Alex Symons is Associate Professor of Communication and Media Studies at LIM College, New York City.

"Women Comedians in the Digital Age provides a fascinating, detailed, and nuanced look at the ways in which women comedians leverage work in digital media to build their careers. Following a rich introductory chapter on the advantages and disadvantages of digital media work for women comedians, the book explores how, and to what ends, women comedians use various media. Women Comedians in the Digital Age is a compelling, informative, and highly readable study that will appeal to anyone interested in comedy, media (especially media labour), the cultivation of celebrity, and even professional development and advancement under neoliberalism. With respect to Celebrity Studies specifically, the book makes a significant contribution by detailing the new opportunities digital media have created for the pursuit of comedic fame – as well as the incredible labour involved, and tenuous benefits accrued."-- Kirsten Leng, Associate Professor of Women, Gender, Sexuality Studies, University of Massachusetts Amherst, USA"Women Comedians would serve as an exceptional supplementary text for those teaching in media-related fields, even those not specifically focused on gender. For instance, Symons’s essay exploring the career of Lauren Godwin, a female comedian who has had much success on TikTok without finding more mainstream appeal, is a case study I use in my social media-focused courses... The book would also be of interest to casual readers interested in the field of comedy or social media entrepreneurship."-- Christine Bord, University at Albany, Albany, NY, USA

• 1. Advantages and Adverse Effects: How Digital Work Empowers Women Comedians in Trump’s America 2. Women Comedians’ Video Podcasting on YouTube: How Complex Authenticity Cultivates Fans 3. Women Comedians Trapped on TikTok: The Opportunities and Limitations of Cringey, Intersectional Comedy 4. Witty Women on Twitter: Collaborative Reputation Making, Anti-Fandom, and Harnessing the Trolls 5.Conformity with Comic Subversion: How Women Comedians Shape their Reputations using Instagram 6.Women Comedians’ Working Practices on YouTube: The Sometimes-Difficult Transition to Television 7. Netflix’s Calculated Risks in Comedy: Unlikely Women’s First Stand-up Specials 8. Trump’s War with Women Satirists on Television: How Carnivalesque Comedy Generates Digital Redistribution 9. Participatory Audiences in Trump’s Cancel Culture: How Women Comedian-Activists Survive and Earn Prestige 10. Conclusions

Alex Symons is Associate Professor of Communication and Media Studies at LIM College, New York City.

"Women Comedians in the Digital Age provides a fascinating, detailed, and nuanced look at the ways in which women comedians leverage work in digital media to build their careers. Following a rich introductory chapter on the advantages and disadvantages of digital media work for women comedians, the book explores how, and to what ends, women comedians use various media. Women Comedians in the Digital Age is a compelling, informative, and highly readable study that will appeal to anyone interested in comedy, media (especially media labour), the cultivation of celebrity, and even professional development and advancement under neoliberalism. With respect to Celebrity Studies specifically, the book makes a significant contribution by detailing the new opportunities digital media have created for the pursuit of comedic fame – as well as the incredible labour involved, and tenuous benefits accrued."-- Kirsten Leng, Associate Professor of Women, Gender, Sexuality Studies, University of Massachusetts Amherst, USA"Women Comedians would serve as an exceptional supplementary text for those teaching in media-related fields, even those not specifically focused on gender. For instance, Symons’s essay exploring the career of Lauren Godwin, a female comedian who has had much success on TikTok without finding more mainstream appeal, is a case study I use in my social media-focused courses... The book would also be of interest to casual readers interested in the field of comedy or social media entrepreneurship."-- Christine Bord, University at Albany, Albany, NY, USA

• 1. Advantages and Adverse Effects: How Digital Work Empowers Women Comedians in Trump’s America 2. Women Comedians’ Video Podcasting on YouTube: How Complex Authenticity Cultivates Fans 3. Women Comedians Trapped on TikTok: The Opportunities and Limitations of Cringey, Intersectional Comedy 4. Witty Women on Twitter: Collaborative Reputation Making, Anti-Fandom, and Harnessing the Trolls 5.Conformity with Comic Subversion: How Women Comedians Shape their Reputations using Instagram 6.Women Comedians’ Working Practices on YouTube: The Sometimes-Difficult Transition to Television 7. Netflix’s Calculated Risks in Comedy: Unlikely Women’s First Stand-up Specials 8. Trump’s War with Women Satirists on Television: How Carnivalesque Comedy Generates Digital Redistribution 9. Participatory Audiences in Trump’s Cancel Culture: How Women Comedian-Activists Survive and Earn Prestige 10. Conclusions

Alex Symons is Associate Professor of Communication and Media Studies at LIM College, New York City.

"Women Comedians in the Digital Age provides a fascinating, detailed, and nuanced look at the ways in which women comedians leverage work in digital media to build their careers. Following a rich introductory chapter on the advantages and disadvantages of digital media work for women comedians, the book explores how, and to what ends, women comedians use various media. Women Comedians in the Digital Age is a compelling, informative, and highly readable study that will appeal to anyone interested in comedy, media (especially media labour), the cultivation of celebrity, and even professional development and advancement under neoliberalism. With respect to Celebrity Studies specifically, the book makes a significant contribution by detailing the new opportunities digital media have created for the pursuit of comedic fame – as well as the incredible labour involved, and tenuous benefits accrued."-- Kirsten Leng, Associate Professor of Women, Gender, Sexuality Studies, University of Massachusetts Amherst, USA"Women Comedians would serve as an exceptional supplementary text for those teaching in media-related fields, even those not specifically focused on gender. For instance, Symons’s essay exploring the career of Lauren Godwin, a female comedian who has had much success on TikTok without finding more mainstream appeal, is a case study I use in my social media-focused courses... The book would also be of interest to casual readers interested in the field of comedy or social media entrepreneurship."-- Christine Bord, University at Albany, Albany, NY, USA

• 1. Advantages and Adverse Effects: How Digital Work Empowers Women Comedians in Trump’s America 2. Women Comedians’ Video Podcasting on YouTube: How Complex Authenticity Cultivates Fans 3. Women Comedians Trapped on TikTok: The Opportunities and Limitations of Cringey, Intersectional Comedy 4. Witty Women on Twitter: Collaborative Reputation Making, Anti-Fandom, and Harnessing the Trolls 5.Conformity with Comic Subversion: How Women Comedians Shape their Reputations using Instagram 6.Women Comedians’ Working Practices on YouTube: The Sometimes-Difficult Transition to Television 7. Netflix’s Calculated Risks in Comedy: Unlikely Women’s First Stand-up Specials 8. Trump’s War with Women Satirists on Television: How Carnivalesque Comedy Generates Digital Redistribution 9. Participatory Audiences in Trump’s Cancel Culture: How Women Comedian-Activists Survive and Earn Prestige 10. Conclusions