Anne Koch is Professor of Religious Studies at the University of Salzburg, Austria. She is co-editor of the Journal of Religion in Europe and a steering committee member of the Religion in Europe group at the American Academy of Religion.Katharina Wilkens is Lecturer in the Study of Religion at Ludwig-Maximilian University of Munich, Germany.

"In this wide-ranging new volume, Anne Koch and Katharina Wilkens curate a capacious collection of researchers at the forefront of body-based religious knowledge. Contributors open up new lines of enquiry that bridge social scientific and humanities approaches to religious life, tradition, practice, and maybe even belief. This is a useful work that helps to establish an emerging area.”

• List of FiguresList of TablesNotes on Contributors Foreword by Birgit Meyer (Utrecht University, the Netherlands)Acknowledgments1. Introduction, Anne Koch (University College of Education, Linz, Austria) and Katharina Wilkens (University of Munich, Germany)PART ONE: APPROACH2. A Historiography of Aesthetics in a Western Context, Jay Johnston (University of Sydney, Australia)3. Epistemology, Anne Koch (University College of Education, Linz, Austria)4. Aesthetics of Knowledge, Arianna Borrelli (Leuphana University in Lueneburg, Germany) and Alexandra Grieser (Trinity College Dublin, Ireland)5. Methodology, Jens Kreinath (Wichita State University, USA)PART TWO: ANALYTICAL CATEGORIES6. Imagination, Lucia Traut (University of Muenster, Germany) and Anne Wahl (University of Münster, Germany)7. Ritual, Jesper Sørensen (Aarhus University, Denmark)8. Absorption, T. M. Luhrmann (Stanford University, USA)9. Aniconicity and Aniconism, Mikael Aktor (University of Southern Denmark, Demark)10. Sonality, Annette Wilke (University of Münster, Germany)11. Museality, Jens Kugele (International Graduate Centre for the Study of Culture (GCSC), JLU Giessen, Germany)PART THREE: STRATEGIES OF AESTHETIC FORMATIONS12. Sensory Strategies, Hubert Mohr (University of Bremen, Germany)13. Narrative Strategies, Dirk Johannsen (University of Oslo, Norway) and Anja Kirsch (University of Basel, Switzerland)14. Text Acts, Katharina Wilkens (University of Munich, Germany)15. Embodiment through Comics, Chris Klassen (Wilfrid Laurier University in Waterloo, Ontario, Canada)16. Gendered Performativity, Shaireen Rasheed (Long Island University, USA)17. Art, Jay Johnston (University of Sydney, Australia)18. Cinesthetics, Adrian Hermann (University of Bonn, Germany) and Yulia Lokshina (University of Bonn, Germany)SECTION FOUR: AESTHETICSCAPES19. Cult Images, Brigitte Luchesi (University of Bremen, Germany)20. Smell as Communication, Esther-Maria Guggenmos (KHC Erlangen, Germanyand the Center for Chinese Studies, Taipei, Taiwan)21. Sensing and Painting Knowledge, Isabel Laack (Heidelberg University, Germany)22. Protestant (An)aesthetics, Robert Yelle (Ludwig Maximilian University, Munich, Germany)23. Aesthetics of the Ugly, Constanze Pabst von Ohain (University of Munich, Germany)24. Aesthetics of the Secular, Stefan Binder (University of Goettingen, Germany)25. Aesthetics of the Spirits, Peter J. Bräunlein (Leipzig University, Germany)SECTION FIVE: AESTHETICS OF RELIGION IN THE CLASSROOM26. Teaching Aesthetics of Religion, Isabel Laack (Heidelberg University, Germany) and Petra Tillessen (University of Bonn, Germany)Notes ReferencesIndex

Anne Koch is Professor of Religious Studies at the University of Salzburg, Austria. She is co-editor of the Journal of Religion in Europe and a steering committee member of the Religion in Europe group at the American Academy of Religion.Katharina Wilkens is Lecturer in the Study of Religion at Ludwig-Maximilian University of Munich, Germany.

"In this wide-ranging new volume, Anne Koch and Katharina Wilkens curate a capacious collection of researchers at the forefront of body-based religious knowledge. Contributors open up new lines of enquiry that bridge social scientific and humanities approaches to religious life, tradition, practice, and maybe even belief. This is a useful work that helps to establish an emerging area.”

• List of FiguresList of TablesNotes on Contributors Foreword by Birgit Meyer (Utrecht University, the Netherlands)Acknowledgments1. Introduction, Anne Koch (University College of Education, Linz, Austria) and Katharina Wilkens (University of Munich, Germany)PART ONE: APPROACH2. A Historiography of Aesthetics in a Western Context, Jay Johnston (University of Sydney, Australia)3. Epistemology, Anne Koch (University College of Education, Linz, Austria)4. Aesthetics of Knowledge, Arianna Borrelli (Leuphana University in Lueneburg, Germany) and Alexandra Grieser (Trinity College Dublin, Ireland)5. Methodology, Jens Kreinath (Wichita State University, USA)PART TWO: ANALYTICAL CATEGORIES6. Imagination, Lucia Traut (University of Muenster, Germany) and Anne Wahl (University of Münster, Germany)7. Ritual, Jesper Sørensen (Aarhus University, Denmark)8. Absorption, T. M. Luhrmann (Stanford University, USA)9. Aniconicity and Aniconism, Mikael Aktor (University of Southern Denmark, Demark)10. Sonality, Annette Wilke (University of Münster, Germany)11. Museality, Jens Kugele (International Graduate Centre for the Study of Culture (GCSC), JLU Giessen, Germany)PART THREE: STRATEGIES OF AESTHETIC FORMATIONS12. Sensory Strategies, Hubert Mohr (University of Bremen, Germany)13. Narrative Strategies, Dirk Johannsen (University of Oslo, Norway) and Anja Kirsch (University of Basel, Switzerland)14. Text Acts, Katharina Wilkens (University of Munich, Germany)15. Embodiment through Comics, Chris Klassen (Wilfrid Laurier University in Waterloo, Ontario, Canada)16. Gendered Performativity, Shaireen Rasheed (Long Island University, USA)17. Art, Jay Johnston (University of Sydney, Australia)18. Cinesthetics, Adrian Hermann (University of Bonn, Germany) and Yulia Lokshina (University of Bonn, Germany)SECTION FOUR: AESTHETICSCAPES19. Cult Images, Brigitte Luchesi (University of Bremen, Germany)20. Smell as Communication, Esther-Maria Guggenmos (KHC Erlangen, Germanyand the Center for Chinese Studies, Taipei, Taiwan)21. Sensing and Painting Knowledge, Isabel Laack (Heidelberg University, Germany)22. Protestant (An)aesthetics, Robert Yelle (Ludwig Maximilian University, Munich, Germany)23. Aesthetics of the Ugly, Constanze Pabst von Ohain (University of Munich, Germany)24. Aesthetics of the Secular, Stefan Binder (University of Goettingen, Germany)25. Aesthetics of the Spirits, Peter J. Bräunlein (Leipzig University, Germany)SECTION FIVE: AESTHETICS OF RELIGION IN THE CLASSROOM26. Teaching Aesthetics of Religion, Isabel Laack (Heidelberg University, Germany) and Petra Tillessen (University of Bonn, Germany)Notes ReferencesIndex

Anne Koch is Professor of Religious Studies at the University of Salzburg, Austria. She is co-editor of the Journal of Religion in Europe and a steering committee member of the Religion in Europe group at the American Academy of Religion.Katharina Wilkens is Lecturer in the Study of Religion at Ludwig-Maximilian University of Munich, Germany.

"In this wide-ranging new volume, Anne Koch and Katharina Wilkens curate a capacious collection of researchers at the forefront of body-based religious knowledge. Contributors open up new lines of enquiry that bridge social scientific and humanities approaches to religious life, tradition, practice, and maybe even belief. This is a useful work that helps to establish an emerging area.”

• List of FiguresList of TablesNotes on Contributors Foreword by Birgit Meyer (Utrecht University, the Netherlands)Acknowledgments1. Introduction, Anne Koch (University College of Education, Linz, Austria) and Katharina Wilkens (University of Munich, Germany)PART ONE: APPROACH2. A Historiography of Aesthetics in a Western Context, Jay Johnston (University of Sydney, Australia)3. Epistemology, Anne Koch (University College of Education, Linz, Austria)4. Aesthetics of Knowledge, Arianna Borrelli (Leuphana University in Lueneburg, Germany) and Alexandra Grieser (Trinity College Dublin, Ireland)5. Methodology, Jens Kreinath (Wichita State University, USA)PART TWO: ANALYTICAL CATEGORIES6. Imagination, Lucia Traut (University of Muenster, Germany) and Anne Wahl (University of Münster, Germany)7. Ritual, Jesper Sørensen (Aarhus University, Denmark)8. Absorption, T. M. Luhrmann (Stanford University, USA)9. Aniconicity and Aniconism, Mikael Aktor (University of Southern Denmark, Demark)10. Sonality, Annette Wilke (University of Münster, Germany)11. Museality, Jens Kugele (International Graduate Centre for the Study of Culture (GCSC), JLU Giessen, Germany)PART THREE: STRATEGIES OF AESTHETIC FORMATIONS12. Sensory Strategies, Hubert Mohr (University of Bremen, Germany)13. Narrative Strategies, Dirk Johannsen (University of Oslo, Norway) and Anja Kirsch (University of Basel, Switzerland)14. Text Acts, Katharina Wilkens (University of Munich, Germany)15. Embodiment through Comics, Chris Klassen (Wilfrid Laurier University in Waterloo, Ontario, Canada)16. Gendered Performativity, Shaireen Rasheed (Long Island University, USA)17. Art, Jay Johnston (University of Sydney, Australia)18. Cinesthetics, Adrian Hermann (University of Bonn, Germany) and Yulia Lokshina (University of Bonn, Germany)SECTION FOUR: AESTHETICSCAPES19. Cult Images, Brigitte Luchesi (University of Bremen, Germany)20. Smell as Communication, Esther-Maria Guggenmos (KHC Erlangen, Germanyand the Center for Chinese Studies, Taipei, Taiwan)21. Sensing and Painting Knowledge, Isabel Laack (Heidelberg University, Germany)22. Protestant (An)aesthetics, Robert Yelle (Ludwig Maximilian University, Munich, Germany)23. Aesthetics of the Ugly, Constanze Pabst von Ohain (University of Munich, Germany)24. Aesthetics of the Secular, Stefan Binder (University of Goettingen, Germany)25. Aesthetics of the Spirits, Peter J. Bräunlein (Leipzig University, Germany)SECTION FIVE: AESTHETICS OF RELIGION IN THE CLASSROOM26. Teaching Aesthetics of Religion, Isabel Laack (Heidelberg University, Germany) and Petra Tillessen (University of Bonn, Germany)Notes ReferencesIndex