Nena Močnik holds a PhD in Balkan Studies (University of Ljubljana, Slovenia). She is a postdoctoral researcher at Turku Institute for Advanced Studies and researcher at SELMA, Centre for the Study of Storytelling, Experientiality and Memory, Turku, Finland.

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• Preface, Introduction 1. Researching War-Rape Narratives 1.1 Important Ethical Questions and Potential Risks 1.2 Body as a Research Territory: From Verbal to Embodied Research Practices 2. Imagining the (Ethno)Sexualities 2. 1 Contextual Understanding of Sexuality and Sexual Violence 2.2 The Epistemological Evolution of Ethnosexuality through Violence in the Balkans 2.3 (A)Sexualized Rape Survivors as Imagined Community 3. Creating the War-Rape Story 3.1 From Eternal Victims to Sexual Predators 4. Narrating A(na)esthetics of Sexuality and Violence 4.1 Womanhood and motherhood 4.2 Silencing , innocence and victimhood 4.3 Sexuality and violated bodies5. Critical Reflection Embodied 5.1 Drama-based Practice wtih Survivors 5.2 Performative Act as a Critical Response of the Research Process 6. Thinking the Desire Aftermath Epilogue,Index

Nena Močnik holds a PhD in Balkan Studies (University of Ljubljana, Slovenia). She is a postdoctoral researcher at Turku Institute for Advanced Studies and researcher at SELMA, Centre for the Study of Storytelling, Experientiality and Memory, Turku, Finland.

Select Guide Rating

• Preface, Introduction 1. Researching War-Rape Narratives 1.1 Important Ethical Questions and Potential Risks 1.2 Body as a Research Territory: From Verbal to Embodied Research Practices 2. Imagining the (Ethno)Sexualities 2. 1 Contextual Understanding of Sexuality and Sexual Violence 2.2 The Epistemological Evolution of Ethnosexuality through Violence in the Balkans 2.3 (A)Sexualized Rape Survivors as Imagined Community 3. Creating the War-Rape Story 3.1 From Eternal Victims to Sexual Predators 4. Narrating A(na)esthetics of Sexuality and Violence 4.1 Womanhood and motherhood 4.2 Silencing , innocence and victimhood 4.3 Sexuality and violated bodies5. Critical Reflection Embodied 5.1 Drama-based Practice wtih Survivors 5.2 Performative Act as a Critical Response of the Research Process 6. Thinking the Desire Aftermath Epilogue,Index

Nena Močnik holds a PhD in Balkan Studies (University of Ljubljana, Slovenia). She is a postdoctoral researcher at Turku Institute for Advanced Studies and researcher at SELMA, Centre for the Study of Storytelling, Experientiality and Memory, Turku, Finland.

Select Guide Rating

• Preface, Introduction 1. Researching War-Rape Narratives 1.1 Important Ethical Questions and Potential Risks 1.2 Body as a Research Territory: From Verbal to Embodied Research Practices 2. Imagining the (Ethno)Sexualities 2. 1 Contextual Understanding of Sexuality and Sexual Violence 2.2 The Epistemological Evolution of Ethnosexuality through Violence in the Balkans 2.3 (A)Sexualized Rape Survivors as Imagined Community 3. Creating the War-Rape Story 3.1 From Eternal Victims to Sexual Predators 4. Narrating A(na)esthetics of Sexuality and Violence 4.1 Womanhood and motherhood 4.2 Silencing , innocence and victimhood 4.3 Sexuality and violated bodies5. Critical Reflection Embodied 5.1 Drama-based Practice wtih Survivors 5.2 Performative Act as a Critical Response of the Research Process 6. Thinking the Desire Aftermath Epilogue,Index