at Harvard University. She is the coeditor, with Carlos Rojas, of Rethinking Chinese Popular Culture: Cannibalizations of the Canon (Routledge, 2009)

The publication of this book represents an important mile marker in the academic study of Chinese cinema ... it is erudite, sophisticated, and self-reflective ... an outstanding work.

• HISTORY ; 1) Jianhua Chen, ; "D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai" ; 2) Kristine Harris, ; "Ombres Chinoises: Split-Screens and Parallel Lives in Love and Duty" ; 3) David Der-wei Wang, ; "Fei Mu, Mei Lanfang, and the Polemics of Screening China" ; 4) Jie Li, ; "A National Cinema for a Puppet State: The Manchurian Motion Picture Association" ; 5) Yomi Braester ; "A Genealogy of Cinephilia in the Maoist Period" ; 6) Poshek Fu ; "Cold War Hong Kong and Mid-twentieth Century Mandarin Cinema" ; 7) Tsungyi Michelle Huang ; "Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema" ; 8) Song Hwee Lim ; "Taiwan New Cinema: Small Nation with Soft Power" ; 9) Michael Berry ; "Chinese Cinema with Hollywood Characteristics, or How The Karate Kid became a Chinese Film" ; 10) Pheng Cheah, ; "World as Picture and Ruination: On Jia Zhangke's Still Life as World Cinema" ; FORM ; 1) Stephen Teo, ; "The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form" ; 2) Emilie Yueh-yu Yeh, ; "A Small History of Wenyi" ; 3) Ban Wang, ; "Art, Politics, and Internationalism: Korean War Films in Chinese Cinema" ; 4) Gary Gang Xu, ; "Edification through Affection: The Cultural Revolution Films, 1974-76" ; 5) Michael Eng, ; "Reforming Vengeance: Kung Fu and the Racial Melancholia of Chinese Masculinity" ; 6) Sean Metzger ; "Desire and Distribution: Queer/Chinese/Cinema" ; 7) Yingjin Zhang, ; "Thirdspace Between Flows and Places: Chinese Independent Documentary and Social Theories of Space and Locality" ; 8) Ying Zhu, ; "From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama" ; 9) Audrey Yue, ; "New Media: Large Screens in China" ; 10) Paola Voci, ; "Online Small Screen Cinema: The Cinema of Attractions and the Emancipated Spectator" ; STRUCTURE ; 1) Jason McGrath ; "Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film" ; 2) James Tweedie, ; "Edward Yang and Taiwan's Age of Auteurs" ; 3) Darrell William Davis, ; "A Marriage of Convenience: Musical Moments in Chinese Films" ; 4) Zhiwei Xiao ; "Policing Film in Early 20th Century China, 1905-1923" ; 5) Laikwan Pang, ; "Between Will and Negotiation: Film Policy in the First Three Years of People's Republic of China" ; 6) Rey Chow, ; "Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema" ; 7) Louisa Schein, ; "Ethnographic Representation Across Genres: The Culture Trope in Contemporary Mainland Media" ; 6) Andy Rodhekohr, ; "Conjuring the Masses: The Spectral / Spectacular Crowd in Chinese Film" ; 9) Kwai-Cheung Lo, ; "The Idea of Asia(nism) and Trans-Asian Productions" ; 10) Eugene Wang, ; "Film and Contemporary Chinese Art: Mediums and Remediation" ; 11) Ying Qian, ; "Crossing the Same River Twice: Documentary Re-enactment and the Founding of PRC Documentary Cinema" ; 12) Yiman Wang, ; "Remade in China: Chinese Cinema in the Age of Blockbuster" ; 13) Carlos Rojas, ; "Cinematic Encounters in Tsai Ming-liang's The River"

Carlos Rojas is Associate Professor of Chinese Cultural Studies, Women's Studies, and Arts of the Moving Image at Duke University. He is the author of The Great Wall: A Cultural History (Harvard UP, 2010).Eileen Chow is Assistant Professor of Chinese Literary and Cultural Studies at Harvard University. She is the coeditor, with Carlos Rojas, of Rethinking Chinese Popular Culture: Cannibalizations of the Canon (Routledge, 2009)

The publication of this book represents an important mile marker in the academic study of Chinese cinema ... it is erudite, sophisticated, and self-reflective ... an outstanding work.

• HISTORY ; 1) Jianhua Chen, ; "D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai" ; 2) Kristine Harris, ; "Ombres Chinoises: Split-Screens and Parallel Lives in Love and Duty" ; 3) David Der-wei Wang, ; "Fei Mu, Mei Lanfang, and the Polemics of Screening China" ; 4) Jie Li, ; "A National Cinema for a Puppet State: The Manchurian Motion Picture Association" ; 5) Yomi Braester ; "A Genealogy of Cinephilia in the Maoist Period" ; 6) Poshek Fu ; "Cold War Hong Kong and Mid-twentieth Century Mandarin Cinema" ; 7) Tsungyi Michelle Huang ; "Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema" ; 8) Song Hwee Lim ; "Taiwan New Cinema: Small Nation with Soft Power" ; 9) Michael Berry ; "Chinese Cinema with Hollywood Characteristics, or How The Karate Kid became a Chinese Film" ; 10) Pheng Cheah, ; "World as Picture and Ruination: On Jia Zhangke's Still Life as World Cinema" ; FORM ; 1) Stephen Teo, ; "The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form" ; 2) Emilie Yueh-yu Yeh, ; "A Small History of Wenyi" ; 3) Ban Wang, ; "Art, Politics, and Internationalism: Korean War Films in Chinese Cinema" ; 4) Gary Gang Xu, ; "Edification through Affection: The Cultural Revolution Films, 1974-76" ; 5) Michael Eng, ; "Reforming Vengeance: Kung Fu and the Racial Melancholia of Chinese Masculinity" ; 6) Sean Metzger ; "Desire and Distribution: Queer/Chinese/Cinema" ; 7) Yingjin Zhang, ; "Thirdspace Between Flows and Places: Chinese Independent Documentary and Social Theories of Space and Locality" ; 8) Ying Zhu, ; "From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama" ; 9) Audrey Yue, ; "New Media: Large Screens in China" ; 10) Paola Voci, ; "Online Small Screen Cinema: The Cinema of Attractions and the Emancipated Spectator" ; STRUCTURE ; 1) Jason McGrath ; "Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film" ; 2) James Tweedie, ; "Edward Yang and Taiwan's Age of Auteurs" ; 3) Darrell William Davis, ; "A Marriage of Convenience: Musical Moments in Chinese Films" ; 4) Zhiwei Xiao ; "Policing Film in Early 20th Century China, 1905-1923" ; 5) Laikwan Pang, ; "Between Will and Negotiation: Film Policy in the First Three Years of People's Republic of China" ; 6) Rey Chow, ; "Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema" ; 7) Louisa Schein, ; "Ethnographic Representation Across Genres: The Culture Trope in Contemporary Mainland Media" ; 6) Andy Rodhekohr, ; "Conjuring the Masses: The Spectral / Spectacular Crowd in Chinese Film" ; 9) Kwai-Cheung Lo, ; "The Idea of Asia(nism) and Trans-Asian Productions" ; 10) Eugene Wang, ; "Film and Contemporary Chinese Art: Mediums and Remediation" ; 11) Ying Qian, ; "Crossing the Same River Twice: Documentary Re-enactment and the Founding of PRC Documentary Cinema" ; 12) Yiman Wang, ; "Remade in China: Chinese Cinema in the Age of Blockbuster" ; 13) Carlos Rojas, ; "Cinematic Encounters in Tsai Ming-liang's The River"