Jo-Ann Morgan is Professor of African American Studies and Art History at Western Illinois University, USA. Her previous book, Uncle Tom’s Cabin as Visual Culture, received the Peter Seaborg Award for Civil War Scholarship in 2008.

"Morgan has delivered an invaluable gift not only for college students and teachers but also for a general readership hungry for more knowledge on the Black Arts Movement. Although the stunning visual presentation might speak for itself, the reader is offered a bounty of visual history and artistic insights. Veterans of the Black Power generation will cherish this nearly encyclopedic volume."--CAA Reviews"This book gathers compelling images from a period in African American history that we still struggle to comprehend and honor. As an art historian Jo-Ann Morgan brings an incisive intelligence to her work, situating the images in their time and place, and providing a welcome visual resource for students of the sixties." --A.J. Morey, James Madison University, USA

• Introduction Part I: "Black Arts We Make": Aesthetics, Collaboration, and Social Identity in the Visual Art of Black Power 1. Pedigree of the Black Arts Movement: The March on Washington, Death of Malcolm X, and Free Jazz 2. Organization of Black American Culture: A Show of Respect 3. African Commune of Bad Relevant Artists: Finding a Black Aesthetic 4. Oakland Museum’s "New Perspectives in Black Art": Saying "Black Lives Matter" in 1968 Part II: The Black Panther Party in Photography and Print Ephemera 5. Huey P. Newton Enthroned: Iconic Image of Black Power 6. Eldridge Cleaver’s Visual Acumen and the Coalition of Black Power with White Resistance 7. Emory Douglas: Revolutionary Artist and Visual Theorist 8. Picturing the Female Revolutionary

Jo-Ann Morgan is Professor of African American Studies and Art History at Western Illinois University, USA. Her previous book, Uncle Tom’s Cabin as Visual Culture, received the Peter Seaborg Award for Civil War Scholarship in 2008.

"Morgan has delivered an invaluable gift not only for college students and teachers but also for a general readership hungry for more knowledge on the Black Arts Movement. Although the stunning visual presentation might speak for itself, the reader is offered a bounty of visual history and artistic insights. Veterans of the Black Power generation will cherish this nearly encyclopedic volume."--CAA Reviews"This book gathers compelling images from a period in African American history that we still struggle to comprehend and honor. As an art historian Jo-Ann Morgan brings an incisive intelligence to her work, situating the images in their time and place, and providing a welcome visual resource for students of the sixties." --A.J. Morey, James Madison University, USA

• Introduction Part I: "Black Arts We Make": Aesthetics, Collaboration, and Social Identity in the Visual Art of Black Power 1. Pedigree of the Black Arts Movement: The March on Washington, Death of Malcolm X, and Free Jazz 2. Organization of Black American Culture: A Show of Respect 3. African Commune of Bad Relevant Artists: Finding a Black Aesthetic 4. Oakland Museum’s "New Perspectives in Black Art": Saying "Black Lives Matter" in 1968 Part II: The Black Panther Party in Photography and Print Ephemera 5. Huey P. Newton Enthroned: Iconic Image of Black Power 6. Eldridge Cleaver’s Visual Acumen and the Coalition of Black Power with White Resistance 7. Emory Douglas: Revolutionary Artist and Visual Theorist 8. Picturing the Female Revolutionary