Kevin F. Steinmetz is a professor of criminology in the Department of Sociology, Anthropology, and Social Work at Kansas State University, USA. His scholarship cuts across multiple areas including cybercrime, criminological theory, racial inequality and criminal justice, gender and crime, as well as crime, criminal justice, and popular culture. He is the author of Hacked: A Radical Approach to Hacker Culture and Crime and Cybercrime and Society. His works have also appeared in prestigious outlets, including The British Journal of Criminology, Theoretical Criminology, Critical Criminology, Crime Media Culture.Jonathan A. Grubb is the Military Domestic Abuse Senior Research and Evaluation Analyst for the National Organization for Victim Advocacy (NOVA). His research centers on the spatiotemporal clustering of crime, victimization of vulnerable populations, perceptions and attitudes of professionals working with victims of domestic violence as well as human trafficking, and arson within urban environments. Recent publications include Crime TV: Streaming Criminology in Popular Culture which utilizes modern television shows as a frame for understanding criminological theory.

"This incredible book is the comprehensive criminology of video games! It’s a deep dive into what they teach about crime, violence, consequences, and games’ ability to reify harms and solutions. Culture plays with rule breaking – use this book to understand the place and value of video games in understanding crime." - Jack Denham, Associate Dean: Social Sciences, York St. John University"Extends the criminological gaze towards an immensely popular – yet strangely neglected – area of popular culture. The result is a series of fascinating and illuminating explorations of how video games reflect – and perhaps shape or contest – our common conceptions of crime, justice, transgression and pleasure. A fabulous contribution to popular criminology!" - Majid Yar, Professor Emeritus of Criminology, Lancaster University

• IntroductionKevin F. Steinmetz & Jonathan A. GrubbChains in Bioshock: The Illusion of Freedom and Free WillMelissa A. PetkovsekThe Apprehensive Violence of Death Stranding: Meditations on Ropes and SticksKevin F. Steinmetz“Are You Sure the Only You is You?”: Domestic Violence and Critiquing the Other in the Spectral Remains of P.T. Sara Skott & Karl-Fredrik Scott BengtsonDemonology, Dark Fantasy, and the Devil: Representations of Early Criminological Theory and Justice in Diablo 2. Chad Posick“We’re Thieves in a World that Don’t Want Us No More”: The Red Dead Redemption Series as a Case Study of the Philosophies of PunishmentShon M. Reed, Logan P. Kennedy, & Breanna BoppreMaking Light of Darkness: Crime and Justice in LEGO Star Wars: The Skywalker Saga Colin AtkinsonFighting Fire with Fire: Disco Elysium and procedural (In)JusticeEdward L. W. GreenTo Serve and Protect from Behind the Mask: Miles Morales in Marvel’s Spider-Man and Marvel’s Spider-Man: Miles Morales, Policing, Justice, and RepresentationChristina Fawcett & Steven KohmCynicism in Police Simulation: A Case Study of Beat Cop James Popham, Andrea Corradi, Michael Ouellet, Sarthak Pal, Chris McDiarmid, Jocelyn Booton, & Michelle Goodridge