Eric R. Williams has won the Best New Screenplay award from the Writers Guild of America, an Emmy Award for interactive media and the University Professor Award for Excellence in Teaching. He was a chief architect of the Game Research and Immersive Design (GRID) Lab’s virtual reality curriculum and is a professor in the J. Warren McClure School of Emerging Communication Technologies. Carrie Love is an award-winning independent filmmaker with an MFA from Ohio University who currently serves as the Program Manager of Film and Video Production for Hocking College. She has produced and directed several projects in coordination with the GRID Lab including multimillion dollar cine-VR narrative productions.Matt Love is a professional cinematographer with an MFA from Ohio University who currently serves as a project manager for the GRID Lab and teaches filmmaking at Hocking College. Matt recently shot and edited a feature-length cine-VR project for the state of Ohio, which added to his long list of completed and upcoming cine-VR work.

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• List of Figures Acknowledgments Notes on a key contributorForeword Preface 1. Cine-VR: A New Medium 2. Narrative Storytelling in cine-VR 3. Engaging the Audience in cine-VR 4. Visual Storytelling in cine-VR 5. Shooting and Editing in cine-VR 6. Directing in cine-VR 7. Writing in cine-VR 8. Pragmatics of Producing in cine-VR 9. Graphic Overlay in cine-VR 10. Emerging Technologies in cine-VR GlossaryIndex

Eric R. Williams has won the Best New Screenplay award from the Writers Guild of America, an Emmy Award for interactive media and the University Professor Award for Excellence in Teaching. He was a chief architect of the Game Research and Immersive Design (GRID) Lab’s virtual reality curriculum and is a professor in the J. Warren McClure School of Emerging Communication Technologies. Carrie Love is an award-winning independent filmmaker with an MFA from Ohio University who currently serves as the Program Manager of Film and Video Production for Hocking College. She has produced and directed several projects in coordination with the GRID Lab including multimillion dollar cine-VR narrative productions.Matt Love is a professional cinematographer with an MFA from Ohio University who currently serves as a project manager for the GRID Lab and teaches filmmaking at Hocking College. Matt recently shot and edited a feature-length cine-VR project for the state of Ohio, which added to his long list of completed and upcoming cine-VR work.

Select Guide Rating

• List of Figures Acknowledgments Notes on a key contributorForeword Preface 1. Cine-VR: A New Medium 2. Narrative Storytelling in cine-VR 3. Engaging the Audience in cine-VR 4. Visual Storytelling in cine-VR 5. Shooting and Editing in cine-VR 6. Directing in cine-VR 7. Writing in cine-VR 8. Pragmatics of Producing in cine-VR 9. Graphic Overlay in cine-VR 10. Emerging Technologies in cine-VR GlossaryIndex

Eric R. Williams has won the Best New Screenplay award from the Writers Guild of America, an Emmy Award for interactive media and the University Professor Award for Excellence in Teaching. He was a chief architect of the Game Research and Immersive Design (GRID) Lab’s virtual reality curriculum and is a professor in the J. Warren McClure School of Emerging Communication Technologies. Carrie Love is an award-winning independent filmmaker with an MFA from Ohio University who currently serves as the Program Manager of Film and Video Production for Hocking College. She has produced and directed several projects in coordination with the GRID Lab including multimillion dollar cine-VR narrative productions.Matt Love is a professional cinematographer with an MFA from Ohio University who currently serves as a project manager for the GRID Lab and teaches filmmaking at Hocking College. Matt recently shot and edited a feature-length cine-VR project for the state of Ohio, which added to his long list of completed and upcoming cine-VR work.

Select Guide Rating

• List of Figures Acknowledgments Notes on a key contributorForeword Preface 1. Cine-VR: A New Medium 2. Narrative Storytelling in cine-VR 3. Engaging the Audience in cine-VR 4. Visual Storytelling in cine-VR 5. Shooting and Editing in cine-VR 6. Directing in cine-VR 7. Writing in cine-VR 8. Pragmatics of Producing in cine-VR 9. Graphic Overlay in cine-VR 10. Emerging Technologies in cine-VR GlossaryIndex