Häftad, Engelska, 2025
On Painting
Courses, March-June 1981
Av Gilles Deleuze, David Lapoujade
383 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Fler format och utgåvor
Beskrivning
Produktinformation
- Utgivningsdatum: 2025-08-12
- Mått: 140 x 216 x 18 mm
- Vikt: 422 g
- Format: Häftad
- Språk: Engelska
- Serie: Univocal
- Antal sidor: 360
- Förlag: University of Minnesota Press
- ISBN: 9781517918408
- Översättare: Charles J. Stivale
Utforska kategorier
Mer om författaren
Gilles Deleuze (1925–1995) was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus (Minnesota, 1987) with FÉlix Guattari. He is author of many books, including Francis Bacon: The Logic of Sensation; Cinema 1: The Movement-Image; Cinema 2: The Time-Image; The Fold: Leibniz and the Baroque; and Proust and Signs: The Complete Text, all published in English by the University of Minnesota Press. David Lapoujade is professor of philosophy at UniversitÉ Paris 1–Sorbonne. His books include Powers of Time: Versions of Bergson; The Lesser Existences: & Étienne Souriau, an Aesthetics for the Virtual (both from Minnesota); and Aberrant Movements: The Philosophy of Gilles Deleuze. Charles J. Stivale is Distinguished Professor Emeritus at Wayne State University. He is translator of Deleuze’s Logic of Sense and translator of Gilles Deleuze, From A to Z.
Recensioner i media
"Clear, accessible, exhilarating, On Painting is the finest introduction to Gilles Deleuze’s reflections on visual media and aesthetics. Whether the diagram, the distinction of analogue and digital, chaos and event, sentience and sublimity, or modulation and coloration, David Lapoujade and Charles J. Stivale bring to Anglophone readers a pedagogy of the highest magnitude." - Tom Conley, Harvard University"Gilles Deleuze’s lectures on painting explore catastrophe and its relation to the birth of color via a confrontation with prepictorial chaos based on the ‘diagram,’ which generates different modulations of flesh and color. The result is a text that will have the same revolutionary impact on art history and studio practice that his two Cinema books have had on film studies." - Colin Gardner, University of California, Santa Barbara
Betyg & recensioner
0 recensioner
Inga recensioner tillgängliga.