Kelley Helmstutler Di Dio is Professor of Art History at the University of Vermont.

'The book takes up two topics that are almost never considered together - how sculpture is made, and then, how it gets to its destination. The geographical sweep is refreshingly broad, up and down the Italian peninsula and westward into France and Spain. The well-written essays by notable scholars cover a range of media and types of commissions, from Donatello’s sculpture for the High Altar in the Santo in Padua to Bernini’s work in the San Pietro fabbrica. The wealth of material presented here sheds light on important sculptural works about which we may have thought nothing new could be said.' Debra Pincus, independent scholar, Washington, D.C., US 'Making and Moving Sculpture in Early Modern Italy recognizes the physicality and mass that distinguish sculpture, from its glittering surfaces to its interior core. It addresses overlooked areas of art-making by refocusing on some of the most basic and compelling issues of the sculptor, namely the practical considerations of creating, moving, and otherwise engineering the three-dimensional object. With essays by leading scholars and a practicing sculptor, the book is a fitting complement to the more interpretive and abstract studies that currently dominate scholarship in the visual arts ... an original and timely contribution to the field of early modern sculpture.' Victor Coonin, Rhodes College, USA'Making and Moving Sculpture in Early Modern Italy is certainly an important addition to the growing field of studies on the mobility and materiality of sculpture, and it offers new insights on many aspects of the history of sculpture that will certainly have a lasting impact on the field and provide materials for further studies and reflections on the variety of themes addressed. The wealth of new evidence and ideas emerging from this book makes it a mandatory addition to the library of any scholar interested in sculpture.' CAA Reviews

• Table of Contents to come.

Kelley Helmstutler Di Dio is Professor of Art History at the University of Vermont.

'The book takes up two topics that are almost never considered together - how sculpture is made, and then, how it gets to its destination. The geographical sweep is refreshingly broad, up and down the Italian peninsula and westward into France and Spain. The well-written essays by notable scholars cover a range of media and types of commissions, from Donatello’s sculpture for the High Altar in the Santo in Padua to Bernini’s work in the San Pietro fabbrica. The wealth of material presented here sheds light on important sculptural works about which we may have thought nothing new could be said.' Debra Pincus, independent scholar, Washington, D.C., US 'Making and Moving Sculpture in Early Modern Italy recognizes the physicality and mass that distinguish sculpture, from its glittering surfaces to its interior core. It addresses overlooked areas of art-making by refocusing on some of the most basic and compelling issues of the sculptor, namely the practical considerations of creating, moving, and otherwise engineering the three-dimensional object. With essays by leading scholars and a practicing sculptor, the book is a fitting complement to the more interpretive and abstract studies that currently dominate scholarship in the visual arts ... an original and timely contribution to the field of early modern sculpture.' Victor Coonin, Rhodes College, USA'Making and Moving Sculpture in Early Modern Italy is certainly an important addition to the growing field of studies on the mobility and materiality of sculpture, and it offers new insights on many aspects of the history of sculpture that will certainly have a lasting impact on the field and provide materials for further studies and reflections on the variety of themes addressed. The wealth of new evidence and ideas emerging from this book makes it a mandatory addition to the library of any scholar interested in sculpture.' CAA Reviews

• Table of Contents to come.

Kelley Helmstutler Di Dio is Professor of Art History at the University of Vermont.

'The book takes up two topics that are almost never considered together - how sculpture is made, and then, how it gets to its destination. The geographical sweep is refreshingly broad, up and down the Italian peninsula and westward into France and Spain. The well-written essays by notable scholars cover a range of media and types of commissions, from Donatello’s sculpture for the High Altar in the Santo in Padua to Bernini’s work in the San Pietro fabbrica. The wealth of material presented here sheds light on important sculptural works about which we may have thought nothing new could be said.' Debra Pincus, independent scholar, Washington, D.C., US 'Making and Moving Sculpture in Early Modern Italy recognizes the physicality and mass that distinguish sculpture, from its glittering surfaces to its interior core. It addresses overlooked areas of art-making by refocusing on some of the most basic and compelling issues of the sculptor, namely the practical considerations of creating, moving, and otherwise engineering the three-dimensional object. With essays by leading scholars and a practicing sculptor, the book is a fitting complement to the more interpretive and abstract studies that currently dominate scholarship in the visual arts ... an original and timely contribution to the field of early modern sculpture.' Victor Coonin, Rhodes College, USA'Making and Moving Sculpture in Early Modern Italy is certainly an important addition to the growing field of studies on the mobility and materiality of sculpture, and it offers new insights on many aspects of the history of sculpture that will certainly have a lasting impact on the field and provide materials for further studies and reflections on the variety of themes addressed. The wealth of new evidence and ideas emerging from this book makes it a mandatory addition to the library of any scholar interested in sculpture.' CAA Reviews

• Table of Contents to come.