Erin Giannini is an independent scholar. She was editor and contributor for PopMatters. Her recent work has focused on corporate culture on television, including a monograph on corporatism in the works of Joss Whedon (2017). She has also published and presented work on religion, socioeconomics, production culture, and technology in series such as Supernatural, Dollhouse, iZombie, and Angel. Kristopher Woofter is Researcher at Dawson College, Montréal, Québec, Canada. He teaches courses on horror, the American Gothic and the Weird tradition in literature and the moving image. He is co-editor of the peer-reviewed journal MONSTRUM, and of several edited collections including Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond (Bloomsbury Academic, 2019), Recovering 1940s Horror Cinema: Traces of a Lost Decade (2015), and the forthcoming American Twilight: The Cinema of Tobe Hooper (2021) and Shirley Jackson: A Companion (2021).

• Foreword by Stacey Abbott and Lorna JowettIntroduction: Horror Anthology TVPart I— The Politics and Poetics of Pulp Horror TV1. Pulp TV and the Horror Morality Tale2. American Gothic TV as a School of Suspicion3. Towards a Pulp TV Horror HumanismPart II— Production Realities and the Horror Anthology Series4. Anti-Arc TV—Anthology and Semi-Anthology Horror as Collection5. Guided Tours of Horror—Primetime Pedigree vs. the Lurid Landscape of Syndication6. The Erotics of Pulp Horror TVConclusion

Erin Giannini is an independent scholar. She was editor and contributor for PopMatters. Her recent work has focused on corporate culture on television, including a monograph on corporatism in the works of Joss Whedon (2017). She has also published and presented work on religion, socioeconomics, production culture, and technology in series such as Supernatural, Dollhouse, iZombie, and Angel. Kristopher Woofter is Researcher at Dawson College, Montréal, Québec, Canada. He teaches courses on horror, the American Gothic and the Weird tradition in literature and the moving image. He is co-editor of the peer-reviewed journal MONSTRUM, and of several edited collections including Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond (Bloomsbury Academic, 2019), Recovering 1940s Horror Cinema: Traces of a Lost Decade (2015), and the forthcoming American Twilight: The Cinema of Tobe Hooper (2021) and Shirley Jackson: A Companion (2021).

• Foreword by Stacey Abbott and Lorna JowettIntroduction: Horror Anthology TVPart I— The Politics and Poetics of Pulp Horror TV1. Pulp TV and the Horror Morality Tale2. American Gothic TV as a School of Suspicion3. Towards a Pulp TV Horror HumanismPart II— Production Realities and the Horror Anthology Series4. Anti-Arc TV—Anthology and Semi-Anthology Horror as Collection5. Guided Tours of Horror—Primetime Pedigree vs. the Lurid Landscape of Syndication6. The Erotics of Pulp Horror TVConclusion

Erin Giannini is an independent scholar. She was editor and contributor for PopMatters. Her recent work has focused on corporate culture on television, including a monograph on corporatism in the works of Joss Whedon (2017). She has also published and presented work on religion, socioeconomics, production culture, and technology in series such as Supernatural, Dollhouse, iZombie, and Angel. Kristopher Woofter is Researcher at Dawson College, Montréal, Québec, Canada. He teaches courses on horror, the American Gothic and the Weird tradition in literature and the moving image. He is co-editor of the peer-reviewed journal MONSTRUM, and of several edited collections including Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond (Bloomsbury Academic, 2019), Recovering 1940s Horror Cinema: Traces of a Lost Decade (2015), and the forthcoming American Twilight: The Cinema of Tobe Hooper (2021) and Shirley Jackson: A Companion (2021).

• Foreword by Stacey Abbott and Lorna JowettIntroduction: Horror Anthology TVPart I— The Politics and Poetics of Pulp Horror TV1. Pulp TV and the Horror Morality Tale2. American Gothic TV as a School of Suspicion3. Towards a Pulp TV Horror HumanismPart II— Production Realities and the Horror Anthology Series4. Anti-Arc TV—Anthology and Semi-Anthology Horror as Collection5. Guided Tours of Horror—Primetime Pedigree vs. the Lurid Landscape of Syndication6. The Erotics of Pulp Horror TVConclusion