Maggie B. Gale is Chair in Drama at the University of Manchester, UK. Coeditor of the Women, Theatre and Performance series, her recent publications include: Vivien Leigh: Actress and Icon (2018) with Kate Dorney (eds), and The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (2nd edition, 2016) with John F. Deeney.

• List of Figures Acknowledgements Introduction: A Social History of British Performance Cultures 1900-1939: citizenship, surveillance and the body 1. Performance cultures and the expansion, operation and circulation of the performance industries 2. Legislating citizenship: regulating publics, regulating performance 3. Strangers and cultural transgressors on stage and screen: representing the outsider, the foreigner and the poor 4. Performing espionage: surveillance, the uncanny and theatrical spies 5. Performing conflict: beyond the First World War 6. Corporeality and the body in performance: agency and degeneration Bibliography Index

Maggie B. Gale is Chair in Drama at the University of Manchester, UK. Coeditor of the Women, Theatre and Performance series, her recent publications include: Vivien Leigh: Actress and Icon (2018) with Kate Dorney (eds), and The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (2nd edition, 2016) with John F. Deeney.

• List of Figures Acknowledgements Introduction: A Social History of British Performance Cultures 1900-1939: citizenship, surveillance and the body 1. Performance cultures and the expansion, operation and circulation of the performance industries 2. Legislating citizenship: regulating publics, regulating performance 3. Strangers and cultural transgressors on stage and screen: representing the outsider, the foreigner and the poor 4. Performing espionage: surveillance, the uncanny and theatrical spies 5. Performing conflict: beyond the First World War 6. Corporeality and the body in performance: agency and degeneration Bibliography Index

Maggie B. Gale is Chair in Drama at the University of Manchester, UK. Coeditor of the Women, Theatre and Performance series, her recent publications include: Vivien Leigh: Actress and Icon (2018) with Kate Dorney (eds), and The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (2nd edition, 2016) with John F. Deeney.

• List of Figures Acknowledgements Introduction: A Social History of British Performance Cultures 1900-1939: citizenship, surveillance and the body 1. Performance cultures and the expansion, operation and circulation of the performance industries 2. Legislating citizenship: regulating publics, regulating performance 3. Strangers and cultural transgressors on stage and screen: representing the outsider, the foreigner and the poor 4. Performing espionage: surveillance, the uncanny and theatrical spies 5. Performing conflict: beyond the First World War 6. Corporeality and the body in performance: agency and degeneration Bibliography Index