Stephanie Dennison is Professor of Brazilian Studies and directs the Centre for World Cinemas at the University of Leeds. She has published widely on both world cinema and Brazilian film: she co-authored with Lisa Shaw Popular Cinema in Brazil (2004) and Brazilian National Cinema (2007).

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• IntroductionPart IChapter One: Making Films in Twenty-first-century BrazilChapter Two: Engaging With Audiences at Home and AbroadChapter Three: Women and Film Culture in BrazilChapter Four: Brazil’s LGBTQ Communities and Film CultureChapter Five: Afro-Brazilian Filmmaking in the Twenty-first CenturyChapter Six: Screening the Indigenous Experience in BrazilPart IIChapter Seven: Cinema and Public Security: The Elite Squad Phenomenon (2007-2010)Chapter Eight: Lúcia Murat’s Olhar Estrangeiro (2005) and the representation of Brazil on Foreign ScreensChapter Nine: Hope Springs From Rubbish: Trash (2014) and the Garbage AestheticChapter Ten: A Cordial View from Brazil’s North East: Kleber Mendonça Filho’s Aquarius (2016)Epilogue

Stephanie Dennison is Professor of Brazilian Studies and directs the Centre for World Cinemas at the University of Leeds. She has published widely on both world cinema and Brazilian film: she co-authored with Lisa Shaw Popular Cinema in Brazil (2004) and Brazilian National Cinema (2007).

Select Guide Rating

• IntroductionPart IChapter One: Making Films in Twenty-first-century BrazilChapter Two: Engaging With Audiences at Home and AbroadChapter Three: Women and Film Culture in BrazilChapter Four: Brazil’s LGBTQ Communities and Film CultureChapter Five: Afro-Brazilian Filmmaking in the Twenty-first CenturyChapter Six: Screening the Indigenous Experience in BrazilPart IIChapter Seven: Cinema and Public Security: The Elite Squad Phenomenon (2007-2010)Chapter Eight: Lúcia Murat’s Olhar Estrangeiro (2005) and the representation of Brazil on Foreign ScreensChapter Nine: Hope Springs From Rubbish: Trash (2014) and the Garbage AestheticChapter Ten: A Cordial View from Brazil’s North East: Kleber Mendonça Filho’s Aquarius (2016)Epilogue

Stephanie Dennison is Professor of Brazilian Studies and directs the Centre for World Cinemas at the University of Leeds. She has published widely on both world cinema and Brazilian film: she co-authored with Lisa Shaw Popular Cinema in Brazil (2004) and Brazilian National Cinema (2007).

Select Guide Rating

• IntroductionPart IChapter One: Making Films in Twenty-first-century BrazilChapter Two: Engaging With Audiences at Home and AbroadChapter Three: Women and Film Culture in BrazilChapter Four: Brazil’s LGBTQ Communities and Film CultureChapter Five: Afro-Brazilian Filmmaking in the Twenty-first CenturyChapter Six: Screening the Indigenous Experience in BrazilPart IIChapter Seven: Cinema and Public Security: The Elite Squad Phenomenon (2007-2010)Chapter Eight: Lúcia Murat’s Olhar Estrangeiro (2005) and the representation of Brazil on Foreign ScreensChapter Nine: Hope Springs From Rubbish: Trash (2014) and the Garbage AestheticChapter Ten: A Cordial View from Brazil’s North East: Kleber Mendonça Filho’s Aquarius (2016)Epilogue