Mine Doğantan-Dack is a musicologist and concert pianist. Mine has published many articles on the phenomenology of live performing, dynamics of chamber music performance, pianistic touch, methodology in artistic research, history of music theory, and several edited books including Recorded Music: Philosophical and Critical Reflections (2008), Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). Mine performs as a soloist and chamber musician, and has given performances of most of the major piano concerti with various orchestras. She taught at the University of Oxford, and was Professor of Music Performance Studies at the University of Manchester. She currently teaches music performance studies at the Faculty of Music, University of Cambridge.

• List of Figures and TablesList of Music ExamplesNotes on ContributorsAcknowledgementsIntroductionMine Doğantan-Dack 1 Living With and Imagining the ComposerMary Hunter2 The Wisdom of the Classical Music PerformerMine Doğantan-Dack 3 Reconnecting with the Past, Feeling the Future and Enjoying the Present: Towards a Novel Pedagogy of Performing AbilitiesLászló Stachó4 The Joy of Sight-ReadingEugene Montague 5 Performing Musical and Metaphysical Agency in Pēteris Vasks’ Grāmata čellamRebecca Thumpston-Gallagher 6 Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of BreathPheaross Graham7 But Whose Life, Really?: Singers’ Experiences of Performing Robert Schumann’s Frauenliebe und -leben op. 42Natasha Loges8 “I Was Trying to Get Down the Mountain with My Violin Strapped to My Back”: Performance Anxiety Dreams of Classical Music PerformersMine Doğantan-Dack and László Stachó9 Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical IdentityRuth Herbert and Asha Parkinson10 Intersubjectivity in PerformanceIan Cross and Neta Spiro11 Mixed Methods for Researching Musicians’ Lived Experience: The Philosophy and Science of Musical AbsorptionSimon Høffding12 Sensing Sound-Motion Objects in Music PerformanceRolf Inge GodøyIndex

Mine Doğantan-Dack is a musicologist and concert pianist. Mine has published many articles on the phenomenology of live performing, dynamics of chamber music performance, pianistic touch, methodology in artistic research, history of music theory, and several edited books including Recorded Music: Philosophical and Critical Reflections (2008), Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). Mine performs as a soloist and chamber musician, and has given performances of most of the major piano concerti with various orchestras. She taught at the University of Oxford, and was Professor of Music Performance Studies at the University of Manchester. She currently teaches music performance studies at the Faculty of Music, University of Cambridge.

• List of Figures and TablesList of Music ExamplesNotes on ContributorsAcknowledgementsIntroductionMine Doğantan-Dack 1 Living With and Imagining the ComposerMary Hunter2 The Wisdom of the Classical Music PerformerMine Doğantan-Dack 3 Reconnecting with the Past, Feeling the Future and Enjoying the Present: Towards a Novel Pedagogy of Performing AbilitiesLászló Stachó4 The Joy of Sight-ReadingEugene Montague 5 Performing Musical and Metaphysical Agency in Pēteris Vasks’ Grāmata čellamRebecca Thumpston-Gallagher 6 Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of BreathPheaross Graham7 But Whose Life, Really?: Singers’ Experiences of Performing Robert Schumann’s Frauenliebe und -leben op. 42Natasha Loges8 “I Was Trying to Get Down the Mountain with My Violin Strapped to My Back”: Performance Anxiety Dreams of Classical Music PerformersMine Doğantan-Dack and László Stachó9 Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical IdentityRuth Herbert and Asha Parkinson10 Intersubjectivity in PerformanceIan Cross and Neta Spiro11 Mixed Methods for Researching Musicians’ Lived Experience: The Philosophy and Science of Musical AbsorptionSimon Høffding12 Sensing Sound-Motion Objects in Music PerformanceRolf Inge GodøyIndex

Mine Doğantan-Dack is a musicologist and concert pianist. Mine has published many articles on the phenomenology of live performing, dynamics of chamber music performance, pianistic touch, methodology in artistic research, history of music theory, and several edited books including Recorded Music: Philosophical and Critical Reflections (2008), Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). Mine performs as a soloist and chamber musician, and has given performances of most of the major piano concerti with various orchestras. She taught at the University of Oxford, and was Professor of Music Performance Studies at the University of Manchester. She currently teaches music performance studies at the Faculty of Music, University of Cambridge.

• List of Figures and TablesList of Music ExamplesNotes on ContributorsAcknowledgementsIntroductionMine Doğantan-Dack 1 Living With and Imagining the ComposerMary Hunter2 The Wisdom of the Classical Music PerformerMine Doğantan-Dack 3 Reconnecting with the Past, Feeling the Future and Enjoying the Present: Towards a Novel Pedagogy of Performing AbilitiesLászló Stachó4 The Joy of Sight-ReadingEugene Montague 5 Performing Musical and Metaphysical Agency in Pēteris Vasks’ Grāmata čellamRebecca Thumpston-Gallagher 6 Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of BreathPheaross Graham7 But Whose Life, Really?: Singers’ Experiences of Performing Robert Schumann’s Frauenliebe und -leben op. 42Natasha Loges8 “I Was Trying to Get Down the Mountain with My Violin Strapped to My Back”: Performance Anxiety Dreams of Classical Music PerformersMine Doğantan-Dack and László Stachó9 Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical IdentityRuth Herbert and Asha Parkinson10 Intersubjectivity in PerformanceIan Cross and Neta Spiro11 Mixed Methods for Researching Musicians’ Lived Experience: The Philosophy and Science of Musical AbsorptionSimon Høffding12 Sensing Sound-Motion Objects in Music PerformanceRolf Inge GodøyIndex